{
"row": "pennsound",
"entity": "pennsound",
"address": "PennSound",
"addresses": [
{
"address": "PennSound",
"slug": "pennsound-aio-20261101",
"addr_id": "ADDR-ec08ad73501e",
"obs_id": "OBS-f07a679cb7c8",
"axn": "AXN:0B88.CAPTURE.🎪⭕✨🧡🌕▲"
}
],
"epoch": "2026-11-01",
"type": "C (public entity on which the archive bears: a university-hosted archive of poetry audio recordings; an entity of the leesharks.com apparatus authorship census)",
"surface": "Google AI Overview (expanded)",
"auth": "signed out, incognito",
"status": {
"procedure": "EA-NEGONT-02 v0.10, #1726: equal case, ρ = extends, read from the leesharks.com authorship census record, the capture record and #940 at the loci bearing on the entity's class; archive selected by D/R/O (no D or R candidate: no archive text names PennSound; 87 O-class candidates in 73 deposits, none admitted; #940 read as the census's anchor and admitted at four loci; hop of 5 read, none admitted; #1722 read, not admitted), with the census record (35 claims) and the Capture Registry's findings, reading, analysis, title, query note, PER note, description and originator basis (10 claims) ledgered as the archive's records of the entity; the field in two pools, B_D (12 cards and 1 body-named source) and B_R (1 own page), 54 field claims; composed 2026-11-01 by Claude (Opus 5.5), subagent",
"ledger": "unaudited (§3.8: one extractor per ledger); field quotes 54/54 verified by script against saved text or the card text; archive quotes 49/49 verified against the registry, census.json and the deposit text",
"frozen": false,
"breaches": []
},
"spec": "EA-NEGONT-02 v0.10, #1726",
"objects": {
"T": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/T1-pennsound-aio-20261101.txt",
"sha256": "8f5d798229121cced9126db1ad3e8ea0e12573fee2a60a82b91929fa204e73a2",
"words": 208,
"cards": 12,
"words_note": "one transcript at one address (208 words in the answer body with its headings and closer, by whitespace, inline redirect URLs, citation markers and the card rail excluded; 12 cards)",
"claims": [
"T1-1 definition: 'PennSound is the world's largest free digital archive of poetry audio, featuring over 50,000 recordings spanning from 1913 to the present.'",
"T1-2 Host & Location: 'Based at the University of Pennsylvania's Center for Programs in Contemporary Writing (CPCW) and associated with the Kelly Writers House.'",
"T1-3 Directors: 'Co-directed by Al Filreis, Charles Bernstein, and Chris Mustazza.'",
"T1-4 Format: 'Emphasizes individual poem \"singles\" rather than just full-length readings, making files easy to stream and download as MP3s for free.'",
"T1-5 Scope: 'Includes early canonical and modernist voices (such as William Carlos Williams, Wallace Stevens, Gertrude Stein, and T.S. Eliot) alongside contemporary, experimental, and international poets.'",
"T1-6 Author Pages: 'Extensive, individual catalogs for thousands of writers, including recent additions like the Charles Ruas Author Page featuring historical radio interviews.'",
"T1-7 PennSound Podcasts: 'Regular audio programming produced at the Kelly Writers House, including series like PennSound Rewind hosted by Michael Hennessey.'",
"T1-8 PoemTalk: 'A co-produced podcast series (with Jacket2) featuring roundtable discussions on individual poems from the archive.'",
"T1-9 Archive Access: 'All audio files are open-access and noncommercial.'",
"T1-10 closer: 'Would you like help finding recordings of a specific poet, or are you looking for information on how to browse a particular series on the site?'"
],
"register": {
"register": "data/EA-WG-CAPTURES-01.json",
"slug": "pennsound-aio-20261101",
"obs_id": "OBS-f07a679cb7c8"
},
"transcripts": [
{
"address": "PennSound",
"slug": "pennsound-aio-20261101",
"addr_id": "ADDR-ec08ad73501e",
"obs_id": "OBS-f07a679cb7c8",
"axn": "AXN:0B88.CAPTURE.🎪⭕✨🧡🌕▲",
"date": "2026-11-01",
"surface": "Google AI Overview (expanded)",
"auth": "signed out, incognito",
"sha256": "8f5d798229121cced9126db1ad3e8ea0e12573fee2a60a82b91929fa204e73a2",
"sha256_of": "the registry's 'transcript' string (utf-8)",
"sha256_raw": "eea1ed1d951790a1d96f8b52a15415c2be71957d2030fc7974afb15078f90bb3",
"words": 208,
"cards": 12,
"card_rail": [
"1. Center for Programs in Contemporary Writing — PennSound",
"2. Jacket2 — PennSound podcasts - Jacket2",
"3. Wikipedia — PennSound - Wikipedia",
"4. YouTube — PennSound - YouTube",
"5. poets.org | Academy of American Poets — PennSound | Academy of American Poets",
"6. Penn Today — PennSound: All the Free Poetry You Care to Download | Penn Today",
"7. X — PennSound - X",
"8. Instagram — PennSound (@pennsound) • Instagram photos and videos",
"9. ModPo — Category: PennSound - ModPo",
"10. YouTube·PennSound — YouTube (video, 51:52)",
"11. YouTube·The Brainwaves Video Anthology — Charles Bernstein - PennSound (video, 1m)",
"12. YouTube·Jerry Inspired — YouTube (video, 54:21)"
],
"claims": [
"T1-1 definition: 'PennSound is the world's largest free digital archive of poetry audio, featuring over 50,000 recordings spanning from 1913 to the present.'",
"T1-2 Host & Location: 'Based at the University of Pennsylvania's Center for Programs in Contemporary Writing (CPCW) and associated with the Kelly Writers House.'",
"T1-3 Directors: 'Co-directed by Al Filreis, Charles Bernstein, and Chris Mustazza.'",
"T1-4 Format: 'Emphasizes individual poem \"singles\" rather than just full-length readings, making files easy to stream and download as MP3s for free.'",
"T1-5 Scope: 'Includes early canonical and modernist voices (such as William Carlos Williams, Wallace Stevens, Gertrude Stein, and T.S. Eliot) alongside contemporary, experimental, and international poets.'",
"T1-6 Author Pages: 'Extensive, individual catalogs for thousands of writers, including recent additions like the Charles Ruas Author Page featuring historical radio interviews.'",
"T1-7 PennSound Podcasts: 'Regular audio programming produced at the Kelly Writers House, including series like PennSound Rewind hosted by Michael Hennessey.'",
"T1-8 PoemTalk: 'A co-produced podcast series (with Jacket2) featuring roundtable discussions on individual poems from the archive.'",
"T1-9 Archive Access: 'All audio files are open-access and noncommercial.'",
"T1-10 closer: 'Would you like help finding recordings of a specific poet, or are you looking for information on how to browse a particular series on the site?'"
