n	year	title	direction	determination_reopened	scale	editorial_evidence	subsequent_reception_crossref_citations
209	2019	Drones over Pompeii: cinematic perspectives on antiquity in the digital era	source→later	—	—	none in the record	3
210	2019	A misleading source: the fortuna of a sixteenth-century engraving and its impact on the history of R	source-evidence	a received piece of ancient evidence (a woodcut taken for a Roman wall painting)	local	none in the record	0
211	2019	(Re)membering Sara Baartman, Venus, and Aphrodite	source→later	—	—	none in the record	2
212	2019	‘Reader, I married him/her’: Ali Smith, Ovid, and queer translation	later→source	the conclusion of an Ovidian episode (Iphis and Ianthe)	local	none in the record	3
213	2019	Die klingende Ferne; Walter Braunfels’ Opera Die Vögel after Aristophanes’ Birds	source→later	—	—	none in the record	0
214	2019	The youth of antiquity: reception, homosexuality, alterity	field	—	—	none in the record	8
215	2019	Reinventing the barbarian: Electra, sibling incest, and twentieth-century Hellenism	later→source	a reading read back into the ancient text (incest in Electra)	governing	none in the record	1
216	2019	Distance and proximity in Hubert Robert	source→later	—	—	none in the record	1
217	2019	The world in Auerbach’s mouth: Weltliteratur after philhellenism	source→later	—	—	none in the record	0
218	2019	Mobilizing Pompeii for Italian Silent Cinema	source→later	—	—	none in the record	1
219	2019	Assemblage theory and the uses of classical reception: the case of Aristotle Knowsley’s Oedipus	field	—	—	none in the record	8
220	2019	Aspects of reception: reading Goethe’s Iphigenie auf Tauris with Adorno, Fassbinder, and Jauss	source→later	—	—	none in the record	0
221	2019	Homer's disembodied Siren, the missing player, or, what’s in Faux Rock?	later→source	what the Homeric Sirens are	local	none in the record	0
222	2019	Chrystian Piotr Aigner, ancient monuments, and the architectural discourse of Polish resurrection in	source→later	—	—	none in the record	0
223	2019	Porcelain: another window on the neoclassical visual world	source→later	—	—	none in the record	1
224	2020	Thucydideses: authorship, anachrony, and anachronism in Greek historiography	ancient reception	Thucydides' authorial future, via Laonikos	local	none in the record	13
226	2020	Post-apocalyptic humanism in Hesiod, Mary Shelley, and Olaf Stapledon	source→later	—	—	none in the record	3
227	2020	Plato’s queer time: dialogic moments in the life and death of Socrates	ancient reception	Plato's dialogue dates as his reception of Socrates	governing	none in the record	23
228	2020	Unapprehended relations	source→later	—	—	none in the record	2
229	2020	‘For Time is / nothing if not amenable’ — exemplarity, time, reception	field	—	—	none in the record	4
230	2020	At the end of the line: on kairological history	ancient reception	anachronism in Galen's anatomy	local	none in the record	17
231	2020	Ovid’s debut in Chinese: translating the Ars amatoria into the Republican discourse of love	source→later	—	—	none in the record	1
232	2020	The schoolboys’ revenge: how the golden line entered classical scholarship	later→source	a critical instrument for reading the Latin canon (the golden line)	governing	none in the record	5
234	2020	Contemporary Mythopoiesis: the role of Herodotus in Neil Gaiman’s American Gods	source→later	—	—	none in the record	3
235	2020	Phạm Duy Khiêm, classical reception, and colonial subversion in early 20th century Vietnam and Fran	source→later	—	—	none in the record	3
236	2020	Tradition in transformation: the classical curriculum in the colonial and early national American co	source→later	—	—	none in the record	0
237	2020	Early modern receptions of Iphigenia at Aulis	source→later	—	—	none in the record	5
238	2020	Framing Lars von Trier’s Medea	source→later	—	—	none in the record	0
239	2020	Reception Theory, New Humanism, and T. S. Eliot	source→later	—	—	none in the record	0
240	2020	Collective memory and Spanish cultural politics: the revival of the Roman theatre of Merida (1910–35	source→later	—	—	none in the record	1
