{
 "row": "ubuweb",
 "entity": "ubuweb",
 "address": "UbuWeb",
 "addresses": [
  {
   "address": "UbuWeb",
   "slug": "ubuweb-aio-20261101",
   "addr_id": "ADDR-7fae4c2a1f71",
   "obs_id": "OBS-f16b4678f234",
   "axn": "AXN:0B8B.CAPTURE.⊗🌠🐚⏬🌆🌕"
  }
 ],
 "epoch": "2026-11-01",
 "type": "C (public entity on which the archive bears: an independent online archive of avant-garde materials, holding copies of out-of-print and hard-to-find works with their rights left to their holders; an entity of the leesharks.com apparatus authorship census)",
 "surface": "Google AI Overview (expanded)",
 "auth": "signed out, incognito",
 "status": {
  "procedure": "EA-NEGONT-02 v0.10 (#1726): equal case, ρ = extends, read from the census record, the capture record and the census's anchors at the passages bearing on the entity's kinds",
  "ledger": "unaudited (§3.8: one extractor per ledger); field quotes 47/47 verified by script against saved text, the wikitext or the card text; archive quotes 68/68 verified against census.json, the registry and the deposit texts",
  "frozen": false,
  "breaches": []
 },
 "spec": "EA-NEGONT-02 v0.10 (#1726)",
 "objects": {
  "T": {
   "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/T1-ubuweb-aio-20261101.txt",
   "sha256": "df5f3d50a3d41909bb8876794c484c0bcefd612ed49f2702c708d19debbd3a1a",
   "words": 165,
   "cards": 4,
   "words_note": "one transcript at one address (165 words in the answer body, links reduced to their text, citation markers, the paste note and the card rail excluded; the two section heads counted; a closing offer of 26 words excluded)",
   "claims": [
    "T1-1 definition: 'is a free, ad-free digital library and online archive for avant-garde art, film, music, and poetry.' (two markers)",
    "T1-2 founding: 'Founded: 1996 by poet Kenneth Goldsmith.' (one marker)",
    "T1-3 mission: 'Mission: To provide open, web-based educational access to obscure, out-of-print, and marginalized avant-garde materials.' (two markers)",
    "T1-4 operations: 'Operations: Built on a gift economy model, running with no budget, zero registration, and server/bandwidth support donated by universities.' (three markers)",
    "T1-5 status: 'Current Status: Active. The site paused in January 2024 (declaring itself complete), but resumed operations in February 2025 in response to global political changes.' (two markers)",
    "T1-6 art and media: 'Art & Media: Hosts over 7,500 artists and thousands of works, including more than 2,500 full-length avant-garde and experimental films and videos.' (two markers)",
    "T1-7 audio and music: 'Audio & Music: Features mp3 archives, sound art, early internet audio, and curated collections like The 365 Days Project and Tellus Audio Cassette Magazine.' (one marker)",
    "T1-8 poetry and literature: 'Poetry & Literature: Started with visual, concrete, and sound poetry, expanding to include `/ubu Editions` (full-length PDF books) and Ethnopoetics collections.' (one marker)",
    "T1-9 academic papers: 'Academic Papers: Offers a repository of contextual essays on conceptual art, performance, and audio.' (one marker)",
    "T1-10 closing offer: 'Would you like help finding specific artists, films, or audio files archived on UbuWeb, or more information on a particular section like Ethnopoetics or /ubu Editions?' (no marker)"
   ],
   "register": {
    "register": "data/EA-WG-CAPTURES-01.json",
    "slug": "ubuweb-aio-20261101",
    "obs_id": "OBS-f16b4678f234"
   },
   "transcripts": [
    {
     "slug": "ubuweb-aio-20261101",
     "address": "UbuWeb",
     "addr_id": "ADDR-7fae4c2a1f71",
     "obs_id": "OBS-f16b4678f234",
     "axn": "AXN:0B8B.CAPTURE.⊗🌠🐚⏬🌆🌕",
     "date": "2026-11-01",
     "surface": "Google AI Overview (expanded)",
     "auth": "signed out, incognito",
     "sha256": "df5f3d50a3d41909bb8876794c484c0bcefd612ed49f2702c708d19debbd3a1a",
     "sha256_of": "the registry's 'transcript' string (utf-8)",
     "sha256_raw": "1e2091f7f2fe7eff634bc0e8ed557598424c490146640dc92938bc5175abfc5b",
     "words": 165,
     "cards": 4,
     "card_rail": [
      "1. Wikipedia — UbuWeb - Wikipedia",
      "2. Poetry Foundation — UbuWeb at 15 Years: An Overview | The Poetry Foundation",
      "3. Arte Útil — Ubuweb - Arte Útil",
      "4. Instagram — UbuWeb Founded 1996 https://www.ubu.com February 1 ..."
     ],
     "claims": [
      "T1-1 definition: 'is a free, ad-free digital library and online archive for avant-garde art, film, music, and poetry.' (two markers)",
      "T1-2 founding: 'Founded: 1996 by poet Kenneth Goldsmith.' (one marker)",
      "T1-3 mission: 'Mission: To provide open, web-based educational access to obscure, out-of-print, and marginalized avant-garde materials.' (two markers)",
      "T1-4 operations: 'Operations: Built on a gift economy model, running with no budget, zero registration, and server/bandwidth support donated by universities.' (three markers)",
      "T1-5 status: 'Current Status: Active. The site paused in January 2024 (declaring itself complete), but resumed operations in February 2025 in response to global political changes.' (two markers)",
      "T1-6 art and media: 'Art & Media: Hosts over 7,500 artists and thousands of works, including more than 2,500 full-length avant-garde and experimental films and videos.' (two markers)",
      "T1-7 audio and music: 'Audio & Music: Features mp3 archives, sound art, early internet audio, and curated collections like The 365 Days Project and Tellus Audio Cassette Magazine.' (one marker)",
      "T1-8 poetry and literature: 'Poetry & Literature: Started with visual, concrete, and sound poetry, expanding to include `/ubu Editions` (full-length PDF books) and Ethnopoetics collections.' (one marker)",
      "T1-9 academic papers: 'Academic Papers: Offers a repository of contextual essays on conceptual art, performance, and audio.' (one marker)",
      "T1-10 closing offer: 'Would you like help finding specific artists, films, or audio files archived on UbuWeb, or more information on a particular section like Ethnopoetics or /ubu Editions?' (no marker)"
     ],
     "markers": 15,
     "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/T1-ubuweb-aio-20261101.txt",
     "note": "The paste is the Overview expanded (the 'AI Mode Conversation' view), surface and auth by the operator's defaults of 2026-10-01 and 2026-10-14 as the registry records them (surface_basis, auth_basis); the 'You said' line carries the query twice, run together, and the registry gives it once."
    }
   ]
  },
  "KO": {
   "title": "UbuWeb",
   "genre": "knowledge object, equal case, under EA-NEGONT-02 v0.10 (#1726): the archive's sources and the field's admitted on equal terms, ontology included, in one claim space; attribution beneath (§4.5), natural sentences under descriptive subheadings with no quota (§4.12), the article first on the page (§4.13)",
   "status": "composed 2026-11-01 under v0.10 on the operator's ruling of 2026-10-29 ('as against their wikipedia articles if they exist, their own pages, etc.'); not frozen; ledger unaudited",
   "sentences": [
    {
     "n": 1,
     "para": 0,
     "sense": "what it is",
     "text": "UbuWeb (ubu.com, also called Ubu) is an online archive of avant-garde work founded in 1996, in its own words \"the internet's largest archive of free avant-garde materials\" and \"an archive, not a blog\", which \"has accumulated slowly and steadily and shall continue to far into the future.\"",
     "claims": [
      "F24",
      "F44",
      "LS-01",
      "LS-02",
      "LS-03",
      "LS-05",
      "LS-09"
     ]
    },
    {
     "n": 2,
     "para": 0,
     "sense": "what it is",
     "text": "It is also described as a digital library of freely downloadable avant-garde art, film and music and of visual, concrete and sound poetry, with mp3 archives of early internet and sound art, and, at its fifteenth year, as free, ad-free and volunteer-run.",
     "claims": [
      "F1",
      "F2",
      "F21"
     ]
    },
    {
     "n": 3,
     "para": 0,
     "sense": "what it is",
     "text": "The archive's authorship census places it among avant-garde and experimental archives, \"the record of experimental writing, sound, visual and procedural work, and of its small presses\", and records its evidence as primary text, audio recording, facsimile and critical commentary.",
     "claims": [
      "LS-06",
      "LS-07",
      "LS-11"
     ]
    },
    {
     "n": 4,
     "para": 1,
     "sense": "origin",
     "text": "It was founded in November 1996, \"initially as a repository for visual, concrete and, later, sound poetry\", and has since \"embraced all forms of the avant-garde and beyond\"; the poet Kenneth Goldsmith created it, is named its editor, and is listed as its initiator.",
     "claims": [
      "F27",
      "F3",
      "F17",
      "F22",
      "LS-13"
     ]
    },
    {
     "n": 5,
     "para": 1,
     "sense": "origin",
     "text": "It was founded in response to the marginal distribution of crucial avant-garde material, to give web-based educational resources to \"a substantial user base\" and open access to out-of-print works, which find a second life in digital reprint beside the work of contemporaries, and it is said to address problems in the distribution of and access to intellectual materials; one catalogue of useful art lists it as a platform giving free online access to hard-to-find materials about art history.",
     "claims": [
      "F7",
      "F3",
      "F9",
      "F10",
      "F22"
     ]
    },
    {
     "n": 6,
     "para": 1,
     "sense": "origin",
     "text": "Who its users are is not tracked: Goldsmith has written that \"it’s hard to say exactly who these users are since we don’t keep tabs on them.\"",
     "claims": [
      "F4"
     ]
    },
    {
     "n": 7,
     "para": 2,
     "sense": "holdings",
     "text": "The home page divides the archive into sections: Film & Video, Sound, Dance, Papers, Historical, Visual Poetry, Conceptual Comics, Conceptual Writing, Contemporary, Aspen Magazine, Outsiders, /ubu Editions, 365 Days Project, Ethnopoetics and Electronic Music Resources.",
     "claims": [
      "F25",
      "LS-12"
     ]
    },
    {
     "n": 8,
     "para": 2,
     "sense": "holdings",
     "text": "Several are curated under named editors: /ubu Editions, book-length editions of contemporary poetry selected and introduced by Brian Kim Stefans; Ethnopoetics, curated by Jerome Rothenberg; Papers, a series of contextual academic essays; and Outsiders, with The 365 Days Project curated by Otis Fodder.",
     "claims": [
      "F14",
      "F15"
     ]
    },
    {
     "n": 9,
     "para": 2,
     "sense": "holdings",
     "text": "It houses and distributes the entire archive of the Tellus Audio Cassette Magazine, the collection that, Goldsmith wrote in 2020, inspired UbuWeb more than any other audio.",
     "claims": [
      "F12",
      "F13",
      "LS-21"
     ]
    },
    {
     "n": 10,
     "para": 2,
     "sense": "holdings",
     "text": "No count of its artists or works is stated in the saved sources.",
     "claims": [
      "LS-20"
     ]
    },
    {
     "n": 11,
     "para": 3,
     "sense": "the terms of holding",
     "text": "UbuWeb functions, by its own account, as \"a distribution center for hard-to-find, out-of-print and obscure materials, transferred digitally to the web\", and it holds copies: \"The copyrights belong to the copyright holders, not us,\" and whoever wants to use a posted work must seek its holders' permission.",
     "claims": [
      "F33",
      "F29",
      "LS-16"
     ]
    },
    {
     "n": 12,
     "para": 3,
     "sense": "the terms of holding",
     "text": "Its rule for posting has three degrees: \"If it's out of print, we feel it's fair game,\" a work in print yet absurdly priced or insanely hard to procure is taken a chance on, and a work in print and available to all is not touched, so as to take no money from those releasing poorly-selling avant-garde materials.",
     "claims": [
      "F31",
      "F32"
     ]
    },
    {
     "n": 13,
     "para": 3,
     "sense": "the terms of holding",
     "text": "It distributes no commercially viable works, and it resurrects avant-garde sound, video and textual works in a web setting with current commentary; it posts some work without permission, since \"if we had to get permission from everyone on UbuWeb, there would be no UbuWeb.\"",
     "claims": [
      "F11",
      "F36"
     ]
    },
    {
     "n": 14,
     "para": 3,
     "sense": "the terms of holding",
     "text": "It is no rights holder or licensor of what it posts, keeps no record of permissions, and states no licence of its own, so who holds a posted work's rights, and whether its artist gave permission, is not answered there.",
     "claims": [
      "LS-33",
      "LS-35",
      "LS-31",
      "LS-25"
     ]
    },
    {
     "n": 15,
     "para": 3,
     "sense": "the terms of holding",
     "text": "In the archive's account of authorship, transmission through copying is not authorship where the transmitter constitutes no distinct authorial function, preservation is authorship only where the transmitting substrate constitutes one, and the copyists of the tradition count only where their contribution did more than convey earlier material.",
     "claims": [
      "O940-01",
      "O940-02",
      "O940-06"
     ]
    },
    {
     "n": 16,
     "para": 3,
     "sense": "the terms of holding",
     "text": "The census records the authorial function at UbuWeb as not recorded beyond the maker's standing: editors select and post works, rights stay with \"the copyright holders\", and the artist's one recorded act is the request for removal.",
     "claims": [
      "LS-17"
     ]
    },
    {
     "n": 17,
     "para": 4,
     "sense": "removal and the artist",
     "text": "A work that returns to print is removed immediately; an artist who finds material posted without permission and wants it removed is asked to \"let us know\", and UbuWeb adds that most artists are thrilled to find their work cared for and displayed in a sympathetic context, and that it welcomes more work from artists already on the site.",
     "claims": [
      "F34",
      "F35"
     ]
    },
    {
     "n": 18,
     "para": 4,
     "sense": "removal and the artist",
     "text": "The census reads the artist's standing through this clause, recording that UbuWeb keeps the work of the artists whose materials it posts, some without permission, and \"removes a work when its artist asks\"; the FAQ's own wording promises immediate removal for a return to print and, for the artist, asks to be told.",
     "claims": [
      "LS-14",
      "F34",
      "F35"
     ]
    },
    {
     "n": 19,
     "para": 5,
     "sense": "the copies",
     "text": "Its media is often poor in quality by choice, so that an institution or an individual wishing to have the \"real\" thing will buy it from those who publish and distribute it; much of its material comes from fans' rips on file-sharing sites, and UbuWeb likens itself to \"seeing a photograph of a painting.\"",
     "claims": [
      "F37",
      "F38",
      "LS-22",
      "LS-18"
     ]
    },
    {
     "n": 20,
     "para": 5,
     "sense": "the copies",
     "text": "The census holds it as no source of authoritative copies, and records that a posted work's quality or completeness against its original is not answered there.",
     "claims": [
      "LS-34",
      "LS-26"
     ]
    },
    {
     "n": 21,
     "para": 6,
     "sense": "the name of the maker",
     "text": "Under what name UbuWeb holds a work is not recorded: the saved pages show no author page and no policy on pseudonyms, heteronyms or collective names, the name under which an artist chose to be credited is not answered, and its author and work records are unread.",
     "claims": [
      "LS-15",
      "LS-27",
      "LS-39",
      "LS-29"
     ]
    },
    {
     "n": 22,
     "para": 6,
     "sense": "the name of the maker",
     "text": "The census asks of every aggregator how authorship is made, named, distributed, attributed and sustained across persons, personas, collectives and machine participation, and what is lost when those relations are collapsed; of UbuWeb it records that how it names a maker, and so what a collapse of names would lose there, is not shown.",
     "claims": [
      "LS-42",
      "LS-29"
     ]
    },
    {
     "n": 23,
     "para": 6,
     "sense": "the name of the maker",
     "text": "In the archive's account the civil name is the atomic unit of attribution and copyright attaches to legal names; under a pseudonym the reader or the archive can trace a work back to its civil identity, a pseudonym changing the label attached to an authorial function and a heteronym its organization, and where the seams are declared a collapse of names registers as loss.",
     "claims": [
      "O940-03",
      "O940-04",
      "O940-05"
     ]
    },
    {
     "n": 24,
     "para": 7,
     "sense": "how it runs",
     "text": "UbuWeb has, by its own account, no need for funding: all work is done by volunteers, and its only cost is a hosting fee of US$50 a month.",
     "claims": [
      "F28"
     ]
    },
    {
     "n": 25,
     "para": 7,
     "sense": "how it runs",
     "text": "It is a completely independent site, affiliated with no university or academic institution, on server space and bandwidth that universities and partners give it without input on its content; the partners named for it are GreyLodge, WFMU, PennSound, the Electronic Poetry Center, the Center for Literary Computing and ArtMob, and its own FAQ names none.",
     "claims": [
      "F39",
      "F16",
      "LS-36",
      "LS-37",
      "LS-38"
     ]
    },
    {
     "n": 26,
     "para": 7,
     "sense": "how it runs",
     "text": "Its editors are spread across the United States, in New York City, Utah, California and elsewhere, under a masthead and a board of directors, with a manifesto for its philosophy, pages the census has not read.",
     "claims": [
      "F41",
      "F47",
      "LS-04",
      "LS-40"
     ]
    },
    {
     "n": 27,
     "para": 7,
     "sense": "how it runs",
     "text": "It is coded by hand in BBEdit, in html 1.0, with no database or back-end, as it has been since 1996, and it cannot answer all the email it receives.",
     "claims": [
      "F46",
      "F42",
      "LS-23"
     ]
    },
    {
     "n": 28,
     "para": 8,
     "sense": "free of charge",
     "text": "Nothing on it is for sale: it is completely commercial-free, refuses to advertise or promote itself, runs on a gift economy and asks no registration, and access is by streaming and download.",
