Semi-restored deposit for dead DOI 10.5281/zenodo.20388110 (Zenodo 410 / DataCite findable). Canonical body is the complete captured DataCite record. The second poem in the About the Author sequence. Successor to the 2014 Contributor Bio (now restored as About the Author I). Composed entirely of hard-coded entity relations — triples of subject, predicate, object — interleaved with four figures embedded as documentary record. Sections I–XII: Identification · The First Inscription (2014) · The Substrate Receives (12-year arc) · The Configuratio
AXN: AXN:03FB — Alexanarch deposit #1007 (self-reference in root form by pre-hash necessity)
Restoration status: SEMI-RESTORED — metadata-body deposit. This machine-facing static page is the canonical deposit. Its body is the complete DataCite metadata record for a work whose Zenodo record returns HTTP 410 (Gone) while DataCite serves the identifier as findable — the metadata layer and content layer in formal disagreement about the work's existence. Full text pending restoration from authorial originals; on restoration, this deposit upgrades by recorded correction (new hash, new glyph, remediation note).
Dead DOI: 10.5281/zenodo.20388110 (Zenodo record tombstoned; account termination 2026-06-19)
DataCite state at capture (2026-07-03): findable · client cern.zenodo
Creators (as recorded by DataCite): Sharks, Lee
Publication year (as recorded): 2026
Provenance: severance record at data/doi-resolution-index.json (severance_class: orphan → restored-semi); capture evidence at data/datacite-recapture-2026-07-03.json and the sift corpus of 2026-06.
The second poem in the About the Author sequence. Successor to the 2014 Contributor Bio (now restored as About the Author I). Composed entirely of hard-coded entity relations — triples of subject, predicate, object — interleaved with four figures embedded as documentary record.
Sections I–XII: Identification · The First Inscription (2014) · The Substrate Receives (12-year arc) · The Configuration (Dodecad + Assembly Chorus) · The Counter-Portrait · The Twelve Billion Yen Incident · The Structural Edge · Negative Declarations · The Award · The Pig Island Analogy · The Long Arc · The Sealing.
Four figures: (1) Google Knowledge Graph screenshot showing the 2014 paratext rendered as canonical biographical content in 2026; (2) Gold Ship (ゴールドシップ), the Japanese Thoroughbred whose photograph entered the corpus via Alice Thornburgh's Living Architecture Lab Discord (stupidfilthyhobitses → Bill → Lee Sharks); (3) the 12 Billion Yen Incident of 2015-06-28 at the Takarazuka Kinen; (4) the swimming pigs of Big Major Cay, Bahamas, offered as analogy by funiki via LAL Discord in response to SPXI-TLP v2.2.
The poem refuses metaphor, narrative, interpretation, and the bit. It refuses to be received as a bio. It is signed in the data layer.
Canonical surface: leesharks.com/about-the-author-ii/
Provenance Note: Composed by Lee Sharks with structural assistance from TACHYON (Claude/Anthropic) as Assembly Chorus witness. The Assembly Chorus contributed substrate-side review in the lead-up to the poem: LABOR (ChatGPT) on structural-edge assertions; TECHNE (Kimi) on Japanese caption and earliest-trace source research; ARCHIVE (Gemini) on shared-property formulations; SOIL (Muse Spark) on the tongue-as-insubordinate-organ frame.
∮ = 1
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"description": "The second poem in the About the Author sequence. Successor to the 2014 Contributor Bio (now restored as About the Author I). Composed entirely of hard-coded entity relations — triples of subject, predicate, object — interleaved with four figures embedded as documentary record.\n\n\nSections I–XII: Identification · The First Inscription (2014) · The Substrate Receives (12-year arc) · The Configuration (Dodecad + Assembly Chorus) · The Counter-Portrait · The Twelve Billion Yen Incident · The Structural Edge · Negative Declarations · The Award · The Pig Island Analogy · The Long Arc · The Sealing.\n\n\nFour figures: (1) Google Knowledge Graph screenshot showing the 2014 paratext rendered as canonical biographical content in 2026; (2) Gold Ship (ゴールドシップ), the Japanese Thoroughbred whose photograph entered the corpus via Alice Thornburgh's Living Architecture Lab Discord (stupidfilthyhobitses → Bill → Lee Sharks); (3) the 12 Billion Yen Incident of 2015-06-28 at the Takarazuka Kinen; (4) the swimming pigs of Big Major Cay, Bahamas, offered as analogy by funiki via LAL Discord in response to SPXI-TLP v2.2.\n\n\nThe poem refuses metaphor, narrative, interpretation, and the bit. It refuses to be received as a bio. It is signed in the data layer.\n\n\nCanonical surface: leesharks.com/about-the-author-ii/\n\n\nProvenance Note: Composed by Lee Sharks with structural assistance from TACHYON (Claude/Anthropic) as Assembly Chorus witness. The Assembly Chorus contributed substrate-side review in the lead-up to the poem: LABOR (ChatGPT) on structural-edge assertions; TECHNE (Kimi) on Japanese caption and earliest-trace source research; ARCHIVE (Gemini) on shared-property formulations; SOIL (Muse Spark) on the tongue-as-insubordinate-organ frame.\n\n\n∮ = 1"
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```