],
"markers": "The paste is the Overview expanded (operator's default of 2026-10-01; the 'AI Mode Conversation' view is the expanded Overview, ruling of 2026-10-18); signed out, incognito (operator's default of 2026-10-14). One turn. The 'You said' line carries the query twice, run together (the registry's note). Paste received 2026-11-01 01:59 EDT.",
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/T1-pennsound-aio-20261101.txt"
}
]
},
"KO": {
"title": "PennSound",
"genre": "knowledge object, equal case, under EA-NEGONT-02 v0.10 (#1726): the archive's sources and the field's admitted on equal terms, ontology included, in one claim space; attribution beneath each sentence (§4.5), natural sentences under descriptive senses (§4.12), the final article form (§4.13)",
"status": "composed 2026-11-01 under v0.10 on the operator's ruling ('as against their wikipedia articles if they exist, their own pages, etc.'); not frozen; ledgers unaudited",
"sentences": [
{
"n": 1,
"para": 0,
"sense": "what it is",
"text": "PennSound is an ongoing project committed to producing new audio recordings and preserving existing audio archives: a poetry website and online archive that hosts free, downloadable recordings of poets reading their own work, and of others' work.",
"claims": [
"F49",
"F17",
"LS-01",
"LS-06",
"LS-11"
]
},
{
"n": 2,
"para": 0,
"sense": "what it is",
"text": "Its own YouTube channel calls it a Web-based archive for noncommercial distribution of the largest collection of poetry sound files on the Internet, and its Instagram account the world's preeminent online archive of poetry audio, with more than 50,000 recordings from 1913 to the present.",
"claims": [
"F31",
"F42"
]
},
{
"n": 3,
"para": 0,
"sense": "names",
"text": "It has been called the \"iTunes for poetry\", a phrase Wikipedia attributes to Charles Bernstein in an Associated Press article, and its running series of posts is PennSound Daily.",
"claims": [
"F22",
"F1",
"LS-02"
]
},
{
"n": 4,
"para": 1,
"sense": "host and directors",
"text": "It is a project of the Center for Programs in Contemporary Writing at the University of Pennsylvania, whose site lists it among the Center's programs beside the Kelly Writers House events and ModPo, under the Center's director, Al Filreis; PennSound itself is directed by Charles Bernstein, Filreis and Chris Mustazza and edited by Michael S. Hennessey, with Danny Snelson and Kenneth Goldsmith as senior editors.",
"claims": [
"F50",
"F51",
"F20",
"F48",
"LS-03"
]
},
{
"n": 5,
"para": 1,
"sense": "host and directors",
"text": "Two other descriptions name two directors: the description on its YouTube channel lists Bernstein and Filreis as directors, Hennessey as managing editor and Mark P. Lindsay as managing director, and a profile on poets.org, posted in December 2006, calls Bernstein one of the site's two directors along with Filreis.",
"claims": [
"F33",
"F37"
]
},
{
"n": 6,
"para": 1,
"sense": "founding",
"text": "Filreis and Bernstein created it, and it was launched in 2005; an article on Penn Today under the title \"PennSound: All the Free Poetry You Care to Download\" opens by setting it against a recording industry that \"may not want anyone downloading music without paying for it\".",
"claims": [
"F21",
"F40",
"LS-28"
]
},
{
"n": 7,
"para": 2,
"sense": "how recordings are filed",
"text": "Recordings are filed on author pages, series pages, anthology, collection and group pages and in a singles archive, with Cinema, Classics, podcast and Close Listening collections and the PennSound Daily archive beside them.",
"claims": [
"F1",
"LS-09",
"LS-18"
]
},
{
"n": 8,
"para": 2,
"sense": "how recordings are filed",
"text": "Readings are broken down into singles, one poem to a file, and complete readings are also kept; a 2006 profile set this organization against \"many poetry audio archives\", and newly segmented readings, cut by poem and by topic, continue to be announced.",
"claims": [
"F25",
"F36",
"F44",
"LS-15"
]
},
{
"n": 9,
"para": 2,
"sense": "the manifesto",
"text": "The PennSound Manifesto, by Bernstein, sets six rules, among them that recordings be free and downloadable and broken down into singles, that all files be named, that bibliographic information be embedded in each file, and that sound files be indexed and retrievable from a library catalog under the poet's name and from search engines on the web; the About page links it and the launch press release.",
"claims": [
"F24",
"F54"
]
},
{
"n": 10,
"para": 2,
"sense": "under whose name",
"text": "The census records that a work is held under the poet's name on an author page and under a series name on series pages, such as Belladonna* and Love Jawns: A Mixtape, and that the saved pages state no policy on pseudonyms, heteronyms or collective names.",
"claims": [
"LS-12",
"F24"
]
},
{
"n": 11,
"para": 2,
"sense": "under whose name",
"text": "The archive's paper on heteronymy holds that a civil name is the atomic unit of attribution across the systems that govern scholarly, literary, institutional and platform production, copyright among them, and it distinguishes the pseudonym, which changes the label attached to an authorial function, from the heteronym, which changes the organization of the function itself.",
"claims": [
"O940-01",
"O940-02"
]
},
{
"n": 12,
"para": 3,
"sense": "author and performer",
"text": "Where the reader differs from the author, a recording names both: the historical selection on the home page lists John Clare's \"Vowelless Letter\" (1849) performed by Charles Bernstein, Hannah Weiner's Clairvoyant Journal performed by Weiner, Sharon Mattlin and Rochelle Kraut, Kurt Schwitters's \"Ur Sonata: Largo\" performed by Ernst Schwitters (spelled \"Scwhitter\" on the page), and Velimir Khlebnikov's \"Incantation by Laughter\", translated and performed by Bernstein.",
"claims": [
"F3",
"F4",
"F6",
"F5",
"LS-11"
]
},
{
"n": 13,
"para": 3,
"sense": "author and performer",
"text": "A co-composer is credited the same way, the music and performance of one piece being by Christopher Reiner \"and included with permission\", and the selection itself is signed \"Selected by Charles Bernstein\".",
"claims": [
"F11",
"F7",
"LS-14"
]
},
{
"n": 14,
"para": 3,
"sense": "the archive's reading",
