{ "corpus": "ars-poetica", "seat": "EA-CORPORA-29/04", "title": "Ars Poetica: the art of poetry in twenty traditions — Greek, Latin, Sanskrit, Tamil, Chinese, Japanese, Korean, Hebrew, Arabic, Persian, Old Norse, Irish, Occitan, Italian, French, Spanish, Portuguese, German, Russian and English", "edition": "Demetrius, Περὶ ἑρμηνείας (On Style) — W. Rhys Roberts (Cambridge, 1902), via Perseus grc2; Dionysius of Halicarnassus, Περὶ συνθέσεως ὀνομάτων (On the Arrangement of Words) — Usener and Radermacher (Leipzig: Teubner, 1904), via Perseus grc2; Lucian, Πῶς δεῖ ἱστορίαν συγγράφειν (How to Write History) — Teubner (1913), via Perseus grc2; Quintilian, Institutio oratoria, books I–XII — H. E. Butler, Loeb Classical Library (London: Heinemann; Cambridge, Mass.: Harvard, 1920–1922), the Latin text, via Perseus lat2; Dante Alighieri, De vulgari eloquentia, libri I–II (c. 1302–1305) — Latin Wikisource; Marco Girolamo Vida, Poemata omnia (1550), containing the De arte poetica libri III (first printed 1527) — scan (Google Books via the Internet Archive), OCR layer; Edmond Faral, Les arts poétiques du XIIe et du XIIIe siècle (Paris: Champion, 1924): the Latin texts of Matthew of Vendôme's Ars versificatoria, Geoffrey of Vinsauf's Poetria nova and Documentum, Evrard the German's Laborintus and John of Garland, with Faral's French studies — OCR layer; Bharata, Nāṭyaśāstra (the rasa-sūtra in adhyāya 6) — GRETIL TEI (sa_bharata-nATyazAstra-1-1618-303335-37.xml); Bhāmaha, Kāvyālaṃkāra — GRETIL TEI (sa_bhAmaha-kAvyAlaMkAra.xml); Daṇḍin, Kāvyādarśa, paricchedas 1–2 — GRETIL TEI (sa_daNDin-kAvyAdarza-1-2.xml); Daṇḍin, Kāvyādarśa, pariccheda 3 (yamaka and the figures of sound) — GRETIL TEI (sa_daNDin-kAvyAdarza-3.xml); Vāmana, Kāvyālaṅkārasūtravṛtti — GRETIL TEI (sa_vAmana-kAvyAlaMkArasUtra.xml); Ānandavardhana, Dhvanyāloka — GRETIL TEI (sa_Anandavardhana-dhvanyAloka.xml); Rājaśekhara, Kāvyamīmāṃsā (the Kāvyapuruṣa) — GRETIL TEI (sa_rAjazekhara-kAvyamImAMsA-1.xml); Kuntaka, Vakroktijīvita, with the author's vṛtti — GRETIL TEI (sa_kuntaka-vakroktijIvita-comm.xml); Mammaṭa, Kāvyaprakāśa — GRETIL TEI (sa_mammaTa-kAvyaprakAza.xml); Tolkāppiyam, Poruḷatikāram, the nine iyals (Akattiṇaiyiyal … Ceyyuḷiyal, Marapiyal) — Tamil Wikisource; 《毛詩》序 (the Great Preface to the Odes), as in the Wenxuan, juan 45 — Chinese Wikisource; 曹丕《典論·論文》 (Cao Pi, A Discourse on Literature), as in the Wenxuan — Chinese Wikisource; 陸機《文賦》 (Lu Ji, Rhapsody on Literature) — Chinese Wikisource; 劉勰《文心雕龍》 (Liu Xie, The Literary Mind and the Carving of Dragons), the fifty chapters (全覽) — Chinese Wikisource; 司空圖《二十四詩品》 (Sikong Tu, The Twenty-Four Categories of Poetry) — Chinese Wikisource; 嚴羽《滄浪詩話》 (Yan Yu, Canglang's Remarks on Poetry), juan 1–5 and the letter to Wu Jingxian — Chinese Wikisource; 紀貫之『古今和歌集』仮名序 (Ki no Tsurayuki, the Kana Preface to the Kokinshū, 905) — Japanese Wikisource; 正岡子規『歌よみに与ふる書』 (Masaoka Shiki, Letters to the Tanka Poets, 1898) — Aozora Bunko, from the Iwanami Bunko text (1955; 1983 reset); 萩原朔太郎『詩の原理』 (Hagiwara Sakutarō, The Principles of Poetry, Daiichi Shobō, 1928) — Aozora Bunko, from the Shinchō Bunko text (1954); 이인로『파한집』(破閑集) (Yi Illo, Jottings to Break Idleness, compiled before 1220; printed 1260), books 上·中·下, in literary Chinese — Korean Wikisource; חיים נחמן ביאליק, «שירתנו הצעירה» (Bialik, Our Young Poetry, 1907) — Hebrew Wikisource; חיים נחמן ביאליק, «גילוי וכיסוי בלשון» (Bialik, Revealment