n year doi cc_in_crossref s2_found s2_open s2_oa_status s2_citations crossref_citations title 1 2009 10.1093/crj/clp002 False True False CLOSED 28 9 A study in reception: the British debates over Aristophanes' politics and influence 2 2009 10.1093/crj/clp003 False True False CLOSED 5 4 'Third cheerleader from the left': from Homer's Helen to Helen of Troy 3 2009 10.1093/crj/clp004 False True False CLOSED 0 0 A poet of silence: Edward Petherbridge and the Pyladean tradition 4 2009 10.1093/crj/clp005 False True False CLOSED 22 17 Re-rooting the classical tradition: new directions in black classicism 5 2009 10.1093/crj/clp006 False True False CLOSED 9 9 Greek tragedy and the politics of subjectivity in recent fiction 6 2009 10.1093/crj/clp007 False True False CLOSED 3 4 Aethiopissae: the classical tradition, Neo-Latin verse and images of race in George Herber 7 2009 10.1093/crj/clp008 False False 2 Editorial 8 2009 10.1093/crj/clp009 False True False CLOSED 6 6 Shop Talk. Reception studies and recent work in the history of scholarship 9 2010 10.1093/crj/clp001 False True False CLOSED 8 5 Orestes and the Truth and Reconciliation Commission 10 2010 10.1093/crj/clp010 False True False CLOSED 0 0 Two Johnstons on Glasgow: examples of Scottish Neo-Latin encomia urbis 11 2010 10.1093/crj/clq001 False True True GREEN 15 6 'The most ancient Boundary between England and Scotland': Genealogies of the Roman Walls 12 2010 10.1093/crj/clq002 False True False CLOSED 13 8 From Uranians to Homosexuals: Philhellenism, Greek Homoeroticism and Gay Emancipation in G 13 2010 10.1093/crj/clq003 False True False CLOSED 34 11 Hyperion's symposium: an erotics of reception 14 2010 10.1093/crj/clq004 False True False CLOSED 4 11 Appropriating Greek myth: Iphigenia and Argentine patriarchal society in Ines de Oliveira 15 2010 10.1093/crj/clq005 False True False CLOSED 13 11 Cinematic receptions of antiquity: the current state of play 16 2010 10.1093/crj/clq006 False False 0 Editorial 17 2010 10.1093/crj/clq009 False True True GREEN 32 10 Pausanias as historian in Winckelmann's History 18 2010 10.1093/crj/clq010 False True False CLOSED 4 5 Pausanias and his commentator Sir James George Frazer 19 2010 10.1093/crj/clq012 False False 5 Introduction 20 2010 10.1093/crj/clq013 False True False CLOSED 6 4 Picturesque and Sublime: Impacts of Pausanias in Late-Eighteenth- and Early-Nineteenth-Cen 21 2010 10.1093/crj/clq014 False True False CLOSED 9 2 From one connoisseur to another: Pausanias as Winckelmann's guide to analysing Greek art 22 2010 10.1093/crj/clq015 False True False CLOSED 3 3 Pausanias and modern perceptions of primordial Greeks 23 2011 10.1093/crj/clq008 False True True GREEN 2 2 'What Has Rome to do with Bethlehem?' Cultural Capital(s) and Religious Imperialism in Lat 24 2011 10.1093/crj/clq011 False True False CLOSED 1 1 Ekphrasis and the autonomy of painting: On Charles Le Brun's Entrance of Alexander 25 2011 10.1093/crj/clq016 False True False CLOSED 7 4 Classics as souvenir: L.E.L. and the Annuals 26 2011 10.1093/crj/clq017 False True False CLOSED 7 4 The myth of return: restoration as reception in eighteenth-century Rome 27 2011 10.1093/crj/clr001 False True False CLOSED 7 6 The making of a democratic symbol: the case of Socrates in North-American popular media, 1 28 2011 10.1093/crj/clq018 False True False CLOSED 1 3 Vasilii Petrov and the first Russian translation of the Aeneid 29 2011 10.1093/crj/clr002 False True False CLOSED 2 2 The textual city: epic walks in Virgil, Lucan, and Petrarch 30 2011 10.1093/crj/clr003 False True False CLOSED 9 4 'Live false Aeneas!' Marlowe's Dido, Queen of Carthage and the limits of translation 31 2011 10.1093/crj/clr004 False True False CLOSED 3 0 Proems, codas, and formalism in Homeric reception 32 2011 10.1093/crj/clr005 False True False CLOSED 2 4 Burying and excavating Winckelmann's History of Art 33 2011 10.1093/crj/clr006 False True False CLOSED 5 3 The sense of epiphany in Theo Angelopoulos' Ulysses' Gaze 34 2011 10.1093/crj/clr007 False True False CLOSED 1 2 'Every stone tells a story': the uses of classical texts by seventeenth-century English vi 35 2011 10.1093/crj/clr008 False True True BRONZE 19 7 Sisyphus and Caesar: the opposition of Greece and Rome in Albert Camus' absurd cycle 36 2011 10.1093/crj/clr009 False True False CLOSED 1 0 Fulvae Harenae: The Reception of an Intertextual Complex in Dante's Inferno 37 2012 10.1093/crj/clr010 False True False CLOSED 5 5 Peter Handke's Thucydides 38 2012 10.1093/crj/clr011 False True True GREEN 15 4 Absent Presence: pater Ennius in Renaissance Europe 39 2012 10.1093/crj/cls002 False True False CLOSED 12 7 Classical receptions in science fiction 40 2012 10.1093/crj/cls013 False True False CLOSED 2 4 Handbags and Gladrags: a woman in transgression, reflecting 41 2012 10.1093/crj/cls014 False True False CLOSED 9 5 'Love and blackmail': Demeter and Persephone 42 2012 10.1093/crj/cls015 False True False CLOSED 9 4 Science fiction and classical reception in contemporary women's writing 43 2012 10.1093/crj/cls016 False True False CLOSED 30 11 Women's writing and the classical tradition 44 2012 10.1093/crj/cls017 False True False CLOSED 0 1 Metamorphosis, mutability and the third wave 45 2012 10.1093/crj/cls018 False True False CLOSED 4 2 Fidelity in an arranged marriage: Sarah Ruden and the Aeneid' 46 2012 10.1093/crj/cls019 False True False CLOSED 21 7 'We're here too, the ones without names.' A study of female voices as imagined by Margaret 47 2012 10.1093/crj/cls020 False True False CLOSED 1 1 'An insurmountable chasm?': re-visiting, re-imagining and re-writing classical pastoral th 48 2012 10.1093/crj/cls001 False True False CLOSED 1 1 Hawthorne's Ovidian Transformations 49 2012 10.1093/crj/cls004 False True True BRONZE 16 3 Aryan, German, or Greek? Nietzsche's Prometheus between antiquity and modernity 50 2012 10.1093/crj/cls005 False True False CLOSED 4 5 Vegio's Ascanius: Problems in the continuation of the Aeneid 51 2012 10.1093/crj/cls006 False True False CLOSED 3 2 Presenting the past: authenticity and authority in Athens: The Truth about Democracy (Lion 52 2012 10.1093/crj/cls007 False True False CLOSED 2 1 The Homeric Elpenor and those who made il gran rifiuto (Dante's Inferno, Canto 3) in the p 53 2012 10.1093/crj/cls008 