241	2020	The cruelest harvest: Virgilian agricultural pessimism in the poetry of the Brazilian colonial perio	source→later	—	—	none in the record	1
242	2020	Aural philology: Herder hears Homer singing	source→later	—	—	none in the record	1
243	2020	Why does classical reception need disability studies?	later→source	how the "traditional" reading of myth is made (ableist tropes)	governing	none in the record	4
244	2020	Medea is a Good Boy: performing, subverting, and unmasking tragic gender	source→later	—	—	none in the record	0
245	2020	Thoreau’s luminous Homer in A Week on the Concord and Merrimack Rivers	source→later	—	—	none in the record	0
247	2020	The Spectacle of Helen in Euripides’ Helen and Marlowe’s Doctor Faustus	later→source	Helen as spectacle in Euripides	local	none in the record	2
248	2020	Thomas Carlyle and Stoicism	source→later	—	—	none in the record	0
249	2020	Epic Regained: Phillis Wheatley’s Admonitory Poetics in the ‘Little Columbiad’	source→later	—	—	none in the record	5
250	2020	Ravenna on the Grand Tour: A View of Late Antiquity in the Eighteenth Century	source→later	—	—	none in the record	0
251	2020	As Nature Formed It: Venus Sculptures and the ‘Natural’ Waistline in Dress Reform Discourse	source→later	—	—	none in the record	1
252	2020	Bodily Abjection and the Politics of Resistance in Tom Paulin’s Greek Tragedies	source→later	—	—	none in the record	0
253	2020	Pyrrhonian Scepticism in Thomas Elyot's Defence of Good Women (1540)	source→later	—	—	none in the record	0
254	2020	American Archias: Cicero and The Souls of Black Folk	source→later	—	—	none in the record	1
255	2020	Evangelicalism and Empire: Rudyard Kipling on the Roman Cult of Mithras and Christianization	source→later	—	—	none in the record	0
257	2021	Parallel Lives: Shakespeare and the Debate Over Emotional Involvement	source→later	—	—	none in the record	0
258	2021	Afterword: Bending the Rules	source→later	—	—	none in the record	0
259	2021	Marvels and Commonplaces in the Elizabethan Anthologies	source→later	—	—	none in the record	0
260	2021	The Poetics of Comedy in Jacques Peletier Du Mans’s Art poëtique (1555)	source→later	—	—	none in the record	0
261	2021	‘Non per instituir altri’? Attitudes to Rule-Following in Sixteenth-Century Poetics	source→later	—	—	none in the record	2
262	2021	Exit Pursued by Horace: Bears, Shakespeare, and the Classical Tradition	later→source	the bear in Horace's poetics	local	none in the record	4
263	2021	The Other Arena: Poetics Goes Global in the Iberian Atlantic, 1500–1650+	source→later	—	—	none in the record	2
265	2021	‘Defying Gravity’: Prose Epic and Heroic Style in Lucrezia Marinella’s 1602 Vita di Maria Vergine	source→later	—	—	none in the record	0
266	2021	Epic Victories and Failures: Homer and Vergil in Russia	source→later	—	—	none in the record	0
267	2021	Staging Archaeology: Empire as Reality Effect at the 1906–07 fêtes de Carthage	source→later	—	—	none in the record	1
268	2021	Do Not Read the Latin: Latin as Satanic Signifier in Supernatural Horror Cinema	source→later	—	—	none in the record	1
269	2021	Cinematizing the Epic Gaze: Julius Caesar and Pompey in Lucan and in the HBO/BBC Television Series R	later→source	the gaze in Lucan	local	none in the record	0
270	2021	Not cricket, not classics? A case study in the limits of reception	field	—	—	none in the record	0
271	2021	Respice, Adspice, Prospice : The ‘Marathon Stone’, Lewisohn Stadium, and the changing reception of t	source→later	—	—	none in the record	2
272	2021	Humanity and revolution in José Fuentes Mares’ La joven Antígona se va a la guerra	source→later	—	—	none in the record	0
273	2021	Medea and other women in Jules Dassin’s Never on Sunday	source→later	—	—	none in the record	0
274	2021	Heidegger, classical reception and the discourse of modernity: a crisis in thinking	source→later	—	—	none in the record	1
275	2021	Hellenism, philhellenism and classical reception: commemorating the 1821 revolution	source→later	—	—	none in the record	4
