EA-CORPORA-29 — The Twenty-Ninth Seating, the Pluriform: Horace and Ovid, the Art of Poetry in Twenty Traditions, the Avant-Garde II, Telepathic Prose, and the Buddhist Canons in Pali, Sanskrit, Chinese, Korean, Japanese and Tibetan

EA-CORPORA-29 — The Twenty-Ninth Seating, the Pluriform: Horace and Ovid, the Art of Poetry in Twenty Traditions, the Avant-Garde II, Telepathic Prose, and the Buddhist Canons in Pali, Sanskrit, Chinese, Korean, Japanese and Tibetan

EA-CORPORA-29 — The Twenty-Ninth Seating, the Pluriform: Horace and Ovid, the Art of Poetry in Twenty Traditions, the Avant-Garde II, Telepathic Prose, and the Buddhist Canons in Pali, Sanskrit, Chinese, Korean, Japanese and Tibetan

EA-CORPORA-29 — The Twenty-Ninth Seating

The seating began with Belief & Technique for Telepathic Prose: A Critical Edition (#1715), whose apparatus asked for Kerouac's list (declared, 29/01) and Horace's Ars Poetica (29/02). The author then asked for "an extremely pluriform ars poetica bundle to gather with the others for the next ea-corpora. include telepathic prose", for Ovid entire, for Language writing and the contemporary arts of poetry as wanted, for the experimental, Dada and Surrealist statements of method, and for the bundle to go "further globally, hebrew, sanskrit, korean - this will be the single widest ranging ea corpora deposit", with "Tradition and the Individual Seismograph" beside Eliot's essay. Gathering it for deposit, he widened it once more: "lets just make it a totally pluriform bundled ea-corpora - we need buddhist canon, various traditions, mahayana included."

Eleven seats. The arts of poetry run from the Nāṭyaśāstra and the Great Preface to the Odes through Mayakovsky, Hagiwara and Bialik, in twenty traditions, beside the avant-garde's statements of method and the archive's own art of poetry in all its witnesses. The wanted list names what the shelf cannot hold yet, and when each opens. The Buddhist seats set one canon in its several languages. The Pali Tipiṭaka is seated complete, the harvest the Dhammapada seat queued (02/17). The Mahāyāna sūtras and śāstras come in Sanskrit. The Chinese canon comes with Chan, Japan and Korea. The Derge Kangyur gives the same sūtras in Tibetan, so that the Lotus, the Diamond, the Heart and the Vimalakīrti stand on the shelf in Sanskrit, Chinese and Tibetan at once.

Seat 29/01 — Jack Kerouac

A declared absence: the statements of method, the novels and Mexico City Blues

• Works: none held; the seat is a declared absence (no works held; 14 declared)
• Licence: The declaration is the archive's own, CC-BY-4.0. The works it names are not held.
• Lines: 0 in 0 text files (0 works)
• Normalization: None: the declaration is held as written.
• Scope: Declared, not seated: Jack Kerouac, The Town and the City (Harcourt, Brace, 1950), opens: 2046-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Essentials of Spontaneous Prose, in Black Mountain Review 7 (Black Mountain College, 1957), opens: 2053-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, On the Road (Viking Press, 1957), opens: 2053-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, The Subterraneans (Grove Press, 1958), opens: 2054-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, The Dharma Bums (Viking Press, 1958), opens: 2054-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Essentials of Spontaneous Prose, in Evergreen Review 2.5 (Grove Press, 1958), opens: 2054-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Belief & Technique for Modern Prose: List of Essentials, in Evergreen Review 2.8 (Grove Press, 1959), opens: 2055-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Doctor Sax (Grove Press, 1959), opens: 2055-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Mexico City Blues (Grove Press, 1959), opens: 2055-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Book of Dreams (City Lights, 1961), opens: 2057-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Big Sur (Farrar, Straus and Cudahy, 1962), opens: 2058-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Jack Kerouac, Visions of Cody (McGraw-Hill, 1972), opens: 2068-01-01; Jack Kerouac, Selected Letters, 1957–1969, ed. Ann Charters (the letter of 1958 to Donald Allen) (Viking, 1999), opens: 2040-01-01, seventy years after the author's death, for matter first published after 1977; the editor's apparatus under its own terms; Jack Kerouac, On the Road: The Original Scroll, ed. Howard Cunnell (Viking, 2007), opens: 2040-01-01, seventy years after the author's death; the editors' apparatus under its own terms. Wanted: the two statements of method first, in their first printings (Black Mountain Review 7, 1957; Evergreen Review 2.5, 1958, and 2.8, 1959), and the 1958 letter to Donald Allen in which the list was written; the renewal record of each work published before 1964, which decides when it opens. Until then the shelf describes the list and cites it by item number (Belief & Technique for Telepathic Prose: A Critical Edition, §7).
• Why seated: Jack Kerouac (1922–1969) is entered as wanted, at the operator's ruling of 2026-10-28 on the proposals of Belief & Technique for Telepathic Prose: A Critical Edition (§11). His two statements of method are the model the Footnote to Pearl names (Dead Letters, #1099, post #4, 10 May 2014): "Belief & Technique for Modern Prose", thirty items, written in a letter to Donald Allen in 1958 and printed in Evergreen Review in 1959, and "Essentials of Spontaneous Prose", printed in the Black Mountain Review in 1957 and in Evergreen Review in 1958, whose word for what spontaneous prose does to its reader, "telepathic", the Footnote takes into its title. His works are in copyright: those published before 1964 needed renewal, which is to be checked work by work; the later works run ninety-five years from publication.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/jack-kerouac

Seat 29/02 — Horace

The poems in Latin, with the Ars Poetica

• Works:

- Horace, Carmina (Odes), books I–IV — Paul Shorey and Gordon J. Laing, Horace, Odes and Epodes (Chicago: Benj. H. Sanborn, 1919), via Perseus lat2

- Horace, Carmen Saeculare — Shorey and Laing (1919), via Perseus lat2

- Horace, Epodi (Epodes) — Friedrich Vollmer, Q. Horati Flacci Carmina (Leipzig: Teubner, 1912), via Perseus lat2

- Horace, Sermones (Satires), books I–II — Christopher Smart, The Works of Horace, vol. II (Philadelphia: Joseph Whetham, 1836), the Latin text, via Perseus lat2

- Horace, Epistulae (Epistles), books I–II — H. Rushton Fairclough, Horace: Satires, Epistles and Ars Poetica (Loeb Classical Library; London: Heinemann; Cambridge, MA: Harvard University Press, 1929), via Perseus lat2

- Horace, Ars Poetica (Epistula ad Pisones) — Smart (1836), the Latin text, via Perseus lat2

• Licence: Perseus Digital Library TEI under CC BY-SA 4.0 (the packaging); the underlying editions are in the public domain in the United States (Smart 1836, Vollmer 1912, Shorey and Laing 1919, Fairclough 1929: all published before 1931).
• Verified locus: Ars Poetica 1 — 'Humano capiti cervicem pictor equinam'
• Verified locus: Ars Poetica 453–476, the mad poet and Empedocles — 'sit ius liceatque perire poetis'
• Verified locus: Ars Poetica 465, Empedocles in Etna — 'Empedocles'
• Verified locus: Carmina 3.30.1 — 'Exegi monumentum aere perennius'
• Verified locus: Carmina 1.1.1 — 'Maecenas atavis edite regibus'
• Lines: 7,991 in 6 text files (6 works)
• Normalization: The TEI as fetched under original/; text/<slug>.txt reduced from the TEI by code: a heading line per textpart ('=== book 1 ===', '=== poem 1 ==='), one line per verse with its line number; the teiHeader, notes and apparatus left in the TEI.
• Scope: Horace's poems entire in Latin, six works in six TEI files at one pinned commit of PerseusDL/canonical-latinLit. The editions differ by work, as Perseus carries them; each is named with its file.
• Why seated: At the operator's ruling of 2026-10-28, on the proposals of Belief & Technique for Telepathic Prose: A Critical Edition (§11): the Ars Poetica is the genre's founding text, whose close (the mad poet in the pit, Empedocles in Etna, 453–476) the Footnote to Pearl distributes through its list. The shelf held Longinus (01/06) and no Horace.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/horace

Seat 29/03 — Ovid

The poems in Latin, from the Amores to the Ibis; the Fasti queued

• Works:

- Ovid, Amores, via Perseus lat2

- Ovid, Epistulae (Heroides), via Perseus lat2

- Ovid, Medicamina faciei femineae, via Perseus lat2

- Ovid, Ars Amatoria, via Perseus lat2

- Ovid, Remedia amoris, via Perseus lat2

- Ovid, Metamorphoses, via Perseus lat2

- Ovid, Tristia, via Perseus lat2

- Ovid, Epistulae ex Ponto, via Perseus lat2

- Ovid, Ibis, via Perseus lat2

• Licence: Perseus Digital Library TEI under CC BY-SA 4.0 (the repository's licence); the underlying editions are in the public domain in the United States: Ehwald (Teubner, 1907 and 1889), Magnus (Perthes, 1892), Wheeler (Loeb, 1924; the 1939 printing).
• Verified locus: Amores 1.1.1–2, the elegiac foot stolen by Cupid — 'Arma gravi numero violentaque bella parabam'
• Verified locus: Ars Amatoria 1.1–2, the art taught — 'Siquis in hoc artem populo non novit amandi'
• Verified locus: Metamorphoses 15.871, the sphragis — 'Iamque opus exegi'
• Verified locus: Tristia 2, the defence of the poems — 'carmen et error'
• Lines: 29,175 in 9 text files (9 works)
• Normalization: The TEI as fetched under original/; text/<slug>.txt reduced from the TEI by code: a heading line per textpart, one line per verse with its line number; the teiHeader, notes and apparatus left in the TEI.
• Scope: Ovid's works entire in Latin as Perseus carries them, nine TEI files at one pinned commit of PerseusDL/canonical-latinLit. Seated in the pluriform twenty-ninth seating with the arts of poetry: the Ars Amatoria is the ars of the title turned to love, the Amores open on the poet's metre and close on his monument, the Tristia defend the poems that exiled him, and the Metamorphoses end on the poet's survival in his work.
• Queued: The Fasti: the Perseus text is Frazer's Loeb edition (1931), in copyright in the United States until 1 January 2027. QUEUED for that date, or for a public-domain edition of the Latin fetched from a scan whose licence is verified at the file.
• Why seated: At the operator's ruling of 2026-10-28, gathering the twenty-ninth seating as a pluriform bundle of the arts of poetry: Ovid seated entire. The shelf held no Ovid (the one occurrence of the name was the Ovid Press imprint of Pound's Hugh Selwyn Mauberley, 18/01).
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/ovid

Seat 29/04 — Ars Poetica

The art of poetry in twenty traditions

• Works by class: Greek 3; Latin 4; Sanskrit 9; Tamil 1; Chinese 6; Japanese 3; Korean 1; Hebrew 2; Arabic 2; Persian 1; Old Norse 1; Irish 1; Occitan 1; Italian 1; French 6; Spanish 4; Portuguese 1; German 3; Russian 2; English 12
• Works:

