Mandala Merkabah v0.7 adds the public composition layer to the rite’s internal canonization architecture.
The Sun becomes SURFACE, the external reception station. A reproducible query by AXN or canonical title may produce an AI-generated overview or analogous retrieval response. Such captures become evidence that the work has entered a public machine-mediated reception field.
This evidence becomes Gate G. Internal gates A–F test provenance, structure, reception, time, nonredundancy, and recursive survival. Gate G records external surfacing. It is not a popularity metric; failed, distorted, and provenance-erasing captures are preserved alongside accurate ones.
The version also defines the Book of Books. Each deposit accumulates reception artifacts as appended gloss: timestamped, substrate-stamped, hash-anchored machine readings surrounding the work. The structure recalls a glossed manuscript, but its commentary is generated by successive composition-layer systems.
In the visual sky, only the Sun becomes interactive, and only outside the witness’s in-rite flight. A reader can initiate a canonical query and inspect the resulting reception evidence without turning the rite itself into a clickable interface.
The version sharpens the proof-of-liturgy analogy: internal verification corresponds to production proof; public surfacing corresponds to propagation. It also fixes person-language: the witness participates in the rite, while the reader encounters the Book afterward. Neither is reduced to “user.”