276	2021	A good gay Odyssey : Andrew Sean Greer’s Less	source→later	—	—	none in the record	0
277	2021	The ‘Antipoet of the Greeks’, or, how Euripides became a modernist	later→source	a claim made constitutive of an author (Euripides' untimely modernity)	governing	none in the record	0
278	2021	Plautus goes USA: the adaptation of Rudens by the Ladies’ Literary Society of Washington University 	source→later	—	—	none in the record	0
279	2021	The music of Iannis Xenakis’ estranged Kassandra	source→later	—	—	none in the record	0
280	2021	Pushing against an open door: Agamben on Hadot and Foucault	source→later	—	—	none in the record	0
282	2021	Shakespeare’s suppliants: the ‘rotten custom’ of ancient asylum seeking in Coriolanus	source→later	—	—	none in the record	0
283	2021	Tragic Form in Kamila Shamsie’s Home Fire	source→later	—	—	none in the record	9
284	2021	An Israeli–Palestinian Hecuba: Hanoch Levin’s Anti-Tragedy	source→later	—	—	none in the record	0
285	2021	Classical Absences (1896–2017)	field	—	—	none in the record	4
286	2022	Procne in Toni Morrison’s Beloved	source→later	—	—	none in the record	3
287	2022	On Criticising The Knox Bible	source→later	—	—	none in the record	0
288	2022	Constructing the Classical Past: the Role of Landscape in Christopher Wordsworth’s Greece	source→later	—	—	none in the record	1
289	2022	Carthaginians Beyond the Ocean: Comparison, Justification, and Inversion in the Hypothesis of the Ca	source→later	—	—	none in the record	0
290	2022	Smash the Thing: William Kentridge, Classical Antiquity, and his Refusal of Time in O Sentimental Ma	source→later	—	—	none in the record	0
292	2022	On the idea of failure in Vergilian translation	field	—	—	none in the record	0
293	2022	Vergil ‘disrobed’: John Vicars’ ‘home-spun English gray-coat plain’ Aeneid (1632)	source→later	—	—	none in the record	0
294	2022	Mataioponēmata : the politics of failure in translating the Aeneid in eighteenth- and nineteenth-cen	source→later	—	—	none in the record	0
295	2022	The puzzle of Valerii Briusov’s Aeneid	source→later	—	—	none in the record	0
296	2022	Fascism and the classics: ideological manipulation and targeted translations of the Aeneid	source→later	—	—	none in the record	2
297	2022	The silent reception of Kristina Chew’s Georgics	source→later	—	—	none in the record	0
298	2022	The early oblivion of the first Aeneid in Turkish: aiming at a moving target	source→later	—	—	none in the record	1
299	2022	Longing for home: a complex emotion in Homer’s Odyssey and Derek Walcott’s Omeros	later→source	a line of influence on the Homeric tradition (African influences)	governing	none in the record	0
300	2022	Oedipus at Dover Cliff: Early Modern Receptions of Seneca’s Phoenissae	later→source	the generic range of Seneca's Phoenissae	local	none in the record	0
301	2022	Graecia Belgica : writing Ancient Greek in the early modern Low Countries	source→later	—	—	none in the record	1
303	2022	The Homeric Διὸς ἀπάτη and its reuse within the seventeenth-century Portuguese epic poem Ulisseia ou	source→later	—	—	none in the record	0
304	2022	Prometheus in Russia: from revolution to dissidence	source→later	—	—	none in the record	4
305	2022	The Humed Serpent: Lucian, miracles, enlightenment, and empire	later→source	Lucian's Alexander and Peregrinus against Hume	local	none in the record	0
306	2022	‘This is how I explain the universality of Xenophon’: Machado de Assis, Brazilian Republic and the C	source→later	—	—	none in the record	1
307	2022	Sophia’s double: photography, archaeology, and modern Greece	source→later	—	—	none in the record	2
308	2022	Pygmalion and Medusa as Cixous’ writing women in InSEXts : ‘I Write Woman’	source→later	—	—	none in the record	1
310	2023	‘Beginning wherever you wish’: Sappho, Homer and the Homeric Hymn to Demeter in Theresa Hak Kyung Ch	source→later	—	—	none in the record	0
311	2023	From ‘the land of the rising sun’ to ‘the countries of the sun’: Mishima Yukio in Greece and Italy	source→later	—	—	none in the record	1