False True True BRONZE 1 1 Mr Masson and the lost cities: a Victorian journey to the edges of remembrance 54 2012 10.1093/crj/cls009 False True False CLOSED 9 16 Freud and tragedy: Oedipus and the gender of the universal 55 2012 10.1093/crj/cls010 False True False CLOSED 2 1 Freedom and censorship: Petronius' Satyricon in seventeenth-century Italy 56 2012 10.1093/crj/cls011 False True False CLOSED 1 0 Reading Plutarch in nineteenth-century Greece: classical paideia, political emancipation, 57 2012 10.1093/crj/cls012 False True False CLOSED 1 0 Fictional archaeologies of text and homeric reception in Zachary Mason's The Lost Books of 58 2013 10.1093/crj/cls003 False True False CLOSED 89 45 Reception -- a new humanism? Receptivity, pedagogy, the transhistorical 59 2013 10.1093/crj/clt001 False True False CLOSED 3 3 Nostalgia and neutrality. A response to Charles Martindale 60 2013 10.1093/crj/clt002 False True False CLOSED 14 4 Reception and redemption: some questions in response to Charles Martindale's call for a ne 61 2013 10.1093/crj/clt003 False True False CLOSED 27 6 Redeeming Xenophon: historiographical reception and the transhistorical 62 2013 10.1093/crj/clt004 False True False CLOSED 3 3 Response to Forum Debate 63 2013 10.1093/crj/clt005 False True False CLOSED 0 1 Learning from Pater 64 2013 10.1093/crj/clt006 False True False CLOSED 1 3 A reformed classical pedagogy 65 2013 10.1093/crj/clt008 False True False CLOSED 14 4 Redeeming The Text, Reception Studies, and the Renaissance 66 2013 10.1093/crj/clt009 False True False CLOSED 21 3 Perspectives on antiquity and tragedy 67 2013 10.1093/crj/clt011 False False 0 Bibliography of Charles Martindale's publications on classical reception 68 2013 10.1093/crj/clt013 False True False CLOSED 1 3 Editor's Note: Redeeming the Text -- twenty years on 69 2013 10.1093/crj/clt019 False True False CLOSED 0 0 Russian Tityrus: Joseph Brodsky in Arcadia 70 2013 10.1093/crj/clt020 False True False CLOSED 16 3 Introduction to special issue: classical reception in Eastern and Central Europe 71 2013 10.1093/crj/clt021 False True False CLOSED 3 0 Waning worlds and budding hopes: anti-idyllic visions of antiquity in Polish Romanticism 72 2013 10.1093/crj/clt022 False True False CLOSED 0 0 Mikhail Lomonosov: the case of the Russian Pindar 73 2013 10.1093/crj/clt023 False True False CLOSED 0 0 Antiquity after antiquity: a (post) modern reading of antiquity in Bulgarian poetry 74 2013 10.1093/crj/clt024 False True False CLOSED 3 2 Reinventing Ovid's exile: ex Ponto ... Romanian style 75 2013 10.1093/crj/clt025 False True False CLOSED 26 10 Afterword: Omni-Local Classical Receptions 76 2013 10.1093/crj/clt007 False True False CLOSED 0 0 English Juvenal translations in Bodleian library manuscripts 77 2013 10.1093/crj/clt012 False True False CLOSED 2 2 'The Painful Memory of Woe': Greek tragedy and the Greek Civil War in the work of George S 78 2013 10.1093/crj/clt014 False True False CLOSED 1 1 Theodor Mommsen and the Liberal Opposition to British Imperialism at the time of the Secon 79 2013 10.1093/crj/clt010 False True True GREEN 1 1 The Homeric Ladies of Shalott 80 2013 10.1093/crj/clt015 False True False CLOSED 16 14 Early Modern Antigones: Receptions, Refractions, Replays 81 2013 10.1093/crj/clt016 False True False CLOSED 1 0 A heap of broken images or, why Milton is an iconoclast? 82 2013 10.1093/crj/clt018 False True False CLOSED 3 1 The one absolute didactic poem, and its opposite: Schelling on ancient didactic poetry and 83 2013 10.1093/crj/clt030 False True True BRONZE 3 2 Britain in the classical world: Samuel Lysons and the art of Roman Britain 1780-1820 84 2013 10.1093/crj/clt026 False True False CLOSED 11 4 'Gods into bulls, men into wolves, women into spiders': classical metamorphosis in The Sat 85 2013 10.1093/crj/clt027 False True False CLOSED 1 1 Indigeneity and classical reception in The Voyage of Governor Phillip to Botany Bay 86 2013 10.1093/crj/clt028 False True False CLOSED 1 0 Pozzuoli of the heart: overlapping fragments of the classical past in the poetry of Jamie 87 2013 10.1093/crj/clt029 False True False CLOSED 1 2 The golden flower of youth: baroque metaphors in Nonnus and Marino 88 2014 10.1093/crj/clt032 False True False CLOSED 6 2 We need to talk about Byzantium: or, Byzantium, its reception of the classical world as di 89 2014 10.1093/crj/clt033 False True False CLOSED 1 0 In Memoriam: Professor Ahmed Etman (1945-2013) 90 2014 10.1093/crj/clt031 False True False CLOSED 24 3 A revolutionary doctrine? Cicero's natural right teaching in Mably and Burke 91 2014 10.1093/crj/clu002 False True False CLOSED 0 1 Practice as Research in Drama and Theatre inside and outside academia: the implications fo 92 2014 10.1093/crj/clu001 False True True GREEN 0 0 'Ercles Vein': Heracles as Bottom in Ted Hughes' Alcestis 93 2014 10.1093/crj/clu025 False False 1 Editorial 94 2014 10.1093/crj/clu006 False True False CLOSED 5 6 Authoring within history: the legacy of Roman politics in Hannah Arendt 95 2014 10.1093/crj/clu007 False True False CLOSED 0 0 The ancient Roman tradition and the Polish idea of the senate in the Age of Enlightened Cl 96 2014 10.1093/crj/clu009 False True False CLOSED 3 3 Blaming the late republic: senatorial ideology and republican institutions in late antiqui 97 2014 10.1093/crj/clu010 False True False CLOSED 0 0 Henry Adams, political reform, and the legacy of the Republican Roman Senate 98 2014 10.1093/crj/clu011 False True False CLOSED 16 3 Introduction: The Legacy of the Republican Roman Senate 99 2014 10.1093/crj/clu012 False True False CLOSED 5 1 The Difference an Emperor makes: Notes on the reception of the Republican Senate in the Im 100 2014 10.1093/crj/clu014 False True False CLOSED 1 0 Senatus and Senat: the reception of the Roman Senate during the Radical Stage of the Frenc 101 2014 10.1093/crj/clu017 False True False CLOSED 3 1 American bicameralism and the legacy of the Roman Senate 102 2014 10.1093/crj/clu018 False True False CLOSED 1 1 Constructing Roman Senators in Imperial Germany 103 2014 10.1093/crj/clt017 False True True GREEN 3 0 Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiqu 104 2014 10.1093/crj/clu003 False True False CLOSED 1 1 Kipling's Rome in Puck Of Pook's Hill 105 2014 10.1093/crj/clu004 False True False CLOSED 1 0 Performance Reception and the Cambridge Greek Play: Aristophanes' Frogs in 1936 and 1947 106 2014 10.1093/crj/clu005 False True False CLOSED 2 2 'Translation' and Transformation: Alice Oswald's Excavation of the Iliad 107 2014 10.1093/crj/clu008 False True False CLOSED 0 0 A 'Homeric' hymn to Stalin: performing safe criticism in ancient Greek? 