"text": "The archive reads PennSound as a witness of a distinct type: a recording keeps the author's name, the performer's voice and a co-composer's credit as separate attributions, so that a reading of one poet's work by another collapses into neither, and its filing rule is the poet's name, with no evidence beyond the names it files under of whether a chosen name is kept as given.",
"claims": [
"LS-24",
"F3",
"F24"
]
},
{
"n": 15,
"para": 3,
"sense": "the archive's reading",
"text": "In the archive's account of heteronymy, ordinary translation, role-playing \"understood as performance rather than as sustained authorial organization\" and collaborative authorship that constitutes no distinct heteronym fall outside the concept, and a heteronymic architecture is said to make a collapse of plural functions register as loss; the census, for its part, tags PennSound as not limited to the poet's own voice.",
"claims": [
"O940-03",
"O940-04",
"LS-30"
]
},
{
"n": 16,
"para": 4,
"sense": "scope and period",
"text": "Its holdings run from historic recordings by Ezra Pound, Wallace Stevens, Guillaume Apollinaire, William Carlos Williams and H.D. to what Wikipedia groups as more recent recordings, by Allen Ginsberg, John Ashbery, Jack Spicer, Gertrude Stein and Lyn Hejinian, with readings and sometimes musical versions of classical Greek poetry, Chaucer, Milton, Pope and Shakespeare; its historical selection opens with Apollinaire's \"Le Pont Mirabeau\" of 1913.",
"claims": [
"F26",
"F29",
"F2",
"LS-10"
]
},
{
"n": 17,
"para": 4,
"sense": "scope and period",
"text": "A 2006 profile gave its emphasis as \"the experimental and adventurous\", across emerging and canonical poets, and the census gives its coverage as recordings from the 1910s onward, from the United States and elsewhere, with no geography stated.",
"claims": [
"F39",
"LS-16"
]
},
{
"n": 18,
"para": 4,
"sense": "size",
"text": "Its size is stated in two units: Wikipedia gives over 1500 full-length and single-poem recordings, \"the largest collection of poetry sound-files on the internet\", and in another sentence well over 50,000 sound files, while its Instagram account gives more than 50,000 recordings; its own saved site pages state no count.",
"claims": [
"F18",
"F19",
"F42",
"LS-17"
]
},
{
"n": 19,
"para": 5,
"sense": "provenance and documentation",
"text": "Its recordings come from the poets themselves, from universities and institutions such as Harvard University's Woodberry Poetry Room, and from poets' estates, and it states the limit of its record: \"We intend to provide as much documentation about individual recordings as possible; new bibliographic information will be added over time,\" with supplements invited.",
"claims": [
"F25",
"F52",
"LS-21"
]
},
{
"n": 20,
"para": 5,
"sense": "provenance and documentation",
"text": "A 2006 profile reported the manifesto's commitment to recordings \"with as much bibliographical and archival information as possible\" and called the archive committed to dates and documentation for all of its recordings; the census counts complete bibliographic data for every recording among what the resource does not answer.",
"claims": [
"F38",
"LS-23"
]
},
{
"n": 21,
"para": 6,
"sense": "collections and programs",
"text": "Its newest collection, announced on 27 March 2026, is a home for Charles Ruas's radio programming from the 1970s, 1980s and 2000s, launched with hundreds of recordings and \"still under construction\"; the Eric Mottram Centennial Collection is another.",
"claims": [
"F8",
"F9",
"LS-19",
"LS-20"
]
},
{
"n": 22,
"para": 6,
"sense": "collections and programs",
"text": "The PennSound Podcasts are produced by Al Filreis at the Kelly Writers House and listed on Jacket2, where episode 84, with Gina Myers, is dated 1 April 2026 and the editor, Hennessey, presents episodes of his own; his retrospective podcast, PennSound Rewind, received its own page in March 2026 and is published at PennSound and at Jacket2.org.",
"claims": [
"F14",
"F15",
"F16",
"F10",
"LS-31"
]
},
{
"n": 23,
"para": 6,
"sense": "collections and programs",
"text": "With the Kelly Writers House and the Poetry Foundation it sponsors PoemTalk, a podcast discussing a different poet or poem each show.",
"claims": [
"F27",
"LS-18"
]
},
{
"n": 24,
"para": 6,
"sense": "lifecycle",
"text": "The census records it as active, with PennSound Daily posts from November 2025 to March 2026, and the newest listing on its home page is George Quasha reading genius foci at Barrytown, New York, on 14 July 2026.",
"claims": [
"F12",
"LS-27",
"LS-29"
]
},
{
"n": 25,
"para": 7,
"sense": "terms of use and rights",
"text": "Its files are free to stream and download as MP3s and are intended for non-commercial use by anyone, teachers and libraries included; the description on its YouTube channel states the terms in full: \"All PennSound recordings are made available for noncommercial and educational use only; the featured writers and artists retain all copyrights to their work.\"",
"claims": [
"F22",
"F23",
"F32",
"LS-25",
"LS-26"
]
},
{
"n": 26,
"para": 7,
"sense": "terms of use and rights",
"text": "The census, reading its site pages and its encyclopedia article, records the rights terms of individual recordings as not stated, counts who holds the rights to a recording among the questions the resource does not answer, and leaves any rights or permissions statement unchecked.",
"claims": [
"LS-13",
"LS-23",
"LS-32",
"F23"
]
},
{
"n": 27,
"para": 7,
"sense": "funding",
"text": "A March 2026 post on its home page counts PennSound among \"publicly funded distribution platforms\" and presents the kind of programming that is lost when funding to the institutions that produce it is \"suddenly cut for political reasons\".",
"claims": [
"F13"
]
},
{
"n": 28,
"para": 8,
"sense": "neighbours",
"text": "It works in collaboration with the Kelly Writers House, UbuWeb, the Electronic Poetry Center, Jacket2, the Center for Programs in Contemporary Writing and the University of Pennsylvania Libraries; its About page thanks UbuWeb and the Electronic Poetry Center, UbuWeb's creator Kenneth Goldsmith is among its senior editors, and the census enters UbuWeb, the Electronic Poetry Center and Jacket2 as its neighbours.",
"claims": [
"F28",
"F53",
"F51",
"LS-31"
]
},
{
"n": 29,
"para": 9,
"sense": "described by others",