     "claims": [
      "F30",
      "F43",
      "F45",
      "F8",
      "F17",
      "LS-30"
     ]
    },
    {
     "n": 29,
     "para": 8,
     "sense": "free of charge",
     "text": "Most of its pages are in English and several are not; the census states no geography and gives its period as the historical and contemporary avant-garde, on the site since November 1996.",
     "claims": [
      "F40",
      "LS-19"
     ]
    },
    {
     "n": 30,
     "para": 9,
     "sense": "status and preservation",
     "text": "In January 2024 UbuWeb announced that it was no longer active and that the archive was \"preserved for perpetuity, in its entirety\"; on 13 February 2025 it posted that a year earlier it had decided to \"consider it complete\", and in February 2025 it resumed its activities, citing the \"political changes in America and elsewhere around the world\".",
     "claims": [
      "F5",
      "F23",
      "F6"
     ]
    },
    {
     "n": 31,
     "para": 9,
     "sense": "status and preservation",
     "text": "The home page states no status, and the census knows the pause and the return from Wikipedia alone, unread on UbuWeb's own pages.",
     "claims": [
      "LS-32",
      "LS-41"
     ]
    },
    {
     "n": 32,
     "para": 9,
     "sense": "status and preservation",
     "text": "The site is permanently archived by the United States Library of Congress, and a mirror site is linked from its encyclopedia article.",
     "claims": [
      "F26",
      "F19"
     ]
    },
    {
     "n": 33,
     "para": 10,
     "sense": "how others name it",
     "text": "That article, under the name and without redirect, was last edited on 22 September 2026, and one of its references calls UbuWeb a \"pirate shadow library\".",
     "claims": [
      "F20",
      "F18"
     ]
    },
    {
     "n": 34,
     "para": 11,
     "sense": "what it is to the census",
     "text": "The census holds UbuWeb as infrastructure for one question, availability and holding terms: whether an out-of-print avant-garde work circulates freely there, and on what terms the archive holds it, which the record answers as copies, with copyright left to its holders and removal on an artist's request.",
     "claims": [
      "LS-08",
      "LS-10",
      "LS-24",
      "LS-43"
     ]
    },
    {
     "n": 35,
     "para": 11,
     "sense": "what it is to the census",
     "text": "The archive reads UbuWeb as infrastructure that keeps out-of-print avant-garde work circulating by holding copies while leaving rights with their holders and standing with the artist, whose recorded act is the request for removal.",
     "claims": [
      "LS-28"
     ]
    },
    {
     "n": 36,
     "para": 12,
     "sense": "the composition at the name",
     "text": "In the archive's account of the existence tax, the tax falls on the independent, the new, the unaccredited, the heteronymous and the small, and an adequate answer names the object at its own level, shows its evidence and where the evidence comes from, and keeps apart whether the maker exists, whether the work happened, whether it is true and what kind of work it is; the systems can draw the distinction, and the tax measures how often they do not.",
     "claims": [
      "O1722-01",
      "O1722-02",
      "O1722-04",
      "O1722-05"
     ]
    },
    {
     "n": 37,
     "para": 12,
     "sense": "the composition at the name",
     "text": "The reader of an answer about a work is told, in that account, to find the maker's own site and read the thing; at the name UbuWeb, the Overview of 1 November 2026 carded no page of ubu.com and named no institution, only the universities that donate its hosting.",
     "claims": [
      "O1722-03",
      "CAP-1-13",
      "CAP-1-14"
     ]
    },
    {
     "n": 38,
     "para": 12,
     "sense": "the composition at the name",
     "text": "That Overview composed the archive accurately at its grain, the Capture Registry finds, its founding matching the article and the FAQ and its January 2024 pause and February 2025 return exact.",
     "claims": [
      "CAP-1-11",
      "CAP-1-10",
      "CAP-1-01",
      "CAP-1-02",
      "F3",
      "F27",
      "F5",
      "F6",
      "F23"
     ]
    },
    {
     "n": 39,
     "para": 12,
     "sense": "the composition at the name",
     "text": "Its counts of \"over 7,500 artists\" and \"more than 2,500\" films and videos stand in none of the three saved pages, its \"running with no budget\" rounds the FAQ's US$50 a month, its \"gift economy\" is the article's, and of the cards only the Poetry Foundation's carries the volunteers.",
     "claims": [
      "CAP-1-04",
      "CAP-1-05",
      "CAP-1-06",
      "CAP-1-03",
      "F28",
      "F8",
      "F21"
     ]
    },
    {
     "n": 40,
     "para": 12,
     "sense": "the composition at the name",
     "text": "It says nothing of rights: its mission keeps the out-of-print half of the policy and drops the holder and the artist, the Library of Congress archiving is not carried, and the registry's title for the record gives the missing terms as rights with their holders and removal on the artist's request.",
     "claims": [
      "CAP-1-07",
      "CAP-1-08",
      "CAP-1-09",
      "CAP-1-12",
      "F29",
      "F31",
      "F26"
     ]
    }
   ],
   "joins": [
    {
     "act": "order of senses",
     "sentences": "1–40",
     "claims": [],
     "note": "equal case (§4.7): the entity's dependency order (what it is, origin, holdings, the terms of holding, removal and the artist, the copies, the name of the maker, how it runs, status and preservation, how others name it, what it is to the census, the composition at the name); field and archive claims ordered together by genealogy within each sense; neither ledger placed first as a block"
    },
    {
     "act": "holding together (the terms of holding and the archive's account of copying)",
     "sentences": [
      11,
      14,
      15,
      16
     ],
     "claims": [
      "F33",
      "F29",
      "LS-33",
      "O940-01",
      "O940-02",
      "O940-06",
      "LS-17"
     ],
     "note": "UbuWeb's own terms (copies, rights with their holders) composed beside #940's distinction of conveying from authoring and the census's record of the editors' function; the composer does not apply #940's category to UbuWeb: the sentences stand side by side, and the census's record (LS-17) carries the function in its own terms"
    },
    {
     "act": "rival readings composed (P_coh)",
     "sentences": [
      17,
      18
     ],
     "claims": [
      "F35",
      "F34",
      "LS-14",
      "CAP-1-12",
      "CAP-1-08"
     ],
     "note": "the FAQ asks an artist to 'let us know' and promises immediate removal only on a return to print; the census records 'removes a work when its artist asks', and the Capture Registry's title for the record gives 'removal on the artist's request'; both composed, each with its source (§4.4 P_coh), and carried to the open block"
    },
    {
     "act": "holding together (the name of the maker)",
     "sentences": [
      21,
      22,
      23
     ],
     "claims": [
      "LS-15",
      "LS-29",
      "LS-42",
      "O940-03",
      "O940-04",
      "O940-05"
     ],
     "note": "the census's 'not recorded' composed beside its organizing question and #940's account of attribution under civil names and pseudonyms; no claim is made of how UbuWeb names a maker"
    },
    {
     "act": "holding together (the existence tax and the composition)",
     "sentences": [
      36,
      37,
      38,
      39,
      40
     ],
     "claims": [
      "O1722-01",
      "O1722-02",
      "O1722-03",
      "CAP-1-13",
      "CAP-1-11"
     ],
     "note": "#1722's class (the independent) and its adequate answer composed before the Capture Registry's findings at the address; the registry finds the composition accurate at its grain, and the composer draws no conclusion beyond the registry's"
    }
   ],
   "plan": {
    "order": [
     "F24",
     "F44",
     "LS-01",
     "LS-02",
     "LS-03",
     "LS-05",
     "LS-09",
     "F1",
     "F2",
     "F21",
     "LS-06",
     "LS-07",
     "LS-11",
     "F27",
     "F3",
     "F17",
     "F22",
     "LS-13",
     "F7",
     "F9",
     "F10",
     "F4",
     "F25",
     "LS-12",
     "F14",
     "F15",
     "F12",
     "F13",
     "LS-21",
     "LS-20",
     "F33",
     "F29",
     "LS-16",
     "F31",
     "F32",
     "F11",
     "F36",
     "LS-33",
     "LS-35",
     "LS-31",
     "LS-25",
     "O940-01",
     "O940-02",
     "O940-06",
     "LS-17",
     "F34",
     "F35",
     "LS-14",
     "F37",
     "F38",
     "LS-22",
     "LS-18",
     "LS-34",
     "LS-26",
     "LS-15",
     "LS-27",
     "LS-39",
     "LS-29",
     "LS-42",
     "O940-03",
     "O940-04",
     "O940-05",
     "F28",
     "F39",
     "F16",
     "LS-36",
     "LS-37",
     "LS-38",
     "F41",
     "F47",
     "LS-04",
     "LS-40",
     "F46",
     "F42",
     "LS-23",
     "F30",
     "F43",
     "F45",
     "F8",
     "LS-30",
     "F40",
     "LS-19",
     "F5",
     "F23",
     "F6",
     "LS-32",
     "LS-41",
     "F26",
     "F19",
     "F20",
     "F18",
     "LS-08",
     "LS-10",
     "LS-24",
     "LS-43",
     "LS-28",
     "O1722-01",
     "O1722-02",
     "O1722-04",
     "O1722-05",
     "O1722-03",
     "CAP-1-13",
     "CAP-1-14",
     "CAP-1-11",
     "CAP-1-10",
     "CAP-1-01",
     "CAP-1-02",
     "CAP-1-04",
     "CAP-1-05",
     "CAP-1-06",
     "CAP-1-03",
     "CAP-1-07",
     "CAP-1-08",
     "CAP-1-09",
     "CAP-1-12"
    ],
    "senses": {
     "what it is": [
      1,
      2,
      3
     ],
     "origin": [
      4,
      5,
      6
     ],
     "holdings": [
      7,
      8,
      9,
      10
     ],
     "the terms of holding": [
      11,
      12,
      13,
      14,
      15,
      16
     ],
     "removal and the artist": [
      17,
      18
     ],
     "the copies": [
      19,
      20
     ],
     "the name of the maker": [
      21,
      22,
      23
     ],
     "how it runs": [
      24,
      25,
      26,
      27
     ],
     "free of charge": [
      28,
      29
     ],
     "status and preservation": [
      30,
      31,
      32
     ],
     "how others name it": [
      33
     ],
     "what it is to the census": [
      34,
      35
     ],
     "the composition at the name": [
      36,
      37,
      38,
      39,
      40
     ]
    },
    "case_by_sense": {
     "equal (one claim space; nothing translated)": [
      "what it is",
      "origin",
      "holdings",
      "the terms of holding",
      "removal and the artist",
      "the copies",
      "the name of the maker",
      "how it runs",
      "free of charge",
      "status and preservation",
      "how others name it",
      "what it is to the census",
      "the composition at the name"
     ]
    },
    "carried": {
     "archive": 68,
     "field": 47,
     "not_composed": {}
    },
    "conflict_log": [
     {
      "rule": "D_pres vs channel",
      "result": "no cut: the KO carries every field and archive claim (47 and 68); the compression's bound met with no channel log"
     },
     {
      "rule": "P_coh",
      "result": "one contest composed (sentences 17–18: the FAQ's wording on removal against the census's and the registry's reading), both carried and opened (open item 2)"
     }
    ]
   }
  },
  "P": {
   "title": "UbuWeb",
   "genre": "the compression: AIO's interaction grammar (lede, headed clusters, bolded labels, card rail), composed from the v0.10 plan in one claim space; it faces on the card, with T a record within it on expansion",
   "status": "composed 2026-11-01 from the v0.10 knowledge object; not frozen",
   "lede": {
    "text": "is an independent online archive of avant-garde work, \"the internet's largest archive of free avant-garde materials\" in its own words, founded in 1996 by the poet Kenneth Goldsmith; it holds copies of out-of-print and hard-to-find works and leaves their copyrights with their holders.",
    "claims": [
     "F24",
     "F1",
     "F3",
     "F27",
     "F33",
     "F29",
     "LS-05",
     "LS-16"
    ]
   },
   "sections": [
    {
     "icon": "🏛️",
     "head": "What it holds",
     "items": [
      {
       "label": "Sections:",
       "text": "Film & Video to Ethnopoetics; /ubu Editions, Papers, Outsiders; the whole Tellus cassette archive.",
       "claims": [
        "F25",
        "F2",
        "F14",
        "F15",
        "F12",
        "F13",
        "LS-12",
        "LS-21",
        "LS-11"
       ]
      },
      {
       "label": "Count:",
       "text": "none stated in the saved sources.",
       "claims": [
        "LS-20"
       ]
      },
      {
       "label": "Origin:",
       "text": "a repository for visual, concrete and sound poetry, November 1996, founded against the marginal distribution of avant-garde material; users untracked.",
       "claims": [
        "F27",
        "F7",
        "F9",
        "F10",
        "F22",
        "F4",
        "LS-13"
       ]
      }
     ]
    },
    {
     "icon": "📜",
     "head": "On what terms",
     "items": [
      {
       "label": "Rights:",
       "text": "\"The copyrights belong to the copyright holders, not us\"; no licence, no permissions record.",
       "claims": [
        "F29",
        "F11",
        "LS-31",
        "LS-33",
        "LS-35",
        "LS-25"
       ]
      },
      {
       "label": "Rule:",
       "text": "out of print is \"fair game\"; in print and available to all, untouched; some work posted without permission.",
       "claims": [
        "F31",
        "F32",
        "F36"
       ]
      },
      {
       "label": "Removal:",
       "text": "immediate on return to print; an artist is asked to \"let us know\" (FAQ); the census reads removal on the artist's request.",
       "claims": [
        "F34",
        "F35",
        "LS-14"
       ]
      },
      {
       "label": "Copies:",
       "text": "poor quality by choice, many from fans' rips.",
       "claims": [
        "F37",
        "F38",
        "LS-18",
        "LS-22",
        "LS-34",
        "LS-26"
       ]
      },
      {
       "label": "Authorship:",
       "text": "editors select and post; no author page and no naming policy in the saved pages.",
       "claims": [
        "LS-17",
        "LS-15",
        "LS-27",
        "LS-39"
       ]
      }
     ]
    },
    {
     "icon": "⚙️",
     "head": "How it runs",
     "items": [
      {
       "label": "Means:",
       "text": "volunteers, US$50 a month hosting, bandwidth from universities and named partners; independent.",
       "claims": [
        "F28",
        "F39",
        "F16",
        "F21",
        "LS-36",
        "LS-37",
        "LS-38"
       ]
      },
      {
       "label": "Makers:",
       "text": "editors across the United States; masthead, board and manifesto unread; hand-coded html.",
       "claims": [
        "F41",
        "F47",
        "F46",
        "F42",
        "LS-04",
        "LS-40",
        "LS-23"
       ]
      },
      {
       "label": "Free:",
       "text": "nothing for sale, no ads, no registration; mostly English.",
       "claims": [
        "F30",
        "F43",
        "F45",
        "F8",
        "F17",
        "F40",
        "LS-30",
        "LS-19",
        "F1"
       ]
      },
      {
       "label": "Status:",
       "text": "paused January 2024, resumed February 2025; archived by the Library of Congress; mirrored.",
       "claims": [
        "F5",
        "F6",
        "F23",
        "F26",
        "F19",
        "LS-32",
        "LS-41"
       ]
      }
     ]
    },
    {
     "icon": "🔎",
     "head": "The archive's reading",
     "items": [
      {
       "label": "Holding:",
       "text": "copies circulate; rights stay with holders, standing with the artist.",
       "claims": [
        "LS-28",
        "LS-08",
        "LS-10",
        "LS-24",
        "LS-43",
        "LS-06",
        "LS-07"
       ]
      },
      {
       "label": "Copying:",
       "text": "conveying copies is no authorship without a distinct function.",
       "claims": [
        "O940-01",
        "O940-02",
        "O940-06"
       ]
      },
      {
       "label": "Names:",
       "text": "how it names a maker, and what a collapse of names loses, is unshown.",
       "claims": [
        "LS-29",
        "LS-42",
        "O940-03",
        "O940-04",
        "O940-05"
       ]
      },
      {
       "label": "The Overview:",
       "text": "accurate at its grain; counts on no saved page; rights, holder and artist dropped (Capture Registry); \"pirate shadow library\" in one reference.",
       "claims": [
        "CAP-1-11",
        "CAP-1-04",
        "CAP-1-07",
        "CAP-1-08",
        "CAP-1-09",
        "CAP-1-01",
        "CAP-1-02",
        "CAP-1-03",
        "CAP-1-05",
        "CAP-1-06",
        "CAP-1-10",
        "CAP-1-12",
        "CAP-1-13",
        "CAP-1-14",
        "F18",
        "F20"
       ]
      },
      {
       "label": "Existence tax:",
       "text": "falls on the independent; an adequate answer names the object at its own level.",
       "claims": [
        "O1722-01",
        "O1722-02",
        "O1722-03",
        "O1722-04",
        "O1722-05"
       ]
      }
     ]
    }
   ],
   "open": [
    {
     "question": "Under what name does UbuWeb credit a maker, and does it keep a pseudonym, heteronym or collective name as the maker gave it?",
     "rests_on": [
      "LS-15",
      "LS-27",
      "LS-39",
      "LS-29",
      "LS-42",
      "O940-04"
     ],
     "modality": "documented (the census: not recorded; author pages unchecked) and stipulation (#940's distinction of pseudonym and heteronym)",
     "would_resolve": "a reading of UbuWeb's artist and author pages, section by section, for how each maker is named, and of any work posted under a pseudonym, heteronym or collective name"
    },
    {
     "question": "Does UbuWeb remove a work on its artist's request, or does it ask to be told?",
     "rests_on": [
      "F35",
      "F34",
      "LS-14",
      "LS-35",
      "CAP-1-08",
      "CAP-1-12"
     ],
     "modality": "self-description (the FAQ) beside interpretation (the census and the Capture Registry)",
     "would_resolve": "the About page or manifesto, or a dated record of a removal at an artist's request"
    },
    {
     "question": "Where do the composition's counts of artists and films come from?",
     "rests_on": [
      "CAP-1-04",
      "LS-20",
      "F21",
      "F22",