and Concealment in Language, 1915) — Hebrew Wikisource; قدامة بن جعفر، كتاب نقد الشعر (Qudāma ibn Jaʿfar, The Criticism of Poetry, 10th c.) — Arabic Wikisource; عبد القاهر الجرجاني، دلائل الإعجاز (ʿAbd al-Qāhir al-Jurjānī, The Proofs of Inimitability, 11th c.), parts 1–5 — Arabic Wikisource; نظامی عروضی سمرقندی، چهار مقاله، مقالت دوم در ماهیت علم شعر (Niẓāmī ʿArūḍī, Four Discourses, c. 1156, the Second Discourse, on poetry) — Persian Wikisource, the text of Mīrzā Muḥammad Qazvīnī (Berlin: Iranschähr, 1927); Snorri Sturluson, Edda (Prologue, Gylfaginning, Skáldskaparmál, Háttatal), ed. Finnur Jónsson (Reykjavík: S. Kristjánsson, 1907) — OCR layer; Auraicept na n-Éces: The Scholars' Primer, ed. and tr. George Calder (Edinburgh: John Grant, 1917) — OCR layer; Las Flors del gay saber, estier dichas Las Leys d'Amors, vol. I, ed. Gatien-Arnoult (Toulouse: Paya, 1841), Occitan with French translation — OCR layer; Giovanni Pascoli, Il fanciullino (1897; in Pensieri e discorsi, Bologna: Zanichelli, 1907), chapters I–XX — Italian Wikisource; Joachim du Bellay, La Deffence, et illustration de la langue françoyse (Paris: Arnoul l'Angelier, 1549) — French Wikisource, the 1549 text; Nicolas Boileau, L'Art poétique (1674), in Œuvres poétiques (Paris: Imprimerie générale, 1872) — French Wikisource; Arthur Rimbaud, letter to Paul Demeny, 15 May 1871 (the Lettre du voyant), text of Roger Gilbert-Lecomte (Éditions des cahiers libres, 1929) — French Wikisource; Paul Verlaine, « Art poétique » (1874), in Jadis et naguère (Paris: Léon Vanier, 1884) — French Wikisource; Stéphane Mallarmé, « Crise de vers », in Divagations (Paris: Fasquelle, 1897) — French Wikisource; Guillaume Apollinaire, « L'Esprit nouveau et les poètes », Mercure de France 130, no. 491 (1 December 1918) — French Wikisource; Lope de Vega, Arte nuevo de hacer comedias en este tiempo (1609) — Spanish Wikisource; Rubén Darío, « Palabras liminares », Prosas profanas (1896; the 1917 edition) — Spanish Wikisource; Vicente Huidobro, « Arte poética », El espejo de agua (Buenos Aires: Orión, 1916) — Spanish Wikisource; Horacio Quiroga, « Decálogo del perfecto cuentista », Babel (Buenos Aires, July 1927) — Spanish Wikisource; Olavo Bilac, « Profissão de fé », Poesias (Rio de Janeiro, 1888) — Portuguese Wikisource; Martin Opitz, Buch von der Deutschen Poeterey (Breslau, 1624) — Project Gutenberg #34806; Gotthold Ephraim Lessing, Laokoon: oder über die Grenzen der Mahlerey und Poesie (Berlin: Voß, 1766) — Project Gutenberg #6889; Friedrich Schiller, Über naive und sentimentalische Dichtung (1795–1796), school edition with introduction (1885; Bayerische Staatsbibliothek copy) — OCR layer; Александр Пушкин, «Поэту» (Pushkin, To the Poet, 1830) — Russian Wikisource; Владимир Маяковский, «Как делать стихи?» (Mayakovsky, How Are Verses Made?, 1926) — Russian Wikisource; Sir Philip Sidney, A Defence of Poesie (1595), with Poems — Project Gutenberg #1962; Alexander Pope, An Essay on Criticism (1711) — Project Gutenberg #7409; William Wordsworth, Lyrical Ballads, with Other Poems (1800), vol. 1, with the Preface — Project Gutenberg #8905; Samuel Taylor Coleridge, Biographia Literaria (1817) — Project Gutenberg #6081; Letters of John Keats to His Family and Friends, ed. Sidney Colvin (1891) — Project Gutenberg #35698; Percy Bysshe Shelley, A Defence of Poetry (written 1821, printed 1840), and Other Essays — Project Gutenberg #5428; Ralph