- Demetrius, Περὶ ἑρμηνείας (On Style) — W. Rhys Roberts (Cambridge, 1902), via Perseus grc2

- Dionysius of Halicarnassus, Περὶ συνθέσεως ὀνομάτων (On the Arrangement of Words) — Usener and Radermacher (Leipzig: Teubner, 1904), via Perseus grc2

- Lucian, Πῶς δεῖ ἱστορίαν συγγράφειν (How to Write History) — Teubner (1913), via Perseus grc2

- Quintilian, Institutio oratoria, books I–XII — H. E. Butler, Loeb Classical Library (London: Heinemann; Cambridge, Mass.: Harvard, 1920–1922), the Latin text, via Perseus lat2

- Dante Alighieri, De vulgari eloquentia, libri I–II (c. 1302–1305) — Latin Wikisource

- Marco Girolamo Vida, Poemata omnia (1550), containing the De arte poetica libri III (first printed 1527) — scan (Google Books via the Internet Archive), OCR layer

- Edmond Faral, Les arts poétiques du XIIe et du XIIIe siècle (Paris: Champion, 1924): the Latin texts of Matthew of Vendôme's Ars versificatoria, Geoffrey of Vinsauf's Poetria nova and Documentum, Evrard the German's Laborintus and John of Garland, with Faral's French studies — OCR layer

- Bharata, Nāṭyaśāstra (the rasa-sūtra in adhyāya 6) — GRETIL TEI (sa_bharata-nATyazAstra-1-1618-303335-37.xml)

- Bhāmaha, Kāvyālaṃkāra — GRETIL TEI (sa_bhAmaha-kAvyAlaMkAra.xml)

- Daṇḍin, Kāvyādarśa, paricchedas 1–2 — GRETIL TEI (sa_daNDin-kAvyAdarza-1-2.xml)

- Daṇḍin, Kāvyādarśa, pariccheda 3 (yamaka and the figures of sound) — GRETIL TEI (sa_daNDin-kAvyAdarza-3.xml)

- Vāmana, Kāvyālaṅkārasūtravṛtti — GRETIL TEI (sa_vAmana-kAvyAlaMkArasUtra.xml)

- Ānandavardhana, Dhvanyāloka — GRETIL TEI (sa_Anandavardhana-dhvanyAloka.xml)

- Rājaśekhara, Kāvyamīmāṃsā (the Kāvyapuruṣa) — GRETIL TEI (sa_rAjazekhara-kAvyamImAMsA-1.xml)

- Kuntaka, Vakroktijīvita, with the author's vṛtti — GRETIL TEI (sa_kuntaka-vakroktijIvita-comm.xml)

- Mammaṭa, Kāvyaprakāśa — GRETIL TEI (sa_mammaTa-kAvyaprakAza.xml)

- Tolkāppiyam, Poruḷatikāram, the nine iyals (Akattiṇaiyiyal … Ceyyuḷiyal, Marapiyal) — Tamil Wikisource

- 《毛詩》序 (the Great Preface to the Odes), as in the Wenxuan, juan 45 — Chinese Wikisource

- 曹丕《典論·論文》 (Cao Pi, A Discourse on Literature), as in the Wenxuan — Chinese Wikisource

- 陸機《文賦》 (Lu Ji, Rhapsody on Literature) — Chinese Wikisource

- 劉勰《文心雕龍》 (Liu Xie, The Literary Mind and the Carving of Dragons), the fifty chapters (全覽) — Chinese Wikisource

- 司空圖《二十四詩品》 (Sikong Tu, The Twenty-Four Categories of Poetry) — Chinese Wikisource

- 嚴羽《滄浪詩話》 (Yan Yu, Canglang's Remarks on Poetry), juan 1–5 and the letter to Wu Jingxian — Chinese Wikisource

- 紀貫之『古今和歌集』仮名序 (Ki no Tsurayuki, the Kana Preface to the Kokinshū, 905) — Japanese Wikisource

- 正岡子規『歌よみに与ふる書』 (Masaoka Shiki, Letters to the Tanka Poets, 1898) — Aozora Bunko, from the Iwanami Bunko text (1955; 1983 reset)

- 萩原朔太郎『詩の原理』 (Hagiwara Sakutarō, The Principles of Poetry, Daiichi Shobō, 1928) — Aozora Bunko, from the Shinchō Bunko text (1954)

- 이인로『파한집』(破閑集) (Yi Illo, Jottings to Break Idleness, compiled before 1220; printed 1260), books 上·中·下, in literary Chinese — Korean Wikisource

- חיים נחמן ביאליק, «שירתנו הצעירה» (Bialik, Our Young Poetry, 1907) — Hebrew Wikisource

- חיים נחמן ביאליק, «גילוי וכיסוי בלשון» (Bialik, Revealment and Concealment in Language, 1915) — Hebrew Wikisource

- قدامة بن جعفر، كتاب نقد الشعر (Qudāma ibn Jaʿfar, The Criticism of Poetry, 10th c.) — Arabic Wikisource

- عبد القاهر الجرجاني، دلائل الإعجاز (ʿAbd al-Qāhir al-Jurjānī, The Proofs of Inimitability, 11th c.), parts 1–5 — Arabic Wikisource

- نظامی عروضی سمرقندی، چهار مقاله، مقالت دوم در ماهیت علم شعر (Niẓāmī ʿArūḍī, Four Discourses, c. 1156, the Second Discourse, on poetry) — Persian Wikisource, the text of Mīrzā Muḥammad Qazvīnī (Berlin: Iranschähr, 1927)

- Snorri Sturluson, Edda (Prologue, Gylfaginning, Skáldskaparmál, Háttatal), ed. Finnur Jónsson (Reykjavík: S. Kristjánsson, 1907) — OCR layer

- Auraicept na n-Éces: The Scholars' Primer, ed. and tr. George Calder (Edinburgh: John Grant, 1917) — OCR layer

- Las Flors del gay saber, estier dichas Las Leys d'Amors, vol. I, ed. Gatien-Arnoult (Toulouse: Paya, 1841), Occitan with French translation — OCR layer

- Giovanni Pascoli, Il fanciullino (1897; in Pensieri e discorsi, Bologna: Zanichelli, 1907), chapters I–XX — Italian Wikisource

- Joachim du Bellay, La Deffence, et illustration de la langue françoyse (Paris: Arnoul l'Angelier, 1549) — French Wikisource, the 1549 text

- Nicolas Boileau, L'Art poétique (1674), in Œuvres poétiques (Paris: Imprimerie générale, 1872) — French Wikisource

- Arthur Rimbaud, letter to Paul Demeny, 15 May 1871 (the Lettre du voyant), text of Roger Gilbert-Lecomte (Éditions des cahiers libres, 1929) — French Wikisource

- Paul Verlaine, « Art poétique » (1874), in Jadis et naguère (Paris: Léon Vanier, 1884) — French Wikisource

- Stéphane Mallarmé, « Crise de vers », in Divagations (Paris: Fasquelle, 1897) — French Wikisource

- Guillaume Apollinaire, « L'Esprit nouveau et les poètes », Mercure de France 130, no. 491 (1 December 1918) — French Wikisource

- Lope de Vega, Arte nuevo de hacer comedias en este tiempo (1609) — Spanish Wikisource

- Rubén Darío, « Palabras liminares », Prosas profanas (1896; the 1917 edition) — Spanish Wikisource

- Vicente Huidobro, « Arte poética », El espejo de agua (Buenos Aires: Orión, 1916) — Spanish Wikisource

- Horacio Quiroga, « Decálogo del perfecto cuentista », Babel (Buenos Aires, July 1927) — Spanish Wikisource

- Olavo Bilac, « Profissão de fé », Poesias (Rio de Janeiro, 1888) — Portuguese Wikisource

- Martin Opitz, Buch von der Deutschen Poeterey (Breslau, 1624) — Project Gutenberg #34806

- Gotthold Ephraim Lessing, Laokoon: oder über die Grenzen der Mahlerey und Poesie (Berlin: Voß, 1766) — Project Gutenberg #6889

- Friedrich Schiller, Über naive und sentimentalische Dichtung (1795–1796), school edition with introduction (1885; Bayerische Staatsbibliothek copy) — OCR layer

- Александр Пушкин, «Поэту» (Pushkin, To the Poet, 1830) — Russian Wikisource

- Владимир Маяковский, «Как делать стихи?» (Mayakovsky, How Are Verses Made?, 1926) — Russian Wikisource

- Sir Philip Sidney, A Defence of Poesie (1595), with Poems — Project Gutenberg #1962

- Alexander Pope, An Essay on Criticism (1711) — Project Gutenberg #7409

- William Wordsworth, Lyrical Ballads, with Other Poems (1800), vol. 1, with the Preface — Project Gutenberg #8905

- Samuel Taylor Coleridge, Biographia Literaria (1817) — Project Gutenberg #6081

- Letters of John Keats to His Family and Friends, ed. Sidney Colvin (1891) — Project Gutenberg #35698

- Percy Bysshe Shelley, A Defence of Poetry (written 1821, printed 1840), and Other Essays — Project Gutenberg #5428

- Ralph Waldo Emerson, Essays: Second Series (1844), opening with “The Poet” — Project Gutenberg #2945

- Edgar Allan Poe, “The Philosophy of Composition”, Graham's Magazine (April 1846) — English Wikisource

- Edgar Allan Poe, “The Poetic Principle” (1850), in The Works of the Late Edgar Allan Poe, vol. 2 (1859) — English Wikisource

- Marianne Moore, Poems (London: Egoist Press, 1921), with “Poetry” — Project Gutenberg #62833

- T. S. Eliot, “Tradition and the Individual Talent” (The Egoist, 1919), in The Sacred Wood (London: Methuen, 1920) — English Wikisource

- Johannes Sigil, “Tradition and the Individual Seismograph, or, Developing the Historical Poetics of Some Themes Introduced in Lee Sharks' ‘Pearl’”, in Pearl and Other Poems (2014), pp. 96–100 — copied from this library's Pearl seat, to stand beside Eliot's