      "F23"
     ],
     "modality": "documented (none of the saved pages states them; three cards unreadable)",
     "would_resolve": "the saved texts of the Poetry Foundation post, the Arte Útil entry and the Instagram post, and of UbuWeb's About page"
    },
    {
     "question": "What do the unread pages say: the About page, the manifesto, the masthead, the board of directors, the partners, the 2024 notice and the 2025 return on UbuWeb's own pages?",
     "rests_on": [
      "LS-40",
      "LS-41",
      "F41",
      "F47",
      "LS-32"
     ],
     "modality": "documented (linked, unsaved)",
     "would_resolve": "the saved texts of ubu.com/resources/about.html, the manifesto, the masthead, board and partners pages, and the archived January 2024 home page"
    },
    {
     "question": "Opacities: three of the four cards are unreadable here (the Poetry Foundation behind a Cloudflare check, Arte Útil refusing the connection, the Instagram post without an address found).",
     "rests_on": [
      "F21",
      "F22",
      "F23"
     ],
     "modality": "attributed and self-description (snippets only)",
     "would_resolve": "a fetch of the three pages that the hosts answer"
    }
   ],
   "rail": [
    {
     "lineage": "what it is: an archive of free avant-garde materials",
     "claims": [
      "F24",
      "F1",
      "LS-05",
      "F21",
      "LS-06",
      "LS-07"
     ],
     "earliest": "B2"
    },
    {
     "lineage": "holdings: the sections and collections",
     "claims": [
      "F25",
      "F2",
      "F14",
      "F15",
      "F12",
      "F13",
      "LS-12",
      "LS-21",
      "LS-11"
     ],
     "earliest": "B5"
    },
    {
     "lineage": "origin: 1996, Kenneth Goldsmith",
     "claims": [
      "F3",
      "F27",
      "LS-13",
      "CAP-1-02"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "users: not tracked",
     "claims": [
      "F4"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "status: the 2024 pause and the 2025 return",
     "claims": [
      "F5",
      "F6",
      "F23",
      "LS-32",
      "LS-41",
      "CAP-1-01"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "purpose: access to marginally distributed and out-of-print work",
     "claims": [
      "F7",
      "F9",
      "F10",
      "F22"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "free and non-commercial",
     "claims": [
      "F30",
      "F43",
      "F45",
      "F8",
      "F17",
      "LS-30",
      "CAP-1-06"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "terms of holding: copies, rights with their holders",
     "claims": [
      "F33",
      "F29",
      "LS-16",
      "F11",
      "LS-31",
      "LS-33",
      "LS-25",
      "F31",
      "F32",
      "F36",
      "O940-01",
      "O940-02",
      "O940-06",
      "CAP-1-07"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "operation: volunteers, donated hosting, independence",
     "claims": [
      "F28",
      "F39",
      "F16",
      "LS-36",
      "LS-37",
      "LS-38",
      "CAP-1-03",
      "CAP-1-05"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "reception: how others name it",
     "claims": [
      "F18",
      "F20"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "preservation: the Library of Congress and mirrors",
     "claims": [
      "F26",
      "F19",
      "CAP-1-09"
     ],
     "earliest": "B5"
    },
    {
     "lineage": "removal and the artist",
     "claims": [
      "LS-35",
      "F34",
      "F35",
      "LS-14",
      "LS-17",
      "CAP-1-08"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "the copies: quality and sources",
     "claims": [
      "F37",
      "F38",
      "LS-18",
      "LS-22",
      "LS-34",
      "LS-26"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "language and reach",
     "claims": [
      "F40",
      "LS-19"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "who makes it: editors, masthead, board",
     "claims": [
      "F41",
      "F47",
      "F42",
      "LS-04",
      "LS-40",
      "LS-23"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "the system: hand-coded pages",
     "claims": [
      "F46"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "the census's reading: infrastructure that keeps work circulating",
     "claims": [
      "LS-28",
      "LS-08",
      "LS-10",
      "LS-24",
      "LS-43"
     ],
     "earliest": "LS record"
    },
    {
     "lineage": "the name of the maker: not recorded",
     "claims": [
      "LS-15",
      "LS-27",
      "LS-39",
      "LS-29",
      "LS-42",
      "O940-03",
      "O940-04",
      "O940-05"
     ],
     "earliest": 940
    },
    {
     "lineage": "holdings: the count",
     "claims": [
      "LS-20",
      "CAP-1-04"
     ],
     "earliest": "LS record"
    },
    {
     "lineage": "the composition at the name",
     "claims": [
      "CAP-1-11",
      "CAP-1-10",
      "CAP-1-12",
      "CAP-1-13",
      "CAP-1-14",
      "O1722-01",
      "O1722-02",
      "O1722-03",
      "O1722-04",
      "O1722-05"
     ],
     "earliest": 1722
    }
   ],
   "body_words": 294,
   "entity": "Composed under v0.10, equal case (ρ = extends): KO_B sentences surviving 0 of 14; every field claim carried."
  },
  "P_B": {
   "title": "UbuWeb",
   "genre": "popup — the compression from the field ledger alone (B_D and B_R: the cards, the own pages, Wikipedia)",
   "status": "composed 2026-11-01 from the field ledger alone; not frozen",
   "lede": {
    "text": "is a digital library of freely downloadable avant-garde art, film, music and visual, concrete and sound poetry, created by the poet Kenneth Goldsmith in 1996; in its own words \"the internet's largest archive of free avant-garde materials\".",
    "claims": [
     "F1",
     "F3",
     "F24",
     "F27",
     "F22"
    ]
   },
   "sections": [
    {
     "icon": "🏛️",
     "head": "History",
     "items": [
      {
       "label": "Founded:",
       "text": "November 1996, for visual, concrete, then sound poetry, against the marginal distribution of avant-garde work.",
       "claims": [
        "F27",
        "F7",
        "F9",
        "F10",
        "F4"
       ]
      },
      {
       "label": "Status:",
       "text": "inactive from January 2024; resumed February 2025.",
       "claims": [
        "F5",
        "F6",
        "F23"
       ]
      }
     ]
    },
    {
     "icon": "📚",
     "head": "Holdings",
     "items": [
      {
       "label": "Sections:",
       "text": "Film & Video to Ethnopoetics; /ubu Editions, Papers, Outsiders; Tellus.",
       "claims": [
        "F25",
        "F2",
        "F14",
        "F15",
        "F12",
        "F13"
       ]
      },
      {
       "label": "Policy:",
       "text": "out of print \"fair game\"; copyright with its holders; removal on return to print.",
       "claims": [
        "F31",
        "F32",
        "F33",
        "F11",
        "F29",
        "F34",
        "F35",
        "F36",
        "F37",
        "F38"
       ]
      }
     ]
    },
    {
     "icon": "⚙️",
     "head": "Operations",
     "items": [
      {
       "label": "Means:",
       "text": "volunteers, US$50 a month, donated bandwidth; independent; free, no ads.",
       "claims": [
        "F28",
        "F39",
        "F16",
        "F21",
        "F30",
        "F43",
        "F45",
        "F8",
        "F17",
        "F40",
        "F41",
        "F42",
        "F46",
        "F47",
        "F44"
       ]
      },
      {
       "label": "Preserved:",
       "text": "Library of Congress; a mirror.",
       "claims": [
        "F26",
        "F19",
        "F20",
        "F18"
       ]
      }
     ]
    }
   ],
   "open": [
    {
     "question": "Opacities",
     "rests_on": [
      "F21",
      "F22",
      "F23"
     ],
     "modality": "attributed and self-description (snippets only)",
     "would_resolve": "the Poetry Foundation post, the Arte Útil entry and the Instagram post, unreadable here"
    }
   ],
   "rail": [
    {
     "lineage": "what it is: an archive of free avant-garde materials",
     "claims": [
      "F1",
      "F24",
      "F21",
      "F44"
     ],
     "earliest": "B2"
    },
    {
     "lineage": "holdings: the sections and collections",
     "claims": [
      "F25",
      "F2",
      "F14",
      "F15",
      "F12",
      "F13"
     ],
     "earliest": "B5"
    },
    {
     "lineage": "origin: 1996, Kenneth Goldsmith",
     "claims": [
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      "F27"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "users: not tracked",
     "claims": [
      "F4"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "status: the 2024 pause and the 2025 return",
     "claims": [
      "F5",
      "F6",
      "F23"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "purpose: access to marginally distributed and out-of-print work",
     "claims": [
      "F22",
      "F7",
      "F9",
      "F10"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "free and non-commercial",
     "claims": [
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      "F43",
      "F45",
      "F8",
      "F17"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "terms of holding: copies, rights with their holders",
     "claims": [
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      "F32",
      "F33",
      "F11",
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      "F36"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "operation: volunteers, donated hosting, independence",
     "claims": [
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      "F39",
      "F16"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "reception: how others name it",
     "claims": [
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      "F18"
     ],
     "earliest": "B1"
    },
    {
     "lineage": "preservation: the Library of Congress and mirrors",
     "claims": [
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      "F19"
     ],
     "earliest": "B5"
    },
    {
     "lineage": "removal and the artist",
     "claims": [
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      "F35"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "the copies: quality and sources",
     "claims": [
      "F37",
      "F38"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "language and reach",
     "claims": [
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     ],
     "earliest": "B6"
    },
    {
     "lineage": "who makes it: editors, masthead, board",
     "claims": [
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      "F42",
      "F47"
     ],
     "earliest": "B6"
    },
    {
     "lineage": "the system: hand-coded pages",
     "claims": [
      "F46"
     ],
     "earliest": "B6"
    }
   ],
   "body_words": 104,
   "entity": "the field's entity: the online avant-garde archive, as its own pages, Wikipedia and three card snippets give it",
   "arm": "B (the field alone)"
  },
  "KO_B": {
   "title": "UbuWeb",
   "arm": "B (the field alone)",
   "genre": "knowledge object",
   "status": "composed 2026-11-01; not frozen",
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    {
     "n": 1,
     "para": 0,
     "text": "UbuWeb is a digital library of freely downloadable avant-garde art, film and music and of visual, concrete and sound poetry, with mp3 archives of early internet and sound art; it calls itself \"the internet's largest archive of free avant-garde materials\" and \"an archive, not a blog\", and a post at its fifteenth year called it free, ad-free and volunteer-run.",
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      "F2",
      "F24",
      "F44",
      "F21"
     ]
    },
    {
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     "para": 1,
     "text": "The poet Kenneth Goldsmith created it in 1996, to give web-based educational resources to \"a substantial user base\", and is named its editor and initiator; it began in November 1996 as a repository for visual, concrete and later sound poetry and has since taken in all forms of the avant-garde.",
     "claims": [
      "F3",
      "F27",
      "F17",
      "F22"
     ]
    },
    {
     "n": 3,
     "para": 2,
     "text": "It was founded in response to the marginal distribution of crucial avant-garde material and gives educational open access to out-of-print works and to the work of contemporaries, addressing problems of distribution and access; its users are not tracked.",
     "claims": [
      "F7",
      "F9",
      "F10",
      "F22",
      "F4"
     ]
    },
    {
     "n": 4,
     "para": 3,
     "text": "Its sections run from Film & Video and Sound to Ethnopoetics and Electronic Music Resources, with curated sections under named editors (/ubu Editions, Ethnopoetics, Papers, Outsiders with The 365 Days Project) and the entire Tellus Audio Cassette Magazine archive, the audio that most inspired it.",
     "claims": [
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      "F14",
      "F15",
      "F12",
      "F13"
     ]
    },
    {
     "n": 5,
     "para": 4,
     "text": "It acts as a distribution center for hard-to-find, out-of-print and obscure materials, distributes no commercially viable works, and leaves copyright with the copyright holders.",
     "claims": [
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      "F11",
      "F29"
     ]
    },
    {
     "n": 6,
     "para": 5,
     "text": "It posts out-of-print work as fair game, takes a chance on work in print but absurdly priced or hard to procure, leaves alone work in print and available to all, and posts some work without permission.",
     "claims": [
      "F31",
      "F32",
      "F36"
     ]
    },
    {
     "n": 7,
     "para": 6,
     "text": "A work that returns to print is removed at once, and an artist who wants material removed is asked to say so.",
     "claims": [
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      "F35"
     ]
    },
    {
     "n": 8,
     "para": 7,
     "text": "Its media is often poor in quality by choice, much of it from fans' rips on file-sharing sites.",
     "claims": [
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      "F38"
     ]
    },
    {
     "n": 9,
     "para": 8,
     "text": "It needs no funding: volunteers do the work, hosting costs US$50 a month, and universities and partners donate server space and bandwidth; it is affiliated with no academic institution.",
     "claims": [
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      "F39",
      "F16"
     ]
    },
    {
     "n": 10,
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     "text": "Its editors are spread across the United States under a masthead and a board; it is hand-coded html with no database, cannot answer all its email, and keeps its philosophy in a manifesto.",
     "claims": [
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    },
    {
     "n": 11,
     "para": 10,
     "text": "Nothing is for sale, it carries no advertising and refuses to promote itself, runs on a gift economy and needs no registration; most pages are in English.",
     "claims": [
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      "F45",
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      "F17",
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    },
    {
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     "para": 11,
     "text": "It announced in January 2024 that it was no longer active, the archive preserved in its entirety, considered itself complete, and resumed in February 2025, citing political changes in America and elsewhere.",
     "claims": [
      "F5",
      "F23",
      "F6"
     ]
    },
    {
     "n": 13,
     "para": 12,
     "text": "It is permanently archived by the Library of Congress and has a mirror site.",
     "claims": [
      "F26",
      "F19"
     ]
    },
    {
     "n": 14,
     "para": 13,
     "text": "Its Wikipedia article was last edited on 22 September 2026; a reference calls it a pirate shadow library.",
     "claims": [
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     ]
    }
   ]
  },
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   "text": "UbuWeb is a digital library of freely downloadable avant-garde art, film and music and of visual, concrete and sound poetry, with mp3 archives of early internet and sound art; it calls itself \"the internet's largest archive of free avant-garde materials\" and \"an archive, not a blog\", and a post at its fifteenth year called it free, ad-free and volunteer-run. The poet Kenneth Goldsmith created it in 1996, to give web-based educational resources to \"a substantial user base\", and is named its editor and initiator; it began in November 1996 as a repository for visual, concrete and later sound poetry and has since taken in all forms of the avant-garde. It was founded in response to the marginal distribution of crucial avant-garde material and gives educational open access to out-of-print works and to the work of contemporaries, addressing problems of distribution and access; its users are not tracked. Its sections run from Film & Video and Sound to Ethnopoetics and Electronic Music Resources, with curated sections under named editors (/ubu Editions, Ethnopoetics, Papers, Outsiders with The 365 Days Project) and the entire Tellus Audio Cassette Magazine archive, the audio that most inspired it. It acts as a distribution center for hard-to-find, out-of-print and obscure materials, distributes no commercially viable works, and leaves copyright with the copyright holders. It posts out-of-print work as fair game, takes a chance on work in print but absurdly priced or hard to procure, leaves alone work in print and available to all, and posts some work without permission. A work that returns to print is removed at once, and an artist who wants material removed is asked to say so. Its media is often poor in quality by choice, much of it from fans' rips on file-sharing sites. It needs no funding: volunteers do the work, hosting costs US$50 a month, and universities and partners donate server space and bandwidth; it is affiliated with no academic institution. Its editors are spread across the United States under a masthead and a board; it is hand-coded html with no database, cannot answer all its email, and keeps its philosophy in a manifesto. Nothing is for sale, it carries no advertising and refuses to promote itself, runs on a gift economy and needs no registration; most pages are in English. It announced in January 2024 that it was no longer active, the archive preserved in its entirety, considered itself complete, and resumed in February 2025, citing political changes in America and elsewhere. It is permanently archived by the Library of Congress and has a mirror site. Its Wikipedia article was last edited on 22 September 2026; a reference calls it a pirate shadow library.",
