AXN:0730.DATASET.☉📖🐝🌕🌾🌍

AXN 0730 is the content-derived identifier of Alexanarch deposit #1713. It is an identifier, not a copy of the work: the hex marks position in the archive, and the six-glyph suffix is a display hash of the canonical text’s SHA-256, so the identifier is derived from the work rather than assigned to it.

The work

EA-CORPORA-28 is the twenty-eighth seating of the Crimson Hexagonal Archive's originals shelf, deposited by Lee Sharks on 27 October 2026: the wanted. Its six seats hold no text. Each is a declaration of the works the shelf would hold, who holds their rights, why they are not held and when or how they open. Hypatia of Alexandria (28/01) is entered as lost: the Suda names her commentaries on Diophantus and on Apollonius' Conics and an Astronomical Canon, and the heading of Theon's commentary on the third book of the Almagest credits its text to her revision; the seat lists the witnesses wanted, among them Synesius' letters to her and Socrates Scholasticus. Philip K. Dick (28/02) is entered from Solar Lottery (1955) to the Exegesis (2011), with thirteen stories of the early 1950s already in the public domain by non-renewal. Allen Ginsberg (28/03) is entered from Howl and Other Poems (1956) to Death & Fame (1999), opening in full on 1 January 2068. Anne Carson (28/04), awarded the Nobel Prize in Literature in October 2026, is entered from Eros the Bittersweet (1986) to The Gender of Sound (2025), with her translations of Sappho, Aeschylus, Sophocles and Euripides. Tao Lin (28/05) is entered with his books and the mandalas he has drawn since 2014. Paul Klee (28/06), in the public domain in Switzerland and the European Union since 2011, is held back by the number of his works and the rights claimed in their photographs: in the operator's words, "too many files and too many image copyright landmines". Deleuze and Guattari, named in the request, were declared at 27/07 of the preceding seating and are referred to there.

The record, with the full text