108 2014 10.1093/crj/clu013 False True False CLOSED 9 8 'Ancient Greek Culture and Myth in the Terra Mitica Theme Park' 109 2014 10.1093/crj/clu021 False True False CLOSED 2 2 Antigone in Juarez: tragedy, politics, and public women on Mexico's northern border 110 2014 10.1093/crj/clu016 False True False CLOSED 0 0 Metatexts: classical reception without the classics in the poetics of Charles Bernstein 111 2014 10.1093/crj/clu019 False True False CLOSED 1 0 Greeks on de Quincey’s Chinese stage: Orientalism, opium warfare, and the ‘Theory of Greek 112 2014 10.1093/crj/clu020 False True False CLOSED 1 2 Aeschylus in the mix: the making of Nikos Kazantzakis’ Prometheus -Trilogy 113 2014 10.1093/crj/clu022 False True True BRONZE 3 5 The Method behind the madness: Katie Mitchell, Stanislavski, and the classics 114 2014 10.1093/crj/clu024 False True False CLOSED 34 5 Finding another Alexis: pastoral tradition and the reception of Vergil’s second eclogue 115 2014 10.1093/crj/clu027 False True False CLOSED 1 0 England's first public museum — a triumph over nature and the East. The Museum Ashmolianum 116 2015 10.1093/crj/clu015 False True False CLOSED 0 1 A pioneer of classical studies in Japan, Shigeichi Kure: a focus on his translations 117 2015 10.1093/crj/clu023 False True False CLOSED 3 1 The performances of Greco-Roman plays in Spain (1933–1945) 118 2015 10.1093/crj/clv014 False False 0 Editorial 119 2015 10.1093/crj/clv012 False True True GREEN 2 1 Introduction: The Legacy of Greek Political Thought 120 2015 10.1093/crj/clv013 False True False CLOSED 4 3 Political displacement at the point of reception 121 2015 10.1093/crj/clv015 False True True GREEN 1 0 Sparta and the English Republic 122 2015 10.1093/crj/clu026 False True False CLOSED 0 0 Heartbreak Hospitium : Elvis Presley’s Graceland Mansion as an Elite Roman Luxury Villa 123 2015 10.1093/crj/clv001 False True False CLOSED 7 8 Lingua Lictoria: the Latin Literature of Italian Fascism 124 2015 10.1093/crj/clv002 False True True BRONZE 17 7 Postcolonial Sparagmos : Toni Morrison’s Sula and Wole Soyinka’s The Bacchae of Euripides: 125 2015 10.1093/crj/clv003 False True False CLOSED 1 0 Tragic Impostures: Greek tragedy and pre-Hispanic myth in the theatre of Rodolfo Usigli an 126 2015 10.1093/crj/clv004 False True False CLOSED 1 1 Remembering Leander: the long history of the Dardanelles Swim 127 2015 10.1093/crj/clv005 False True False CLOSED 1 1 Andy Warhol’s Alexander the Great : an ancient portrait for Alexander Iolas in a postmoder 128 2015 10.1093/crj/clv006 False True True GREEN 1 0 Saviana Stănescu’s Barbarian women: the Empire Writes Back to Ovid 129 2015 10.1093/crj/clv007 False True False CLOSED 0 1 David Melnick’s Men in Aïda 130 2015 10.1093/crj/clv008 False True False CLOSED 1 1 ‘In joy we prepare our lessons’: reading Camus’ Noces via their reception of the Eleusinia 131 2015 10.1093/crj/clv009 False True False CLOSED 0 0 Oliver Stone’s Aristotle: heroism, displacement, and Aristotelian form in Alexander 132 2015 10.1093/crj/clv011 False True False CLOSED 2 1 Dido and Aeneas in eighteenth-century England: Virgilian imitation and national identity 133 2016 10.1093/crj/clw004 False True False CLOSED 1 1 The Iambic Muse: Gerty’s Metaformations in Ulysses 13 134 2016 10.1093/crj/clw007 False True True HYBRID 0 0 ‘Antique Fiction’ and the forgotten legacies of ancient Rome in Wilkie Collins’s Antonina 135 2016 10.1093/crj/clw008 False True False CLOSED 6 1 When superman Smote Zeus: analysing violent deicide in popular culture 136 2016 10.1093/crj/clw010 False True False CLOSED 12 1 Direct democracy and the search for identity for colonized people: the contemporary meanin 137 2016 10.1093/crj/clw012 False True True HYBRID 2 2 Swinburne’s Atalanta in Calydon: prosody as sublimation in Victorian ‘Greek’ tragedy: 138 2016 10.1093/crj/clw016 False True False CLOSED 1 0 The undead past in Kathy Acker’s Blood and Guts in High School 139 2016 10.1093/crj/clw019 False True False CLOSED 5 1 The myth of Troy as a lieu de mémoir : Turkish cultural memory and translations of the Ili 140 2016 10.1093/crj/clw020 False True False CLOSED 0 0 Polina Barskova’s ‘Daphnis and Chloe’: a Russian pastoral 141 2016 10.1093/crj/clw021 False True False CLOSED 1 0 Epic in motion. La Didone by Salvatore Viganò and Virgil’s Aeneid 1-4 142 2016 10.1093/crj/clw022 False True True GREEN 3 0 “Violence and the Sacred”: sacrifice, scapegoating and social conflict in Alfonso Reyes’ I 143 2016 10.1093/crj/clv010 False True True BRONZE 23 2 Xenophon and the Nazis: a case study in the politicization of Greek thought through educat 144 2016 10.1093/crj/clv016 False True False CLOSED 0 1 Commerce, militarism and luxury: eighteenth-century French depictions of the Athenian Empi 145 2016 10.1093/crj/clv018 False True False CLOSED 2 2 The Ends of Empire: Romantic Interpretations of Greek Decline 146 2016 10.1093/crj/clv019 False True False CLOSED 0 0 Aesop Said So: Ancient Wisdom and Radical Politics in 1930s New York 147 2016 10.1093/crj/clv017 False True False CLOSED 2 0 ‘Everything good we stood for’: exhibiting Greek art in World War II 148 2016 10.1093/crj/clw009 False True False CLOSED 1 2 ‘Like wand’ring gipsy’: fortune-telling, the Spanish gipsy, and the Cassandra myth on the 149 2016 10.1093/crj/clw001 False True False CLOSED 3 4 The architecture of memory and commemoration: the Soldiers’ and Sailors’ Memorial Arch, Br 150 2016 10.1093/crj/clw002 False True False CLOSED 1 1 Intertextual translation in Ovid, Seneca, and Ted Hughes 151 2016 10.1093/crj/clw003 False True False CLOSED 3 1 ‘Go Back to Homer’s Verse’: Iliads of revolution and Odysseys of exile in Albanian Poetry 152 2016 10.1093/crj/clw005 False True True BRONZE 3 2 Virgilian underworlds in A. S. Byatt’s The Children’s Book 153 2016 10.1093/crj/clw006 False True False CLOSED 0 0 The classicist in the cave: Bolaño’s theory of reading in By Night in Chile 154 2016 10.1093/crj/clw011 False True False CLOSED 1 1 Afterword: Greek texts and the early modern stage 155 2016 10.1093/crj/clw013 False True False CLOSED 5 1 Representing Orestes’ Revenge 156 2016 10.1093/crj/clw014 False True False CLOSED 3 2 Classical Greek Tragedy and Shakespeare 157 2016 10.1093/crj/clw015 False True False CLOSED 1 0 Homeric voices in Antony and Cleopatra 158 2016 10.1093/crj/clw017 False True False CLOSED 1 2 Heywood’s Ages and Chapman’s Homer: nothing in common? 