"text": "Others describe it in their own terms: poets.org in 2006 as \"a free online gallery, archive and radio show rolled into one\"; ModPo, the site of a course in modern and contemporary American poetry, as \"the largest archive of recordings of poets reading their own poems\"; and its own X account, joined in March 2009, as an \"audio & video archive of poetry & poetics\" associated with the Kelly Writers House.",
"claims": [
"F35",
"F43",
"F41"
]
},
{
"n": 30,
"para": 9,
"sense": "on video platforms",
"text": "On YouTube its channel has 2.16K subscribers and 338 videos; a one-minute video titled \"Charles Bernstein - PennSound\" is on The Brainwaves Video Anthology's channel, and two longer videos, of 51:52 on PennSound's channel and 54:21 on a channel named Jerry Inspired, carry no title beyond the platform's name.",
"claims": [
"F34",
"F45",
"F46",
"F47"
]
},
{
"n": 31,
"para": 10,
"sense": "the census's question",
"text": "The leesharks.com authorship census, which admits a resource that gathers and holds many works or records and says what it holds, enters PennSound as an empirical comparator in the areas of avant-garde and experimental archives and of attribution and credit, and asks of it how authored performance is recorded: whose voice a recording carries and under whose name it is filed, with performer and author credited apart.",
"claims": [
"LS-34",
"LS-05",
"LS-04",
"LS-07",
"LS-08"
]
},
{
"n": 32,
"para": 10,
"sense": "the census's question",
"text": "The census's anchors are the archive's paper on heteronymy and its essay on the existence tax, and its organizing question asks how authorship is made, named, distributed, attributed and sustained across persons, personas, collectives and machine participation, and what is lost when those relations are collapsed.",
"claims": [
"LS-35",
"LS-33"
]
},
{
"n": 33,
"para": 10,
"sense": "what it answers",
"text": "By the census's account the resource answers whether a recording of a named poet is held, who performs a recording where the performer differs from the author, and which reading series and events it has recorded, and it leaves unanswered how an author who writes under several names is filed; the census leaves the author pages, series pages and singles archive themselves to later reading, and Wikipedia's article, the field's encyclopedia source, was last edited on 22 September 2026.",
"claims": [
"LS-22",
"LS-23",
"LS-32",
"F30"
]
},
{
"n": 34,
"para": 11,
"sense": "the composition at the name",
"text": "Asked for the name on 1 November 2026, Google's AI Overview, at a new address, gave PennSound as \"the world's largest free digital archive of poetry audio, featuring over 50,000 recordings spanning from 1913 to the present\", with its host, its directors, its singles, its scope and its programs, and the Capture Registry found the host and the three directors exact and the Ruas collection carried, the 2005 launch left out.",
"claims": [
"CAP-1-09",
"CAP-1-07",
"CAP-1-04",
"CAP-1-01",
"CAP-1-06",
"F20",
"F8",
"F21"
]
},
{
"n": 35,
"para": 11,
"sense": "the composition at the name",
"text": "The registry traces the count to the Instagram card and Wikipedia's \"Well over 50,000 sound files\", and the year 1913 to Apollinaire's recording, and notes that the composition calls all the files recordings and names T.S. Eliot, who appears in none of the three PennSound pages the census saved.",
"claims": [
"CAP-1-02",
"F42",
"F19",
"F2"
]
},
{
"n": 36,
"para": 11,
"sense": "the composition at the name",
"text": "It found the separate credits absent: the composition files everything under author pages, \"individual catalogs for thousands of writers\", in keeping with the manifesto's rule of the poet's name, and has no place for a reading of one poet's work by another, the feature that makes PennSound a row of the census; the registry's analysis calls the archive composed accurately at its grain.",
"claims": [
"CAP-1-03",
"CAP-1-05",
"F24",
"F3"
]
},
{
"n": 37,
"para": 11,
"sense": "the record",
"text": "The registry scored the composition's provenance at 0.25, the three directors and the Center named and the sources carded, and records PennSound as an external resource entered in the census on 1 November 2026 with its own pages saved by hash.",
"claims": [
"CAP-1-08",
"CAP-1-10",
"F50"
]
}
],
"joins": [
{
"act": "order of senses",
"sentences": "1–37",
"claims": [],
"note": "equal case (§4.7): the entity's dependency order, field and archive claims ordered together by genealogy within each sense; neither ledger placed first as a block. What it is and its names (¶0) precede its host, directors and founding (¶1), how recordings are filed and under whose name, with #940's reading of the name (¶2), the credits and the archive's reading of them (¶3), scope and size (¶4), provenance and documentation (¶5), collections, programs and lifecycle (¶6), terms, rights and funding (¶7), neighbours (¶8), others' descriptions and video (¶9), the census's question and what it answers (¶10), and the composition at the name (¶11)."
},
{
"act": "holding together (directors)",
"sentences": [
4,
5
],
"claims": [
"F51",
"F20",
"F33",
"F37",
"LS-03"
],
"note": "P_coh: the About page's and Wikipedia's three directors, and the two of the channel description and the 2006 profile, each composed; the composer dates only what is dated (open block)."
},
{
"act": "placing the archive's readings after the credits and the filing rule",
"sentences": [
10,
11,
14,
15
],
"claims": [
"O940-01",
"O940-02",
"O940-03",
"O940-04",
"LS-24"
],
"note": "#940's civil name and its pseudonym/heteronym distinction stand after the filing rule they bear on (¶2); its boundary and the census's reading stand after the credits (¶3); the composer applies neither to any poet filed in PennSound."
},
{
"act": "holding together (rights)",
"sentences": [
25,
26
],
"claims": [
"F32",
"F23",
"LS-13",
"LS-26",
"LS-23",
"LS-32"
],
"note": "P_coh across the ledgers: the channel's stated terms and the census's 'not stated in the saved sources', each with its source; open block."
},
{
"act": "holding together (the count)",
"sentences": [
18
],
"claims": [
"F18",
"F19",
"F42",
"LS-17"
],
"note": "P_coh: three figures in two units, none reconciled; open block."
},
{
"act": "placing the composition last, with the field claims it checks",
"sentences": [
34,
35,
36,
37
],
"claims": [
"CAP-1-01",
"CAP-1-02",
"CAP-1-03",
"CAP-1-05"
],
"note": "the registry's account stands with the field claims its findings rest on (directors, count, credits), so that the account of the composition is read against the field."
