EA-CORPORA-29 is the twenty-ninth seating of the Crimson Hexagonal Archive's originals shelf, deposited by Lee Sharks on 28 October 2026. Its eleven seats, 196 works and some 876,000 lines of text layer make it the widest-ranging seating of the series. It began with the critical edition of Belief & Technique for Telepathic Prose (#1715), whose apparatus asked for Jack Kerouac's list, entered as a declared absence (29/01), and for Horace's Ars Poetica, seated with all of Horace in Latin (29/02) and followed by Ovid (29/03). At the author's direction it widened into an art of poetry in twenty traditions (29/04): sixty-four treatises, prefaces, letters and poems. They run from Bharata's Nāṭyaśāstra, Ānandavardhana and Mammaṭa, the Great Preface to the Odes, Lu Ji and Liu Xie, the Kana Preface of the Kokinshū and Yi Illo's Pahanjip, through Qudāma ibn Jaʿfar, Niẓāmī ʿArūḍī, Snorri's Edda, the Auraicept and the Leys d'Amors, to Dante, Boileau, Rimbaud, Mallarmé, Lope de Vega, Darío, Huidobro, Opitz, Lessing, Pushkin, Mayakovsky, Bialik and Hagiwara. Johannes Sigil's 'Tradition and the Individual Seismograph' is seated beside T. S. Eliot's essay. A second avant-garde seat (29/05) gathers the statements of method of 1913–1929, from Imagism and Dada to La Révolution surréaliste, LEF and the Chinese literary revolution. A wanted list (29/06) declares fifty-nine works the shelf cannot yet hold. Telepathic Prose (29/07) holds the archive's own art of poetry in its drafts of 2014, the book and the blog. The seating closes on the Buddhist canons. The Pali Tipiṭaka is seated complete in root Pali (29/08). The Mahāyāna sūtras and śāstras come in Sanskrit (29/09), and the Chinese canon with Chan, Japanese Pure Land and Zen, and Han Yong-un's The Silence of Love (29/10). Eight volumes of the Derge Kangyur in Tibetan (29/11) give the Lotus, the Diamond, the Heart and the Vimalakīrti in a third canon language.