159 2016 10.1093/crj/clw023 False True False CLOSED 12 9 Homer and Greek tragedy in early modern England's theatres: an introduction 160 2016 10.1093/crj/clw024 False True False CLOSED 1 1 Shakespeare and the Greeks: theatricality and performance from Plutarch’s Lives to Coriola 161 2016 10.1093/crj/clw025 False True False CLOSED 12 2 Sights to make an Alexander? Reading Homer on the early modern stage 162 2016 10.1093/crj/clw018 False True True GREEN 4 2 Between tradition and appropriation: mythical method and politics in the poetry of George 163 2017 10.1093/crj/clx010 False True False CLOSED 0 0 Classical tradition and republican ideals for the independence of Chile 164 2017 10.1093/crj/clx011 False True False CLOSED 1 1 Plautus, Rotrou, Molière: Amphitryon and the violence of reception 165 2017 10.1093/crj/clx012 False True False CLOSED 2 1 Jean-Michel Basquiat and Antiquity 166 2017 10.1093/crj/clx014 False True False CLOSED 0 0 Left behind: Naomi Mitchison’s Cloud Cuckoo Land (1925) and the women of ancient Greece an 167 2017 10.1093/crj/clx015 False True False CLOSED 3 3 The potency of the past in comic science fiction: Aristophanes and Philip K. Dick 168 2017 10.1093/crj/clx016 False True False CLOSED 8 7 ‘There is another story’: writing after the Odyssey in Margaret Atwood’s The Penelopiad 169 2017 10.1093/crj/clx001 False True False CLOSED 0 0 Plato’s ideas had consequences: appropriations of Greek thought in the post-war conservati 170 2017 10.1093/crj/clx002 False True False CLOSED 26 4 Alcibiades in love: Nietzsche, Plato and the philosophy of modernity 171 2017 10.1093/crj/clx003 False True False CLOSED 12 1 Hadrian’s cosmopolitanism and Nazi legal policy 172 2017 10.1093/crj/clx004 False False 4 The myth of Troy as a lieu de mémoire: Turkish cultural memory and translations of the Ili 173 2017 10.1093/crj/clx005 False True False CLOSED 0 1 Looking back: reception as creative sparagmos. Oskar Kokoschka’s Orpheus und Eurydike revi 174 2017 10.1093/crj/clx006 False True False CLOSED 2 4 The earliest history of European language education in Japan: focusing on Latin education 175 2017 10.1093/crj/clx007 False True False CLOSED 0 0 Sidonius in Clubland: John Buchan’s ‘The Wind in the Portico’ 176 2017 10.1093/crj/clx008 False True True BRONZE 0 0 Holding the reins: Miss Ernst and twentieth-century Classics 177 2017 10.1093/crj/clx009 False True False CLOSED 0 0 The afterlife of the Greek gods in the modern world: the revival of the epiphanies of Pan 178 2018 10.1093/crj/clx013 False True True GREEN 0 0 Metamorphosis: Poems inspired by Titian: reversals and reflections 179 2018 10.1093/crj/cly003 False True False CLOSED 2 0 Lysistrata(s): Aristophanes and Spike Lee 180 2018 10.1093/crj/cly004 False True True HYBRID 1 0 The tree and sunset motif: the long shadow of Roman imperialism on representations of Afri 181 2018 10.1093/crj/cly005 False True False CLOSED 0 0 The barking Ur-Indo-German dog: classicism, cultural history, humans, and animals in Otto 182 2018 10.1093/crj/cly007 False True False CLOSED 0 0 The ashplant and the golden bough: Heaney in Vergil’s labyrinth 183 2018 10.1093/crj/cly008 False True True GREEN 0 0 Reception as resistance: reflections on the Ovidian Root of the Libro De Buen Amor 184 2018 10.1093/crj/clx017 False True False CLOSED 2 3 Canon, print, and the Virgilian corpus 185 2018 10.1093/crj/clx018 False True False CLOSED 4 5 Anna Jackson’s I, Clodia: Catullus, women’s voices, and feminist implications 186 2018 10.1093/crj/cly001 False True False CLOSED 2 5 ‘A word from another world’: mourning and similes in Homeric epic and Alice Oswald’s Memor 187 2018 10.1093/crj/cly002 False True False CLOSED 0 0 Engaging ancient tragedy: Troy falls again in Jean Racine’s Andromaque 188 2018 10.1093/crj/cly011 False True False CLOSED 0 0 Classical in/stabilities: Virginia Woolf, Ford Madox Ford, and the Great War 189 2018 10.1093/crj/cly012 False True False CLOSED 3 4 Poppies, scarlet flowers, ‘this beauty’: H.D.’s Choruses from the Iphigeneia in Aulis and 190 2018 10.1093/crj/cly013 False True False CLOSED 0 0 From odium to bellum : classical scholars at war in Europe and America, 1800–1924 191 2018 10.1093/crj/cly014 False True True GREEN 4 4 Who lied? Classical heroism and World War I 192 2018 10.1093/crj/cly015 False True False CLOSED 2 2 The poetics of cultural memory: WWI refractions of ancient peace 193 2018 10.1093/crj/cly016 False True True GREEN 1 0 Legitimizing war and defending peace: Thucydides in the First World War and after 194 2018 10.1093/crj/cly018 False True True GREEN 0 0 A peace play in wartime Germany? Pacifism in Franz Werfel’s The Trojan Women , Berlin 1916 195 2018 10.1093/crj/cly019 False True False CLOSED 2 2 Introduction: Strange Meetings 196 2018 10.1093/crj/cly020 False True False CLOSED 0 1 Afterword 197 2018 10.1093/crj/cly006 False True False CLOSED 3 3 Tragic hero and hero tragedy: reimagining Oedipus the Kin g as Jingju (Peking opera) for t 198 2018 10.1093/crj/cly009 False True False CLOSED 3 2 Cyrus Console’s The Odicy and epic ecology 199 2018 10.1093/crj/cly010 False True False CLOSED 0 0 Carlyle the tragedian: staging Euripides’ Bacchae in The French Revolution 200 2018 10.1093/crj/cly017 False True False CLOSED 0 1 Orpheus, Euridice, and the classical tradition in Christian Bök’s Xenotext 201 2018 10.1093/crj/cly021 False True False CLOSED 1 2 Did their Propertius walk that way? Ezra Pound’s Homage to Sextus Propertius as a complain 202 2018 10.1093/crj/cly022 False True False CLOSED 1 0 Redeeming Jocasta: Tawfiq al-Hakim’s ‘Eastern’, ‘Arab’ reception of Sophocles’ Oedipus Tyr 203 2019 10.1093/crj/clz005 False True False CLOSED 1 0 Merrie Arcadia: staging the pastoral in the age of the Clarion socialist movement 204 2019 10.1093/crj/cly023 False True