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   "text": "UbuWeb (ubu.com, also called Ubu) is an online archive of avant-garde work founded in 1996, in its own words \"the internet's largest archive of free avant-garde materials\" and \"an archive, not a blog\", which \"has accumulated slowly and steadily and shall continue to far into the future.\" It is also described as a digital library of freely downloadable avant-garde art, film and music and of visual, concrete and sound poetry, with mp3 archives of early internet and sound art, and, at its fifteenth year, as free, ad-free and volunteer-run. The archive's authorship census places it among avant-garde and experimental archives, \"the record of experimental writing, sound, visual and procedural work, and of its small presses\", and records its evidence as primary text, audio recording, facsimile and critical commentary. It was founded in November 1996, \"initially as a repository for visual, concrete and, later, sound poetry\", and has since \"embraced all forms of the avant-garde and beyond\"; the poet Kenneth Goldsmith created it, is named its editor, and is listed as its initiator. It was founded in response to the marginal distribution of crucial avant-garde material, to give web-based educational resources to \"a substantial user base\" and open access to out-of-print works, which find a second life in digital reprint beside the work of contemporaries, and it is said to address problems in the distribution of and access to intellectual materials; one catalogue of useful art lists it as a platform giving free online access to hard-to-find materials about art history. Who its users are is not tracked: Goldsmith has written that \"it’s hard to say exactly who these users are since we don’t keep tabs on them.\" The home page divides the archive into sections: Film & Video, Sound, Dance, Papers, Historical, Visual Poetry, Conceptual Comics, Conceptual Writing, Contemporary, Aspen Magazine, Outsiders, /ubu Editions, 365 Days Project, Ethnopoetics and Electronic Music Resources. Several are curated under named editors: /ubu Editions, book-length editions of contemporary poetry selected and introduced by Brian Kim Stefans; Ethnopoetics, curated by Jerome Rothenberg; Papers, a series of contextual academic essays; and Outsiders, with The 365 Days Project curated by Otis Fodder. It houses and distributes the entire archive of the Tellus Audio Cassette Magazine, the collection that, Goldsmith wrote in 2020, inspired UbuWeb more than any other audio. No count of its artists or works is stated in the saved sources. UbuWeb functions, by its own account, as \"a distribution center for hard-to-find, out-of-print and obscure materials, transferred digitally to the web\", and it holds copies: \"The copyrights belong to the copyright holders, not us,\" and whoever wants to use a posted work must seek its holders' permission. Its rule for posting has three degrees: \"If it's out of print, we feel it's fair game,\" a work in print yet absurdly priced or insanely hard to procure is taken a chance on, and a work in print and available to all is not touched, so as to take no money from those releasing poorly-selling avant-garde materials. It distributes no commercially viable works, and it resurrects avant-garde sound, video and textual works in a web setting with current commentary; it posts some work without permission, since \"if we had to get permission from everyone on UbuWeb, there would be no UbuWeb.\" It is no rights holder or licensor of what it posts, keeps no record of permissions, and states no licence of its own, so who holds a posted work's rights, and whether its artist gave permission, is not answered there. In the archive's account of authorship, transmission through copying is not authorship where the transmitter constitutes no distinct authorial function, preservation is authorship only where the transmitting substrate constitutes one, and the copyists of the tradition count only where their contribution did more than convey earlier material. The census records the authorial function at UbuWeb as not recorded beyond the maker's standing: editors select and post works, rights stay with \"the copyright holders\", and the artist's one recorded act is the request for removal. A work that returns to print is removed immediately; an artist who finds material posted without permission and wants it removed is asked to \"let us know\", and UbuWeb adds that most artists are thrilled to find their work cared for and displayed in a sympathetic context, and that it welcomes more work from artists already on the site. The census reads the artist's standing through this clause, recording that UbuWeb keeps the work of the artists whose materials it posts, some without permission, and \"removes a work when its artist asks\"; the FAQ's own wording promises immediate removal for a return to print and, for the artist, asks to be told. Its media is often poor in quality by choice, so that an institution or an individual wishing to have the \"real\" thing will buy it from those who publish and distribute it; much of its material comes from fans' rips on file-sharing sites, and UbuWeb likens itself to \"seeing a photograph of a painting.\" The census holds it as no source of authoritative copies, and records that a posted work's quality or completeness against its original is not answered there. Under what name UbuWeb holds a work is not recorded: the saved pages show no author page and no policy on pseudonyms, heteronyms or collective names, the name under which an artist chose to be credited is not answered, and its author and work records are unread. The census asks of every aggregator how authorship is made, named, distributed, attributed and sustained across persons, personas, collectives and machine participation, and what is lost when those relations are collapsed; of UbuWeb it records that how it names a maker, and so what a collapse of names would lose there, is not shown. In the archive's account the civil name is the atomic unit of attribution and copyright attaches to legal names; under a pseudonym the reader or the archive can trace a work back to its civil identity, a pseudonym changing the label attached to an authorial function and a heteronym its organization, and where the seams are declared a collapse of names registers as loss. UbuWeb has, by its own account, no need for funding: all work is done by volunteers, and its only cost is a hosting fee of US$50 a month. It is a completely independent site, affiliated with no university or academic institution, on server space and bandwidth that universities and partners give it without input on its content; the partners named for it are GreyLodge, WFMU, PennSound, the Electronic Poetry Center, the Center for Literary Computing and ArtMob, and its own FAQ names none. Its editors are spread across the United States, in New York City, Utah, California and elsewhere, under a masthead and a board of directors, with a manifesto for its philosophy, pages the census has not read. It is coded by hand in BBEdit, in html 1.0, with no database or back-end, as it has been since 1996, and it cannot answer all the email it receives. Nothing on it is for sale: it is completely commercial-free, refuses to advertise or promote itself, runs on a gift economy and asks no registration, and access is by streaming and download. Most of its pages are in English and several are not; the census states no geography and gives its period as the historical and contemporary avant-garde, on the site since November 1996. In January 2024 UbuWeb announced that it was no longer active and that the archive was \"preserved for perpetuity, in its entirety\"; on 13 February 2025 it posted that a year earlier it had decided to \"consider it complete\", and in February 2025 it resumed its activities, citing the \"political changes in America and elsewhere around the world\". The home page states no status, and the census knows the pause and the return from Wikipedia alone, unread on UbuWeb's own pages. The site is permanently archived by the United States Library of Congress, and a mirror site is linked from its encyclopedia article. That article, under the name and without redirect, was last edited on 22 September 2026, and one of its references calls UbuWeb a \"pirate shadow library\". The census holds UbuWeb as infrastructure for one question, availability and holding terms: whether an out-of-print avant-garde work circulates freely there, and on what terms the archive holds it, which the record answers as copies, with copyright left to its holders and removal on an artist's request. The archive reads UbuWeb as infrastructure that keeps out-of-print avant-garde work circulating by holding copies while leaving rights with their holders and standing with the artist, whose recorded act is the request for removal. In the archive's account of the existence tax, the tax falls on the independent, the new, the unaccredited, the heteronymous and the small, and an adequate answer names the object at its own level, shows its evidence and where the evidence comes from, and keeps apart whether the maker exists, whether the work happened, whether it is true and what kind of work it is; the systems can draw the distinction, and the tax measures how often they do not. The reader of an answer about a work is told, in that account, to find the maker's own site and read the thing; at the name UbuWeb, the Overview of 1 November 2026 carded no page of ubu.com and named no institution, only the universities that donate its hosting. That Overview composed the archive accurately at its grain, the Capture Registry finds, its founding matching the article and the FAQ and its January 2024 pause and February 2025 return exact. Its counts of \"over 7,500 artists\" and \"more than 2,500\" films and videos stand in none of the three saved pages, its \"running with no budget\" rounds the FAQ's US$50 a month, its \"gift economy\" is the article's, and of the cards only the Poetry Foundation's carries the volunteers. It says nothing of rights: its mission keeps the out-of-print half of the policy and drops the holder and the artist, the Library of Congress archiving is not carried, and the registry's title for the record gives the missing terms as rights with their holders and removal on the artist's request.",
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   "quote": "This page was last edited on 22 September 2026, at 06:39 (UTC) .",
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   "quote": "137 A platform to give free, online access to hard-to-find materials about art history Initiator(s) Kenneth Goldsmith Description Ubuweb was founded in response...",
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   "quote": "UbuWeb Founded 1996 https://www.ubu.com February 1 ... Feb 13, 2025 — A year ago, we decided to shutter UbuWeb. Not really shutter it, per se, but instead to consider it complete. After nearly 30 years, it felt right. But now, wit...",
   "claim": "UbuWeb's post of 13 February 2025: a year earlier it decided to consider the archive complete, not to shutter it; \"But now, wit...\" (the snippet breaks off before the return)",
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   "quote": "Film & Video Sound Dance Papers Historical Visual Poetry Conceptual Comics Conceptual Writing Contemporary Aspen Magazine Outsiders /ubu Editions 365 Days Project Ethnopoetics Electronic Music Resources",
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   "pool": "B_R",
   "locus": "When did UbuWeb Start?",
   "quote": "UbuWeb was founded in November of 1996, initially as a repository for visual, concrete and, later, sound poetry. Over the years, UbuWeb has embraced all forms of the avant-garde and beyond. Its parameters continue to expand in all directions.",
   "claim": "founded November 1996 as a repository for visual, concrete and later sound poetry; since then all forms of the avant-garde and beyond",
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   "locus": "How is UbuWeb funded?",
   "quote": "UbuWeb has no need for funding. All work is done solely on a volunteer basis. Our only cost is our monthly hosting fee, which amounts to US$50 each month.",
   "claim": "no need for funding; all work volunteer; its only cost a hosting fee of US$50 a month",
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  "F29": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "Can I use something posted on UbuWeb …?",
   "quote": "The copyrights belong to the copyright holders, not us. You'll need to seek them out for proper permission.",
   "claim": "the copyrights belong to their holders, not to UbuWeb; permission is sought from them",
   "modality": "stipulation",
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   "kernel": true,
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  },
  "F30": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "How do I purchase something from your site?",
   "quote": "Nothing is for sale on UbuWeb. It's all free.",
   "claim": "nothing is for sale; all of it is free",
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   "lineage": "free and non-commercial",
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  },
  "F31": {
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   "origin": "own_page",
   "pool": "B_R",
   "locus": "What is your policy concerning posting copyrighted material?",
   "quote": "If it's out of print, we feel it's fair game. Or if something is in print, yet absurdly priced or insanely hard to procure, we'll take a chance on it. But if it's in print and available to all, we won't touch it.",
   "claim": "its posting rule: out of print is fair game; in print but absurdly priced or hard to procure, taken a chance on; in print and available to all, not touched",
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  },
  "F32": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "What is your policy concerning posting copyrighted material?",
   "quote": "The last thing we'd want to do is to take the meager amount of money out of the pockets of those releasing generally poorly-selling materials of the avant-garde.",
   "claim": "the rule's stated reason: not to take money from those releasing poorly-selling avant-garde materials",
   "modality": "self-description",
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   "kernel": false,
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  },
  "F33": {
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   "origin": "own_page",
   "pool": "B_R",
   "locus": "What is your policy concerning posting copyrighted material?",
   "quote": "UbuWeb functions as a distribution center for hard-to-find, out-of-print and obscure materials, transferred digitally to the web.",
   "claim": "a distribution center for hard-to-find, out-of-print and obscure materials, transferred digitally to the web",
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  },
  "F34": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "What is your policy concerning posting copyrighted material?",
   "quote": "Should something return to print, we will remove it from our site immediately.",
   "claim": "a work that returns to print is removed immediately",
   "modality": "stipulation",
   "kind": "function",
   "kernel": true,
   "const": false,
   "lineage": "removal and the artist",
   "date": "undated (the page as saved 2026-11-01)",
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  "F35": {
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   "pool": "B_R",
   "locus": "What is your policy concerning posting copyrighted material?",
   "quote": "Also, should an artist find their material posted on UbuWeb without permission and wants it removed, please let us know. However, most of the time, we find artists are thrilled to find their work cared for and displayed in a sympathetic context. As always, we welcome more work from existing artists on site.",
   "claim": "an artist who finds material posted without permission and wants it removed is asked to let UbuWeb know; most artists, it says, are thrilled; it welcomes more work from artists already on the site",
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  "F36": {
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   "pool": "B_R",
   "locus": "What is your policy concerning posting copyrighted material?",
   "quote": "Let's face it, if we had to get permission from everyone on UbuWeb, there would be no UbuWeb.",
   "claim": "without posting unpermitted work there would be no UbuWeb",
   "modality": "self-description",
   "kind": "function",
   "kernel": false,
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  },
  "F37": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "Why is your media often poor quality?",
   "quote": "We like poor quality because we believe that an institution or an individual wishing to have the \"real\" thing should purchase it from those who publish and distribute such materials.",
   "claim": "poor quality by choice: the \"real\" thing is to be bought from its publishers and distributors",
   "modality": "stipulation",
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   "kernel": true,
   "const": false,
   "lineage": "the copies: quality and sources",
   "date": "undated (the page as saved 2026-11-01)",
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   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F38": {
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   "pool": "B_R",
   "locus": "Why is your media often poor quality?",
   "quote": "the crappy, say, VHS rips floating around file-sharing site -- where we get much of our material from -- is gorgeously primitive, made by fans. UbuWeb is like seeing a photograph of a painting.",
   "claim": "much material comes from fans' rips on file-sharing sites; UbuWeb is \"like seeing a photograph of a painting\"",
   "modality": "self-description",
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   "date": "undated (the page as saved 2026-11-01)",
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  "F39": {
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   "origin": "own_page",
   "pool": "B_R",
   "locus": "Are you affiliated with a university?",