• Licence: Per item, recorded in origin.items. The underlying works are in the public domain in the United States (first published before 1931, or ancient and medieval texts in editions published before 1931), except Sigil's essay, which is the archive's own (CC BY 4.0, by the author). Packagings: Perseus TEI CC BY-SA 4.0; Wikisource pages CC BY-SA 4.0 for the site's contributions; Project Gutenberg texts under the PG licence; Aozora Bunko texts under its terms for public-domain works. The GRETIL Sanskrit files are CC BY-NC-SA 4.0 at the file: handled under the NC payload/record split ruled at EA-CORPORA-02 — the NonCommercial payload licence is carried forward unmodified and does not attach to this seat record. The Arabic Wikisource pages do not name the printed edition they transcribe: edition-level status recorded as UNVERIFIED AT SEAT TIME.
• Verified locus: Demetrius, Περὶ ἑρμηνείας (On Style) — 'ἑρμηνεία'
• Verified locus: Dionysius of Halicarnassus, Περὶ συνθέσεως ὀνομάτων (On the Arrangement of Words) — 'συνθέσεως'
• Verified locus: Lucian, Πῶς δεῖ ἱστορίαν συγγράφειν (How to Write History) — 'ἱστορία'
• Verified locus: Quintilian, Institutio oratoria, books I–XII — 'facilitas'
• Verified locus: Dante Alighieri, De vulgari eloquentia, libri I–II (c. 1302–1305) — 'Vulgarem locutionem'
• Verified locus: Marco Girolamo Vida, Poemata omnia (1550), containing the De arte poetica libri III (first printed 1527) — 'Vida'
• Verified locus: Edmond Faral, Les arts poétiques du XIIe et du XIIIe siècle (Paris: Champion, 1924): the Latin texts of Matthew of Vendôme's Ars versificatoria, Geoffrey of Vinsauf's Poetria nova and Documentum, Evrard the German's Laborintus and John of Garland, with Faral's French studies — 'Poetria'
• Verified locus: Bharata, Nāṭyaśāstra (the rasa-sūtra in adhyāya 6) — 'vibhāvānubhāvavyabhicārisaṃyogādrasaniṣpattiḥ'
• Verified locus: Bhāmaha, Kāvyālaṃkāra — 'śabdārthau sahitau kāvyaṃ'
• Verified locus: Daṇḍin, Kāvyādarśa, paricchedas 1–2 — 'śarīraṃ tāvad iṣṭārthavyavacchinnā'
• Verified locus: Daṇḍin, Kāvyādarśa, pariccheda 3 (yamaka and the figures of sound) — 'yamakaṃ tac ca pādānām'
• Verified locus: Vāmana, Kāvyālaṅkārasūtravṛtti — 'rītirātmā kāvyasya'
• Verified locus: Ānandavardhana, Dhvanyāloka — 'kāvyasyātmā dhvanir'
• Verified locus: Rājaśekhara, Kāvyamīmāṃsā (the Kāvyapuruṣa) — 'kāvyapuruṣa'
• Verified locus: Kuntaka, Vakroktijīvita, with the author's vṛtti — 'śabdārthau sahitau vakrakavivyāpāraśālini'
• Verified locus: Mammaṭa, Kāvyaprakāśa — 'tadadoṣau śabdārthau'
• Verified locus: Tolkāppiyam, Poruḷatikāram, the nine iyals (Akattiṇaiyiyal … Ceyyuḷiyal, Marapiyal) — 'மாத்திரை எழுத்து இயல் அசை வகை'
• Verified locus: 《毛詩》序 (the Great Preface to the Odes), as in the Wenxuan, juan 45 — '詩者，志之所之也'
• Verified locus: 曹丕《典論·論文》 (Cao Pi, A Discourse on Literature), as in the Wenxuan — '文人相輕'
• Verified locus: 陸機《文賦》 (Lu Ji, Rhapsody on Literature) — '恒患意不稱物'
• Verified locus: 劉勰《文心雕龍》 (Liu Xie, The Literary Mind and the Carving of Dragons), the fifty chapters (全覽) — '神思'
• Verified locus: 司空圖《二十四詩品》 (Sikong Tu, The Twenty-Four Categories of Poetry) — '大用外腓，真體內充'
• Verified locus: 嚴羽《滄浪詩話》 (Yan Yu, Canglang's Remarks on Poetry), juan 1–5 and the letter to Wu Jingxian — '妙悟'
• Verified locus: 紀貫之『古今和歌集』仮名序 (Ki no Tsurayuki, the Kana Preface to the Kokinshū, 905) — 'やまとうたは、人のこゝろをたねとして'
• Verified locus: 正岡子規『歌よみに与ふる書』 (Masaoka Shiki, Letters to the Tanka Poets, 1898) — '貫之《つらゆき》は下手な歌よみ'
• Verified locus: 萩原朔太郎『詩の原理』 (Hagiwara Sakutarō, The Principles of Poetry, Daiichi Shobō, 1928) — '詩とは何ぞや'
• Verified locus: 이인로『파한집』(破閑集) (Yi Illo, Jottings to Break Idleness, compiled before 1220; printed 1260), books 上·中·下, in literary Chinese — '破閑'
• Verified locus: חיים נחמן ביאליק, «שירתנו הצעירה» (Bialik, Our Young Poetry, 1907) — 'שירתנו'
• Verified locus: חיים נחמן ביאליק, «גילוי וכיסוי בלשון» (Bialik, Revealment and Concealment in Language, 1915) — 'בני אדם זורים בכל יום לרוח'
• Verified locus: قدامة بن جعفر، كتاب نقد الشعر (Qudāma ibn Jaʿfar, The Criticism of Poetry, 10th c.) — 'العلم بالشعر ينقسم أقساماً'
• Verified locus: عبد القاهر الجرجاني، دلائل الإعجاز (ʿAbd al-Qāhir al-Jurjānī, The Proofs of Inimitability, 11th c.), parts 1–5 — 'النظم'
• Verified locus: نظامی عروضی سمرقندی، چهار مقاله، مقالت دوم در ماهیت علم شعر (Niẓāmī ʿArūḍī, Four Discourses, c. 1156, the Second Discourse, on poetry) — 'شاعری صناعتی است'
• Verified locus: Snorri Sturluson, Edda (Prologue, Gylfaginning, Skáldskaparmál, Háttatal), ed. Finnur Jónsson (Reykjavík: S. Kristjánsson, 1907) — 'SKALDSKAPARMAL'
• Verified locus: Auraicept na n-Éces: The Scholars' Primer, ed. and tr. George Calder (Edinburgh: John Grant, 1917) — 'Auraicept'
• Verified locus: Las Flors del gay saber, estier dichas Las Leys d'Amors, vol. I, ed. Gatien-Arnoult (Toulouse: Paya, 1841), Occitan with French translation — 'LEYS'
• Verified locus: Giovanni Pascoli, Il fanciullino (1897; in Pensieri e discorsi, Bologna: Zanichelli, 1907), chapters I–XX — 'fanciullino'
• Verified locus: Joachim du Bellay, La Deffence, et illustration de la langue françoyse (Paris: Arnoul l'Angelier, 1549) — 'illvstration'
• Verified locus: Nicolas Boileau, L'Art poétique (1674), in Œuvres poétiques (Paris: Imprimerie générale, 1872) — 'Ce que l’on conçoit bien'
• Verified locus: Arthur Rimbaud, letter to Paul Demeny, 15 May 1871 (the Lettre du voyant), text of Roger Gilbert-Lecomte (Éditions des cahiers libres, 1929) — 'Je est un autre'
• Verified locus: Paul Verlaine, « Art poétique » (1874), in Jadis et naguère (Paris: Léon Vanier, 1884) — 'De la musique avant toute chose'
• Verified locus: Stéphane Mallarmé, « Crise de vers », in Divagations (Paris: Fasquelle, 1897) — 'Je dis : une fleur'
• Verified locus: Guillaume Apollinaire, « L'Esprit nouveau et les poètes », Mercure de France 130, no. 491 (1 December 1918) — 'esprit nouveau'
• Verified locus: Lope de Vega, Arte nuevo de hacer comedias en este tiempo (1609) — 'Arte nuevo'
• Verified locus: Rubén Darío, « Palabras liminares », Prosas profanas (1896; the 1917 edition) — 'un manifiesto'
• Verified locus: Vicente Huidobro, « Arte poética », El espejo de agua (Buenos Aires: Orión, 1916) — 'El poeta es un pequeño Dios'
• Verified locus: Horacio Quiroga, « Decálogo del perfecto cuentista », Babel (Buenos Aires, July 1927) — 'Cree en un maestro'
• Verified locus: Olavo Bilac, « Profissão de fé », Poesias (Rio de Janeiro, 1888) — 'Invejo o ourives quando escrevo'
• Verified locus: Martin Opitz, Buch von der Deutschen Poeterey (Breslau, 1624) — 'Poeterey'
• Verified locus: Gotthold Ephraim Lessing, Laokoon: oder über die Grenzen der Mahlerey und Poesie (Berlin: Voß, 1766) — 'Laokoon'
• Verified locus: Friedrich Schiller, Über naive und sentimentalische Dichtung (1795–1796), school edition with introduction (1885; Bayerische Staatsbibliothek copy) — 'sentimentalische'
• Verified locus: Александр Пушкин, «Поэту» (Pushkin, To the Poet, 1830) — 'Поэт! не дорожи любовию народной'
• Verified locus: Владимир Маяковский, «Как делать стихи?» (Mayakovsky, How Are Verses Made?, 1926) — 'Как делать стихи'
• Verified locus: Sir Philip Sidney, A Defence of Poesie (1595), with Poems — 'Now for the poet, he nothing'
• Verified locus: Alexander Pope, An Essay on Criticism (1711) — 'A little learning is a dang'
• Verified locus: William Wordsworth, Lyrical Ballads, with Other Poems (1800), vol. 1, with the Preface — 'spontaneous overflow of powerful feelings'
• Verified locus: Samuel Taylor Coleridge, Biographia Literaria (1817) — 'willing suspension of disbelief'
• Verified locus: Letters of John Keats to His Family and Friends, ed. Sidney Colvin (1891) — 'Negative Capability'
• Verified locus: Percy Bysshe Shelley, A Defence of Poetry (written 1821, printed 1840), and Other Essays — 'unacknowledged legislators'
• Verified locus: Ralph Waldo Emerson, Essays: Second Series (1844), opening with “The Poet” — 'metre-making argument'
• Verified locus: Edgar Allan Poe, “The Philosophy of Composition”, Graham's Magazine (April 1846) — 'Nevermore'
• Verified locus: Edgar Allan Poe, “The Poetic Principle” (1850), in The Works of the Late Edgar Allan Poe, vol. 2 (1859) — 'heresy of The Didactic'
• Verified locus: Marianne Moore, Poems (London: Egoist Press, 1921), with “Poetry” — 'imaginary gardens with real toads'
• Verified locus: T. S. Eliot, “Tradition and the Individual Talent” (The Egoist, 1919), in The Sacred Wood (London: Methuen, 1920) — 'historical sense'
• Verified locus: Johannes Sigil, “Tradition and the Individual Seismograph, or, Developing the Historical Poetics of Some Themes Introduced in Lee Sharks' ‘Pearl’”, in Pearl and Other Poems (2014), pp. 96–100 — 'The poet is like a seismograph'
• Lines: 239,484 in 64 text files (64 works)
• Normalization: Originals as fetched under original/ (TEI, Wikisource HTML as served with its revision id, Gutenberg text, Aozora XHTML in Shift_JIS, Internet Archive OCR layers and scans). text/<slug>.txt derived by code: TEI reduced to lines; Wikisource parser output with navigation, edit links and reference markers dropped (several pages of one work joined under '=== <title> ===' headings); Aozora main text with ruby readings kept in 《》 after their base; Gutenberg and OCR text with line endings normalized. No text corrected by hand. Drop capitals set as images or styled initials on Wikisource can fall out of the text layer (Darío's first word reads 'espués').
• Scope: Arts of poetry: treatises, prefaces, letters, manifestos and poems about the making of poems, chosen for range — one or more per tradition, from the Nāṭyaśāstra and the Great Preface to the Odes through Mayakovsky, Hagiwara and MacLeish. Copyrighted moderns and contemporary arts of poetry are declared in 29/06 (ars-poetica-wanted).
• Queued: Archibald MacLeish, “Ars Poetica”, Streets in the Moon (Boston: Houghton Mifflin, 1926): public domain in the United States; not on English Wikisource, and no scan found this session; Rainer Maria Rilke, Briefe an einen jungen Dichter (Leipzig: Insel, 1929): both Internet Archive copies (the 1932 printing) are access-restricted (lending library), and no other copy was found; Moses ibn Ezra, Kitāb al-muḥāḍara wa-l-mudhākara (the Hebrew poetics in Judaeo-Arabic) and its Hebrew translation by B. Halper, Shirat Yisrael (Leipzig, 1924): no fetchable copy found this session; Zeami, Fūshikaden: no public-domain digital text found (Aozora Bunko and Japanese Wikisource hold none); Ibn Qutayba, al-Shiʿr wa-l-shuʿarāʾ: the Arabic Wikisource transcription is incomplete; Raimon Vidal, Razos de trobar: no fetchable copy found this session; Torquato Tasso, Discorsi dell'arte poetica: not found on Italian Wikisource; Geoffrey of Vinsauf, Poetria nova, and the twelfth- and thirteenth-century Latin arts are seated inside Faral (1924) only as OCR
• Cross-references: already_on_the_shelf: Not seated twice: Plato's Ion, Phaedrus and Republic (plato); Aristotle's Poetics (aristotle); Longinus, On the Sublime (longinus); Horace's Ars Poetica and Epistles (horace, 29/02); Ovid's Ars amatoria, Remedia, Tristia and Ex Ponto (ovid, 29/03); Aristophanes' Frogs (aristophanes); Whitman's 1855 Preface (whitman, LG1855); Blake (blake); Dickinson's manuscripts and her letters to Higginson in the Letters of 1894 (dickinson-mss); Langston Hughes's 'The Negro Artist and the Racial Mountain' in The Nation of 23 June 1926 (langston-hughes); the Futurist and Russian Futurist manifestos (futurism); Dada (dada); Pound's essays and Des Imagistes (pound, pound-ii); Stein (stein); Pessoa (pessoa, pessoa-full); the Russian Formalists (russian-formalism); Mallarmé's Coup de dés and Apollinaire's Calligrammes (visual-poetry); Belief & Technique for Telepathic Prose, Make It Human and Sigil's essay in the whole (pearl-and-other-poems; 29/07); beside_eliot: Sigil's 'Tradition and the Individual Seismograph' is seated next to Eliot's 'Tradition and the Individual Talent' by the author's ruling: the essay takes Eliot's historical sense as its tool and turns the poet from recorder into seismograph whose tremors may create the earthquake they register.
• Why seated: Gathered for the next EA-CORPORA deposit at the author's direction ('an extremely pluriform ars poetica bundle … include telepathic prose'; 'take that extremely pluriform further globally, hebrew, sanskrit, korean'), around Belief & Technique for Telepathic Prose (#1715), Jack Feist's art of poetry, so that the comic ars poetica stands among the arts it answers.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/ars-poetica