False CLOSED 1 4 The Arco dei Fileni: A fascist reading of Sallust’s Bellum Iugurthinum 205 2019 10.1093/crj/clz001 False True False CLOSED 1 0 Beyond contested influence: disentangling Marlowe’s Dido from the Virgil versus Ovid debat 206 2019 10.1093/crj/clz002 False True False CLOSED 1 1 ‘Music for the Wretched’: Euripides’ Trojan women as refugee theatre 207 2019 10.1093/crj/clz003 False True True BRONZE 1 3 W. E. B. Du Bois’s De senectute (1948) 208 2019 10.1093/crj/clz004 False True True BRONZE 3 3 Pietas and the ‘Other Camões’ — subversive translation and allusion in The Lusiads 209 2019 10.1093/crj/clz006 False True False CLOSED 20 3 Drones over Pompeii: cinematic perspectives on antiquity in the digital era 210 2019 10.1093/crj/clz007 False True False None 1 0 A misleading source: the fortuna of a sixteenth-century engraving and its impact on the hi 211 2019 10.1093/crj/clz008 False True False CLOSED 1 2 (Re)membering Sara Baartman, Venus, and Aphrodite 212 2019 10.1093/crj/clz009 False True True BRONZE 3 3 ‘Reader, I married him/her’: Ali Smith, Ovid, and queer translation 213 2019 10.1093/crj/clz011 False True False None 0 0 Die klingende Ferne; Walter Braunfels’ Opera Die Vögel after Aristophanes’ Birds 214 2019 10.1093/crj/clz010 False True False CLOSED 18 8 The youth of antiquity: reception, homosexuality, alterity 215 2019 10.1093/crj/clz012 False True False None 1 1 Reinventing the barbarian: Electra, sibling incest, and twentieth-century Hellenism 216 2019 10.1093/crj/clz013 False True False None 1 1 Distance and proximity in Hubert Robert 217 2019 10.1093/crj/clz014 False True False None 1 0 The world in Auerbach’s mouth: Weltliteratur after philhellenism 218 2019 10.1093/crj/clz015 False True False None 0 1 Mobilizing Pompeii for Italian Silent Cinema 219 2019 10.1093/crj/clz018 False True False None 5 8 Assemblage theory and the uses of classical reception: the case of Aristotle Knowsley’s Oe 220 2019 10.1093/crj/clz016 False True False None 0 0 Aspects of reception: reading Goethe’s Iphigenie auf Tauris with Adorno, Fassbinder, and J 221 2019 10.1093/crj/clz017 False True False CLOSED 0 0 Homer's disembodied Siren, the missing player, or, what’s in Faux Rock? 222 2019 10.1093/crj/clz019 False True False None 0 0 Chrystian Piotr Aigner, ancient monuments, and the architectural discourse of Polish resur 223 2019 10.1093/crj/clz026 False True True HYBRID 9 1 Porcelain: another window on the neoclassical visual world 224 2020 10.1093/crj/clz020 False True False None 1 13 Thucydideses: authorship, anachrony, and anachronism in Greek historiography 225 2020 10.1093/crj/clz021 False True False None 0 4 Introduction 226 2020 10.1093/crj/clz022 False True False None 0 3 Post-apocalyptic humanism in Hesiod, Mary Shelley, and Olaf Stapledon 227 2020 10.1093/crj/clz023 False True True GREEN 17 23 Plato’s queer time: dialogic moments in the life and death of Socrates 228 2020 10.1093/crj/clz024 False True True GREEN 0 2 Unapprehended relations 229 2020 10.1093/crj/clz025 False True True GREEN 5 4 ‘For Time is / nothing if not amenable’ — exemplarity, time, reception 230 2020 10.1093/crj/clz027 False True False None 3 17 At the end of the line: on kairological history 231 2020 10.1093/crj/clz028 False True False None 2 1 Ovid’s debut in Chinese: translating the Ars amatoria into the Republican discourse of lov 232 2020 10.1093/crj/clz029 False True False None 2 5 The schoolboys’ revenge: how the golden line entered classical scholarship 233 2020 10.1093/crj/claa001 False True True BRONZE 0 0 Erratum to: Framing Lars von Trier’s Medea 234 2020 10.1093/crj/claa002 False True True BRONZE 3 3 Contemporary Mythopoiesis: the role of Herodotus in Neil Gaiman’s American Gods 235 2020 10.1093/crj/claa003 False True False None 3 3 Phạm Duy Khiêm, classical reception, and colonial subversion in early 20th century Vietna 236 2020 10.1093/crj/clz030 False True False None 0 0 Tradition in transformation: the classical curriculum in the colonial and early national A 237 2020 10.1093/crj/clz031 False True True CLOSED 2 5 Early modern receptions of Iphigenia at Aulis 238 2020 10.1093/crj/clz032 False True False None 0 0 Framing Lars von Trier’s Medea 239 2020 10.1093/crj/clz033 False True True BRONZE 0 0 Reception Theory, New Humanism, and T. S. Eliot 240 2020 10.1093/crj/claa004 False True False CLOSED 1 1 Collective memory and Spanish cultural politics: the revival of the Roman theatre of Merid 241 2020 10.1093/crj/claa006 False True False None 1 1 The cruelest harvest: Virgilian agricultural pessimism in the poetry of the Brazilian colo 242 2020 10.1093/crj/claa007 False True False None 1 1 Aural philology: Herder hears Homer singing 243 2020 10.1093/crj/claa009 False True True HYBRID 7 4 Why does classical reception need disability studies? 244 2020 10.1093/crj/claa012 False True False None 0 0 Medea is a Good Boy: performing, subverting, and unmasking tragic gender 245 2020 10.1093/crj/claa013 False True False None 0 0 Thoreau’s luminous Homer in A Week on the Concord and Merrimack Rivers 246 2020 10.1093/crj/claa025 False True True BRONZE 0 0 Corrigendum to: Aural Philology: Herder Hears Homer Singing 247 2020 10.1093/crj/claa005 False True False CLOSED 2 2 The Spectacle of Helen in Euripides’ Helen and Marlowe’s Doctor Faustus 248 2020 10.1093/crj/claa008 False True True GREEN 1 0 Thomas Carlyle and Stoicism 249 2020 10.1093/crj/claa010 False True False None 2 5 Epic Regained: Phillis Wheatley’s Admonitory Poetics in the ‘Little Columbiad’ 250 2020 10.1093/crj/claa011 False True False None 0 0 Ravenna on the Grand Tour: A View of Late Antiquity in the Eighteenth Century 251 2020 10.1093/crj/claa015 False True False None 0 1 As Nature Formed It: Venus Sculptures and the ‘Natural’ Waistline in Dress Reform Discours 252 2020 10.1093/crj/claa030 False True False CLOSED 0 0 Bodily Abjection and the Politics of Resistance in Tom Paulin’s Greek Tragedies 253 2020 10.1093/crj/claa014 False True False CLOSED 0 0 Pyrrhonian Scepticism in Thomas Elyot's Defence of Good Women (1540) 254 2020 10.1093/crj/claa016 False True False CLOSED 1 1 American Archias: Cicero and The Souls of Black Folk 255 2020 10.1093/crj/claa032 False True True GREEN 0 0 Evangelicalism and Empire: Rudyard Kipling on the Roman Cult of Mithras