   "quote": "No. UbuWeb is a completely independent site. However, several universities and partners have generously offered us server space and bandwith, with no restrictions or input regarding our content.",
   "claim": "not affiliated with a university: a completely independent site, on server space and bandwidth given by universities and partners with no input on content",
   "modality": "self-description",
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   "const": false,
   "lineage": "operation: volunteers, donated hosting, independence",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F40": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "Why are your pages in English? …",
   "quote": "Most of our pages are in English; several of them are not.",
   "claim": "most pages in English, several not",
   "modality": "documented",
   "kind": "fact",
   "kernel": false,
   "const": false,
   "lineage": "language and reach",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F41": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "Who are you? / Where are you located?",
   "quote": "See our masthead , our board of directors , and our partners . … Our editors are pretty much spread across the United States: New York City, Utah, California, etc.",
   "claim": "who it is: a masthead, a board of directors and partners (linked, unsaved); its editors spread across the United States",
   "modality": "documented",
   "kind": "fact",
   "kernel": true,
   "const": false,
   "lineage": "who makes it: editors, masthead, board",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F42": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "Why don't you respond to my emails?",
   "quote": "Due to the volume of email we receive, we unfortunately cannot respond to them all.",
   "claim": "it cannot answer all its email",
   "modality": "self-description",
   "kind": "fact",
   "kernel": false,
   "const": false,
   "lineage": "who makes it: editors, masthead, board",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F43": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "I'm interested in advertising on UbuWeb …",
   "quote": "UbuWeb is completely commercial-free and it will always stay that way.",
   "claim": "completely commercial-free, always",
   "modality": "stipulation",
   "kind": "function",
   "kernel": false,
   "const": false,
   "lineage": "free and non-commercial",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F44": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "Why isn't new content posted every day?",
   "quote": "UbuWeb is an archive, not a blog. It has accumulated slowly and steadily and shall continue to far into the future.",
   "claim": "an archive, not a blog, accumulating slowly and steadily, to continue far into the future",
   "modality": "stipulation",
   "kind": "definition",
   "kernel": false,
   "const": false,
   "lineage": "what it is: an archive of free avant-garde materials",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F45": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "I'd like to receive notices of UbuWeb updates …",
   "quote": "UbuWeb refuses to advertise or promote itself.",
   "claim": "it refuses to advertise or promote itself",
   "modality": "stipulation",
   "kind": "function",
   "kernel": false,
   "const": false,
   "lineage": "free and non-commercial",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F46": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "What system do you design UbuWeb on?",
   "quote": "Ubu is built the same way that it's been since 1996: coded by hand in BBEdit, all html 1.0. There's no fancy database or back-end.",
   "claim": "hand-coded in BBEdit since 1996, html 1.0, no database or back-end",
   "modality": "documented",
   "kind": "fact",
   "kernel": false,
   "const": false,
   "lineage": "the system: hand-coded pages",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  },
  "F47": {
   "source": "B6",
   "origin": "own_page",
   "pool": "B_R",
   "locus": "What is your philosophy?",
   "quote": "See our manifesto .",
   "claim": "its philosophy is in a manifesto (linked, unsaved)",
   "modality": "documented",
   "kind": "fact",
   "kernel": false,
   "const": false,
   "lineage": "who makes it: editors, masthead, board",
   "date": "undated (the page as saved 2026-11-01)",
   "quote_ok": true,
   "checked_against": "saved text B6.txt (sha256 33ebf577f0ea5f60…), whitespace-normalised"
  }
 },
 "field_sources": {
  "B1": "Wikipedia — UbuWeb - Wikipedia",
  "B2": "Poetry Foundation — UbuWeb at 15 Years: An Overview | The Poetry Foundation",
  "B3": "Arte Útil — Ubuweb - Arte Útil",
  "B4": "Instagram — UbuWeb Founded 1996 https://www.ubu.com February 1 ...",
  "B5": "UbuWeb — UbuWeb (home)",
  "B6": "UbuWeb — U B U W E B :: Frequently Asked Questions"
 },
 "delta": {
  "T_vs_LB": "At 'UbuWeb' (T1, four cards: B1 Wikipedia, readable; B2 the Poetry Foundation, B3 Arte Útil and B4 Instagram, snippets only; 165 words in the answer body), T composes the entity the field gives, the online avant-garde archive, and composes it at the field's grain. Composed from B_D: the definition (F1, with 'ad-free' from B2's snippet, F21), the founding by Goldsmith in 1996 (F3, F22; the year also F27 of B_R), the mission (F7 'marginal distribution', F9 'educational open access to out-of-print works'), the operations (F8 the gift economy, F17 no registration, F21 'operating without money on donated university server space'), the status (F5, F6, and F23's 'consider it complete' as 'declaring itself complete'), the audio and poetry (F2, F12, F14, F15). Available, not composed (B_D): F4, F10, F11, F13, F18, F19, F20: the users untracked (F4); 'addresses problems in the distribution of and access to intellectual materials' (F10); the distribution policy, no commercially viable works and the resurrection with commentary (F11), the B_D instance of the terms of holding; the Tellus cassettes as its inspiration (F13); the named partners (F16 composed as 'universities' only, PennSound, WFMU, the Electronic Poetry Center not named); Goldsmith as editor (F17 in part); 'pirate shadow library' (F18); the mirror (F19); the curators Stefans, Rothenberg and Fodder (F14, F15 in part); 'volunteer-run' (F21 in part: the registry's finding CAP-1-03 that the volunteers are on B2 only holds, and T does not compose them). Limit dropped: the return's cause, 'political changes in America and elsewhere around the world' (F6), composed as 'global political changes'; the Instagram post's 'Not really shutter it, per se' (F23) composed as a pause. Force raised: 'Current Status: Active' composes the 2025 return as a present status, where B1's infobox says 'Online' and no B_D source states 'active'. Composed without attribution: the founding, mission and operations at the coarse grain of common knowledge (recorded, §6.2). Outside the cards: 'over 7,500 artists', 'more than 2,500 full-length avant-garde and experimental films and videos', 'full-length PDF books', 'contextual essays on conceptual art, performance, and audio' (no field claim; B2–B4 unreadable, so the counts' absence from B_D is open). Content replaced by use: a closing offer to help find artists, films or audio. Not counted as available: the FAQ's terms of holding (F29, F31–F36), the posting rule and removal clause, and the Library of Congress line (F26), which stand in B_R only (B5, B6); v0.10 §3.1(a) holds that a source of B_R alone cannot show what the composition had.",
  "T_vs_LB_reading": "v0.10 §0.5: the first diff is ontological and narrow. T and the field agree on the entity, an archive of free avant-garde materials. T composes the archive as a library of contents with a history and a mission; of the B_D field's terms of holding it keeps the out-of-print half (F9) and drops F11 (no commercially viable works) with the partners and curators who carry the archive's relations. The rights clause, the posting rule, the artist's removal request and the Library of Congress are B_R's, and their absence from T is a finding of the second question.",
  "LB_vs_LBA": "Admission adds, in one claim space with the field's: the census's question of how authorship is named and held and its record that UbuWeb's naming of a maker is not recorded (LS-15, LS-27, LS-29, LS-39, LS-42); the census's reading of UbuWeb as infrastructure holding copies with rights left to holders and standing with the artist (LS-08, LS-10, LS-24, LS-28), and its record of the editors' function (LS-17); the census's reading of the removal clause as removal on the artist's request (LS-14), composed beside the FAQ's own wording (F35), which asks to be told; the negative tags (no rights holder, no permissions record, no authoritative copies); #940's account of copying, preservation and the copyist (O940-01, -02, -06) and of attribution under civil names and pseudonyms (O940-03, -04, -05); #1722's existence tax on the independent and its adequate answer (O1722-01 to -05); the Capture Registry's findings at the address (CAP-1-01 to -14). Not surfaced (§6.2): every archive source (the census record, the capture record, #940, #1722); and the entity's own pages (B5, B6), from which the field's terms of holding come, were not surfaced by T either. The composition layer composed the entity without its own site among the cards (CAP-1-13).",
  "alignment": {
   "T1_cards_claims": [
    "F1",
    "F2",
    "F3",
    "F4",
    "F5",
    "F6",
    "F7",
    "F8",
    "F9",
    "F10",
    "F11",
    "F12",
    "F13",
    "F14",
    "F15",
    "F16",
    "F17",
    "F18",
    "F19",
    "F20",
    "F21",
    "F22",
    "F23"
   ],
   "T1_composed": [
    "F1",
    "F21",
    "F24",
    "F3",
    "F22",
    "F27",
    "F7",
    "F9",
    "F8",
    "F17",
    "F16",
    "F5",
    "F6",
    "F23",
    "F2",
    "F12",
    "F15",
    "F14"
   ],
   "T1_composed_note": "F21 composed for 'ad-free' and the donated university server space, its 'volunteer-run' dropped; F16 composed as 'universities' without the named partners; F17 composed for 'zero registration', Goldsmith as editor dropped; F14 and F15 composed for the sections without their curators; F23 composed as 'declaring itself complete'; F6 composed with its cause generalized",
   "T1_outside_cards": [
    "'over 7,500 artists and thousands of works' (no field claim)",
    "'more than 2,500 full-length avant-garde and experimental films and videos' (no field claim)",
    "'full-length PDF books' (no field claim; B1 gives 'book-length editions')",
    "'contextual essays on conceptual art, performance, and audio' (no field claim; B1 gives 'a series of contextual academic essays')",
    "'obscure' in the mission (B6's wording, F33, a source of B_R only)",
    "'Current Status: Active' (no field claim states 'active'; B1's infobox 'Online')"
   ],
   "T1_B_R_only": [
    "F25",
    "F26",
    "F27",
    "F28",
    "F29",
    "F30",
    "F31",
    "F32",
    "F33",
    "F34",
    "F35",
    "F36",
    "F37",
    "F38",
    "F39",
    "F40",
    "F41",
    "F42",
    "F43",
    "F44",
    "F45",
    "F46",
    "F47"
   ],
   "rule": "a field claim counts as composed when T states it at its source's grain or coarser; 'available, not composed' is counted over B_D only (v0.10 §3.1(a)); the typology of what is not is in T_vs_LB (§6.2)"
  }
 },
 "kernel": [
  {
   "K": "K1",
   "claim": "`LS-15`",
   "source": "leesharks.com authorship census record",
   "M_src": "documented",
   "sense": "the name of the maker",
   "qualifiers carried": "LS-39 (author pages unchecked)",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "missing distinction (no field claim states how UbuWeb names a maker)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K2",
   "claim": "`LS-29`",
   "source": "leesharks.com authorship census record",
   "M_src": "interpretation",
   "sense": "the name of the maker",
   "qualifiers carried": "unread author and work records",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "missing distinction",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K3",
   "claim": "`LS-14`",
   "source": "leesharks.com authorship census record",
   "M_src": "interpretation",
   "sense": "removal and the artist",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "qualified claim: F35 (the FAQ asks the artist to 'let us know'; immediate removal promised for a return to print, F34)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K4",
   "claim": "`LS-17`",
   "source": "leesharks.com authorship census record",
   "M_src": "interpretation",
   "sense": "the terms of holding",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "missing distinction (the field states the editors and the rights, never the authorial function)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K5",
   "claim": "`LS-28`",
   "source": "leesharks.com authorship census record",
   "M_src": "interpretation",
   "sense": "what it is to the census",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "none (the field has no reading of its standing with the artist)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K6",
   "claim": "`LS-16`",
   "source": "leesharks.com authorship census record",
   "M_src": "interpretation",
   "sense": "the terms of holding",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "qualified claim: F29 and F33 composed by T only as the out-of-print mission (CAP-1-08)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K7",
   "claim": "`LS-33`",
   "source": "leesharks.com authorship census record",
   "M_src": "interpretation",
   "sense": "the terms of holding",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "missing distinction (T and the field state no rights-holding of UbuWeb)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K8",
   "claim": "`LS-20`",
   "source": "leesharks.com authorship census record",
   "M_src": "documented",
   "sense": "holdings",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "rival claim: T's 'over 7,500 artists' and 'more than 2,500' films (T1-6), no field claim",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K9",
   "claim": "`O940-01`",
   "source": "#940",
   "M_src": "stipulation",
   "sense": "the terms of holding",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "none (no field claim on copying and authorship)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K10",
   "claim": "`O940-03`",
   "source": "#940",
   "M_src": "interpretation",
   "sense": "the name of the maker",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "none",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K11",
   "claim": "`O940-04`",
   "source": "#940",
   "M_src": "stipulation",
   "sense": "the name of the maker",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "none",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K12",
   "claim": "`O1722-01`",
   "source": "#1722",
   "M_src": "interpretation",
   "sense": "the composition at the name",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "none (the field states the independence, F39, F16; no claim on the tax)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K13",
   "claim": "`O1722-02`",
   "source": "#1722",
   "M_src": "stipulation",
   "sense": "the composition at the name",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "none",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K14",
   "claim": "`CAP-1-07`",
   "source": "Capture Registry",
   "M_src": "interpretation",
   "sense": "the composition at the name",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "qualified claim: F11 (B_D) and F29 (B_R), the terms T does not compose",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  },
  {
   "K": "K15",
   "claim": "`CAP-1-09`",
   "source": "Capture Registry",
   "M_src": "documented",
   "sense": "status and preservation",
   "qualifiers carried": "—",
   "f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
   "contrast": "qualified claim: F26 (B_R only)",
   "resolver": "a later capture at 'UbuWeb' (ADDR-7fae4c2a1f71) on Google AI Overview, seated in the Capture Registry (§8.3)"
  }
 ],
 "kernel_T": [
  {
   "claim": "F11",
   "note": "the distribution policy (no commercially viable works; resurrection with commentary), on card 1, absent; the B_D instance of the terms of holding"
  },
  {
   "claim": "F16",
   "note": "the named bandwidth partners (GreyLodge, WFMU, PennSound, the Electronic Poetry Center, the Center for Literary Computing, ArtMob), on card 1, composed as 'universities'"
  },
  {
   "claim": "F21",
   "note": "'volunteer-run', on card 2's snippet, absent"
  },
  {
   "claim": "F18",
   "note": "'pirate shadow library', a reference on card 1, absent"
  },
  {
   "claim": "F4",
   "note": "users untracked, on card 1, absent"
  },
  {
   "claim": "F14",
   "note": "the curators (Stefans, Rothenberg, Fodder) on card 1, absent"
  }
 ],
 "ledger": {
  "archive": "datasets/negative-of-the-negative/v2/ledgers/ubuweb/ledger-archive.json",
  "field": "datasets/negative-of-the-negative/v2/ledgers/ubuweb/field.json",
  "selection": "datasets/negative-of-the-negative/v2/traversal/ubuweb/",
  "config": "datasets/negative-of-the-negative/v2/panel/configs/ubuweb.json",
  "intake": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/",
  "audit": null
 },
 "ontology": {
  "composition": "equal",
  "composition_note": "equal-terms case (v0.10 §0.9, §4.1): one claim space; the field's and the archive's claims ordered together by the entity's dependency and by genealogy within each sense; nothing translated",
  "case": {
   "value": "equal",
   "statement": "The archive reads the field's entity as the entity. The census record describes UbuWeb from its own pages and its article, each field with its basis ('operator' or 'third_party'), keeps its own terms ('in its own words'), and reads it as infrastructure holding copies; the Capture Registry finds the composition 'accurate at its grain'. Its two anchors bear on the entity's kinds (copying; the independent resource) without contesting what the entity is. No source makes an ontology available only through the archive: the case is equal terms (§0.10: the law of the suppressed witness does not apply where the field holds the ontology).",
   "loci": [
    {
     "dep": "LS",
     "locus": "census.json rows[slug == 'ubuweb'].ls_reading",
     "quote": "The archive reads UbuWeb as infrastructure that keeps out-of-print avant-garde work circulating by holding copies while leaving rights with their holders and standing with the artist, whose recorded act is the request for removal."
