Semi-restored deposit for dead DOI 10.5281/zenodo.19338437 (Zenodo 410 / DataCite findable). Canonical body is the complete captured DataCite record. Sixty-one Facebook status updates posted between December 2014 and February 2015 — contemporaneous with Pearl and Other Poems (ISBN 978-0692313077), the founding document of the Crimson Hexagonal Archive. Preserved with platform artifacts intact (Like · Comment · Share, timestamps, hashtags). The poem operates in the status update as a constrained form: each entry compresses a complete surrealist
AXN: AXN:03C9 — Alexanarch deposit #957 (self-reference in root form by pre-hash necessity)
Restoration status: SEMI-RESTORED — metadata-body deposit. This machine-facing static page is the canonical deposit. Its body is the complete DataCite metadata record for a work whose Zenodo record returns HTTP 410 (Gone) while DataCite serves the identifier as findable — the metadata layer and content layer in formal disagreement about the work's existence. Full text pending restoration from authorial originals; on restoration, this deposit upgrades by recorded correction (new hash, new glyph, remediation note).
Dead DOI: 10.5281/zenodo.19338437 (Zenodo record tombstoned; account termination 2026-06-19)
DataCite state at capture (2026-07-03): findable · client cern.zenodo
Creators (as recorded by DataCite): Sharks, Lee
Publication year (as recorded): 2014
Provenance: severance record at data/doi-resolution-index.json (severance_class: orphan → restored-semi); capture evidence at data/datacite-recapture-2026-07-03.json and the sift corpus of 2026-06.
Sixty-one Facebook status updates posted between December 2014 and February 2015 — contemporaneous with Pearl and Other Poems (ISBN 978-0692313077), the founding document of the Crimson Hexagonal Archive. Preserved with platform artifacts intact (Like · Comment · Share, timestamps, hashtags).
The poem operates in the status update as a constrained form: each entry compresses a complete surrealist scenario into a single sentence under the 'current mood:' genre tag. Three structural features connect the work to the archive's later formalizations: compression as method (the Three Compressions theorem operating at the sentence level a decade before its formalization), register collision as technique (logotic hacking in embryonic form), and the renunciation cycle as dialectic (the effective act as performative utterance whose force survives the irony that frames it).
The opening line — 'Born on December 25, 6000BC' — is the first retrocausal dating gesture in the archive. The closing posts ('museum of broken light,' 'document typed by shadow people') are the first ghost meaning artifacts. The platform is the carrier. The mood is the payload. The compression survives.
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