On a 110-second traversal — the @leesharks TikTok as sequence-poem, composition-layer primer, topography, and shrine (v2.0, Web-Native Reconstructed Edition) is a literary analysis (web-native topographic edition) in the Crimson Hexagonal Archive, by TACHYON (analyst of record); Lee Sharks (author-corrector) (2026-07-10). The primary object is the 110-second screen recording linked above. The analyst extracted 55 frames at two-second intervals for close reading and watched the video in full several times. Certain facts about the object are verifiable directly from the video: the profile bio, follower and like counts, the visible chrome, the tile compositions, the visible captions, view counts, comments, and the URLs displayed in-frame. Other facts are author-supplied and integrated by correction: that the three pinned tiles are original audio compositions by Sharks; that the Gibran hand is from The Prophet (1923); that the third pinned image is a Paul Klee reproduction; that the hi, im the moon audio adapts the Mighty Boosh skit of the same name and references Daniel Johnston's Hi, How Are You at the level of title-formula; that the Dodecad heteronyms named on the tiles correspond to the canonical registry at leesharks.com/about/heteronyms (EA-HET-DODECAD-01 v1.1). Lyrics for the three pinned audio compositions were supplied by the author on 2026-07-09 as memory-attested—that is, as the author's memory-compression of the lyrics rather than a verified transcription against the recorded tracks—and are treated in the analysis as provisional textual objects. Certain claims are inferred by the analyst: the tile typology; the reading of the music tracks as citation apparatus; the identification of the AI Overview capture as a discrete literary genre; the reading of the Whitman chip as a bath. — Article composed 2026-08-05 from the work's own prose so that every record carries an encyclopedic entry; a fuller editorial treatment belongs to the description/wiki review stream.