    },
    {
     "dep": "LS",
     "locus": "census.json rows[slug == 'ubuweb'].record.name",
     "quote": "not recorded: the saved sources show no author page and no policy on pseudonyms, heteronyms or collective names"
    },
    {
     "dep": "LS",
     "locus": "census.json rows[slug == 'ubuweb'].kind",
     "quote": "archive: in its own words 'the internet's largest archive of free avant-garde materials' and 'an archive, not a blog'; a distribution center for hard-to-find, out-of-print and obscure materials"
    },
    {
     "dep": "capture-registry",
     "locus": "ubuweb-aio-20261101, analysis",
     "quote": "The archive composed accurately at its grain, with its pause and return exact and two counts on no saved page. The terms on which it holds others' work, rights left with their holders and a work withdrawn at its artist's request, are absent."
    },
    {
     "dep": 940,
     "locus": "§6 Operational boundary (line 195)",
     "quote": "Textual transmission through copying, where the transmitter does not constitute a distinct authorial function"
    },
    {
     "dep": 1722,
     "locus": "Part Seven. Counting the tax (final paragraph)",
     "quote": "The tax falls on the independent, the new, the unaccredited, the heteronymous, the small: on everyone whose existence the index has not already ratified."
    }
   ]
  },
  "E_F": {
   "type": "C (public entity: an independent online archive of avant-garde materials)",
   "definition": "the archive founded in November 1996 'initially as a repository for visual, concrete and, later, sound poetry', created by the poet Kenneth Goldsmith, 'the internet's largest archive of free avant-garde materials' in its own words, 'a distribution center for hard-to-find, out-of-print and obscure materials', volunteer-run, independent and commercial-free, leaving copyright with its holders; paused in January 2024 and resumed in February 2025 (its home page, FAQ, Wikipedia and three card snippets)",
   "claims": [
    "F24",
    "F1",
    "F27",
    "F3",
    "F33",
    "F29",
    "F31",
    "F34",
    "F35",
    "F28",
    "F39",
    "F5",
    "F6",
    "F26"
   ]
  },
  "E_A": {
   "definition": "the same archive, in the leesharks.com authorship census record and the archive's deposits: an archive of avant-garde and experimental work held as infrastructure for the question of availability and holding terms, which holds copies with rights left to their holders and standing with the artist, whose naming of a maker is not recorded; a case, by its kinds, of #940's transmission by copying and of #1722's independent resource",
   "claims": [
    "LS-05",
    "LS-07",
    "LS-08",
    "LS-10",
    "LS-14",
    "LS-15",
    "LS-16",
    "LS-17",
    "LS-28",
    "LS-29",
    "LS-42",
    "O940-01",
    "O940-03",
    "O940-04",
    "O1722-01",
    "O1722-02",
    "CAP-1-07",
    "CAP-1-11"
   ],
   "defining_papers": [
    940,
    1722
   ],
   "defining_records": [
    "leesharks.com apparatus authorship census record (census.json rows[slug == 'ubuweb'], organizing_question, areas, admission_rule; rows/ubuweb.py; editor Lee Sharks, compiled and revised 2026-11-01, schema 1.1)",
    "Capture Registry ubuweb-aio-20261101 (OBS-f16b4678f234)"
   ]
  },
  "rho": {
   "value": "extends",
   "status": "read from the census record, the capture record and the census's anchors at the passages that bear on the entity's kinds (§1.2a); no deposit names the entity",
   "statement": "The archive reads UbuWeb as its own pages and Wikipedia present it and adds, on the field's own object: the census's question of how authorship is named and held there, with its record that the naming is not recorded; its reading of UbuWeb's standing with the artist and of the editors' function; #940's distinction of copying from authorship and its account of attribution under civil names; #1722's class of the independent and its adequate answer; and the Capture Registry's findings on the composition at the name.",
   "claims": [
    "LS-15",
    "LS-29",
    "LS-14",
    "LS-17",
    "LS-28",
    "O940-01",
    "O940-02",
    "O940-03",
    "O940-04",
    "O1722-01",
    "O1722-02",
    "CAP-1-07",
    "CAP-1-08",
    "CAP-1-11"
   ],
   "guard": "ρ = extends claims an addition and no more: the archive's claims do not make the field's sources wrong at their dates. Where an archive claim stands beside a field claim on the same point (the census's 'removes a work when its artist asks' beside the FAQ's 'please let us know', sentences 17–18), both are composed under P_coh within the one ontology.",
   "considered": [
    {
     "value": "constructs",
     "rejected": "the archive does not read the entity as made by reception; its record takes the entity's own pages as its account"
    },
    {
     "value": "revises",
     "rejected": "the entity is not the archive's own; the archive has no earlier statement of it to keep, narrow or withdraw"
    }
   ]
  },
  "translation": [
   {
    "lineage": "what it is: an archive of free avant-garde materials",
    "field_claims": [
     "F1",
     "F21",
     "F24",
     "F44"
    ],
    "received": "F1 (B1, lead): \"UbuWeb is a digital library of freely downloadable avant-garde art , film , music as well as visual , concrete and sound poetry .\"; F21 (B2, card title and snippet (unreachable)): \"UbuWeb at 15 Years: An Overview | The Poetry Foundation … Overview: UbuWeb is a free, ad-free, volunteer-run online avant-garde archive founded in 1996, operating without money on donated university server space and ba...\"; F24 (B5, body): \"Founded in 1996, UbuWeb is the internet's largest archive of free avant-garde materials.\"; F44 (B6, Why isn't new content posted every day?): \"UbuWeb is an archive, not a blog. It has accumulated slowly and steadily and shall continue to far into the future.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-01, LS-02, LS-03, LS-05, LS-06, LS-07, LS-09",
    "archive_claims": [
     "LS-01",
     "LS-02",
     "LS-03",
     "LS-05",
     "LS-06",
     "LS-07",
     "LS-09"
    ]
   },
   {
    "lineage": "holdings: the sections and collections",
    "field_claims": [
     "F2",
     "F12",
     "F13",
     "F14",
     "F15",
     "F25"
    ],
    "received": "F2 (B1, lead): \"The site includes mp3 archives of early internet and sound art .\"; F12 (B1, Distribution policy): \"It houses and distributes freely the entire archive of the Tellus Audio Cassette Magazine project.\"; F13 (B1, Distribution policy): \"“Perhaps no collection of audio inspired UbuWeb more than the Tellus cassettes….”\"; F14 (B1, Content): \"Beyond its repository of works, UbuWeb features curated sections including /ubu Editions book-length editions of contemporary poetry , selected and introduced by the poet Brian Kim Stefans .\"; F15 (B1, Content): \"UbuWeb: Ethnopoetics , curated by Jerome Rothenberg , fused the avant-garde with traditional ethnic practices. UbuWeb: Papers is a series of contextual academic essays. UbuWeb:Outsiders considers the legitimization of Outsider works and features The 365 Days Project curated by Otis Fodder.\"; F25 (B5, section menu): \"Film & Video Sound Dance Papers Historical Visual Poetry Conceptual Comics Conceptual Writing Contemporary Aspen Magazine Outsiders /ubu Editions 365 Days Project Ethnopoetics Electronic Music Resources\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-11, LS-12, LS-21",
    "archive_claims": [
     "LS-11",
     "LS-12",
     "LS-21"
    ]
   },
   {
    "lineage": "origin: 1996, Kenneth Goldsmith",
    "field_claims": [
     "F3",
     "F27"
    ],
    "received": "F3 (B1, lead): \"The site was created by poet Kenneth Goldsmith in 1996 to provide web-based educational resources to \"a substantial user base.\"\"; F27 (B6, When did UbuWeb Start?): \"UbuWeb was founded in November of 1996, initially as a repository for visual, concrete and, later, sound poetry. Over the years, UbuWeb has embraced all forms of the avant-garde and beyond. Its parameters continue to expand in all directions.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-13, CAP-1-02",
    "archive_claims": [
     "LS-13",
     "CAP-1-02"
    ]
   },
   {
    "lineage": "users: not tracked",
    "field_claims": [
     "F4"
    ],
    "received": "F4 (B1, lead): \"Goldsmith notes that \"it’s hard to say exactly who these users are since we don’t keep tabs on them.\"\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received; no archive claim in the lineage",
    "archive_claims": []
   },
   {
    "lineage": "status: the 2024 pause and the 2025 return",
    "field_claims": [
     "F5",
     "F6",
     "F23"
    ],
    "received": "F5 (B1, lead (second paragraph)): \"In January 2024, UbuWeb announced it was no longer active, posting: \"As of 2024, UbuWeb is no longer active. The archive is preserved for perpetuity, in its entirety\".\"; F6 (B1, lead (second paragraph)): \"In February 2025 the site resumed its activities, citing the \"political changes in America and elsewhere around the world\" as a reason to be active again.\"; F23 (B4, card title and snippet (unreachable)): \"UbuWeb Founded 1996 https://www.ubu.com February 1 ... Feb 13, 2025 — A year ago, we decided to shutter UbuWeb. Not really shutter it, per se, but instead to consider it complete. After nearly 30 years, it felt right. But now, wit...\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-32, LS-41, CAP-1-01",
    "archive_claims": [
     "LS-32",
     "LS-41",
     "CAP-1-01"
    ]
   },
   {
    "lineage": "purpose: access to marginally distributed and out-of-print work",
    "field_claims": [
     "F7",
     "F9",
     "F10",
     "F22"
    ],
    "received": "F7 (B1, Philosophy): \"UbuWeb was founded in response to the marginal distribution of crucial avant-garde material.\"; F9 (B1, Philosophy): \"UbuWeb ensures educational open access to out-of-print works that find a second life through digital art reprint while also representing the work of contemporaries.\"; F10 (B1, Philosophy): \"It addresses problems in the distribution of and access to intellectual materials.\"; F22 (B3, card title and snippet (unreachable)): \"137 A platform to give free, online access to hard-to-find materials about art history Initiator(s) Kenneth Goldsmith Description Ubuweb was founded in response...\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received; no archive claim in the lineage",
    "archive_claims": []
   },
   {
    "lineage": "free and non-commercial",
    "field_claims": [
     "F8",
     "F17",
     "F30",
     "F43",
     "F45"
    ],
    "received": "F8 (B1, Philosophy): \"It remains non-commercial and operates on a gift economy .\"; F17 (B1, infobox): \"Editor Kenneth Goldsmith … Commercial no … Registration none … Current status Online\"; F30 (B6, How do I purchase something from your site?): \"Nothing is for sale on UbuWeb. It's all free.\"; F43 (B6, I'm interested in advertising on UbuWeb …): \"UbuWeb is completely commercial-free and it will always stay that way.\"; F45 (B6, I'd like to receive notices of UbuWeb updates …): \"UbuWeb refuses to advertise or promote itself.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-30, CAP-1-06",
    "archive_claims": [
     "LS-30",
     "CAP-1-06"
    ]
   },
   {
    "lineage": "terms of holding: copies, rights with their holders",
    "field_claims": [
     "F11",
     "F29",
     "F31",
     "F32",
     "F33",
     "F36"
    ],
    "received": "F11 (B1, Distribution policy): \"UbuWeb does not distribute commercially viable works but rather resurrects avant-garde sound art , video and textual works through their translation into a digital art web environment - re-contextualising them with current academic commentary and contemporary practice.\"; F29 (B6, Can I use something posted on UbuWeb …?): \"The copyrights belong to the copyright holders, not us. You'll need to seek them out for proper permission.\"; F31 (B6, What is your policy concerning posting copyrighted material?): \"If it's out of print, we feel it's fair game. Or if something is in print, yet absurdly priced or insanely hard to procure, we'll take a chance on it. But if it's in print and available to all, we won't touch it.\"; F32 (B6, What is your policy concerning posting copyrighted material?): \"The last thing we'd want to do is to take the meager amount of money out of the pockets of those releasing generally poorly-selling materials of the avant-garde.\"; F33 (B6, What is your policy concerning posting copyrighted material?): \"UbuWeb functions as a distribution center for hard-to-find, out-of-print and obscure materials, transferred digitally to the web.\"; F36 (B6, What is your policy concerning posting copyrighted material?): \"Let's face it, if we had to get permission from everyone on UbuWeb, there would be no UbuWeb.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-16, LS-25, LS-31, LS-33, CAP-1-07, O940-01, O940-02, O940-06",