Waldo Emerson, Essays: Second Series (1844), opening with “The Poet” — Project Gutenberg #2945; Edgar Allan Poe, “The Philosophy of Composition”, Graham's Magazine (April 1846) — English Wikisource; Edgar Allan Poe, “The Poetic Principle” (1850), in The Works of the Late Edgar Allan Poe, vol. 2 (1859) — English Wikisource; Marianne Moore, Poems (London: Egoist Press, 1921), with “Poetry” — Project Gutenberg #62833; T. S. Eliot, “Tradition and the Individual Talent” (The Egoist, 1919), in The Sacred Wood (London: Methuen, 1920) — English Wikisource; Johannes Sigil, “Tradition and the Individual Seismograph, or, Developing the Historical Poetics of Some Themes Introduced in Lee Sharks' ‘Pearl’”, in Pearl and Other Poems (2014), pp. 96–100 — copied from this library's Pearl seat, to stand beside Eliot's", "language": "mul", "license": { "payload": "Per item, recorded in origin.items. The underlying works are in the public domain in the United States (first published before 1931, or ancient and medieval texts in editions published before 1931), except Sigil's essay, which is the archive's own (CC BY 4.0, by the author). Packagings: Perseus TEI CC BY-SA 4.0; Wikisource pages CC BY-SA 4.0 for the site's contributions; Project Gutenberg texts under the PG licence; Aozora Bunko texts under its terms for public-domain works. 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Bayerische Staatsbibliothek copy) — OCR layer", "text": "text/schiller-naive-sentimentalische-1885.ocr.txt", "originals": [ "original/11640865bsb/11640865bsb_djvu.txt" ], "lines": 11037, "class": "German" }, { "slug": "pushkin-poetu", "work": "Александр Пушкин, «Поэту» (Pushkin, To the Poet, 1830) — Russian Wikisource", "text": "text/pushkin-poetu.txt", "originals": [ "original/pushkin-poetu.html" ], "lines": 39, "class": "Russian" }, { "slug": "mayakovsky-kak-delat-stikhi", "work": "Владимир Маяковский, «Как делать стихи?» (Mayakovsky, How Are Verses Made?, 1926) — Russian Wikisource", "text": "text/mayakovsky-kak-delat-stikhi.txt", "originals": [ "original/mayakovsky-kak-delat-stikhi.html" ], "lines": 939, "class": "Russian" }, { "slug": "sidney-defence", "work": "Sir Philip Sidney, A Defence of Poesie (1595), with Poems — Project Gutenberg #1962", "text": "text/sidney-defence.txt", "originals": [ "original/gutenberg-1962.txt" ], "lines": 4181, "class": "English" }, { "slug": "pope-essay-on-criticism", "work": "Alexander Pope, An Essay on Criticism (1711) — Project Gutenberg #7409", "text": "text/pope-essay-on-criticism.txt", "originals": [ "original/gutenberg-7409.txt" ], "lines": 1656, "class": "English" }, { "slug": "wordsworth-lyrical-ballads-1800", "work": "William Wordsworth, Lyrical Ballads, with Other Poems (1800), vol. 1, with the Preface — Project Gutenberg #8905", "text": "text/wordsworth-lyrical-ballads-1800.txt", "originals": [ "original/gutenberg-8905.txt" ], "lines": 4928, "class": "English" }, { "slug": "coleridge-biographia", "work": "Samuel Taylor Coleridge, Biographia Literaria (1817) — Project Gutenberg #6081", "text": "text/coleridge-biographia.txt", "originals": [ "original/gutenberg-6081.txt" ], "lines": 14448, "class": "English" }, { "slug": "keats-letters", "work": "Letters of John Keats to His Family and Friends, ed. Sidney Colvin (1891) — Project Gutenberg #35698", "text": "text/keats-letters.txt", "originals": [ "original/gutenberg-35698.txt" ], "lines": 