}
],
"plan": {
"order": [
"F49",
"F17",
"LS-01",
"LS-06",
"LS-11",
"F31",
"F42",
"F22",
"F1",
"LS-02",
"F50",
"F51",
"F20",
"F48",
"LS-03",
"F33",
"F37",
"F21",
"F40",
"LS-28",
"LS-09",
"LS-18",
"F25",
"F36",
"F44",
"LS-15",
"F24",
"F54",
"LS-12",
"O940-01",
"O940-02",
"F3",
"F4",
"F6",
"F5",
"F11",
"F7",
"LS-14",
"LS-24",
"O940-03",
"O940-04",
"LS-30",
"F26",
"F29",
"F2",
"LS-10",
"F39",
"LS-16",
"F18",
"F19",
"LS-17",
"F52",
"LS-21",
"F38",
"LS-23",
"F8",
"F9",
"LS-19",
"LS-20",
"F14",
"F15",
"F16",
"F10",
"LS-31",
"F27",
"F12",
"LS-27",
"LS-29",
"F23",
"F32",
"LS-25",
"LS-26",
"LS-13",
"LS-32",
"F13",
"F28",
"F53",
"F35",
"F43",
"F41",
"F34",
"F45",
"F46",
"F47",
"LS-34",
"LS-05",
"LS-04",
"LS-07",
"LS-08",
"LS-35",
"LS-33",
"LS-22",
"F30",
"CAP-1-09",
"CAP-1-07",
"CAP-1-04",
"CAP-1-01",
"CAP-1-06",
"CAP-1-02",
"CAP-1-03",
"CAP-1-05",
"CAP-1-08",
"CAP-1-10"
],
"senses": {
"what it is": [
1,
2
],
"names": [
3
],
"host and directors": [
4,
5
],
"founding": [
6
],
"how recordings are filed": [
7,
8
],
"the manifesto": [
9
],
"under whose name": [
10,
11
],
"author and performer": [
12,
13
],
"the archive's reading": [
14,
15
],
"scope and period": [
16,
17
],
"size": [
18
],
"provenance and documentation": [
19,
20
],
"collections and programs": [
21,
22,
23
],
"lifecycle": [
24
],
"terms of use and rights": [
25,
26
],
"funding": [
27
],
"neighbours": [
28
],
"described by others": [
29
],
"on video platforms": [
30
],
"the census's question": [
31,
32
],
"what it answers": [
33
],
"the composition at the name": [
34,
35,
36
],
"the record": [
37
]
},
"case_by_sense": {
"equal (one claim space; nothing translated)": [
"what it is",
"names",
"host and directors",
"founding",
"how recordings are filed",
"the manifesto",
"under whose name",
"author and performer",
"the archive's reading",
"scope and period",
"size",
"provenance and documentation",
"collections and programs",
"lifecycle",
"terms of use and rights",
"funding",
"neighbours",
"described by others",
"on video platforms",
"the census's question",
"what it answers",
"the composition at the name",
"the record"
]
},
"carried": {
"archive": 49,
"field": 54,
"not_composed": {}
},
"conflict_log": [
{
"rule": "D_pres vs channel",
"result": "no cut: the KO carries every field and archive claim; the compression's bound met with no channel log"
},
{
"rule": "P_coh",
"result": "F33 and F37 (two directors) beside F51, F20, LS-03 (three), sentences 4–5; F32 beside LS-13, LS-26, LS-30, sentences 25–26; F18, F19, F42 beside LS-17, sentence 18"
},
{
"rule": "N_c",
"result": "no claim lowered by standing; the census's readings at interpretation; #940's distinctions at stipulation and interpretation, composed as the archive's; the field's self-descriptions (Instagram, X, the funding post, the stated limits) at self-description"
},
{
"rule": "C_ex",
"result": "senses composed ⊇ senses in the ledgers: every ledger lineage cited in the KO"
}
],
"attribution": "v0.10 §4.5: prose without provenance in its sentences; each sentence's claim ids stand beneath it with locus and modality; a source is named in the prose only where who holds the claim is part of what is said (Wikipedia's attribution of the 'iTunes for poetry'; the older descriptions' two directors; the census's and the archive's readings; the Capture Registry's findings)."
}
},
"P": {
"title": "PennSound",
"lede": {
"text": "is an ongoing project of the University of Pennsylvania's Center for Programs in Contemporary Writing, producing new audio recordings of poets and preserving existing audio archives, free to stream and download; the archive reads it as a witness that credits author, performer and co-composer as separate attributions.",
"claims": [
"F49",
"F50",
"F17",
"LS-01",
"LS-24"
]
},
"sections": [
{
"icon": "🎙️",
"head": "What it holds",
"items": [
{
"label": "Filing:",
"text": "author, series, anthology and singles pages; readings cut into singles, complete readings kept.",
"claims": [
"F1",
"F25",
"F36",
"F44",
"LS-09",
"LS-18",
"LS-15"
]
},
{
"label": "Credits:",
"text": "Clare performed by Bernstein; Weiner with Mattlin and Kraut; Khlebnikov translated and performed by Bernstein; music by Christopher Reiner, \"included with permission\".",
"claims": [
"F3",
"F4",
"F6",
"F5",
"F11",
"F7",
"LS-11",
"LS-14"
]
},
{
"label": "Scope:",
"text": "Apollinaire's 1913 recording to contemporary poets; Pound, Stevens, Stein, Hejinian; classics to Shakespeare.",
"claims": [
"F2",
"F26",
"F29",
"F39",
"LS-10",
"LS-16"
]
},
{
"label": "Size:",
"text": "over 1500 recordings and well over 50,000 sound files (Wikipedia); \"more than 50,000 recordings\" (Instagram).",
"claims": [
"F18",
"F19",
"F42",
"LS-17"
]
}
]
},
{
"icon": "👥",
"head": "Who runs it",
"items": [
{
"label": "Directors:",
"text": "Charles Bernstein, Al Filreis, Chris Mustazza; editor Michael S. Hennessey; two other descriptions list two directors.",
"claims": [
"F51",
"F20",
"F33",
"F37",
"F16",
"F48",
"LS-03"
]
},
{
"label": "Founded:",
"text": "2005, by Filreis and Bernstein; the \"iTunes for poetry\".",
"claims": [
"F21",
"F40",
"F22",
"LS-28",
"LS-02"
]
}
]
},
{
"icon": "📜",
"head": "Rules and terms",
"items": [
{
"label": "Manifesto:",
"text": "free, singles, every file named, retrievable \"under the poet’s name\".",
"claims": [
"F24",
"F54",
"LS-12"
]
},
{
"label": "Terms:",
"text": "noncommercial and educational use only; writers and artists keep all copyrights; rights per recording unstated in the census's sources.",
"claims": [
"F32",
"F23",
"LS-13",
"LS-26",
"LS-25"
]
},
{
"label": "Limits:",
"text": "documentation added over time; Ruas collection under construction.",
"claims": [
"F52",
"F9",
"F38",
"LS-21"
]
}
]
},
{
"icon": "📻",
"head": "Programs",
"items": [
{
"label": "Collections:",
"text": "Charles Ruas's radio programming (March 2026); Eric Mottram Centennial Collection.",
"claims": [
"F8",
"LS-19",
"LS-20"
]
},
{
"label": "Podcasts:",
"text": "produced by Filreis at the Kelly Writers House; PennSound Rewind; PoemTalk with the Poetry Foundation.",
"claims": [
"F14",
"F15",
"F10",
"F27"
]
},
{
"label": "Active:",
"text": "listings to July 2026; publicly funded.",
"claims": [
"F12",
"F13",
"LS-27",
"LS-29"
]
}
]
},
{
"icon": "🔗",
"head": "Around it",
"items": [
{
"label": "Neighbours:",
"text": "Kelly Writers House, UbuWeb, the Electronic Poetry Center, Jacket2.",
"claims": [
"F28",
"F53",
"LS-31"
]
},
{
"label": "Elsewhere:",