and Christianizati 256 2021 10.1093/crj/clab001 False True False None 0 0 OUP accepted manuscript 257 2021 10.1093/crj/claa017 False True False None 0 0 Parallel Lives: Shakespeare and the Debate Over Emotional Involvement 258 2021 10.1093/crj/claa018 False True False None 0 0 Afterword: Bending the Rules 259 2021 10.1093/crj/claa019 False True True GREEN 0 0 Marvels and Commonplaces in the Elizabethan Anthologies 260 2021 10.1093/crj/claa020 False True False CLOSED 0 0 The Poetics of Comedy in Jacques Peletier Du Mans’s Art poëtique (1555) 261 2021 10.1093/crj/claa021 False True True GREEN 2 2 ‘Non per instituir altri’? Attitudes to Rule-Following in Sixteenth-Century Poetics 262 2021 10.1093/crj/claa026 False True True GREEN 2 4 Exit Pursued by Horace: Bears, Shakespeare, and the Classical Tradition 263 2021 10.1093/crj/claa027 False True False None 1 2 The Other Arena: Poetics Goes Global in the Iberian Atlantic, 1500–1650+ 264 2021 10.1093/crj/claa028 False True True GREEN 0 0 Introduction: Poetics as Classical Reception 265 2021 10.1093/crj/claa029 False True False CLOSED 0 0 ‘Defying Gravity’: Prose Epic and Heroic Style in Lucrezia Marinella’s 1602 Vita di Maria 266 2021 10.1093/crj/claa023 False True False None 0 0 Epic Victories and Failures: Homer and Vergil in Russia 267 2021 10.1093/crj/claa024 False True False CLOSED 2 1 Staging Archaeology: Empire as Reality Effect at the 1906–07 fêtes de Carthage 268 2021 10.1093/crj/claa033 False True False CLOSED 1 1 Do Not Read the Latin: Latin as Satanic Signifier in Supernatural Horror Cinema 269 2021 10.1093/crj/claa035 False True False CLOSED 0 0 Cinematizing the Epic Gaze: Julius Caesar and Pompey in Lucan and in the HBO/BBC Televisio 270 2021 10.1093/crj/claa022 False True False CLOSED 0 0 Not cricket, not classics? A case study in the limits of reception 271 2021 10.1093/crj/claa031 False True False CLOSED 0 2 Respice, Adspice, Prospice : The ‘Marathon Stone’, Lewisohn Stadium, and the changing rece 272 2021 10.1093/crj/claa036 False True False CLOSED 0 0 Humanity and revolution in José Fuentes Mares’ La joven Antígona se va a la guerra 273 2021 10.1093/crj/clab003 False True False CLOSED 0 0 Medea and other women in Jules Dassin’s Never on Sunday 274 2021 10.1093/crj/clab006 False True False None 1 1 Heidegger, classical reception and the discourse of modernity: a crisis in thinking 275 2021 10.1093/crj/clab011 True True True HYBRID 0 4 Hellenism, philhellenism and classical reception: commemorating the 1821 revolution 276 2021 10.1093/crj/claa034 False True False CLOSED 0 0 A good gay Odyssey : Andrew Sean Greer’s Less 277 2021 10.1093/crj/claa037 False True False CLOSED 1 0 The ‘Antipoet of the Greeks’, or, how Euripides became a modernist 278 2021 10.1093/crj/clab004 False True False CLOSED 4 0 Plautus goes USA: the adaptation of Rudens by the Ladies’ Literary Society of Washington U 279 2021 10.1093/crj/clab005 True True True HYBRID 0 0 The music of Iannis Xenakis’ estranged Kassandra 280 2021 10.1093/crj/clab007 False True True GREEN 1 0 Pushing against an open door: Agamben on Hadot and Foucault 281 2021 10.1093/crj/clab009 False True True BRONZE 0 0 Erratum to: Plautus goes USA: the adaptation of Rudens by the Ladies’ Literary Society of 282 2021 10.1093/crj/clab010 False True True GREEN 0 0 Shakespeare’s suppliants: the ‘rotten custom’ of ancient asylum seeking in Coriolanus 283 2021 10.1093/crj/clab008 False True False CLOSED 9 9 Tragic Form in Kamila Shamsie’s Home Fire 284 2021 10.1093/crj/clab012 False True False CLOSED 0 0 An Israeli–Palestinian Hecuba: Hanoch Levin’s Anti-Tragedy 285 2021 10.1093/crj/clab013 True True True HYBRID 3 4 Classical Absences (1896–2017) 286 2022 10.1093/crj/clab002 True True True HYBRID 5 3 Procne in Toni Morrison’s Beloved 287 2022 10.1093/crj/clab014 False True False None 0 0 On Criticising The Knox Bible 288 2022 10.1093/crj/clab015 True True True GREEN 0 1 Constructing the Classical Past: the Role of Landscape in Christopher Wordsworth’s Greece 289 2022 10.1093/crj/clab016 False True False CLOSED 0 0 Carthaginians Beyond the Ocean: Comparison, Justification, and Inversion in the Hypothesis 290 2022 10.1093/crj/clab017 False True False CLOSED 0 0 Smash the Thing: William Kentridge, Classical Antiquity, and his Refusal of Time in O Sent 291 2022 10.1093/crj/clac006 False True False CLOSED 0 0 Introduction: what is failure in translation? 292 2022 10.1093/crj/clac007 False True False CLOSED 0 0 On the idea of failure in Vergilian translation 293 2022 10.1093/crj/clac008 False True False CLOSED 0 0 Vergil ‘disrobed’: John Vicars’ ‘home-spun English gray-coat plain’ Aeneid (1632) 294 2022 10.1093/crj/clac009 False True False CLOSED 1 0 Mataioponēmata : the politics of failure in translating the Aeneid in eighteenth- and nine 295 2022 10.1093/crj/clac010 False True False CLOSED 0 0 The puzzle of Valerii Briusov’s Aeneid 296 2022 10.1093/crj/clac011 False True False CLOSED 0 2 Fascism and the classics: ideological manipulation and targeted translations of the Aeneid 297 2022 10.1093/crj/clac012 True True True HYBRID 0 0 The silent reception of Kristina Chew’s Georgics 298 2022 10.1093/crj/clac013 False True False CLOSED 1 1 The early oblivion of the first Aeneid in Turkish: aiming at a moving target 299 2022 10.1093/crj/clac001 False True False CLOSED 0 0 Longing for home: a complex emotion in Homer’s Odyssey and Derek Walcott’s Omeros 300 2022 10.1093/crj/clac002 False True False CLOSED 1 0 Oedipus at Dover Cliff: Early Modern Receptions of Seneca’s Phoenissae 301 2022 10.1093/crj/clac004 True True True HYBRID 1 1 Graecia Belgica : writing Ancient Greek in the early modern Low Countries 302 2022 10.1093/crj/clac005 False True True BRONZE 0 0 Correction to: Shakespeare’s suppliants: the ‘rotten custom’ of ancient asylum seeking in 303 2022 10.1093/crj/clac014 False True True GREEN 0 0 The Homeric Διὸς ἀπάτη and its reuse within the seventeenth-century Portuguese epic poem U 304 2022 10.1093/crj/clac015 False True False CLOSED 2 4 Prometheus in Russia: from revolution to dissidence 305 2022 10.1093/crj/clac018 False True False None 1 0 The Humed Serpent: Lucian, miracles, enlightenment, and empire 306 2022 10.1093/crj/clac003 False True False CLOSED 1 1 ‘This is how I explain the universality of Xenophon’: Machado de Assis, Brazilian Republic 307 2022 10.1093/crj/clac016 False True False None 2 2 Sophia’s double: photography, archaeology, and modern Greece 308 2022 10.1093/crj/clac017 False False 1 Pygmalion and Medusa as Cixous’ writing women in InSEXts : ‘I Write Woman’ 309 2022 10.1093/crj/clac019 False False 0 Correction to: Sophia’s double: photography, archaeology, and modern Greece 310 2023 10.1093/crj/clac020 False False 0 ‘Beginning wherever you wish’: Sappho, Homer and the Homeric Hymn to Demeter in Theresa Ha 311 2023 10.1093/crj/clac021 False False 1 From ‘the land of the rising sun’ to ‘the countries of the sun’: Mishima Yukio in Greece a 312 2023 10.1093/crj/clac022 False False 2 Jocasta’s last hours: identity, responsibility, and violence in Martha Graham’s Night Jour 313 2023 10.1093/crj/clac023 False True False CLOSED 0 0 Between Bacchae and Bahanalii —balkanizing classical reception 314 2023 10.1093/crj/clad001 False True False CLOSED 0 0 ‘If Clodia despised Catullus, you can very well, Dionysus, despise Ariadne’: classical rec 315 2023 10.1093/crj/clad002 True True True HYBRID 1 1 Henrik Ibsen, Emperor Julian, and the crisis of faith in modernity 316 2023 10.1093/crj/clad003 True False 2 Performing history and cultural memory through ancient drama: the case of contemporary Pol 317 2023 10.1093/crj/clad004 False False 0 Indigenous Medea: space, time, and resistance in Wesley Enoch’s Black Medea 318 2023 10.1093/crj/clad005 False False 0 Mythological heroes on Czech stages and politics: the case of Phaethon and Antigone 319 2023 10.1093/crj/clad006 False True True BRONZE 1 0 Correction to: ‘Beginning wherever you wish’: Sappho, Homer and the Homeric Hymn to Demete 320 2023 10.1093/crj/clad007 False True False CLOSED 0 0 ‘Meteorology’ and ‘meteors’ across centuries: a short history of two problematic terms 321 2023 10.1093/crj/clad008 False True False CLOSED 0 0 The rape-pregnancy plots of Roman comedy and their reception in nineteenth-century Greece: 322 2023 10.1093/crj/clad009 False True False CLOSED 1 1 In Search of Lost Haim : Homer and Heimat in the Dialectic of Enlightenment 323 2023 10.1093/crj/clad010 True True True HYBRID 0 0 Shakespeare and Plautus: exploring metrical influence 324 2023 10.1093/crj/clad011 True True True HYBRID 0 0 Placing ‘moderns’ in a ‘classic’ series: the case of J. M. Dent’s Everyman’s Library 325 2023 10.1093/crj/clad012 True True True HYBRID 2 2 A Feminist Act of Defiance: ‘Iphigenia says no’ by Katerina Anghelaki-Rooke 326 2023 10.1093/crj/clad013 False True False CLOSED 2 4 Sophocles’ Antigone and Chinese Opera ( xiqu ): a discussion of hybridized and indigenized 327 2023 10.1093/crj/clad014 False True False CLOSED 0 0 Commemorative Architecture, Periclean Athens and the Polish Revolution of 1791: Auguste de 328 2023 10.1093/crj/clad015 False True False CLOSED 0 1 Masters of desire: the (re)erotization of the slave’s body in cinematic and television rep 329 2023 10.1093/crj/clad016 False True False CLOSED 0 0 Claude McKay’s vagabond classicisms: empire, uplift, and antiquity 330 2023 10.1093/crj/clad017 True True True HYBRID 0 0 Correction to: Placing ‘moderns’ in a ‘classic’ series: the case of J. M. Dent’s Everyman’ 331 2023 10.1093/crj/clad018 False True False CLOSED 2 2 ‘The words of a nation worn down by cares’: classical wisdom and modern crisis in Lin Shu’ 332 2023 10.1093/crj/clad019 False True False CLOSED 1 1 Medea/Media: a glitchy counterfactual 333 2023 10.1093/crj/clad020 True True True HYBRID 2 3 ‘Dance against the void’: Derek Jarman, dance, queer classical receptions 334 2023 10.1093/crj/clad021 False False 0 Female agents of Hell, Stoic luxury, and failing leaders: Erictho, Tisiphone, and the fema 335 2023 10.1093/crj/clad022 True True True HYBRID 0 1 Forging lesbians: Sappho and The Songs of Bilitis 336 2023 10.1093/crj/clad030 False True False CLOSED 0 0 Lycanthropus adulescens : the classical element in MTV’s Teen Wolf (2011–17) 337 2023 10.1093/crj/clad031 False True True BRONZE 0 0 Correction to: Shakespeare and Plautus: exploring metrical influence 338 2024 10.1093/crj/clad023 False True False CLOSED 0 0 Afterword: memory and the past: fascism, spectacle, history 339 2024 10.1093/crj/clad024 False True False CLOSED 0 1 Classical dance and Mediterranean imaginaries: Jia Ruskaja in Fascist Italy 340 2024 10.1093/crj/clad025 True True True HYBRID 0 0 Constructing a Hellenic modernism: Aeschylus at the ancient theatre of Syracuse (1914–30) 341 2024 10.1093/crj/clad026 True True True HYBRID 1 1 Introduction A Hellenic Modernism: Greek Theatre and Italian Fascism 342 2024 10.1093/crj/clad027 False True False CLOSED 1 1 Ancient tragedy, yet modern music: musical compositions in the classical performances (192 343 2024 10.1093/crj/clad028 True True True HYBRID 0 0 Greek theatre, electric lights, and the plumes of locomotives: the quarrel between the Fut 344 2024 10.1093/crj/clad029 False True False CLOSED 0 1 Ettore Romagnoli, rievocatore of ancient Greek drama 345 2024 10.1093/crj/clae001 True True True HYBRID 4 6 ‘Back from the silence with something to say’: Ursula Le Guin’s Lavinia and silence as cla 346 2024 10.1093/crj/clad032 False False 0 Translation and the homosexual canon: Thomas Cannon’s 1749 ‘Ancient and Modern Pederasty I 347 2024 10.1093/crj/clad033 False True False CLOSED 1 1 The classical drama as contested heritage in modern Greece: theatre productions from priva 348 2024 10.1093/crj/clae002 False True False CLOSED 0 0 Narrativity and literariness in receptions of Josephus’s teknophagia story 349 2024 10.1093/crj/clae003 False True True GREEN 0 0 Vernacular classicism and the Mausoleum of Halicarnassus: the architectural imaginary of a 350 2024 10.1093/crj/clae004 False True False CLOSED 1 0 Performing Homeric islands: Homeric receptions in (post-)Hellenistic Asia 351 2024 10.1093/crj/clae005 False True False CLOSED 3 3 ‘Something Mythic’: The power of shared stories in Kamila Shamsie’s Home Fire 352 2024 10.1093/crj/clae006 False True False CLOSED 0 0 W. E. B. Du Bois’s universal history in Black Folk Then and Now (1939) 353 2024 10.1093/crj/clae007 False True False None 1 1 The haunting of classics in the Dark Academia aesthetic 354 2024 10.1093/crj/clae008 False False 0 ‘Mankind Dame’: John Studley’s early modern