312	2023	Jocasta’s last hours: identity, responsibility, and violence in Martha Graham’s Night Journey	later→source	Jocasta in the Oedipus myth	local	none in the record	2
313	2023	Between Bacchae and Bahanalii —balkanizing classical reception	later→source	the Bacchae's border, against Said	local	none in the record	0
314	2023	‘If Clodia despised Catullus, you can very well, Dionysus, despise Ariadne’: classical receptions an	source→later	—	—	none in the record	0
315	2023	Henrik Ibsen, Emperor Julian, and the crisis of faith in modernity	source→later	—	—	none in the record	1
316	2023	Performing history and cultural memory through ancient drama: the case of contemporary Polish theatr	source→later	—	—	none in the record	2
317	2023	Indigenous Medea: space, time, and resistance in Wesley Enoch’s Black Medea	source→later	—	—	none in the record	0
318	2023	Mythological heroes on Czech stages and politics: the case of Phaethon and Antigone	source→later	—	—	none in the record	0
320	2023	‘Meteorology’ and ‘meteors’ across centuries: a short history of two problematic terms	ancient reception	the terms meteor and meteorology	local	none in the record	0
321	2023	The rape-pregnancy plots of Roman comedy and their reception in nineteenth-century Greece: the case 	source→later	—	—	none in the record	0
322	2023	In Search of Lost Haim : Homer and Heimat in the Dialectic of Enlightenment	later→source	the Odyssey's crew in Horkheimer and Adorno	local	none in the record	1
323	2023	Shakespeare and Plautus: exploring metrical influence	source→later	—	—	none in the record	0
324	2023	Placing ‘moderns’ in a ‘classic’ series: the case of J. M. Dent’s Everyman’s Library	source→later	—	—	none in the record	0
325	2023	A Feminist Act of Defiance: ‘Iphigenia says no’ by Katerina Anghelaki-Rooke	source→later	—	—	none in the record	2
326	2023	Sophocles’ Antigone and Chinese Opera ( xiqu ): a discussion of hybridized and indigenized adaptatio	source→later	—	—	none in the record	4
327	2023	Commemorative Architecture, Periclean Athens and the Polish Revolution of 1791: Auguste de Choiseul-	source→later	—	—	none in the record	0
328	2023	Masters of desire: the (re)erotization of the slave’s body in cinematic and television representatio	source→later	—	—	none in the record	1
329	2023	Claude McKay’s vagabond classicisms: empire, uplift, and antiquity	source→later	—	—	none in the record	0
331	2023	‘The words of a nation worn down by cares’: classical wisdom and modern crisis in Lin Shu’s Aesop’s 	source→later	—	—	none in the record	2
332	2023	Medea/Media: a glitchy counterfactual	source→later	—	—	none in the record	1
333	2023	‘Dance against the void’: Derek Jarman, dance, queer classical receptions	field	—	—	none in the record	3
334	2023	Female agents of Hell, Stoic luxury, and failing leaders: Erictho, Tisiphone, and the female gaze in	ancient reception	Lucan and Statius into Christian writers, Dante, Boccaccio	local	none in the record	0
335	2023	Forging lesbians: Sappho and The Songs of Bilitis	source→later	—	—	none in the record	1
336	2023	Lycanthropus adulescens : the classical element in MTV’s Teen Wolf (2011–17)	source→later	—	—	none in the record	0
338	2024	Afterword: memory and the past: fascism, spectacle, history	source→later	—	—	none in the record	0
339	2024	Classical dance and Mediterranean imaginaries: Jia Ruskaja in Fascist Italy	source→later	—	—	none in the record	1
340	2024	Constructing a Hellenic modernism: Aeschylus at the ancient theatre of Syracuse (1914–30)	source→later	—	—	none in the record	0
341	2024	Introduction A Hellenic Modernism: Greek Theatre and Italian Fascism	source→later	—	—	none in the record	1
342	2024	Ancient tragedy, yet modern music: musical compositions in the classical performances (1921–39)	source→later	—	—	none in the record	1
343	2024	Greek theatre, electric lights, and the plumes of locomotives: the quarrel between the Futurists and	source→later	—	—	none in the record	0
344	2024	Ettore Romagnoli, rievocatore of ancient Greek drama	source→later	—	—	none in the record	1