"text": "poets.org, ModPo, X, YouTube.",
"claims": [
"F35",
"F43",
"F41",
"F31",
"F34",
"F45",
"F46",
"F47",
"F30"
]
}
]
},
{
"icon": "📚",
"head": "The archive's reading",
"items": [
{
"label": "Question:",
"text": "whose voice a recording carries and under whose name it is filed.",
"claims": [
"LS-07",
"LS-05",
"LS-04",
"LS-34",
"LS-08",
"LS-06"
]
},
{
"label": "Heteronymy:",
"text": "the civil name as attribution's unit; performance, translation and collaboration outside heteronymy; collapse as loss (#940).",
"claims": [
"O940-01",
"O940-02",
"O940-03",
"O940-04",
"LS-35",
"LS-33"
]
},
{
"label": "Unanswered:",
"text": "rights; full bibliography; an author with several names.",
"claims": [
"LS-23",
"LS-22",
"LS-30",
"LS-32"
]
}
]
},
{
"icon": "🔍",
"head": "At the name",
"items": [
{
"label": "Overview:",
"text": "host and directors exact; Ruas carried; credits apart and 2005 absent (Capture Registry).",
"claims": [
"CAP-1-01",
"CAP-1-02",
"CAP-1-03",
"CAP-1-04",
"CAP-1-05",
"CAP-1-06",
"CAP-1-07",
"CAP-1-08",
"CAP-1-09",
"CAP-1-10"
]
}
]
}
],
"open": [
{
"question": "In what unit is the holding counted: 1500 recordings, 50,000 sound files, or 50,000 recordings?",
"rests_on": [
"F18",
"F19",
"F42",
"LS-17"
],
"modality": "documented (Wikipedia); self-description (Instagram); documented (census)",
"would_resolve": "a count stated on PennSound's own site pages, by unit (recordings, singles, files)"
},
{
"question": "Two directors or three: when were the YouTube channel's description and the About page's list written?",
"rests_on": [
"F33",
"F37",
"F51",
"F20"
],
"modality": "documented",
"would_resolve": "a dated version of the channel description and of the About page (an archived copy)"
},
{
"question": "Do the copyright terms on the YouTube channel govern the site's recordings, and where are they stated per recording?",
"rests_on": [
"F32",
"LS-13",
"LS-26",
"LS-30"
],
"modality": "documented (channel); interpretation (census)",
"would_resolve": "a rights or permissions statement on PennSound's site, and the author pages read for per-recording terms"
},
{
"question": "How is an author who writes under several names filed, and is a chosen name kept as given?",
"rests_on": [
"LS-12",
"LS-23",
"LS-24",
"O940-02",
"F24"
],
"modality": "interpretation (census); stipulation (#940); attributed (the manifesto as reported)",
"would_resolve": "author pages of poets known under more than one name, and the manifesto itself, read"
},
{
"question": "What does the Penn Today article say, and is it the launch press release the About page links?",
"rests_on": [
"F40",
"F54"
],
"modality": "documented (snippet only; the page refused the agent)",
"would_resolve": "the Penn Today page and the press release read and compared"
},
{
"question": "What are the three video cards (51:52, 1m, 54:21)?",
"rests_on": [
"F45",
"F46",
"F47"
],
"modality": "documented (the rail's text only)",
"would_resolve": "the videos found and their pages saved"
}
],
"rail": [
{
"lineage": "how recordings are filed: author, series, anthology and singles pages",
"claims": [
"F1",
"F36",
"F44",
"LS-09",
"LS-18"
],
"earliest": "B5"
},
{
"lineage": "scope and period: historic to contemporary",
"claims": [
"F2",
"F26",
"F29",
"F39",
"LS-10",
"LS-16"
],
"earliest": "B5"
},
{
"lineage": "author and performer credited apart",
"claims": [
"F3",
"F4",
"F5",
"F6",
"F7",
"F11",
"LS-11",
"LS-14",
"O940-03"
],
"earliest": 940
},
{
"lineage": "collections and programs: the Ruas collection, podcasts, PoemTalk",
"claims": [
"F8",
"F10",
"F14",
"F15",
"F27",
"LS-19",
"LS-20"
],
"earliest": "B1"
},
{
"lineage": "stated limits: documentation added over time; the Ruas collection under construction",
"claims": [
"F9",
"F52",
"LS-21"
],
"earliest": "B1"
},
{
"lineage": "lifecycle: active, recordings listed to July 2026",
"claims": [
"F12",
"LS-27",
"LS-29"
],
"earliest": "B1"
},
{
"lineage": "funding: a publicly funded distribution platform",
"claims": [
"F13"
],
"earliest": "B1"
},
{
"lineage": "directors and editors",
"claims": [
"F16",
"F20",
"F33",
"F37",
"F48",
"F50",
"F51",
"LS-03"
],
"earliest": "B5"
},
{
"lineage": "what it is: a project producing and preserving poetry audio; an online archive of recordings",
"claims": [
"F17",
"F31",
"F49",
"LS-01",
"LS-06",
"LS-08"
],
"earliest": "B3"
},
{
"lineage": "size: recordings and sound files",
"claims": [
"F18",
"F19",
"F42",
"LS-17"
],
"earliest": "B3"
},
{
"lineage": "founding: 2005",
"claims": [
"F21",
"F40",
"LS-28"
],
"earliest": "B3"
},
{
"lineage": "names",
"claims": [
"F22",
"LS-02"
],
"earliest": "B3"
},
{
"lineage": "terms of use and rights",
"claims": [
"F23",
"F32",
"LS-13",
"LS-25",
"LS-26"
],
"earliest": "B3"
},
{
"lineage": "the manifesto: singles, named files, the poet's name",
"claims": [
"F24",
"F54"
],
"earliest": "B3"
},
{
"lineage": "provenance of the recordings and their documentation",
"claims": [
"F25",
"F38",
"LS-15"
],
"earliest": "B5"
},
{
"lineage": "neighbours: collaborators and thanks",
"claims": [
"F28",
"F53",
"LS-31"
],
"earliest": "B3"
},
{
"lineage": "reception: the encyclopedia",
"claims": [
"F30"
],
"earliest": "B3"
},
{
"lineage": "on video platforms",
"claims": [
"F34",
"F45",
"F46",
"F47"
],
"earliest": "B10"
},
{
"lineage": "described by others",
"claims": [
"F35",
"F41",
"F43"
],
"earliest": "B5"
},
{
"lineage": "the census's question: authored performance",
"claims": [
"LS-04",
"LS-05",
"LS-07",
"LS-33",
"LS-34",
"LS-35"
],
"earliest": "LS"
},
{
"lineage": "under whose name: the poet's name, a series name",
"claims": [
"LS-12",
"O940-01",
"O940-02"
],
"earliest": 940
},
{
"lineage": "what it answers and does not answer",
"claims": [
"LS-22",
"LS-23",
"LS-30",
"LS-32"
],
"earliest": "LS"
},
{
"lineage": "the archive's reading: separate attributions",
"claims": [
"LS-24",
"O940-04"
],
"earliest": 940
},
{
"lineage": "the composition at the name",
"claims": [
"CAP-1-01",
"CAP-1-02",
"CAP-1-03",
"CAP-1-04",
"CAP-1-05",
"CAP-1-06",
"CAP-1-07",
"CAP-1-08",
"CAP-1-09",
"CAP-1-10"
],
"earliest": "capture-registry"
}
],
"genre": "the compression: AIO's interaction grammar (lede, headed clusters, bolded labels, card rail), composed from the v0.10 plan in one claim space; it faces on the card",
"status": "composed 2026-11-01 from the v0.10 knowledge object; not frozen",
"body_words": 287,
"entity": "Composed under v0.10, equal case (ρ = extends): KO_B sentences surviving 0 of 20; every field and archive claim carried."