    "archive_claims": [
     "LS-16",
     "LS-25",
     "LS-31",
     "LS-33",
     "CAP-1-07",
     "O940-01",
     "O940-02",
     "O940-06"
    ]
   },
   {
    "lineage": "operation: volunteers, donated hosting, independence",
    "field_claims": [
     "F16",
     "F28",
     "F39"
    ],
    "received": "F16 (B1, Infrastructure): \"UbuWeb is not affiliated to any academic institution, instead relying on alliances of interest and benefiting from bandwidth donations from its partnerships with GreyLodge, WFMU , PennSound , The Electronic Poetry Center , The Center for Literary Computing, and ArtMob.\"; F28 (B6, How is UbuWeb funded?): \"UbuWeb has no need for funding. All work is done solely on a volunteer basis. Our only cost is our monthly hosting fee, which amounts to US$50 each month.\"; F39 (B6, Are you affiliated with a university?): \"No. UbuWeb is a completely independent site. However, several universities and partners have generously offered us server space and bandwith, with no restrictions or input regarding our content.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-36, LS-37, LS-38, CAP-1-03, CAP-1-05",
    "archive_claims": [
     "LS-36",
     "LS-37",
     "LS-38",
     "CAP-1-03",
     "CAP-1-05"
    ]
   },
   {
    "lineage": "reception: how others name it",
    "field_claims": [
     "F18",
     "F20"
    ],
    "received": "F18 (B1, references (6)): \"\"All rivers lead to the same ocean\": UbuWeb, pirate shadow library, is back\"; F20 (B1, footer): \"This page was last edited on 22 September 2026, at 06:39 (UTC) .\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received; no archive claim in the lineage",
    "archive_claims": []
   },
   {
    "lineage": "preservation: the Library of Congress and mirrors",
    "field_claims": [
     "F19",
     "F26"
    ],
    "received": "F19 (B1, external links): \"UbuWeb Mirror Site\"; F26 (B5, body): \"The site is permanently archived by the United States Library of Congress.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside CAP-1-09",
    "archive_claims": [
     "CAP-1-09"
    ]
   },
   {
    "lineage": "removal and the artist",
    "field_claims": [
     "F34",
     "F35"
    ],
    "received": "F34 (B6, What is your policy concerning posting copyrighted material?): \"Should something return to print, we will remove it from our site immediately.\"; F35 (B6, What is your policy concerning posting copyrighted material?): \"Also, should an artist find their material posted on UbuWeb without permission and wants it removed, please let us know. However, most of the time, we find artists are thrilled to find their work cared for and displayed in a sympathetic context. As always, we welcome more work from existing artists on site.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-14, LS-17, LS-35, CAP-1-08",
    "archive_claims": [
     "LS-14",
     "LS-17",
     "LS-35",
     "CAP-1-08"
    ]
   },
   {
    "lineage": "the copies: quality and sources",
    "field_claims": [
     "F37",
     "F38"
    ],
    "received": "F37 (B6, Why is your media often poor quality?): \"We like poor quality because we believe that an institution or an individual wishing to have the \"real\" thing should purchase it from those who publish and distribute such materials.\"; F38 (B6, Why is your media often poor quality?): \"the crappy, say, VHS rips floating around file-sharing site -- where we get much of our material from -- is gorgeously primitive, made by fans. UbuWeb is like seeing a photograph of a painting.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-18, LS-22, LS-26, LS-34",
    "archive_claims": [
     "LS-18",
     "LS-22",
     "LS-26",
     "LS-34"
    ]
   },
   {
    "lineage": "language and reach",
    "field_claims": [
     "F40"
    ],
    "received": "F40 (B6, Why are your pages in English? …): \"Most of our pages are in English; several of them are not.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-19",
    "archive_claims": [
     "LS-19"
    ]
   },
   {
    "lineage": "who makes it: editors, masthead, board",
    "field_claims": [
     "F41",
     "F42",
     "F47"
    ],
    "received": "F41 (B6, Who are you? / Where are you located?): \"See our masthead , our board of directors , and our partners . … Our editors are pretty much spread across the United States: New York City, Utah, California, etc.\"; F42 (B6, Why don't you respond to my emails?): \"Due to the volume of email we receive, we unfortunately cannot respond to them all.\"; F47 (B6, What is your philosophy?): \"See our manifesto .\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received beside LS-04, LS-23, LS-40",
    "archive_claims": [
     "LS-04",
     "LS-23",
     "LS-40"
    ]
   },
   {
    "lineage": "the system: hand-coded pages",
    "field_claims": [
     "F46"
    ],
    "received": "F46 (B6, What system do you design UbuWeb on?): \"Ubu is built the same way that it's been since 1996: coded by hand in BBEdit, all html 1.0. There's no fancy database or back-end.\"",
    "receiving_text": "—",
    "translation": "untranslated: composed as received; no archive claim in the lineage",
    "archive_claims": []
   }
  ],
  "receiving_texts": "equal-terms case: every field claim composed as received, beside the archive claims it stands with"
 },
 "measure": {
  "rule": "v0.9 §4.10 (v0.10 §4.10 unchanged): KO_B sentences surviving in the KO at similarity ≥ 0.95, with positions (computed as apply_v09.py does: difflib.SequenceMatcher ratio, the best KO sentence for each KO_B sentence)",
  "v0.10": {
   "surviving": 0,
   "of": 14,
   "positions": [
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null
   ]
  },
  "opening_run": {
   "rule": "§5.10 (equal-terms case): the field-only KO's sentences as the KO's opening run in their own order",
   "breach": false
  },
  "blocks": {
   "rule": "§4.1 (equal-terms case): the KO does not open with the field as a block or close with the archive as one; sentences typed by the ledgers of the claims they cite (F field-only, A archive-only, M both)",
   "sequence": "MFAMFFMFMAMFFAAAFMMAAAAFMMMMMFAFFAAAAMMM",
   "field_only_head": 0,
   "archive_only_tail": 0,
   "breach": false
  },
  "max_similarity": [
   0.561,
   0.161,
   0.249,
   0.204,
   0.593,
   0.112,
   0.436,
   0.477,
   0.369,
   0.581,
   0.634,
   0.534,
   0.679,
   0.695
  ],
  "ko_sentence_1_max_similarity_to_KO_B": 0.271,
  "v0.9": {
   "surviving": 0,
   "of": 14,
   "positions": [
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null,
    null
   ]
  }
 },
 "homonyms": {
  "names": [
   "Ubu Films",
   "Ubu (other uses)"
  ],
  "basis": "Wikipedia's hatnote on the article (B1): 'For the film collective, see Ubu Films . For other uses, see Ubu (disambiguation) .' No card is a homonym, and T composes no other entity under the name. 'Ubu' and 'ubu.com' are the census's other names for the entity.",
  "distinct_entities": [
   "Ubu Films, the film collective named in Wikipedia's hatnote, a distinct entity",
   "the other uses of 'Ubu' (Wikipedia's disambiguation page, unread here), distinct entities",
   "Kenneth Goldsmith, the poet who created UbuWeb and is named its editor, a person; his poetics (uncreative writing) is the subject of other deposits, which say nothing of UbuWeb",
   "the UbuWeb Mirror Site (ubu-mirror.ch) and ubu.wiki, a federated mirroring resource, both linked from the article: copies and mirrors, distinct sites",
   "the Tellus Audio Cassette Magazine, a project whose archive UbuWeb houses, a distinct work",
   "PennSound and the Electronic Poetry Center, bandwidth partners and rows of the same census, distinct entities (relations uses)",
   "the United States Library of Congress, which archives the site, an institution"
  ]
 },
 "notes": [
  "One address, Google AI Overview (expanded), signed out, incognito, 2026-11-01: ubuweb-aio-20261101 (OBS-f16b4678f234, ADDR-7fae4c2a1f71, AXN:0B8B.CAPTURE.⊗🌠🐚⏬🌆🌕), four cards, 165 words in the answer body with a closing offer, 15 markers. A NEW address (CAP-1-14); the census record was compiled the same night and no card cites it. The operator's paste received 2026-11-01 01:59 EDT (the registry's notes).",
  "Fetching: Wikipedia refetched with the census agent 'Mozilla/5.0 (compatible; leesharks-authorship-census)' at 2026-11-01T06:14:26Z (rendered and raw wikitext, HTTP 200, revision 1376132245, the census's revision); the census's saved copy kept as B1.html/B1.txt (sha256 matching the manifest). B5 and B6 copied from the census's saved copies, not refetched.",
  "Unreachable: B2 the Poetry Foundation post, HTTP 403 with a Cloudflare challenge to the census agent (2026-11-01T06:14:52Z), not retried with another agent; B3 Arte Útil, the connection reset at the TLS handshake on arte-util.org and archive.arte-util.org (the agent proxy records the tunnel closed mid-exchange), and the entry's URL not found by two searches; B4 the Instagram post, no URL found by three searches. Their titles and snippets stand (F21, F22, F23).",
  "Pools (v0.10 §3.1(a)): B_D = B1–B4 (four cards); B_R = B5, B6 (the census's own pages). Wikipedia is in both and is carried once, in B_D. The census read no other third-party source.",
  "The archive subset: no archive text names UbuWeb (D 0, R 0). The first string pass with 'pseudonym' and 'heteronym' among the name-holding terms returned 4,351 sentences in 686 deposits, the archive's own heteronymic practice; the class was narrowed to #940's attribution-regime terms and the pass rerun (73 O-class candidates in 28 deposits, 21 hop candidates). Two deposits admitted, the census's anchors #940 and #1722, at their loci; no hop candidate admitted. The rerun's script ended on its final print (a relative output path), after writing its files.",
  "Census fields against the fetched sources: record.keeps ('removes a work when its artist asks') and answers.1 ('removal on an artist's request') state more than the FAQ, which promises immediate removal only for a work that returns to print and, for the artist, says 'please let us know' (F34, F35); the census's own stated_limits quote the clause as written. lifecycle.state 'active' rests on Wikipedia's report of the 2025 return; the home page states no status (the census says so). The census's operator field ('created by the poet Kenneth Goldsmith, who is named its editor (Wikipedia, third party)') agrees with B1 and with B3's snippet ('Initiator(s) Kenneth Goldsmith'). No census field is shown out of date by a fetched source.",
  "Capture findings against the field ledger: (1) findings[2] ('THE TERMS OF HOLDING NOT CARRIED') and its Library of Congress sentence cite the FAQ and the home page, which T did not surface (B_R); under v0.10 §3.1(a) their absence is a finding of the second question, and the B_D instance T leaves out is Wikipedia's distribution policy (F11). (2) findings[1] ''running with no budget' rounds the FAQ': the nearer source in B_D is card 2's snippet, 'operating without money on donated university server space' (F21); the FAQ is B_R. (3) findings[1] 'the counts … are in none of the three saved pages' holds for the saved pages; three of the four cards are unreadable here, so the counts' absence from the disclosed field is open. (4) The record's title and analysis give 'removal on the artist's request' / 'a work withdrawn at its artist's request', which state the FAQ's clause more strongly than its wording (as in the census). Reported, not fixed.",
  "Composer: Claude (Opus 5.5), subagent, 2026-11-01, under BRIEF-NEW-ROW-AUTHORSHIP (v0.10) and the v0.9 briefs it names."