Clytemnestra 355 2024 10.1093/crj/clae010 False False 0 Quod mentem moneat : Monuments and memory in Bernardo Bertolucci’s The Conformist (1970) 356 2024 10.1093/crj/clae011 False True False CLOSED 7 7 Circe, the female hero. First-person narrative and power in Madeline Miller’s Circe 357 2024 10.1093/crj/clae012 False False 1 Portraying political theatre: parody and caricature, ancient and modern 358 2024 10.1093/crj/clae013 False True False CLOSED 0 0 Classical allusions and narrative guidance in Robert Louis Stevenson’s Kidnapped 359 2024 10.1093/crj/clae014 False True False None 0 0 Watched men and phallus-wielding women: Aubrey Beardsley’s reception of Juvenal’s Sixth Sa 360 2024 10.1093/crj/clae015 True True True HYBRID 2 1 Admiring the Greeks with Roman eyes: F. A. Wolf, Quintilian, and the Latin roots of German 361 2024 10.1093/crj/clae016 True True True HYBRID 0 0 Hungry for antiquity: Zbigniew Herbert and reception as ingestion 362 2024 10.1093/crj/clae017 True True True HYBRID 0 0 The meaning of Mr. Tumnus: classical epic and the making of modern fantasy 363 2024 10.1093/crj/clae018 False False 0 The Laws of Nature: Rewriting the Myth of Demeter and Persephone in Peter Greenaway’s The 364 2025 10.1093/crj/clae019 False True False CLOSED 1 1 Patriotism and Resistance through Translation: Aeschylus’s Persae and the Ancient Greek Pa 365 2025 10.1093/crj/clae020 True True True HYBRID 0 0 The feminine of Cicero: Anthony Trollope’s classical critique of Victorian masculinity 366 2025 10.1093/crj/clae021 False True False CLOSED 0 0 Mapping the Eternal City: Rodolfo Lanciani’s Forma Urbis Romae 367 2025 10.1093/crj/claf001 False True False CLOSED 0 0 Uses of the Aeneid in O Uraguay (1769), by Basílio da Gama, as indices of uariatio between 368 2025 10.1093/crj/claf002 False True False None 1 2 Ancient and modern voices of Briseis: a feminist critique 369 2025 10.1093/crj/claf004 False False 0 William S. Burroughs and the ancient historians 370 2025 10.1093/crj/claf005 False False 2 Where was Apollo in Supergiant’s Hades ? Developer motivations and mythological characters 371 2025 10.1093/crj/claf006 True True True HYBRID 0 1 Drinking his own Kool-Aid: Frank Miller’s graphic novel 300 (1998) and the slippery slope 372 2025 10.1093/crj/claf007 False False 0 ‘So long as these unhappie times did last’ (I. 6): narration in Samuel Daniel’s The Civil 373 2025 10.1093/crj/clae009 True True True HYBRID 1 0 Mediterranean colours, reflections and reactions: Brice Marden’s marble fragments 374 2025 10.1093/crj/claf003 False True False None 0 0 Pasolini’s colonized medea 375 2025 10.1093/crj/claf008 True True True HYBRID 0 0 Money and Exchange in Plato’s Sophist : reading ἕτερον after Derrida 376 2025 10.1093/crj/claf009 True True True HYBRID 0 0 Bayek’s promise: authentic vs. accurate Ptolemaic astronomy in Assassin’s Creed: Origins 377 2025 10.1093/crj/claf010 True False 0 ‘Caesar’s Legion’ in Fallout: New Vegas: Re-enactment as Reception 378 2025 10.1093/crj/claf011 True True True HYBRID 0 0 The return of the gods: Greco-Roman mythology in eighteenth-century rabbinic lore 379 2026 10.1093/crj/claf012 False False 0 Fragmented Homers: Logue, Longley, Oswald 380 2026 10.1093/crj/claf013 False False 0 Turnus in India—The Figure of Khwaja Safar in Corte-Real’s Second Siege of Diu 381 2026 10.1093/crj/claf014 False False 0 Organicity, abstraction, and the invention of socialist antiquity 382 2026 10.1093/crj/clag001 False False 0 ‘Introduction: costuming the ancient world’ 383 2026 10.1093/crj/clag002 False False 0 Costuming the other on screen 384 2026 10.1093/crj/clag003 False False 0 Historicizing women’s costumes: anachronisms and appropriations 385 2026 10.1093/crj/clag004 False False 0 Is Dionysos still returning? Necropolitics and Terzopoulos’ stagings of dying democracies 386 2026 10.1093/crj/clag005 True True True HYBRID 0 0 Carnival and theatre: performing the utopian magic of Ovid’s Metamorphoses 387 2026 10.1093/crj/clag006 True False 0 Theorizing aggregative reception: Virgil’s Fama in Lusophone epic 388 2026 10.1093/crj/clag007 False False 0 Scott McCloud’s ‘Infinite Canvas’ and the experience of trauma in Lore Olympus and Book Fi 389 2026 10.1093/crj/clag008 False False 0 Let loose your longing: erasure, citation, and lesbian matter in Anne Carson’s translation 390 2026 10.1093/crj/clag009 True False 0 The imaginary works of Meleager of Gadara 391 2026 10.1093/crj/clag010 False False 0 ‘Rewriting’ Iphigenia’s myth from Euripides to Iakovos Kambanellis 392 2026 10.1093/crj/clag011 False False 0 Designing Cleopatra (1963): the vision and influence of Irene Sharaff 393 2026 10.1093/crj/clag012 True False 0 Shoestring budgets and shoestring costumes: evoking antiquity in the films of the Bob Mize 394 2026 10.1093/crj/clag013 False False 0 Trans memory without confession: Tiresias and the embodied archive in Sophoclean tragedy 395 2026 10.1093/crj/clag014 True False 0 ‘The only original work remaining’: William Blake and the Belvedere Torso 396 2026 10.1093/crj/clag015 False True False CLOSED 0 0 From fur bikinis and brass bras to skinny jeans: dressing (and undressing) the Amazons 397 2026 10.1093/crj/clag016 True False 0 Once upon a Homer: classical epic as folklore-fairytale in nineteenth-century literature 398 2026 10.1093/crj/clag017 False False 0 Mythological tale and intertextuality in Vaghe stelle dell’Orsa (Luchino Visconti, 1965) a 399 2026 10.1093/crj/clag018 False False 0 Tacitus in China: from the seventeenth century to the present 400 2026 10.1093/crj/clag019 False False 0 ‘Dressed to kill: costume designers discuss Pontius Pilate’s recent on-screen attire’ 401 2026 10.1093/crj/clag020 True False 0 Prometheus’ suicidal daughter: Lesya Ukrainka’s rewritings of Euripides in ‘Iphigenia in T 402 2026 10.1093/crj/clag021 False False 0 Antigone at the colony: biopolitical transgressions in Luis Rafael Sánchez’s La pasión seg 403 2026 10.1093/crj/clag022 True False 0 The cost of Indian trade: reading Pliny the Elder on empire, commerce, and luxury in seven 404 2026 10.1093/crj/clag023 False False 0 ‘Thalatta! Thalatta!’ in Ireland: Xenophon, the schoolroom, and the reception of a detache 405 2026 10.1093/crj/clag024 True False 0 Taylor Swift’s ‘Cassandra’: popular song as feminist intervention