17197, "class": "English" }, { "slug": "shelley-defence", "work": "Percy Bysshe Shelley, A Defence of Poetry (written 1821, printed 1840), and Other Essays — Project Gutenberg #5428", "text": "text/shelley-defence.txt", "originals": [ "original/gutenberg-5428.txt" ], "lines": 3298, "class": "English" }, { "slug": "emerson-essays-second-series", "work": "Ralph Waldo Emerson, Essays: Second Series (1844), opening with “The Poet” — Project Gutenberg #2945", "text": "text/emerson-essays-second-series.txt", "originals": [ "original/gutenberg-2945.txt" ], "lines": 5550, "class": "English" }, { "slug": "poe-philosophy-of-composition", "work": "Edgar Allan Poe, “The Philosophy of Composition”, Graham's Magazine (April 1846) — English Wikisource", "text": "text/poe-philosophy-of-composition.txt", "originals": [ "original/poe-philosophy-of-composition.html" ], "lines": 127, "class": "English" }, { "slug": "poe-poetic-principle", "work": "Edgar Allan Poe, “The Poetic Principle” (1850), in The Works of the Late Edgar Allan Poe, vol. 2 (1859) — English Wikisource", "text": "text/poe-poetic-principle.txt", "originals": [ "original/poe-poetic-principle.html" ], "lines": 576, "class": "English" }, { "slug": "moore-poems-1921", "work": "Marianne Moore, Poems (London: Egoist Press, 1921), with “Poetry” — Project Gutenberg #62833", "text": "text/moore-poems-1921.txt", "originals": [ "original/gutenberg-62833.txt" ], "lines": 1302, "class": "English" }, { "slug": "eliot-tradition-individual-talent", "work": "T. S. Eliot, “Tradition and the Individual Talent” (The Egoist, 1919), in The Sacred Wood (London: Methuen, 1920) — English Wikisource", "text": "text/eliot-tradition-individual-talent.txt", "originals": [ "original/eliot-tradition-individual-talent.html" ], "lines": 73, "class": "English" }, { "slug": "sigil-tradition-individual-seismograph", "work": "Johannes Sigil, “Tradition and the Individual Seismograph, or, Developing the Historical Poetics of Some Themes Introduced in Lee Sharks' ‘Pearl’”, in Pearl and Other Poems (2014), pp. 96–100 — copied from this library's Pearl seat, to stand beside Eliot's", "text": "text/sigil-tradition-individual-seismograph.txt", "originals": [ "data/corpora/pearl-and-other-poems/text/pearl-machine-text.txt" ], "lines": 177, "class": "English" } ] }, "normalization": "Originals as fetched under original/ (TEI, Wikisource HTML as served with its revision id, Gutenberg text, Aozora XHTML in Shift_JIS, Internet Archive OCR layers and scans). text/.txt derived by code: TEI reduced to lines; Wikisource parser output with navigation, edit links and reference markers dropped (several pages of one work joined under '=== ===' headings); Aozora main text with ruby readings kept in 《》 after their base; Gutenberg and OCR text with line endings normalized. No text corrected by hand. Drop capitals set as images or styled initials on Wikisource can fall out of the text layer (Darío's first word reads 'espués').", "scope": "Arts of poetry: treatises, prefaces, letters, manifestos and poems about the making of poems, chosen for range — one or more per tradition, from the Nāṭyaśāstra and the Great Preface to the Odes through Mayakovsky, Hagiwara and MacLeish. Copyrighted moderns and contemporary arts of poetry are declared in 29/06 (ars-poetica-wanted).", "verified_loci": [ "Demetrius, Περὶ ἑρμηνείας (On Style) — 'ἑρμηνεία'", "Dionysius of Halicarnassus, Περὶ συνθέσεως ὀνομάτων (On the Arrangement of Words) — 'συνθέσεως'", "Lucian, Πῶς δεῖ ἱστορίαν συγγράφειν (How to Write History) — 'ἱστορία'", "Quintilian, Institutio oratoria, books I–XII — 'facilitas'", "Dante Alighieri, De vulgari eloquentia, libri I–II (c. 1302–1305) — 'Vulgarem locutionem'", "Marco Girolamo Vida, Poemata omnia (1550), containing the De arte poetica libri III (first printed 1527) — 'Vida'", "Edmond Faral, Les arts poétiques du XIIe et du XIIIe siècle (Paris: Champion, 1924): the Latin texts of Matthew of Vendôme's Ars versificatoria, Geoffrey of Vinsauf's Poetria nova and Documentum, Evrard the German's Laborintus and John of Garland, with Faral's French studies — 'Poetria'", "Bharata, Nāṭyaśāstra (the rasa-sūtra in adhyāya 6) — 'vibhāvānubhāvavyabhicārisaṃyogādrasaniṣpattiḥ'", "Bhāmaha, Kāvyālaṃkāra — 'śabdārthau sahitau kāvyaṃ'", "Daṇḍin, Kāvyādarśa, paricchedas 1–2 — 'śarīraṃ tāvad iṣṭārthavyavacchinnā'", "Daṇḍin, Kāvyādarśa, pariccheda 3 (yamaka and the figures of sound) — 'yamakaṃ tac ca pādānām'", "Vāmana, Kāvyālaṅkārasūtravṛtti — 'rītirātmā kāvyasya'", "Ānandavardhana, Dhvanyāloka — 'kāvyasyātmā dhvanir'", "Rājaśekhara, Kāvyamīmāṃsā (the Kāvyapuruṣa) — 'kāvyapuruṣa'", "Kuntaka, Vakroktijīvita, with the author's vṛtti — 'śabdārthau sahitau vakrakavivyāpāraśālini'", "Mammaṭa, Kāvyaprakāśa — 'tadadoṣau śabdārthau'", "Tolkāppiyam, Poruḷatikāram, the nine iyals (Akattiṇaiyiyal … Ceyyuḷiyal, Marapiyal) — 'மாத்திரை எழுத்து இயல் அசை வகை'", "《毛詩》序 (the Great Preface to the Odes), as in the Wenxuan, juan 45 — '詩者，志之所之也'", "曹丕《典論·論文》 (Cao Pi, A Discourse on Literature), as in the Wenxuan — '文人相輕'", "陸機《文賦》 (Lu Ji, Rhapsody on Literature) — '恒患意不稱物'", "劉勰《文心雕龍》 (Liu Xie, The Literary Mind and the Carving of Dragons), the fifty chapters (全覽) — '神思'", "司空圖《二十四詩品》 (Sikong Tu, The Twenty-Four Categories of Poetry) — '大用外腓，真體內充'", "嚴羽《滄浪詩話》 (Yan Yu, Canglang's Remarks on Poetry), juan 1–5 and the letter to Wu Jingxian — '妙悟'", "紀貫之『古今和歌集』仮名序 (Ki no Tsurayuki, the Kana Preface to the Kokinshū, 905) — 'やまとうたは、人のこゝろをたねとして'", "正岡子規『歌よみに与ふる書』 (Masaoka Shiki, Letters to the Tanka Poets, 1898) — '貫之《つらゆき》は下手な歌よみ'", "萩原朔太郎『詩の原理』 (Hagiwara Sakutarō, The Principles of Poetry, Daiichi Shobō, 1928) — '詩とは何ぞや'", "이인로『파한집』(破閑集) (Yi Illo, Jottings to Break Idleness, compiled before 1220; printed 1260), books 上·中·下, in literary Chinese — '破閑'", "חיים נחמן ביאליק, «שירתנו הצעירה» (Bialik, Our Young Poetry, 1907) — 'שירתנו'", "חיים נחמן ביאליק, «גילוי וכיסוי בלשון» (Bialik, Revealment and Concealment in Language, 1915) — 'בני אדם זורים בכל יום לרוח'", "قدامة بن جعفر، كتاب نقد الشعر (Qudāma ibn Jaʿfar, The Criticism of Poetry, 10th c.) — 'العلم بالشعر ينقسم أقساماً'", "عبد القاهر الجرجاني، دلائل الإعجاز (ʿAbd al-Qāhir al-Jurjānī, The Proofs of Inimitability, 11th c.), parts 1–5 — 'النظم'", "نظامی عروضی سمرقندی، چهار مقاله، مقالت دوم در ماهیت علم شعر (Niẓāmī ʿArūḍī, Four Discourses, c. 1156, the Second Discourse, on poetry) — 'شاعری صناعتی است'", "Snorri Sturluson, Edda (Prologue, Gylfaginning, Skáldskaparmál, Háttatal), ed. Finnur Jónsson (Reykjavík: S. Kristjánsson, 1907) — 'SKALDSKAPARMAL'", "Auraicept na n-Éces: The Scholars' Primer, ed. and tr. George Calder (Edinburgh: John Grant, 1917) — 'Auraicept'", "Las Flors del gay saber, estier dichas Las Leys d'Amors, vol. I, ed. Gatien-Arnoult (Toulouse: Paya, 1841), Occitan with French translation — 'LEYS'", "Giovanni Pascoli, Il fanciullino (1897; in