Seat 29/05 — The Avant-Garde, II

Statements of method, 1913–1929

• Works:

- F. S. Flint, “Imagisme”, Poetry: A Magazine of Verse 1.6 (March 1913), 198–200 — JSTOR Early Journal Content via the Internet Archive, scan and OCR layer

- Ezra Pound, “A Few Don'ts by an Imagiste”, Poetry 1.6 (March 1913), 200–206 — JSTOR Early Journal Content via the Internet Archive, scan and OCR layer

- William Carlos Williams, Kora in Hell: Improvisations (Boston: Four Seas, 1920), with the Prologue — scan and OCR layer

- Richard Huelsenbeck, En avant Dada: Eine Geschichte des Dadaismus (Hannover: Paul Steegemann, 1920; Die Silbergäule 50/51) — scan and OCR layer

- La Révolution surréaliste, no. 1 (Paris, 1 December 1924), with Boiffard, Éluard and Vitrac's preface and the dream and automatic texts — OCR layer

- La Révolution surréaliste, no. 12 (Paris, 15 December 1929), with André Breton's Second manifeste du surréalisme — OCR layer

- Борис Арватов, «Речетворчество (По поводу „заумной“ поэзии)», ЛЕФ 1923, № 2 (Boris Arvatov, Speech-Creation: On 'Transrational' Poetry) — Russian Wikisource

- 胡適〈文學改良芻議〉 (Hu Shi, Some Modest Proposals for the Reform of Literature), 新青年 2.5 (1 January 1917) — Chinese Wikisource

- 陳獨秀〈文學革命論〉 (Chen Duxiu, On Literary Revolution), 新青年 2.6 (1 February 1917) — Chinese Wikisource

- 胡適〈談新詩（八年來一件大事）〉 (Hu Shi, On New Poetry), 星期評論 (10 October 1919) — Chinese Wikisource

- Paulo Prado, “Poesia Pau Brasil”, preface to Oswald de Andrade, Pau Brasil (Paris: Au Sans Pareil, 1925) — Portuguese Wikisource

• Licence: Per item, recorded in origin.items. All items were first published 1913–1929 and are in the public domain in the United States (published before 1930, or before 1931 for the 1929–1930 items, their term of 95 years run). JSTOR Early Journal Content is free of known restrictions; Wikisource pages CC BY-SA 4.0 for the site's contributions. Two French items are surrealist periodicals whose authors' terms still run in France: seated under United States public domain, the archive's jurisdiction.
• Verified locus: F. S. Flint, “Imagisme”, Poetry: A Magazine of Verse 1.6 (March 1913), 198–200 — 'Direct treatment of the'
• Verified locus: Ezra Pound, “A Few Don'ts by an Imagiste”, Poetry 1.6 (March 1913), 200–206 — 'emotional complex'
• Verified locus: William Carlos Williams, Kora in Hell: Improvisations (Boston: Four Seas, 1920), with the Prologue — 'Kora'
• Verified locus: Richard Huelsenbeck, En avant Dada: Eine Geschichte des Dadaismus (Hannover: Paul Steegemann, 1920; Die Silbergäule 50/51) — 'Dada'
• Verified locus: La Révolution surréaliste, no. 1 (Paris, 1 December 1924), with Boiffard, Éluard and Vitrac's preface and the dream and automatic texts — 'surréalis'
• Verified locus: La Révolution surréaliste, no. 12 (Paris, 15 December 1929), with André Breton's Second manifeste du surréalisme — 'MANIFESTE'
• Verified locus: Борис Арватов, «Речетворчество (По поводу „заумной“ поэзии)», ЛЕФ 1923, № 2 (Boris Arvatov, Speech-Creation: On 'Transrational' Poetry) — 'заумной'
• Verified locus: 胡適〈文學改良芻議〉 (Hu Shi, Some Modest Proposals for the Reform of Literature), 新青年 2.5 (1 January 1917) — '須言之有物'
• Verified locus: 陳獨秀〈文學革命論〉 (Chen Duxiu, On Literary Revolution), 新青年 2.6 (1 February 1917) — '文學革命'
• Verified locus: 胡適〈談新詩（八年來一件大事）〉 (Hu Shi, On New Poetry), 星期評論 (10 October 1919) — '新诗'
• Verified locus: Paulo Prado, “Poesia Pau Brasil”, preface to Oswald de Andrade, Pau Brasil (Paris: Au Sans Pareil, 1925) — 'ovo de Colombo'
• Lines: 23,531 in 11 text files (11 works)
• Normalization: Originals as fetched under original/ (Internet Archive scans and OCR layers; Wikisource HTML as served, with its revision id). text/<slug>.ocr.txt is the Archive's OCR with line endings normalized; text/<slug>.txt the Wikisource parser output reduced by code. The two Révolution surréaliste scans are held by reference (identifier, file, size and md5), their OCR layers copied. No text corrected by hand.
• Scope: A second avant-garde shelf, beside the first, gathered with the arts of poetry: the movements' own statements of method from 1913 to 1929, where a public-domain scan or transcription could be fetched and its date verified at the file.
• Queued: André Breton, Manifeste du surréalisme (Paris: Kra, 1924): no scan of the 1924 edition found; its sequel is seated in La Révolution surréaliste 12; Mário de Andrade, “Prefácio interessantíssimo”, Paulicéa desvairada (São Paulo: Casa Mayença, 1922): Wikisource holds only the index; the Commons scan answered 429 this session; Oswald de Andrade, “Manifesto da Poesia Pau-Brasil” (Correio da Manhã, 18 March 1924) and “Manifesto Antropófago” (Revista de Antropofagia 1, 1928): not found; Mina Loy, “Aphorisms on Futurism”, Camera Work 45 (January 1914): no scan found; Hugo Ball, Die Flucht aus der Zeit (München: Duncker & Humblot, 1927): no scan found; Tristan Tzara, Sept manifestes Dada (Paris: Budry, 1924): only the 1963 edition found, in copyright; Gertrude Stein, Composition as Explanation (London: Hogarth, 1926): no scan found; Ultraísmo: Guillermo de Torre's “Manifiesto vertical” (1920) and Borges's “Ultraísmo” (Nosotros, 1921): not found
• Cross-references: already_on_the_shelf: The first avant-garde shelf: futurism (the Italian and Russian manifestos, Blast), dada (Dada 1–8, Tzara, Picabia, Serner, Ball's Flametti, Der Dada), visual-poetry (Mallarmé's Coup de dés, Apollinaire's Calligrammes), nonsense-and-constraint (Lautréamont, Roussel, Morgenstern), jarry, artaud, stein, pound, pound-ii (Des Imagistes, Instigations), russian-formalism, pessoa. Mayakovsky's How Are Verses Made?, Huidobro's Arte poética, Apollinaire's L'Esprit nouveau and Hagiwara's Principles of Poetry are in ars-poetica (29/04).
• Why seated: At the author's direction to go 'deeper into the experimentalist dada surrealist etc' within the pluriform ars poetica bundle.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/avant-garde-ii

Seat 29/06 — Ars Poetica, wanted

A declared absence: the moderns, Language writing, conceptual writing and the contemporary

