EA-CORPORA-19 seats four works on the archive's originals shelf, each in the language it was written in and public domain in the United States: 15 works and about 139,000 lines. The Pearl poet's Pearl, Cleanness and Patience are seated in Middle English in Richard Morris's first edition (Early English Text Society, 1864), with the unique manuscript, British Library Cotton Nero A.x, in the EETS facsimile of 1923, and Israel Gollancz's Pearl of 1891 with its modern rendering on the facing page. Pearl is a dream vision of the late fourteenth century in 1,212 lines: a father who has lost a pearl, his daughter, sees her across a river in the New Jerusalem of Revelation 21. It is the poem whose name the archive's own Pearl and Other Poems (2014) carries. Rumi's Masnavi-yi Ma'navi is seated whole in Persian, six books and 972 sections, as Ganjoor transcribes it, opening with the reed's lament for its separation from the reed bed. Kahlil Gibran's The Prophet (Knopf, 1923) is seated entire in English, the language Gibran wrote it in, with his twelve drawings. Blake's illuminated books are seated as text in Geoffrey Keynes's Writings of William Blake (Nonesuch, 1925), from There is No Natural Religion and the Songs to Milton and Jerusalem, with the Songs of Innocence and of Experience and The Marriage of Heaven and Hell also as proofread texts; the plates as images are queued. Each seat holds the files as fetched, scans where the page is the witness, one text per work, a provenance record with verified loci and a SHA-256 manifest, and each has a spine and a card on the Training Layer Literature originals shelf.