Pensieri e discorsi, Bologna: Zanichelli, 1907), chapters I–XX — 'fanciullino'", "Joachim du Bellay, La Deffence, et illustration de la langue françoyse (Paris: Arnoul l'Angelier, 1549) — 'illvstration'", "Nicolas Boileau, L'Art poétique (1674), in Œuvres poétiques (Paris: Imprimerie générale, 1872) — 'Ce que l’on conçoit bien'", "Arthur Rimbaud, letter to Paul Demeny, 15 May 1871 (the Lettre du voyant), text of Roger Gilbert-Lecomte (Éditions des cahiers libres, 1929) — 'Je est un autre'", "Paul Verlaine, « Art poétique » (1874), in Jadis et naguère (Paris: Léon Vanier, 1884) — 'De la musique avant toute chose'", "Stéphane Mallarmé, « Crise de vers », in Divagations (Paris: Fasquelle, 1897) — 'Je dis : une fleur'", "Guillaume Apollinaire, « L'Esprit nouveau et les poètes », Mercure de France 130, no. 491 (1 December 1918) — 'esprit nouveau'", "Lope de Vega, Arte nuevo de hacer comedias en este tiempo (1609) — 'Arte nuevo'", "Rubén Darío, « Palabras liminares », Prosas profanas (1896; the 1917 edition) — 'un manifiesto'", "Vicente Huidobro, « Arte poética », El espejo de agua (Buenos Aires: Orión, 1916) — 'El poeta es un pequeño Dios'", "Horacio Quiroga, « Decálogo del perfecto cuentista », Babel (Buenos Aires, July 1927) — 'Cree en un maestro'", "Olavo Bilac, « Profissão de fé », Poesias (Rio de Janeiro, 1888) — 'Invejo o ourives quando escrevo'", "Martin Opitz, Buch von der Deutschen Poeterey (Breslau, 1624) — 'Poeterey'", "Gotthold Ephraim Lessing, Laokoon: oder über die Grenzen der Mahlerey und Poesie (Berlin: Voß, 1766) — 'Laokoon'", "Friedrich Schiller, Über naive und sentimentalische Dichtung (1795–1796), school edition with introduction (1885; Bayerische Staatsbibliothek copy) — 'sentimentalische'", "Александр Пушкин, «Поэту» (Pushkin, To the Poet, 1830) — 'Поэт! не дорожи любовию народной'", "Владимир Маяковский, «Как делать стихи?» (Mayakovsky, How Are Verses Made?, 1926) — 'Как делать стихи'", "Sir Philip Sidney, A Defence of Poesie (1595), with Poems — 'Now for the poet, he nothing'", "Alexander Pope, An Essay on Criticism (1711) — 'A little learning is a dang'", "William Wordsworth, Lyrical Ballads, with Other Poems (1800), vol. 1, with the Preface — 'spontaneous overflow of powerful feelings'", "Samuel Taylor Coleridge, Biographia Literaria (1817) — 'willing suspension of disbelief'", "Letters of John Keats to His Family and Friends, ed. Sidney Colvin (1891) — 'Negative Capability'", "Percy Bysshe Shelley, A Defence of Poetry (written 1821, printed 1840), and Other Essays — 'unacknowledged legislators'", "Ralph Waldo Emerson, Essays: Second Series (1844), opening with “The Poet” — 'metre-making argument'", "Edgar Allan Poe, “The Philosophy of Composition”, Graham's Magazine (April 1846) — 'Nevermore'", "Edgar Allan Poe, “The Poetic Principle” (1850), in The Works of the Late Edgar Allan Poe, vol. 2 (1859) — 'heresy of The Didactic'", "Marianne Moore, Poems (London: Egoist Press, 1921), with “Poetry” — 'imaginary gardens with real toads'", "T. S. Eliot, “Tradition and the Individual Talent” (The Egoist, 1919), in The Sacred Wood (London: Methuen, 1920) — 'historical sense'", "Johannes Sigil, “Tradition and the Individual Seismograph, or, Developing the Historical Poetics of Some Themes Introduced in Lee Sharks' ‘Pearl’”, in Pearl and Other Poems (2014), pp. 96–100 — 'The poet is like a seismograph'" ], "loci_not_found": [], "lines_total": 