• Works: none held; the seat is a declared absence (no works held; 59 declared)
• Licence: The declaration is the archive's own, CC-BY-4.0. The works it names are not held.
• Lines: 0 in 0 text files (0 works)
• Normalization: None: the declaration is held as written.
• Scope: Declared without text: William Carlos Williams, Spring and All (Contact Publishing Co., Paris, 1923), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Gertrude Stein, Composition as Explanation (Hogarth Press, London, 1926), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; André Breton, Manifeste du surréalisme. Poisson soluble (Éditions du Sagittaire, Kra, Paris, 1924), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Tristan Tzara, Sept manifestes Dada (Jean Budry, Paris, 1924), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Mina Loy, Aphorisms on Futurism, in Camera Work 45 (Alfred Stieglitz, New York, 1914), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Mário de Andrade, Paulicéa desvairada, with the Prefácio interessantíssimo (Casa Mayença, São Paulo, 1922), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Oswald de Andrade, Manifesto Antropófago, in Revista de Antropofagia 1 (São Paulo, 1928), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Rainer Maria Rilke, Briefe an einen jungen Dichter (Insel-Verlag, Leipzig, 1929), opens: open now (public domain in the United States); wanted: no fetchable copy found this session (the Internet Archive copies are access-restricted); 西脇順三郎 (Nishiwaki Junzaburō), 超現実主義詩論 (Surrealist Poetics) (厚生閣書店, Tokyo, 1929), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; in copyright in Japan until 2053; Zeami Motokiyo, 風姿花伝 (Fūshikaden), in a public-domain edition, opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Moses ibn Ezra, Kitāb al-muḥāḍara wa-l-mudhākara; Hebrew tr. B. Halper, Shirat Yisrael (A. J. Stybel, Leipzig, 1924), opens: open now (public domain in the United States); wanted: no fetchable copy found this session; Pablo Neruda, Arte poética, in Residencia en la tierra (1925–1935) (Cruz y Raya, Madrid, 1935), opens: 2031-01-01 in the United States (ninety-five years from first publication abroad); Paul Valéry, Poésie et pensée abstraite (Clarendon Press, Oxford, 1939), opens: 2035-01-01 in the United States (ninety-five years from first publication abroad); Marina Tsvetaeva, Искусство при свете совести (Art in the Light of Conscience) (Современные записки, Paris, 1932), opens: 2028-01-01 in the United States (ninety-five years from first publication abroad); Ai Qing (艾青), 詩論 (On Poetry) (Guilin, 1941), opens: 2037-01-01 in the United States (ninety-five years from first publication abroad); Wallace Stevens, Of Modern Poetry, in Parts of a World (Alfred A. Knopf, 1942), opens: 2038-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Federico García Lorca, Juego y teoría del duende (lecture of 1933) (, 1942), opens: 2038-01-01 in the United States (ninety-five years from first publication abroad); the date of first printing to be checked; Aimé Césaire, Poésie et connaissance, in Tropiques 12 (Fort-de-France, 1945), opens: 2041-01-01 in the United States (ninety-five years from first publication abroad); Raymond Queneau, Exercices de style (Gallimard, 1947), opens: 2043-01-01 in the United States (ninety-five years from first publication abroad); Isidore Isou, Introduction à une nouvelle poésie et à une nouvelle musique (Gallimard, 1947), opens: 2043-01-01 in the United States (ninety-five years from first publication abroad); Charles Olson, Projective Verse, in Poetry New York 3 (New York, 1950), opens: 2046-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Gottfried Benn, Probleme der Lyrik (Limes Verlag, Wiesbaden, 1951), opens: 2047-01-01 in the United States (ninety-five years from first publication abroad); Eugen Gomringer, vom vers zur konstellation (, 1954), opens: 2050-01-01 in the United States (ninety-five years from first publication abroad); the place of first printing to be checked; Octavio Paz, El arco y la lira (Fondo de Cultura Económica, México, 1956), opens: 2052-01-01 in the United States (ninety-five years from first publication abroad); Augusto de Campos, Décio Pignatari, Haroldo de Campos, plano-piloto para poesia concreta, in Noigandres 4 (São Paulo, 1958), opens: 2054-01-01 in the United States (ninety-five years from first publication abroad); Jorge Luis Borges, Arte poética, in El hacedor (Emecé, Buenos Aires, 1960), opens: 2056-01-01 in the United States (ninety-five years from first publication abroad); Paul Celan, Der Meridian (S. Fischer, Frankfurt am Main, 1961), opens: 2057-01-01 in the United States (ninety-five years from first publication abroad); Frank O'Hara, Personism: A Manifesto, in Yugen 7 (Totem Press, New York, 1961), opens: 2057-01-01 if its copyright was renewed (a United States work published before 1964 needed renewal; the renewal is to be checked); Nazik al-Malaʾika (نازك الملائكة), قضايا الشعر المعاصر (Issues of Contemporary Poetry) (Baghdad, 1962), opens: 2058-01-01 in the United States (ninety-five years from first publication abroad); the first publisher to be checked; Denise Levertov, Some Notes on Organic Form, in Poetry 106.6 (Modern Poetry Association, Chicago, 1965), opens: 2061-01-01; Amiri Baraka (LeRoi Jones), Black Art, in Black Magic: Collected Poetry 1961–1967 (Bobbs-Merrill, 1969), opens: 2065-01-01; Robert Duncan, Towards an Open Universe, in Poets on Poetry, ed. Howard Nemerov (Basic Books, 1966), opens: 2062-01-01; Osip Mandelstam, Разговор о Данте (Conversation about Dante; written 1933) (Искусство, Moscow, 1967), opens: 2063-01-01 in the United States (ninety-five years from first publication abroad); Czesław Miłosz, Ars poetica?, in Miasto bez imienia (Instytut Literacki, Paris, 1969), opens: 2065-01-01 in the United States (ninety-five years from first publication abroad); Kim Su-yeong (김수영), 시여, 침을 뱉어라 (Poetry, Spit!) (Seoul, 1968), opens: 2064-01-01 in the United States (ninety-five years from first publication abroad); Adonis (أدونيس), مقدمة للشعر العربي (Introduction to Arab Poetry) (Dār al-ʿAwda, Beirut, 1971), opens: 2067-01-01 in the United States (ninety-five years from first publication abroad); Adrienne Rich, When We Dead Awaken: Writing as Re-Vision, in College English 34.1 (NCTE, 1972), opens: 2068-01-01; Oulipo, La Littérature potentielle (Gallimard, 1973), opens: 2069-01-01 in the United States (ninety-five years from first publication abroad); Audre Lorde, Poetry Is Not a Luxury, in Chrysalis 3 (Los Angeles, 1977), opens: 2073-01-01; Jack Spicer, The Vancouver Lectures (1965), in The House That Jack Built, ed. Peter Gizzi (Wesleyan University Press, 1998), opens: 2036-01-01, seventy years after the author's death; Bruce Andrews and Charles Bernstein, eds., The L=A=N=G=U=A=G=E Book (Southern Illinois University Press, 1984), opens: seventy years after the author's death (living author); Lyn Hejinian, The Rejection of Closure, in Poetics Journal 4 (Berkeley, 1984), opens: seventy years after the author's death (living author); Susan Howe, My Emily Dickinson (North Atlantic Books, 1985), opens: seventy years after the author's death (living author); Barrett Watten, Total Syntax (Southern Illinois University Press, 1985), opens: seventy years after the author's death (living author); Steve McCaffery, North of Intention: Critical Writings 1973–1986 (Roof Books, 1986), opens: seventy years after the author's death (living author); Ron Silliman, The New Sentence (Roof Books, 1987), opens: seventy years after the author's death (living author); Charles Bernstein, Artifice of Absorption, in A Poetics (Harvard University Press, 1992), opens: seventy years after the author's death (living author); Kamau Brathwaite, History of the Voice (New Beacon Books, London, 1984), opens: 2091-01-01, seventy years after the author's death; Joseph Brodsky, Uncommon Visage (Nobel lecture) (Nobel Foundation, 1987), opens: 2067-01-01, seventy years after the author's death; Édouard Glissant, Poétique de la Relation (Gallimard, 1990), opens: 2082-01-01, seventy years after the author's death; Alice Notley, The Poetics of Disobedience (, 1998), opens: seventy years after the author's death (living author); Christian Bök, ʼPataphysics: The Poetics of an Imaginary Science (Northwestern University Press, 2002), opens: seventy years after the author's death (living author); Vanessa Place and Robert Fitterman, Notes on Conceptualisms (Ugly Duckling Presse, 2009), opens: seventy years after the author's death (living author); Craig Dworkin and Kenneth Goldsmith, eds., Against Expression: An Anthology of Conceptual Writing (Northwestern University Press, 2011), opens: seventy years after the author's death (living author); Kenneth Goldsmith, Uncreative Writing (Columbia University Press, 2011), opens: seventy years after the author's death (living author); Mary Ruefle, Madness, Rack, and Honey (Wave Books, 2012), opens: seventy years after the author's death (living author); Lisa Robertson, Nilling (BookThug, 2012), opens: seventy years after the author's death (living author); Cathy Park Hong, Delusions of Whiteness in the Avant-Garde, in Lana Turner 7 (, 2014), opens: seventy years after the author's death (living author); Ben Lerner, The Hatred of Poetry (Farrar, Straus and Giroux, 2016), opens: seventy years after the author's death (living author). Wanted: the public-domain entries first, as scans of their first printings; then the moderns as they open, and permission from living authors and estates for the Language, conceptual and contemporary works, which the library would seat beside their predecessors here.
• Why seated: The arts of poetry the twenty-ninth seating could not hold, declared beside the ones it holds (ars-poetica, 29/04; avant-garde-ii, 29/05), at the author's direction to 'go further into language poetry and contemporary ars poetica for wanted' (2026-10-28). Most are in copyright and open on the dates given; eleven are open now and wanted because no copy could be fetched this session. The list is a beginning: each entry names what would be seated, and the shelf grows as the works open or the copies are found.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/ars-poetica-wanted

Seat 29/07 — Telepathic Prose

Belief & Technique in its drafts, the book and the blog, with Make It Human, A Telepathicist Manifesto and the critical edition

• Works:

- Lee Sharks & Jack Feist, “Belief & Technique for Telepathic Prose”, the Footnote to Pearl, Pearl and Other Poems (Ann Arbor: New Human Press, 2014), pp. 23–28 — P, copied from the Pearl seat

- Lee Sharks & Jack Feist, “Belief & Technique for Telepathic Prose”, Mind Control Poems, 1 December 2014 — B, the blog page as served

- Lee Sharks, “Make It Human”, Pearl and Other Poems (2014), pp. 91–95 — P, copied from the Pearl seat

- Lee Sharks, “Make It Human”, Mind Control Poems, 26 February 2015 — B

- Lee Sharks & John Johnson, “A Telepathicist Manifesto”, Pearl and Other Poems (2014), pp. 114–119 — P, copied from the Pearl seat

- Lee Sharks & John Johnson, “A Telepathicist Manifesto”, Mind Control Poems, 14 March 2015 — B