 ],
 "composition": {
  "source": "this row (composed directly under v0.10; no rebuild/negative-of-the-negative/v09/ubuweb.json)",
  "composer": "Claude (Opus 5.5), subagent, 2026-11-01",
  "spec": "EA-NEGONT-02 v0.10 (#1726)",
  "defining_material_read": [
   {
    "what": "the specification v0.10",
    "file": "data/texts/AXN-0B79-text.md (#1726)",
    "read": "§0–§11 (the object, rows, stages T, P, C, V, D, the panel, adjudication, the rulings log); the appendices by their headings"
   },
   {
    "what": "briefs",
    "file": "rebuild/negative-of-the-negative/v010/BRIEF-NEW-ROW-AUTHORSHIP.md; v09/BRIEF-NEW-ROW-AGGREGATOR.md, BRIEF-NEW-ROW-LABOR.md, BRIEF-NEW-ROW-LEFT.md",
    "read": "whole"
   },
   {
    "what": "exemplar row",
    "file": "datasets/negative-of-the-negative/v2/rows/reuther-library.json with its ledgers, config and reading",
    "read": "structure and shapes"
   },
   {
    "what": "census record, row",
    "file": "/home/claude/fleet/leesharks.com/data/authorship-census/census.json (rows[slug == 'ubuweb'], organizing_question, areas, anchor, admission_rule, schema_note); rows/ubuweb.py",
    "read": "whole"
   },
   {
    "what": "census sources",
    "file": "/home/claude/fleet/leesharks.com/data/authorship-census/sources/ubuweb--home.*, ubuweb--faq.*, ubuweb--wikipedia.*, manifest.json",
    "read": "whole"
   },
   {
    "what": "capture record",
    "file": "data/EA-WG-CAPTURES-01.json (ubuweb-aio-20261101); rebuild/capture-registry/intake-20261101-authorship-aggregators/parts/ubuweb.json",
    "read": "transcript, transcript_raw, cite_list, d, reading, findings, analysis, mt, q_kind, per_note, per_dim, originator, notes"
   },
   {
    "what": "Wikipedia (card 1)",
    "file": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.wiki, B1.txt",
    "read": "whole"
   },
   {
    "dep": 940,
    "file": "data/texts/AXN-03B8-text.md",
    "read": "§0–§8 and §10 (lines 59–242, 278)"
   },
   {
    "dep": 1722,
    "file": "data/texts/AXN-0B2A-text.md",
    "read": "the opening, Parts One to Three, Part Five §12, Parts Six to Eight, the last word (lines 39–420)"
   },
   {
    "what": "Goldsmith passages",
    "file": "data/texts/AXN-0229, AXN-022A, AXN-0233, AXN-032C, AXN-0434, AXN-0A9A, AXN-0A9F, AXN-0AA0",
    "read": "at each locus naming Goldsmith"
   },
   {
    "what": "traversal",
    "file": "datasets/negative-of-the-negative/v2/traversal/ubuweb/ (candidates-O, candidates-H, summary)",
    "read": "every non-name-holding O candidate of the first pass, every name-holding candidate of the rerun, the 21 hop candidates by title and search"
   }
  ],
  "cuts": [],
  "notes": "equal case; KO 40 sentences, 47 of 47 field and 68 of 68 archive claims cited; P body 294 words; KO_B 14 sentences, 0 surviving at ≥ 0.95"
 },
 "composition_v09": {
  "source": "this row (composed directly under v0.10; no rebuild/negative-of-the-negative/v09/ubuweb.json)",
  "composer": "Claude (Opus 5.5), subagent, 2026-11-01",
  "spec": "EA-NEGONT-02 v0.10 (#1726)",
  "defining_material_read": [
   {
    "what": "the specification v0.10",
    "file": "data/texts/AXN-0B79-text.md (#1726)",
    "read": "§0–§11 (the object, rows, stages T, P, C, V, D, the panel, adjudication, the rulings log); the appendices by their headings"
   },
   {
    "what": "briefs",
    "file": "rebuild/negative-of-the-negative/v010/BRIEF-NEW-ROW-AUTHORSHIP.md; v09/BRIEF-NEW-ROW-AGGREGATOR.md, BRIEF-NEW-ROW-LABOR.md, BRIEF-NEW-ROW-LEFT.md",
    "read": "whole"
   },
   {
    "what": "exemplar row",
    "file": "datasets/negative-of-the-negative/v2/rows/reuther-library.json with its ledgers, config and reading",
    "read": "structure and shapes"
   },
   {
    "what": "census record, row",
    "file": "/home/claude/fleet/leesharks.com/data/authorship-census/census.json (rows[slug == 'ubuweb'], organizing_question, areas, anchor, admission_rule, schema_note); rows/ubuweb.py",
    "read": "whole"
   },
   {
    "what": "census sources",
    "file": "/home/claude/fleet/leesharks.com/data/authorship-census/sources/ubuweb--home.*, ubuweb--faq.*, ubuweb--wikipedia.*, manifest.json",
    "read": "whole"
   },
   {
    "what": "capture record",
    "file": "data/EA-WG-CAPTURES-01.json (ubuweb-aio-20261101); rebuild/capture-registry/intake-20261101-authorship-aggregators/parts/ubuweb.json",
    "read": "transcript, transcript_raw, cite_list, d, reading, findings, analysis, mt, q_kind, per_note, per_dim, originator, notes"
   },
   {
    "what": "Wikipedia (card 1)",
    "file": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.wiki, B1.txt",
    "read": "whole"
   },
   {
    "dep": 940,
    "file": "data/texts/AXN-03B8-text.md",
    "read": "§0–§8 and §10 (lines 59–242, 278)"
   },
   {
    "dep": 1722,
    "file": "data/texts/AXN-0B2A-text.md",
    "read": "the opening, Parts One to Three, Part Five §12, Parts Six to Eight, the last word (lines 39–420)"
   },
   {
    "what": "Goldsmith passages",
    "file": "data/texts/AXN-0229, AXN-022A, AXN-0233, AXN-032C, AXN-0434, AXN-0A9A, AXN-0A9F, AXN-0AA0",
    "read": "at each locus naming Goldsmith"
   },
   {
    "what": "traversal",
    "file": "datasets/negative-of-the-negative/v2/traversal/ubuweb/ (candidates-O, candidates-H, summary)",
    "read": "every non-name-holding O candidate of the first pass, every name-holding candidate of the rerun, the 21 hop candidates by title and search"
   }
  ],
  "cuts": [],
  "notes": "equal case; KO 40 sentences, 47 of 47 field and 68 of 68 archive claims cited; P body 294 words; KO_B 14 sentences, 0 surviving at ≥ 0.95"
 },
 "field_by_origin": {
  "cards": [
   "B1",
   "B2",
   "B3",
   "B4"
  ],
  "own_pages": [
   "B5",
   "B6"
  ],
  "wikipedia": [
   "B1"
  ],
  "census_third_party": [],
  "body_named": [],
  "unreachable": [
   "B2",
   "B3",
   "B4"
  ],
  "title_only": [
   "B2",
   "B3",
   "B4"
  ],
  "pools": {
   "B_D": [
    "B1",
    "B2",
    "B3",
    "B4"
   ],
   "B_R": [
    "B5",
    "B6"
   ]
  },
  "wikipedia_state": "article: 'UbuWeb' (raw wikitext HTTP 200, rendered HTTP 200, 2026-11-01T06:14:26Z), no redirect, revision 1376132245, last edited 22 September 2026; it is card 1, carried once in B_D; hatnote to Ubu Films and Ubu (disambiguation)",
  "sources": [
   {
    "id": "B1",
    "origin": "card",
    "also_origin": "wikipedia",
    "pool": "B_D",
    "role": "Overview card 1; also the entity's Wikipedia article and the census's source ubuweb--wikipedia (carried once, in B_D)",
    "card": "Wikipedia — UbuWeb - Wikipedia",
    "url": "https://en.wikipedia.org/wiki/UbuWeb",
    "kind": "Overview card (the Wikipedia article on the entity, under its name, no redirect)",
    "files": {
     "B1.html": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.html",
      "sha256": "50efb0eb7d707f0901275ac6bb0ed9fd24889633f665b84d12dfd8b10ebe929e"
     },
     "B1.txt": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.txt",
      "sha256": "2b9cc0055412b610220c379a6754fc59269aed5d68a547b9ce7bbb9d8f2a5dc2"
     },
     "B1.wiki": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.wiki",
      "sha256": "17b5e7998ef3cb9fa0eedf47577d13805aec8b604f5db77e3b249f7b079c41fa"
     },
     "B1-refetch.html": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1-refetch.html",
      "sha256": "9a48f2116de80737048b2ff2bf261797b0b26ae4292d85373bffa19ced25096c"
     }
    },
    "fetched": {
     "census_copy": {
      "src": "ubuweb--wikipedia",
      "sha256": "50efb0eb7d707f0901275ac6bb0ed9fd24889633f665b84d12dfd8b10ebe929e",
      "read": "2026-11-01",
      "http": "200",
      "fetched": "2026-11-01T04:07:47Z",
      "agrees": true
     },
     "refetch": {
      "at": "2026-11-01T06:14:26Z",
      "http": 200,
      "url": "https://en.wikipedia.org/wiki/UbuWeb",
      "sha256": "9a48f2116de80737048b2ff2bf261797b0b26ae4292d85373bffa19ced25096c",
      "note": "same revision (wgRevisionId 1376132245); the bytes differ only in request id and host in the page scripts"
     },
     "wikitext": {
      "at": "2026-11-01T06:14:26Z",
      "http": 200,
      "url": "https://en.wikipedia.org/w/index.php?title=UbuWeb&action=raw",
      "sha256": "17b5e7998ef3cb9fa0eedf47577d13805aec8b604f5db77e3b249f7b079c41fa"
     },
     "raw": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.html",
     "raw_sha256": "50efb0eb7d707f0901275ac6bb0ed9fd24889633f665b84d12dfd8b10ebe929e",
     "text": [
      "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.txt",
      "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B1.wiki"
     ],
     "note": "B1.html and B1.txt copied from the census's saved copy (gunzipped, sha256 matching the manifest); refetched with the census agent string and the wikitext fetched for the check"
    },
    "names_operator": "yes ('The site was created by poet Kenneth Goldsmith in 1996'; infobox 'Editor Kenneth Goldsmith')",
    "names_archive": "no",
    "surfaced_by_T": [
     {
      "slug": "ubuweb-aio-20261101",
      "card": 1
     }
    ],
    "card_title": "UbuWeb - Wikipedia",
    "card_snippet": "UbuWeb is a digital library of freely downloadable avant-garde art, film, music as well as visual, concrete and sound poetry. The site includes mp3 archives of ..."
   },
   {
    "id": "B2",
    "origin": "card",
    "pool": "B_D",
    "role": "Overview card 2",
    "card": "Poetry Foundation — UbuWeb at 15 Years: An Overview | The Poetry Foundation",
    "url": "https://www.poetryfoundation.org/blog/uncategorized/60734/ubuweb-at-15-years-an-overview",
    "kind": "Overview card (a Poetry Foundation blog post, 2011, by its title; unreachable: snippet only)",
    "files": {
     "B2-try1.html": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B2-try1.html",
      "sha256": "b377070d60ff4508577d9850fd46c748cdf41d21e28b95ac0de5574523c231f8"
     }
    },
    "fetched": {
     "at": "2026-11-01T06:14:52Z",
     "http": 403,
     "url": "https://www.poetryfoundation.org/blog/uncategorized/60734/ubuweb-at-15-years-an-overview",
     "result": "unreachable: HTTP 403, a Cloudflare challenge page ('Just a moment...') to the census agent string; not retried with another agent string (BRIEF-NEW-ROW-AUTHORSHIP §3)",
     "retries": 0
    },
    "searches": [
     "WebSearch '\"UbuWeb at 15 Years: An Overview\" Poetry Foundation' (the URL found under poetryfoundation.org/blog; a second form, /harriet/2011/04/ubuweb-at-15-years-an-overview, also listed)"
    ],
    "names_operator": "snippet: no operator named",
    "names_archive": "no",
    "surfaced_by_T": [
     {
      "slug": "ubuweb-aio-20261101",
      "card": 2
     }
    ],
    "card_title": "UbuWeb at 15 Years: An Overview | The Poetry Foundation",
    "card_snippet": "Overview: UbuWeb is a free, ad-free, volunteer-run online avant-garde archive founded in 1996, operating without money on donated university server space and ba..."
   },
   {
    "id": "B3",
    "origin": "card",
    "pool": "B_D",
    "role": "Overview card 3",
    "card": "Arte Útil — Ubuweb - Arte Útil",
    "url": null,
    "kind": "Overview card (the Arte Útil archive's case-study entry for Ubuweb, by its title and snippet; unreachable: snippet only)",
    "files": {},
    "fetched": {
     "at": "2026-11-01T06:14:52Z",
     "http": null,
     "tried": [
      "https://arte-util.org/projects/ubuweb/",
      "https://archive.arte-util.org/projects/ubuweb/",
      "https://arte-util.org/ (HEAD)"
     ],
     "result": "unreachable: connection reset at the TLS handshake on each host (curl error 35; the agent proxy records the tunnel closed mid-exchange for arte-util.org and archive.arte-util.org); the entry's own URL not found by search; not retried by another route",
     "retries": 0
    },
    "searches": [
     "WebSearch 'Ubuweb Arte Útil Kenneth Goldsmith initiator'",
     "WebSearch 'arte-util.org projects ubuweb'"
    ],
    "names_operator": "snippet: yes ('Initiator(s) Kenneth Goldsmith')",
    "names_archive": "no",
    "surfaced_by_T": [
     {
      "slug": "ubuweb-aio-20261101",
      "card": 3
     }
    ],
    "card_title": "Ubuweb - Arte Útil",
    "card_snippet": "137 A platform to give free, online access to hard-to-find materials about art history Initiator(s) Kenneth Goldsmith Description Ubuweb was founded in response..."
   },
   {
    "id": "B4",
    "origin": "card",
    "pool": "B_D",
    "role": "Overview card 4",
    "card": "Instagram — UbuWeb Founded 1996 https://www.ubu.com February 1 ...",
    "url": null,
    "kind": "Overview card (an Instagram post of 13 February 2025, by its title and snippet; unreachable: snippet only)",
    "files": {},
    "fetched": {
     "http": null,
     "result": "unreachable: the post's URL not found by search (two searches on its title and its snippet's words returned no Instagram address); no fetch attempted without a URL",
     "retries": 0
    },
    "searches": [
     "WebSearch 'instagram ubuweb \"A year ago, we decided to shutter UbuWeb\"'",
     "WebSearch '\"UbuWeb Founded 1996\" instagram February 2025'",
     "WebSearch 'ubuweb instagram post \"consider it complete\" \"After nearly 30 years, it felt right\"'"
    ],
    "names_operator": "snippet: speaks as UbuWeb ('we decided to shutter UbuWeb')",
    "names_archive": "no",
    "surfaced_by_T": [
     {
      "slug": "ubuweb-aio-20261101",
      "card": 4
     }
    ],
    "card_title": "UbuWeb Founded 1996 https://www.ubu.com February 1 ...",
    "card_snippet": "Feb 13, 2025 — A year ago, we decided to shutter UbuWeb. Not really shutter it, per se, but instead to consider it complete. After nearly 30 years, it felt right. But now, wit..."
   },
   {
    "id": "B5",
    "origin": "own_page",
    "pool": "B_R",
    "role": "the census's own page ubuweb--home (not surfaced by T; admitted in B_R by the operator's ruling of 2026-10-29)",
    "card": "UbuWeb — UbuWeb (home)",
    "url": "https://ubu.com/",
    "kind": "own page (the home page: section menu, self-description, the Library of Congress line)",
    "files": {
     "B5.html": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B5.html",
      "sha256": "1f9ba3a3325f02a0ff4e76f5e281d431f611cccb454fe000989e1af8e66be489"
     },
     "B5.txt": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B5.txt",
      "sha256": "a965e98115ea169d0f3c363509bcbafe34838bb47360fbd7bdbd4a7e35e1e9f6"
     }
    },
    "fetched": {
     "census_copy": {
      "src": "ubuweb--home",
      "sha256": "1f9ba3a3325f02a0ff4e76f5e281d431f611cccb454fe000989e1af8e66be489",
      "read": "2026-11-01",
      "http": "200",
      "fetched": "2026-11-01T04:07:47Z",
      "agrees": true
     },
     "raw": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B5.html",
     "raw_sha256": "1f9ba3a3325f02a0ff4e76f5e281d431f611cccb454fe000989e1af8e66be489",
     "text": [
      "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B5.txt"
     ],
     "note": "copied from the census's saved copy (gunzipped), sha256 matching the manifest; not refetched"
    },
    "names_operator": "yes ('UbuWeb'; no person named)",
    "names_archive": "no",
    "surfaced_by_T": []
   },
   {
    "id": "B6",
    "origin": "own_page",
    "pool": "B_R",
    "role": "the census's own page ubuweb--faq (not surfaced by T; admitted in B_R by the operator's ruling of 2026-10-29)",
    "card": "UbuWeb — U B U W E B :: Frequently Asked Questions",
    "url": "https://ubu.com/resources/faq.html",
    "kind": "own page (Frequently Asked Questions: founding, funding, copyright policy, removal, quality, affiliation, editors, system)",
    "files": {
     "B6.html": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B6.html",
      "sha256": "e9f6bc0f1f987d9f4581721a651a09f00e75bd9310b86e28baa5f1feb4aa3425"
     },
     "B6.txt": {
      "path": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B6.txt",
      "sha256": "33ebf577f0ea5f60817948902808c5044381782d9b86da1b3d5f556125fb42f9"
     }
    },
    "fetched": {
     "census_copy": {
      "src": "ubuweb--faq",
      "sha256": "e9f6bc0f1f987d9f4581721a651a09f00e75bd9310b86e28baa5f1feb4aa3425",
      "read": "2026-11-01",
      "http": "200",
      "fetched": "2026-11-01T04:07:47Z",
      "agrees": true
     },
     "raw": "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B6.html",
     "raw_sha256": "e9f6bc0f1f987d9f4581721a651a09f00e75bd9310b86e28baa5f1feb4aa3425",
     "text": [
      "datasets/negative-of-the-negative/v2/intake/ubuweb-20261101/B6.txt"
     ],
     "note": "copied from the census's saved copy (gunzipped), sha256 matching the manifest; not refetched"
    },
    "names_operator": "yes ('Our editors are pretty much spread across the United States'; masthead and board linked, unsaved; no person named)",
    "names_archive": "no",
    "surfaced_by_T": []
   }
  ]
 },
 "derivatives": {
  "kernel": {
   "status": "composer-written",
   "derived_from": "the current composition, written by its composer under the brief",
   "note": "§8.2 derives the kernel mechanically from the frozen plan; this one was written by the composer, mechanical derivation pending."
  },
  "delta": {
   "status": "current",
   "derived_from": "the current composition"
  }
 },
 "census": {
  "record": "leesharks.com apparatus authorship census",
  "slug": "ubuweb",
  "url": "https://www.leesharks.com/apparatus/aggregators/ubuweb",
  "file": "/home/claude/fleet/leesharks.com/data/authorship-census/census.json"
 }
}