239484, "why_seated": "Gathered for the next EA-CORPORA deposit at the author's direction ('an extremely pluriform ars poetica bundle … include telepathic prose'; 'take that extremely pluriform further globally, hebrew, sanskrit, korean'), around Belief & Technique for Telepathic Prose (#1715), Jack Feist's art of poetry, so that the comic ars poetica stands among the arts it answers.", "spine": "EA-CORPORA-29 (#1716)", "ruling": "The author's directions of 2026-10-28; 'Tradition and the Individual Seismograph' beside Eliot's by his ruling.", "classes": [ "Greek", "Latin", "Sanskrit", "Tamil", "Chinese", "Japanese", "Korean", "Hebrew", "Arabic", "Persian", "Old Norse", "Irish", "Occitan", "Italian", "French", "Spanish", "Portuguese", "German", "Russian", "English" ], "queued": [ "Archibald MacLeish, “Ars Poetica”, Streets in the Moon (Boston: Houghton Mifflin, 1926): public domain in the United States; not on English Wikisource, and no scan found this session", "Rainer Maria Rilke, Briefe an einen jungen Dichter (Leipzig: Insel, 1929): both Internet Archive copies (the 1932 printing) are access-restricted (lending library), and no other copy was found", "Moses ibn Ezra, Kitāb al-muḥāḍara wa-l-mudhākara (the Hebrew poetics in Judaeo-Arabic) and its Hebrew translation by B. Halper, Shirat Yisrael (Leipzig, 1924): no fetchable copy found this session", "Zeami, Fūshikaden: no public-domain digital text found (Aozora Bunko and Japanese Wikisource hold none)", "Ibn Qutayba, al-Shiʿr wa-l-shuʿarāʾ: the Arabic Wikisource transcription is incomplete", "Raimon Vidal, Razos de trobar: no fetchable copy found this session", "Torquato Tasso, Discorsi dell'arte poetica: not found on Italian Wikisource", "Geoffrey of Vinsauf, Poetria nova, and the twelfth- and thirteenth-century Latin arts are seated inside Faral (1924) only as OCR" ], "cross_references": { "already_on_the_shelf": "Not seated twice: Plato's Ion, Phaedrus and Republic (plato); Aristotle's Poetics (aristotle); Longinus, On the Sublime (longinus); Horace's Ars Poetica and Epistles (horace, 29/02); Ovid's Ars amatoria, Remedia, Tristia and Ex Ponto (ovid, 29/03); Aristophanes' Frogs (aristophanes); Whitman's 1855 Preface (whitman, LG1855); Blake (blake); Dickinson's manuscripts and her letters to Higginson in the Letters of 1894 (dickinson-mss); Langston Hughes's 'The Negro Artist and the Racial Mountain' in The Nation of 23 June 1926 (langston-hughes); the Futurist and Russian Futurist manifestos (futurism); Dada (dada); Pound's essays and Des Imagistes (pound, pound-ii); Stein (stein); Pessoa (pessoa, pessoa-full); the Russian Formalists (russian-formalism); Mallarmé's Coup de dés and Apollinaire's Calligrammes (visual-poetry); Belief & Technique for Telepathic Prose, Make It Human and Sigil's essay in the whole (pearl-and-other-poems; 29/07)", "beside_eliot": "Sigil's 'Tradition and the Individual Seismograph' is seated next to Eliot's 'Tradition and the Individual Talent' by the author's ruling: the essay takes Eliot's historical sense as its tool and turns the poet from recorder into seismograph whose tremors may create the earthquake they register." }, "axn": "AXN:0A9F.ORIGINAL.☀️👇🎬💜♄🎇", "axn_basis": { "sha256_of": "MANIFEST.sha256", "sha256": "0bb7f1caa4e8ced1586475374e67737aba26ea28d86eb2f56697e209fd57814f", "hex_of": "#1716 (AXN:0A9F.DATASET.🔝🔐🌇🔃🪨✋)", "family": "ORIGINAL", "glyph_table": "v2.1", "assigned": "2026-10-28" } }