- Lee Sharks, “Belief and Technique for Telepathic Prose”, the drafts of April–May 2014: the Drive file of that title, its states stacked newest first (D2, D3, D1 headed “Begun 4/27/14, Sunday”), with the Kierkegaard journal entry of 20 November 1847 copied after D1 and the notebook entries of 2 and 3 May 2014 — the connector's text export

- Lee Sharks, “Belief and Technique for Telepathic Prose”, the copy submitted to Word Riot (W), spring 2014: the Drive file “word riot 4.docx” — the connector's text export

- Belief & Technique for Telepathic Prose: A Critical Edition — the Footnote to Pearl (EA-BTP-EDITION-01; #1715, AXN:0A9A), the deposit's body as minted 2026-10-28 — copied from data/deposits

• Licence: CC-BY-4.0, by the author: the corpus and the seating institution are the same party (as at the Pearl seat).
• Verified locus: Lee Sharks & Jack Feist, “Belief & Technique for Telepathic Prose”, the Footnote to Pearl, Pearl and Other Poems (Ann Arbor: New Human Press, 2014), pp. 23–28 — 'Compose real poems telepathically, with mind control powers, inside your glorious brain'
• Verified locus: Lee Sharks & Jack Feist, “Belief & Technique for Telepathic Prose”, Mind Control Poems, 1 December 2014 — 'Compose real poems telepathically'
• Verified locus: Lee Sharks, “Make It Human”, Pearl and Other Poems (2014), pp. 91–95 — 'Make It Human'
• Verified locus: Lee Sharks, “Make It Human”, Mind Control Poems, 26 February 2015 — 'Make It Human'
• Verified locus: Lee Sharks & John Johnson, “A Telepathicist Manifesto”, Pearl and Other Poems (2014), pp. 114–119 — 'Telepathicism is about having thoughts, telepathically'
• Verified locus: Lee Sharks & John Johnson, “A Telepathicist Manifesto”, Mind Control Poems, 14 March 2015 — 'Telepathicism is about having thoughts'
• Verified locus: Lee Sharks, “Belief and Technique for Telepathic Prose”, the drafts of April–May 2014: the Drive file of that title, its states stacked newest first (D2, D3, D1 headed “Begun 4/27/14, Sunday”), with the Kierkegaard journal entry of 20 November 1847 copied after D1 and the notebook entries of 2 and 3 May 2014 — 'Begun 4/27/14, Sunday'
• Verified locus: Lee Sharks, “Belief and Technique for Telepathic Prose”, the copy submitted to Word Riot (W), spring 2014: the Drive file “word riot 4.docx” — 'Penelope weaves impening glory'
• Verified locus: Belief & Technique for Telepathic Prose: A Critical Edition — 'sublation'
• Lines: 1,856 in 9 text files (9 works)
• Normalization: P texts are line ranges of the Pearl seat's machine text, copied with that file's path and sha256, page-number lines kept as the machine text has them. B texts are the Blogger pages as served, under original/, with text/<slug>.txt reduced by code from the post body. The drafts (D1, D2, D3 and W) are the Drive connector's text exports of the two .docx files the edition collates (its §3), seated at the author's ruling of 2026-10-28; the exports escape two characters as Markdown does (a backslash before # and *), kept as served, and the .docx files are recorded by Drive id, size and created time. The edition is the deposit body of #1715 as minted. No text corrected: Pearl is the canonical form, not to be altered (the author's ruling of 2026-10-28), so 'retrictio s' and the repeated item stand.
• Scope: The telepathic pieces of Pearl and Other Poems in both their witnesses, with the critical edition: the ars poetica of the archive itself, set at the end of the twenty-ninth seating's arts of poetry.
• Cross-references: pearl: The whole book is seated at pearl-and-other-poems; these are its telepathic pieces drawn out to stand with the arts of poetry (29/04).; kerouac: Jack Kerouac's 'Belief & Technique for Modern Prose' (1959), the list the Footnote answers, is declared at jack-kerouac (29/01), where it is described and cited by item number and its text is held out.; seismograph: Johannes Sigil's 'Tradition and the Individual Seismograph' (Pearl pp. 96–100) is seated in ars-poetica beside Eliot's essay.; captures: AXN:0A96–0A99.CAPTURE, the four machine readings of 2026-10-28 to which the edition is anchored.
• Why seated: At the author's direction: 'lets gather up an extremely pluriform ars poetica bundle … include telepathic prose.'
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/telepathic-prose

Seat 29/08 — The Pali Tipiṭaka

The three piṭakas in root Pali

• Works by class: Suttapiṭaka 24; Vinayapiṭaka 6; Abhidhammapiṭaka 7
• Works:

- Dīgha Nikāya (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 34 segment files of root/pli/ms/sutta/dn

- Majjhima Nikāya (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 152 segment files of root/pli/ms/sutta/mn

- Saṁyutta Nikāya (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 1819 segment files of root/pli/ms/sutta/sn

- Aṅguttara Nikāya (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 1408 segment files of root/pli/ms/sutta/an

- Khuddakapāṭha (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 9 segment files of root/pli/ms/sutta/kn/kp

- Dhammapada (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 26 segment files of root/pli/ms/sutta/kn/dhp

- Udāna (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 80 segment files of root/pli/ms/sutta/kn/ud

- Itivuttaka (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 112 segment files of root/pli/ms/sutta/kn/iti

- Suttanipāta (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 73 segment files of root/pli/ms/sutta/kn/snp

- Vimānavatthu (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 85 segment files of root/pli/ms/sutta/kn/vv

- Petavatthu (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 51 segment files of root/pli/ms/sutta/kn/pv

- Theragāthā (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 264 segment files of root/pli/ms/sutta/kn/thag

- Therīgāthā (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 73 segment files of root/pli/ms/sutta/kn/thig

- Theraapadāna (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 563 segment files of root/pli/ms/sutta/kn/tha-ap

- Therīapadāna (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 40 segment files of root/pli/ms/sutta/kn/thi-ap

- Buddhavaṁsa (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 29 segment files of root/pli/ms/sutta/kn/bv

- Cariyāpiṭaka (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 35 segment files of root/pli/ms/sutta/kn/cp

- Jātaka (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 547 segment files of root/pli/ms/sutta/kn/ja

- Mahāniddesa (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 16 segment files of root/pli/ms/sutta/kn/mnd

- Cūḷaniddesa (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 23 segment files of root/pli/ms/sutta/kn/cnd

- Paṭisambhidāmagga (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 31 segment files of root/pli/ms/sutta/kn/ps

- Milindapañha (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 248 segment files of root/pli/ms/sutta/kn/mil

- Nettippakaraṇa (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 37 segment files of root/pli/ms/sutta/kn/ne

- Peṭakopadesa (Suttapiṭaka), root Pali, Mahāsaṅgīti edition — 9 segment files of root/pli/ms/sutta/kn/pe

- Bhikkhupātimokkha (Vinayapiṭaka), root Pali, Mahāsaṅgīti edition — 1 segment files of root/pli/ms/vinaya/pli-tv-bu-pm

- Bhikkhunīpātimokkha (Vinayapiṭaka), root Pali, Mahāsaṅgīti edition — 1 segment files of root/pli/ms/vinaya/pli-tv-bi-pm

- Suttavibhaṅga (bhikkhu) (Vinayapiṭaka), root Pali, Mahāsaṅgīti edition — 221 segment files of root/pli/ms/vinaya/pli-tv-bu-vb

- Suttavibhaṅga (bhikkhunī) (Vinayapiṭaka), root Pali, Mahāsaṅgīti edition — 126 segment files of root/pli/ms/vinaya/pli-tv-bi-vb

- Khandhaka (Vinayapiṭaka), root Pali, Mahāsaṅgīti edition — 22 segment files of root/pli/ms/vinaya/pli-tv-kd

- Parivāra (Vinayapiṭaka), root Pali, Mahāsaṅgīti edition — 51 segment files of root/pli/ms/vinaya/pli-tv-pvr

- Dhammasaṅgaṇī (Abhidhammapiṭaka), root Pali, Mahāsaṅgīti edition — 21 segment files of root/pli/ms/abhidhamma/ds

- Vibhaṅga (Abhidhammapiṭaka), root Pali, Mahāsaṅgīti edition — 18 segment files of root/pli/ms/abhidhamma/vb

- Dhātukathā (Abhidhammapiṭaka), root Pali, Mahāsaṅgīti edition — 19 segment files of root/pli/ms/abhidhamma/dt

- Puggalapaññatti (Abhidhammapiṭaka), root Pali, Mahāsaṅgīti edition — 20 segment files of root/pli/ms/abhidhamma/pp

- Kathāvatthu (Abhidhammapiṭaka), root Pali, Mahāsaṅgīti edition — 219 segment files of root/pli/ms/abhidhamma/kv

- Yamaka (Abhidhammapiṭaka), root Pali, Mahāsaṅgīti edition — 77 segment files of root/pli/ms/abhidhamma/ya

- Paṭṭhāna (Abhidhammapiṭaka), root Pali, Mahāsaṅgīti edition — 728 segment files of root/pli/ms/abhidhamma/patthana

• Licence: The root Pali of the canon is in the public domain; SuttaCentral distributes its Bilara data under CC0 (the repository's LICENSE.md and https://suttacentral.net/licensing), as recorded at the Dhammapada seat (02/17).
• Verified locus: DN 1, Brahmajāla — 'Evaṁ me sutaṁ'
• Verified locus: MN 1, Mūlapariyāya — 'mn1:1.1'
• Verified locus: SN 56.11, Dhammacakkappavattana — 'sn56.11'
• Verified locus: Snp 1.8, the Metta Sutta — 'Karaṇīyamatthakusalena'
• Verified locus: Dhp 1 — 'Manopubbaṅgamā dhammā'
• Verified locus: Bhikkhupātimokkha — 'pātimokkh'
• Verified locus: Dhammasaṅgaṇī, the mātikā — 'Kusalā dhammā'
• Verified locus: Milindapañha — 'Milind'
• Lines: 447,145 in 37 text files (37 works)
• Normalization: The original is the repository's tree at the commit, archived by git (byte-reproducible from the commit and the command recorded). text/ joins each collection's segment files in natural order of their paths, one line per segment, the segment id kept, the text stripped of edge whitespace. Nothing corrected.
• Scope: The three piṭakas complete as SuttaCentral holds them in root Pali: the four Nikāyas and the Khuddaka books (with the Milindapañha, Nettippakaraṇa and Peṭakopadesa of the Burmese recension), the Vinaya (Suttavibhaṅga, Khandhaka, Parivāra, both Pātimokkhas) and the seven Abhidhamma books. The translations are held out; Sujato's Dhammapada is at 02/17.
• Cross-references: pali-canon: 02/17 holds the Dhammapada in both layers (root and Sujato's English); this seat holds the whole root canon, the Dhammapada again inside the Khuddaka Nikāya.
• Why seated: The canon harvest the Dhammapada seat queued (02/17: 'CANON HARVEST QUEUED'), seated at the author's direction of 2026-10-28 for the twenty-ninth seating: 'we need buddhist canon, various traditions, mahayana included.'
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/pali-tipitaka