345	2024	‘Back from the silence with something to say’: Ursula Le Guin’s Lavinia and silence as classical rec	later→source	Lavinia's silence in the Aeneid	local	none in the record	6
346	2024	Translation and the homosexual canon: Thomas Cannon’s 1749 ‘Ancient and Modern Pederasty Investigate	source→later	—	—	none in the record	0
347	2024	The classical drama as contested heritage in modern Greece: theatre productions from private initiat	source→later	—	—	none in the record	1
348	2024	Narrativity and literariness in receptions of Josephus’s teknophagia story	ancient reception	Josephus' teknophagia in four languages	local	none in the record	0
349	2024	Vernacular classicism and the Mausoleum of Halicarnassus: the architectural imaginary of a Danish in	source→later	—	—	none in the record	0
350	2024	Performing Homeric islands: Homeric receptions in (post-)Hellenistic Asia	ancient reception	Homeric islands in the Sophytos inscription	local	none in the record	0
351	2024	‘Something Mythic’: The power of shared stories in Kamila Shamsie’s Home Fire	source→later	—	—	none in the record	3
352	2024	W. E. B. Du Bois’s universal history in Black Folk Then and Now (1939)	source→later	—	—	none in the record	0
353	2024	The haunting of classics in the Dark Academia aesthetic	field	—	—	none in the record	1
354	2024	‘Mankind Dame’: John Studley’s early modern Clytemnestra	source→later	—	—	none in the record	0
355	2024	Quod mentem moneat : Monuments and memory in Bernardo Bertolucci’s The Conformist (1970)	source→later	—	—	none in the record	0
356	2024	Circe, the female hero. First-person narrative and power in Madeline Miller’s Circe	field	—	—	none in the record	7
357	2024	Portraying political theatre: parody and caricature, ancient and modern	source→later	—	—	none in the record	1
358	2024	Classical allusions and narrative guidance in Robert Louis Stevenson’s Kidnapped	source→later	—	—	none in the record	0
359	2024	Watched men and phallus-wielding women: Aubrey Beardsley’s reception of Juvenal’s Sixth Satire	source→later	—	—	none in the record	0
360	2024	Admiring the Greeks with Roman eyes: F. A. Wolf, Quintilian, and the Latin roots of German philhelle	later→source	philology's founding premise (Greek over Latin in Wolf)	governing	none in the record	1
361	2024	Hungry for antiquity: Zbigniew Herbert and reception as ingestion	field	—	—	none in the record	0
362	2024	The meaning of Mr. Tumnus: classical epic and the making of modern fantasy	source→later	—	—	none in the record	0
363	2024	The Laws of Nature: Rewriting the Myth of Demeter and Persephone in Peter Greenaway’s The Draughtsma	source→later	—	—	none in the record	0
364	2025	Patriotism and Resistance through Translation: Aeschylus’s Persae and the Ancient Greek Past in Wart	source→later	—	—	none in the record	1
365	2025	The feminine of Cicero: Anthony Trollope’s classical critique of Victorian masculinity	source→later	—	—	none in the record	0
366	2025	Mapping the Eternal City: Rodolfo Lanciani’s Forma Urbis Romae	source→later	—	—	none in the record	0
367	2025	Uses of the Aeneid in O Uraguay (1769), by Basílio da Gama, as indices of uariatio between the epic 	source→later	—	—	none in the record	0
368	2025	Ancient and modern voices of Briseis: a feminist critique	later→source	Briseis in Homer and Ovid	local	none in the record	2
369	2025	William S. Burroughs and the ancient historians	source→later	—	—	none in the record	0
370	2025	Where was Apollo in Supergiant’s Hades ? Developer motivations and mythological characters in video 	field	—	—	none in the record	2
371	2025	Drinking his own Kool-Aid: Frank Miller’s graphic novel 300 (1998) and the slippery slope from histo	source→later	—	—	none in the record	1
372	2025	‘So long as these unhappie times did last’ (I. 6): narration in Samuel Daniel’s The Civil Wars and L	source→later	—	—	none in the record	0
373	2025	Mediterranean colours, reflections and reactions: Brice Marden’s marble fragments	source→later	—	—	none in the record	0
374	2025	Pasolini’s colonized medea	source→later	—	—	none in the record	0