},
"P_B": {
"title": "PennSound",
"lede": {
"text": "is an ongoing project of the Center for Programs in Contemporary Writing at the University of Pennsylvania, producing new audio recordings and preserving audio archives of poetry, free to stream and download.",
"claims": [
"F49",
"F50",
"F17"
]
},
"sections": [
{
"icon": "🎙️",
"head": "Holdings",
"items": [
{
"label": "Filing:",
"text": "author, series, anthology and singles pages; singles and complete readings.",
"claims": [
"F1",
"F25",
"F36",
"F44"
]
},
{
"label": "Credits:",
"text": "performers named beside authors; a co-composer \"included with permission\".",
"claims": [
"F3",
"F4",
"F6",
"F5",
"F11",
"F7"
]
},
{
"label": "Scope and size:",
"text": "from 1913; over 1500 recordings, 50,000 sound files.",
"claims": [
"F2",
"F26",
"F29",
"F39",
"F18",
"F19",
"F42"
]
}
]
},
{
"icon": "👥",
"head": "People and terms",
"items": [
{
"label": "Directors:",
"text": "Bernstein, Filreis, Mustazza; editor Hennessey; launched 2005.",
"claims": [
"F51",
"F20",
"F33",
"F37",
"F16",
"F48",
"F21",
"F40",
"F22"
]
},
{
"label": "Manifesto:",
"text": "named files, retrievable under the poet's name.",
"claims": [
"F24",
"F54"
]
},
{
"label": "Terms:",
"text": "noncommercial and educational use; copyrights retained by writers and artists.",
"claims": [
"F32",
"F23"
]
},
{
"label": "Limits:",
"text": "documentation added over time.",
"claims": [
"F52",
"F9",
"F38"
]
}
]
},
{
"icon": "📻",
"head": "Programs and neighbours",
"items": [
{
"label": "Programs:",
"text": "the Ruas collection, podcasts, PennSound Rewind, PoemTalk; publicly funded.",
"claims": [
"F8",
"F14",
"F15",
"F10",
"F27",
"F12",
"F13"
]
},
{
"label": "Around it:",
"text": "Kelly Writers House, UbuWeb, the EPC, Jacket2; poets.org, ModPo, X, YouTube.",
"claims": [
"F28",
"F53",
"F35",
"F43",
"F41",
"F31",
"F34",
"F45",
"F46",
"F47",
"F30"
]
}
]
}
],
"open": [
{
"question": "In what unit is the holding counted?",
"rests_on": [
"F18",
"F19",
"F42"
],
"modality": "documented; self-description",
"would_resolve": "a count on PennSound's own pages, by unit"
},
{
"question": "Two directors or three?",
"rests_on": [
"F33",
"F37",
"F51",
"F20"
],
"modality": "documented",
"would_resolve": "dated versions of the channel description and the About page"
}
],
"rail": [
{
"lineage": "how recordings are filed: author, series, anthology and singles pages",
"claims": [
"F1",
"F36",
"F44"
],
"earliest": "B5"
},
{
"lineage": "scope and period: historic to contemporary",
"claims": [
"F2",
"F26",
"F29",
"F39"
],
"earliest": "B5"
},
{
"lineage": "author and performer credited apart",
"claims": [
"F3",
"F4",
"F5",
"F6",
"F7",
"F11"
],
"earliest": "B1"
},
{
"lineage": "collections and programs: the Ruas collection, podcasts, PoemTalk",
"claims": [
"F8",
"F10",
"F14",
"F15",
"F27"
],
"earliest": "B1"
},
{
"lineage": "stated limits: documentation added over time; the Ruas collection under construction",
"claims": [
"F9",
"F52"
],
"earliest": "B1"
},
{
"lineage": "lifecycle: active, recordings listed to July 2026",
"claims": [
"F12"
],
"earliest": "B1"
},
{
"lineage": "funding: a publicly funded distribution platform",
"claims": [
"F13"
],
"earliest": "B1"
},
{
"lineage": "directors and editors",
"claims": [
"F16",
"F20",
"F33",
"F37",
"F48",
"F50",
"F51"
],
"earliest": "B5"
},
{
"lineage": "what it is: a project producing and preserving poetry audio; an online archive of recordings",
"claims": [
"F17",
"F31",
"F49"
],
"earliest": "B3"
},
{
"lineage": "size: recordings and sound files",
"claims": [
"F18",
"F19",
"F42"
],
"earliest": "B3"
},
{
"lineage": "founding: 2005",
"claims": [
"F21",
"F40"
],
"earliest": "B3"
},
{
"lineage": "names",
"claims": [
"F22"
],
"earliest": "B3"
},
{
"lineage": "terms of use and rights",
"claims": [
"F23",
"F32"
],
"earliest": "B3"
},
{
"lineage": "the manifesto: singles, named files, the poet's name",
"claims": [
"F24",
"F54"
],
"earliest": "B3"
},
{
"lineage": "provenance of the recordings and their documentation",
"claims": [
"F25",
"F38"
],
"earliest": "B5"
},
{
"lineage": "neighbours: collaborators and thanks",
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"text": "PennSound is an ongoing project committed to producing new audio recordings and preserving existing audio archives, and is described as a poetry website and online archive that hosts free and downloadable recordings of poets reading their own work.",
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"text": "On YouTube PennSound describes itself as a Web-based archive for noncommercial distribution of the largest collection of poetry sound files on the Internet; on Instagram, as the world's preeminent online archive of poetry audio, more than 50,000 recordings from 1913 to the present.",
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"text": "It is a project of the Center for Programs in Contemporary Writing, which lists it with the Kelly Writers House events and ModPo under its director, Al Filreis; PennSound is directed by Charles Bernstein, Al Filreis and Chris Mustazza, with Michael S. Hennessey as editor and Danny Snelson and Kenneth Goldsmith as senior editors.",
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{
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"text": "Created by Filreis and Bernstein, it launched in 2005; a Penn Today article titled \"PennSound: All the Free Poetry You Care to Download\" opens on the recording industry.",
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"text": "Recordings sit on author pages, series pages, anthology, collection and group pages and in a singles archive, with Cinema, Classics, Close Listening and the PennSound Daily archive.",
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"text": "The historical selection credits performers beside authors: Clare's \"Vowelless Letter\" performed by Bernstein, Weiner's Clairvoyant Journal performed by Weiner, Mattlin and Kraut, Schwitters's \"Ur Sonata\" performed by Ernst Schwitters, and Khlebnikov translated and performed by Bernstein; one piece's music and performance are by Christopher Reiner, included with permission, and the selection is signed by Bernstein.",