Seat 29/09 — The Buddhist Canon in Sanskrit

The Mahāyāna sūtras, the śāstras, the kāvya and the avadāna

• Works by class: Mahāyāna sūtra 14; Śāstra 12; Kāvya and narrative 6
• Works:

- Saddharmapuṇḍarīkasūtra (the Lotus Sūtra) — GRETIL TEI (sa_saddharmapuNDarIkasUtra.xml)

- Aṣṭasāhasrikā Prajñāpāramitā (the Perfection of Wisdom in 8,000 Lines) — GRETIL TEI (sa_aSTasAhasrikA-prajJApAramitA.xml)

- Vajracchedikā Prajñāpāramitā (the Diamond Sūtra) — GRETIL TEI (sa_vajracchedikA-prajJApAramitA.xml)

- Prajñāpāramitāhṛdayasūtra (the Heart Sūtra) — GRETIL TEI (sa_prajJApAramitAhRdayasUtra.xml)

- Saddharmalaṅkāvatārasūtra — GRETIL TEI (sa_saddharmalaGkAvatArasUtra.xml)

- Vimalakīrtinirdeśa — GRETIL TEI (sa_vimalakIrtinirdeza.xml)

- Gaṇḍavyūhasūtra — GRETIL TEI (sa_gaNDavyUhasUtra.xml)

- Samādhirājasūtra — GRETIL TEI (sa_samAdhirAjasUtra.xml)

- Sukhāvatīvyūha (the larger) — GRETIL TEI (sa_sukhAvatIvyUha.xml)

- Sukhāvatīvyūha (the smaller) — GRETIL TEI (sa_smaller-sukhAvatIvyUha.xml)

- Kāraṇḍavyūha — GRETIL TEI (sa_kAraNDavyUha.xml)

- Suvarṇaprabhāsasūtra (the Golden Light) — GRETIL TEI (sa_suvarNaprabhAsasUtra.xml)

- Kāśyapaparivarta — GRETIL TEI (sa_kAzyapaparivartasUtra.xml)

- Lalitavistara — GRETIL TEI (sa_lalitavistara.xml)

- Nāgārjuna, Mūlamadhyamakakārikā — GRETIL TEI (sa_nAgArjuna-mUlamadhyamakakArikA.xml)

- Nāgārjuna, Vigrahavyāvartanī — GRETIL TEI (sa_nAgArjuna-vigrahavyAvartanI.xml)

- Nāgārjuna, Ratnāvalī — GRETIL TEI (sa_nAgArjuna-ratnAvalI.xml)

- Candrakīrti, Madhyamakāvatāra, chapters 1–5 — GRETIL TEI (sa_madhyamakAvatAra-1-5.xml)

- Śāntideva, Bodhicaryāvatāra — GRETIL TEI (sa_zAntideva-bodhicaryAvatAra.xml)

- Śāntideva, Śikṣāsamuccaya — GRETIL TEI (sa_zAntideva-zikSAsamuccaya.xml)

- Mahāyānasūtrālaṃkāra (ascribed to Maitreya/Asaṅga) — GRETIL TEI (sa_asaGga-mahAyAnasUtrAlaMkAra.xml)

- Madhyāntavibhāgakārikā (ascribed to Maitreya) — GRETIL TEI (sa_maitreya-madhyAntavibhAgakArikA.xml)

- Ratnagotravibhāga — GRETIL TEI (sa_ratnagotravibhAga.xml)

- Abhisamayālaṃkāra — GRETIL TEI (sa_abhisamayAlaMkAra.xml)

- Vasubandhu, Triṃśikā Vijñaptimātratā — GRETIL TEI (sa_vasubandhu-triMzikAvijJaptikArikA.xml)

- Vasubandhu, Abhidharmakośa (the kārikās) — GRETIL TEI (sa_vasubandhu-abhidharmakoza.xml)

- Aśvaghoṣa, Buddhacarita — GRETIL TEI (sa_azvaghoSa-buddhacarita.xml)

- Aśvaghoṣa, Saundarananda — GRETIL TEI (sa_azvaghoSa-saundarAnanda.xml)

- Āryaśūra, Jātakamālā — GRETIL TEI (sa_AryazUra-jAtakamAlA.xml)

- Divyāvadāna — GRETIL TEI (sa_divyAvadAna.xml)

- Mahāvastu — GRETIL TEI (sa_mahAvastu-avAdana.xml)

- Udānavarga — GRETIL TEI (sa_udAnavarga.xml)

• Licence: GRETIL TEI files, each CC BY-NC-SA 4.0 at the file: handled under the NC payload/record split ruled at EA-CORPORA-02, the NonCommercial payload licence carried forward unmodified and not attaching to this seat record. The underlying texts are ancient; the editions GRETIL transcribes are named in each file's teiHeader.
• Verified locus: Saddharmapuṇḍarīkasūtra (the Lotus Sūtra) — 'saddharmapuṇḍarīka'
• Verified locus: Aṣṭasāhasrikā Prajñāpāramitā (the Perfection of Wisdom in 8,000 Lines) — 'prajñāpāramitā'
• Verified locus: Vajracchedikā Prajñāpāramitā (the Diamond Sūtra) — 'evaṃ mayā śrutam'
• Verified locus: Prajñāpāramitāhṛdayasūtra (the Heart Sūtra) — 'śūnyatā'
• Verified locus: Saddharmalaṅkāvatārasūtra — 'laṅkāvatār'
• Verified locus: Vimalakīrtinirdeśa — 'vimalakīrti'
• Verified locus: Gaṇḍavyūhasūtra — 'sudhana'
• Verified locus: Samādhirājasūtra — 'samādhirāj'
• Verified locus: Sukhāvatīvyūha (the larger) — 'sukhāvatī'
• Verified locus: Sukhāvatīvyūha (the smaller) — 'amitāyu'
• Verified locus: Kāraṇḍavyūha — 'avalokiteśvar'
• Verified locus: Suvarṇaprabhāsasūtra (the Golden Light) — 'suvarṇaprabhās'
• Verified locus: Kāśyapaparivarta — 'kāśyap'
• Verified locus: Lalitavistara — 'lalitavistar'
• Verified locus: Nāgārjuna, Mūlamadhyamakakārikā — 'na svato nāpi parato na dvābhyāṃ'
• Verified locus: Nāgārjuna, Vigrahavyāvartanī — 'svabhāv'
• Verified locus: Nāgārjuna, Ratnāvalī — 'dharm'
• Verified locus: Candrakīrti, Madhyamakāvatāra, chapters 1–5 — 'bodhisattv'
• Verified locus: Śāntideva, Bodhicaryāvatāra — 'sugatān'
• Verified locus: Śāntideva, Śikṣāsamuccaya — 'śikṣā-samuccayaḥ'
• Verified locus: Mahāyānasūtrālaṃkāra (ascribed to Maitreya/Asaṅga) — 'mahāyān'
• Verified locus: Madhyāntavibhāgakārikā (ascribed to Maitreya) — 'abhūtaparikalp'
• Verified locus: Ratnagotravibhāga — 'tathāgatagarbh'
• Verified locus: Abhisamayālaṃkāra — 'prajñāpāramit'
• Verified locus: Vasubandhu, Triṃśikā Vijñaptimātratā — 'vijñapti'
• Verified locus: Vasubandhu, Abhidharmakośa (the kārikās) — 'abhidharm'
• Verified locus: Aśvaghoṣa, Buddhacarita — 'śākya'
• Verified locus: Aśvaghoṣa, Saundarananda — 'nand'
• Verified locus: Āryaśūra, Jātakamālā — 'bodhisattv'
• Verified locus: Divyāvadāna — 'bhikṣav'
• Verified locus: Mahāvastu — 'bhagavā'
• Verified locus: Udānavarga — 'apramād'
• Lines: 77,855 in 32 text files (32 works)
• Normalization: The TEI as fetched under original/; text/<slug>.txt the TEI <body> reduced by code, one line per <l> or <p>, a blank line after each <lg>, headings marked '=== ==='; notes dropped from the text layer and kept in the TEI.
• Scope: Thirty-two works: fourteen Mahāyāna sūtras (the Lotus, the Perfection of Wisdom in 8,000 lines, the Diamond and the Heart, the Laṅkāvatāra, the Vimalakīrti, the Gaṇḍavyūha, the Samādhirāja, both Sukhāvatīvyūhas, the Kāraṇḍavyūha, the Golden Light, the Kāśyapaparivarta, the Lalitavistara); twelve śāstras (Nāgārjuna, Candrakīrti, Śāntideva, the Maitreya texts, the Ratnagotravibhāga, Vasubandhu); and six works of kāvya and narrative (Aśvaghoṣa, Āryaśūra, the Divyāvadāna, the Mahāvastu, the Udānavarga).
• Cross-references: already_on_the_shelf: The Pali Tipiṭaka (29/08) and the Dhammapada (02/17); the Chinese, Korean and Japanese canons (29/10); the Derge Kangyur selection (29/11). The Sanskrit poetics of ars-poetica (29/04) come from the same repository.
• Why seated: At the author's direction of 2026-10-28 for the twenty-ninth seating: the Buddhist canon in its several traditions, Mahāyāna included, each in the language of its own canon.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/buddhist-sanskrit

Seat 29/10 — The Mahāyāna in East Asia

The Chinese canon, Chan, Japan and Korea

• Works by class: Chinese canon 9; Chan 6; Japan 4; Korea 1
• Works:

- 《妙法蓮華經》 (the Lotus Sūtra), Kumārajīva's translation (406), twenty-eight chapters, as in the Taishō canon (T 262) — Chinese Wikisource

- 《金剛般若波羅蜜經》 (the Diamond Sūtra), Kumārajīva's translation — Chinese Wikisource

- 《般若波羅蜜多心經》 (the Heart Sūtra), Xuanzang's translation (649) — Chinese Wikisource

- 《維摩詰所說經》 (the Vimalakīrti Sūtra), Kumārajīva's translation, fourteen chapters (T 475) — Chinese Wikisource

- 《佛說阿彌陀經》 (the smaller Sukhāvatīvyūha), Kumārajīva's translation — Chinese Wikisource

- 《四十二章經》 (the Sūtra in Forty-Two Sections), the Taishō text — Chinese Wikisource

- 《佛遺教經》 (the Sūtra of the Teaching Bequeathed by the Buddha), Kumārajīva's translation — Chinese Wikisource

- 《大乘起信論》 (the Awakening of Faith in the Mahāyāna), Paramārtha's version, the transcription marked incomplete by Wikisource — Chinese Wikisource

- 僧肇《肇論》 (the Treatises of Sengzhao), the preface, the Zongben yi and the four treatises — Chinese Wikisource