375	2025	Money and Exchange in Plato’s Sophist : reading ἕτερον after Derrida	source	the text's own ground (exchange under Plato's ontology)	governing	none in the record	0
376	2025	Bayek’s promise: authentic vs. accurate Ptolemaic astronomy in Assassin’s Creed: Origins	source→later	—	—	none in the record	0
377	2025	‘Caesar’s Legion’ in Fallout: New Vegas: Re-enactment as Reception	source→later	—	—	none in the record	0
378	2025	The return of the gods: Greco-Roman mythology in eighteenth-century rabbinic lore	source→later	—	—	none in the record	0
379	2026	Fragmented Homers: Logue, Longley, Oswald	source→later	—	—	none in the record	0
380	2026	Turnus in India—The Figure of Khwaja Safar in Corte-Real’s Second Siege of Diu	source→later	—	—	none in the record	0
381	2026	Organicity, abstraction, and the invention of socialist antiquity	source→later	—	—	none in the record	0
382	2026	‘Introduction: costuming the ancient world’	source→later	—	—	none in the record	0
383	2026	Costuming the other on screen	source→later	—	—	none in the record	0
384	2026	Historicizing women’s costumes: anachronisms and appropriations	source→later	—	—	none in the record	0
385	2026	Is Dionysos still returning? Necropolitics and Terzopoulos’ stagings of dying democracies	source→later	—	—	none in the record	0
386	2026	Carnival and theatre: performing the utopian magic of Ovid’s Metamorphoses	source→later	—	—	none in the record	0
387	2026	Theorizing aggregative reception: Virgil’s Fama in Lusophone epic	field	—	—	none in the record	0
388	2026	Scott McCloud’s ‘Infinite Canvas’ and the experience of trauma in Lore Olympus and Book Five of Ovid	later→source	trauma in Ovid's Proserpina	local	none in the record	0
389	2026	Let loose your longing: erasure, citation, and lesbian matter in Anne Carson’s translation of Sappho	source→later	—	—	none in the record	0
390	2026	The imaginary works of Meleager of Gadara	later→source	a fact about an ancient author's corpus (Meleager's two books)	governing	none in the record	0
391	2026	‘Rewriting’ Iphigenia’s myth from Euripides to Iakovos Kambanellis	later→source	the violence latent in Euripides' Iphigenia plays	local	none in the record	0
392	2026	Designing Cleopatra (1963): the vision and influence of Irene Sharaff	source→later	—	—	none in the record	0
393	2026	Shoestring budgets and shoestring costumes: evoking antiquity in the films of the Bob Mizer’s Athlet	source→later	—	—	none in the record	0
394	2026	Trans memory without confession: Tiresias and the embodied archive in Sophoclean tragedy	later→source	Tiresias in Sophocles	local	none in the record	0
395	2026	‘The only original work remaining’: William Blake and the Belvedere Torso	source→later	—	—	none in the record	0
396	2026	From fur bikinis and brass bras to skinny jeans: dressing (and undressing) the Amazons	source→later	—	—	none in the record	0
397	2026	Once upon a Homer: classical epic as folklore-fairytale in nineteenth-century literature	source→later	—	—	none in the record	0
398	2026	Mythological tale and intertextuality in Vaghe stelle dell’Orsa (Luchino Visconti, 1965) according t	source→later	—	—	none in the record	0
399	2026	Tacitus in China: from the seventeenth century to the present	source→later	—	—	none in the record	0
400	2026	‘Dressed to kill: costume designers discuss Pontius Pilate’s recent on-screen attire’	source→later	—	—	none in the record	0
401	2026	Prometheus’ suicidal daughter: Lesya Ukrainka’s rewritings of Euripides in ‘Iphigenia in Tauris’ (18	source→later	—	—	none in the record	0
402	2026	Antigone at the colony: biopolitical transgressions in Luis Rafael Sánchez’s La pasión según Antígon	source→later	—	—	none in the record	0
403	2026	The cost of Indian trade: reading Pliny the Elder on empire, commerce, and luxury in seventeenth- an	source→later	—	—	none in the record	0
404	2026	‘Thalatta! Thalatta!’ in Ireland: Xenophon, the schoolroom, and the reception of a detached cry	later→source	a canonical tag (the cry of the Ten Thousand)	local	none in the record	0
405	2026	Taylor Swift’s ‘Cassandra’: popular song as feminist intervention	source→later	—	—	none in the record	0