Checked against the deposits and the card's page. restoredacademy.com/sigil/ (repo, line 547) captions the Snub-Poemed image: '(Jack Feist, 2013). Concrete poem in which scattered letters compose the face of Socrates. The poem is the philosopher. Anne Carson described it as "a cool poem." It is also a portrait of Johannes Sigil.', then the DOI 10.5281/zenodo.19825730, one of the two poems #700 compiles (#701 is Snub-Poemed). #700 §I: 'Anne Carson … received "Snub-Poemed" in 2013. Her response — "a cool poem" — is not evidence for the poem's argument, but it is a useful reception trace'. The card snippet keeps the caption's last two sentences and the DOI and loses the poem's name, and the composition follows the snippet. No archive text makes Carson an interlocutor on Sigil's 'portraits' or 'sigillographic texts'. Operator's statement, 2026-10-08 14:01 EDT: 'she did say that, of snub-poemed, maybe 13-14 years ago. she also called sappho future reader a 'weird idea'. thats basically the entire history of the correspondence.' The second remark is in no archive text.

The Nobel makes any sentence with Carson's name salient, and the archive holds one such sentence on its surfaces: a caption. The composition reads it at the grain of the snippet, which cuts the caption below the poem's name, so the remark attaches to 'a text associated with the persona' and then, in the plural, to Sigil's portraits. The deflating remark the operator reports is unindexed, and the composer cannot compose with it. Set beside 'anne carson in crimson hexagonal archive' the same hour, where the same caption becomes praise of the project. Seated 2026-10-08 from the operator's message of 14:10 EDT, on the attestation in the same message ("signed out, incognito, expanded from popup").