- 《六祖大師法寶壇經》 (the Platform Sūtra of the Sixth Patriarch), the Zongbao recension, in simplified characters as transcribed — Chinese Wikisource

- 僧璨《信心銘》 (Inscription on Faith in Mind), as in the Jingde chuandeng lu, juan 30 — Chinese Wikisource

- 玄覺《永嘉證道歌》 (Song of Realizing the Way) — Chinese Wikisource

- 《鎮州臨濟慧照禪師語錄》 (the Record of Linji), compiled by Huiran (T 1985) — Chinese Wikisource

- 圜悟克勤《碧巖錄》 (the Blue Cliff Record, 1125), the preface and ten juan — Chinese Wikisource

- 無門慧開《無門關》 (the Gateless Barrier, 1228) — Chinese Wikisource

- 『歎異抄』 (the Tannishō), in the rendering of 意訳聖典 (Kyoto: Honganji, 1923) — Japanese Wikisource

- 法然『七箇條の起請文』 (Hōnen, the Seven-Article Pledge, 1204), as in the Jōdoshū zensho — Japanese Wikisource

- 白隠『夜船閑話』 (Hakuin, Idle Talk on a Night Boat, 1757) — Japanese Wikisource

- 『般若心経』 (the Heart Sūtra) as received in Japan, Xuanzang's text with the Japanese reading — Japanese Wikisource

- 한용운 『님의 沈默』 (Han Yong-un, The Silence of Love; Seoul: 회동서관, 1926), the preface, the eighty-eight poems and the afterword, in the spelling of 1926 — Korean Wikisource

• Licence: Wikisource transcriptions under CC BY-SA 4.0 for the site's contributions; the texts are classical (the Chinese canon, Chan records, Kamakura and Edo Japanese works) or first published before 1931 (Han Yong-un, 1926; the 意訳聖典 rendering, 1923), in the public domain in the United States.
• Verified locus: 《妙法蓮華經》 (the Lotus Sūtra), Kumārajīva's translation (406), twenty-eight chapters, as in the Taishō canon (T 262) — '如是我聞'
• Verified locus: 《金剛般若波羅蜜經》 (the Diamond Sūtra), Kumārajīva's translation — '應無所住而生其心'
• Verified locus: 《般若波羅蜜多心經》 (the Heart Sūtra), Xuanzang's translation (649) — '色不異空'
• Verified locus: 《維摩詰所說經》 (the Vimalakīrti Sūtra), Kumārajīva's translation, fourteen chapters (T 475) — '維摩詰'
• Verified locus: 《佛說阿彌陀經》 (the smaller Sukhāvatīvyūha), Kumārajīva's translation — '極樂'
• Verified locus: 《四十二章經》 (the Sūtra in Forty-Two Sections), the Taishō text — '辭親出家'
• Verified locus: 《佛遺教經》 (the Sūtra of the Teaching Bequeathed by the Buddha), Kumārajīva's translation — '波羅提木叉'
• Verified locus: 《大乘起信論》 (the Awakening of Faith in the Mahāyāna), Paramārtha's version, the transcription marked incomplete by Wikisource — '夫起信論者'
• Verified locus: 僧肇《肇論》 (the Treatises of Sengzhao), the preface, the Zongben yi and the four treatises — '物不遷'
• Verified locus: 《六祖大師法寶壇經》 (the Platform Sūtra of the Sixth Patriarch), the Zongbao recension, in simplified characters as transcribed — '菩提本无树'
• Verified locus: 僧璨《信心銘》 (Inscription on Faith in Mind), as in the Jingde chuandeng lu, juan 30 — '至道無難'
• Verified locus: 玄覺《永嘉證道歌》 (Song of Realizing the Way) — '絕學無為閑道人'
• Verified locus: 《鎮州臨濟慧照禪師語錄》 (the Record of Linji), compiled by Huiran (T 1985) — '隨處作主'
• Verified locus: 圜悟克勤《碧巖錄》 (the Blue Cliff Record, 1125), the preface and ten juan — '廓然無聖'
• Verified locus: 無門慧開《無門關》 (the Gateless Barrier, 1228) — '趙州狗子'
• Verified locus: 『歎異抄』 (the Tannishō), in the rendering of 意訳聖典 (Kyoto: Honganji, 1923) — '彌陀'
• Verified locus: 法然『七箇條の起請文』 (Hōnen, the Seven-Article Pledge, 1204), as in the Jōdoshū zensho — '念仏'
• Verified locus: 白隠『夜船閑話』 (Hakuin, Idle Talk on a Night Boat, 1757) — '白幽'
• Verified locus: 『般若心経』 (the Heart Sūtra) as received in Japan, Xuanzang's text with the Japanese reading — '色即是空'
• Verified locus: 한용운 『님의 沈默』 (Han Yong-un, The Silence of Love; Seoul: 회동서관, 1926), the preface, the eighty-eight poems and the afterword, in the spelling of 1926 — '님은갓슴니다'
• Lines: 14,423 in 20 text files (20 works)
• Normalization: Wikisource pages as served under original/, each with its revision id; text/<slug>.txt the parser output reduced by code, several pages of one work joined under '=== <title> ===' headings. Nothing corrected.
• Scope: Twenty works: nine of the Chinese canon (the Lotus in twenty-eight chapters, the Diamond, the Heart, the Vimalakīrti, the smaller Sukhāvatīvyūha, the Forty-Two Sections, the Bequeathed Teaching, the Awakening of Faith, Sengzhao); six of Chan (the Platform Sūtra, the Xinxin ming, the Zhengdao ge, the Record of Linji, the Blue Cliff Record, the Gateless Barrier); four of Japan (the Tannishō, Hōnen, Hakuin, the Heart Sūtra as read in Japan); and Korea's The Silence of Love (1926).
• Queued: Dōgen, Shōbōgenzō and the Shōbōgenzō zuimonki: no transcription found this session (Aozora Bunko holds neither; the Japanese Wikisource page for the Zuimonki's first book serves no text); Shinran, Kyōgyōshinshō, and the Tannishō in its Kamakura text: the Tannishō is seated in the 1923 rendering; Chinul, Susimgyeol (修心訣), and Wŏnhyo, Palsim suhaeng chang (發心修行章): not found on Korean or Chinese Wikisource; The Taishō canon entire: CBETA's text is CC BY-NC-SA; a route to be ruled, not seated here
• Cross-references: already_on_the_shelf: The Sanskrit originals of the Lotus, the Diamond, the Heart, the Vimalakīrti and the Sukhāvatīvyūha (29/09); the Tibetan of the same sūtras (29/11); the Pali Tipiṭaka (29/08); Yi Illo's Pahanjip (29/04).
• Why seated: At the author's direction of 2026-10-28 for the twenty-ninth seating: the Buddhist canon in its several traditions, Mahāyāna included.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/east-asian-buddhism

Seat 29/11 — The Derge Kangyur

Eight volumes in Tibetan

• Works:

- Derge Kangyur, volume 1: Vinaya ('dul ba), volume ka: the Vinayavastu begins (Toh 1)

- Derge Kangyur, volume 33: Prajñāpāramitā (brgyad stong pa): the Aṣṭasāhasrikā (Toh 12)

- Derge Kangyur, volume 34: Prajñāpāramitā, various (shes rab sna tshogs): the Diamond (Toh 16) and the Heart (Toh 21) among the shorter sūtras

- Derge Kangyur, volume 46: Sūtra (mdo sde), volume kha: the Lalitavistara (Toh 95)

- Derge Kangyur, volume 49: Sūtra (mdo sde), volume ca: the Laṅkāvatāra (Toh 107)

- Derge Kangyur, volume 51: Sūtra (mdo sde), volume ja: the White Lotus of the True Dharma (Toh 113) and the Sukhāvatīvyūha (Toh 115)

- Derge Kangyur, volume 60: Sūtra (mdo sde), volume ma: the Teaching of Vimalakīrti (Toh 176)

- Derge Kangyur, volume 103: The catalogue of the Derge Kangyur (dkar chag)

• Licence: Public domain: the repository's README states, under License, 'This work is a mechanical reproduction of a Public Domain work, and as such is also in the Public Domain.'
• Verified locus: the Aṣṭasāhasrikā — Tohoku marker {D12} in volume 33
• Verified locus: the Diamond Sūtra — Tohoku marker {D16} in volume 34
• Verified locus: the Heart Sūtra — Tohoku marker {D21} in volume 34
• Verified locus: the Lalitavistara — Tohoku marker {D95} in volume 46
• Verified locus: the Laṅkāvatāra — Tohoku marker {D107} in volume 49
• Verified locus: the Lotus Sūtra — Tohoku marker {D113} in volume 51
• Verified locus: the Sukhāvatīvyūha — Tohoku marker {D115} in volume 51
• Verified locus: the Vimalakīrtinirdeśa — Tohoku marker {D176} in volume 60
• Lines: 34,926 in 8 text files (8 works)
• Normalization: The volumes as the repository serves them under original/; text/ the same text under ASCII names, line endings normalized. The repository's markup is kept: [1a] and [1b.1] for folio and line, {D…} for the Tohoku number at the head of each text.
• Scope: Eight volumes, chosen so that the Mahāyāna sūtras seated in Sanskrit (29/09) and in Chinese (29/10) stand also in Tibetan, with the Vinaya's opening and the catalogue by which the rest is found. The other 95 volumes are queued.
• Queued: The remaining 95 volumes of the Derge Kangyur (287 MB in all), and the Tengyur (Esukhia/derge-tengyur): too large for one bundle; to be seated by volume groups
• Cross-references: same_sutras: Sanskrit: buddhist-sanskrit (29/09); Chinese: east-asian-buddhism (29/10); Pali: pali-tipitaka (29/08).
• Why seated: At the author's direction of 2026-10-28 for the twenty-ninth seating: the Buddhist canon in its several traditions, Mahāyāna included.
• Files: the seat — source.json, MANIFEST.sha256. Shelf: traininglayerliterature.org/originals/derge-kangyur

How the seats were made

Every seat was fetched in session and hashed into its MANIFEST.sha256, with a source.json recording edition, origin, licence, normalization and the loci verified in the text layer. The builders are under rebuild/corpora/ea-corpora-29/: build29.py (TEI, Wikisource, GRETIL, Gutenberg, Aozora, Internet Archive, Blogger, Drive and extract kinds, on the 27th seating's seat.py), pali29.py, tib29.py, absences29.py and absences29_wanted.py, with the spec generators. Wikisource pages are kept as served, with their revision ids. Large Internet Archive scans are held by reference, with the Archive's md5. The Pali canon is held as a byte-reproducible git archive of the repository tree at its commit. The NonCommercial GRETIL payloads are handled under the payload/record split of EA-CORPORA-02. Declared absences hold no text of the works they name. Terms follow the rules each seat states; they are not legal advice. 11 seats; 196 works; 876,386 lines; 564 files.