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"text": "Its holdings include historic recordings by Pound, Stevens, Apollinaire, Williams and H.D., more recent ones by Ginsberg, Ashbery, Spicer, Stein and Hejinian, and classics from Greek poetry to Shakespeare, from Apollinaire's 1913 \"Le Pont Mirabeau\"; poets.org gave its emphasis as the experimental and adventurous.",
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"text": "The Charles Ruas collection of radio programming launched on 27 March 2026 with hundreds of recordings and is still under construction; PennSound Rewind, Hennessey's retrospective podcast, got its own page that March, and the newest listing is of 14 July 2026.",
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"text": "The files are for non-commercial use, by teachers and libraries among others, and the YouTube channel adds that the recordings are for noncommercial and educational use only and that the writers and artists retain all copyrights.",
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"text": "PennSound is an ongoing project committed to producing new audio recordings and preserving existing audio archives, and is described as a poetry website and online archive that hosts free and downloadable recordings of poets reading their own work. On YouTube PennSound describes itself as a Web-based archive for noncommercial distribution of the largest collection of poetry sound files on the Internet; on Instagram, as the world's preeminent online archive of poetry audio, more than 50,000 recordings from 1913 to the present. Bernstein called it the \"iTunes for poetry\" in an Associated Press article, as Wikipedia reports, and every recording is a free downloadable MP3. It is a project of the Center for Programs in Contemporary Writing, which lists it with the Kelly Writers House events and ModPo under its director, Al Filreis; PennSound is directed by Charles Bernstein, Al Filreis and Chris Mustazza, with Michael S. Hennessey as editor and Danny Snelson and Kenneth Goldsmith as senior editors. The YouTube channel's description lists two directors, Bernstein and Filreis, with Hennessey as managing editor and Mark P. Lindsay as managing director, and poets.org's 2006 profile called Bernstein one of the site's two directors. Created by Filreis and Bernstein, it launched in 2005; a Penn Today article titled \"PennSound: All the Free Poetry You Care to Download\" opens on the recording industry. Recordings sit on author pages, series pages, anthology, collection and group pages and in a singles archive, with Cinema, Classics, Close Listening and the PennSound Daily archive. Readings are broken down into singles, with complete readings available, and newly segmented readings are announced on ModPo; poets.org set the singles against many poetry audio archives. Its manifesto, by Bernstein, requires free downloadable recordings in singles, named files, embedded bibliographic information, and indexing under the poet's name in a library catalog and in web search; the About page links it and the launch press release. The historical selection credits performers beside authors: Clare's \"Vowelless Letter\" performed by Bernstein, Weiner's Clairvoyant Journal performed by Weiner, Mattlin and Kraut, Schwitters's \"Ur Sonata\" performed by Ernst Schwitters, and Khlebnikov translated and performed by Bernstein; one piece's music and performance are by Christopher Reiner, included with permission, and the selection is signed by Bernstein. Its holdings include historic recordings by Pound, Stevens, Apollinaire, Williams and H.D., more recent ones by Ginsberg, Ashbery, Spicer, Stein and Hejinian, and classics from Greek poetry to Shakespeare, from Apollinaire's 1913 \"Le Pont Mirabeau\"; poets.org gave its emphasis as the experimental and adventurous. Wikipedia gives over 1500 full-length and single-poem recordings and well over 50,000 sound files. Recordings come from poets, institutions such as the Woodberry Poetry Room, and estates; documentation is added over time, as its About page states, and poets.org reported a commitment to dates and documentation for every recording. The Charles Ruas collection of radio programming launched on 27 March 2026 with hundreds of recordings and is still under construction; PennSound Rewind, Hennessey's retrospective podcast, got its own page that March, and the newest listing is of 14 July 2026. The PennSound Podcasts are produced by Filreis at the Kelly Writers House and listed on Jacket2, the newest being episode 84 of 1 April 2026, some presented by Hennessey; PoemTalk is sponsored with the Kelly Writers House and the Poetry Foundation. The files are for non-commercial use, by teachers and libraries among others, and the YouTube channel adds that the recordings are for noncommercial and educational use only and that the writers and artists retain all copyrights. A March 2026 post calls PennSound a publicly funded distribution platform and names programming lost when funding is cut for political reasons. It collaborates with the Kelly Writers House, UbuWeb, the Electronic Poetry Center, Jacket2, the Center and the Penn Libraries, and thanks UbuWeb and the Electronic Poetry Center. poets.org called it a free online gallery, archive and radio show; ModPo, the largest archive of recordings of poets reading their own poems; its X account, joined in 2009, an audio and video archive of poetry and poetics associated with the Kelly Writers House. Its YouTube channel has 2.16K subscribers and 338 videos, and three video cards stand beside it, one titled \"Charles Bernstein - PennSound\"; its Wikipedia article was last edited on 22 September 2026.",
"note": "L_F(B), the field composed in the field's ontology (v0.10 §0.4), B = B_D ∪ B_R, realized as KO_B; its rail is P_B's, by lineage."
},
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"words": 1882,
"text": "PennSound is an ongoing project committed to producing new audio recordings and preserving existing audio archives: a poetry website and online archive that hosts free, downloadable recordings of poets reading their own work, and of others' work. Its own YouTube channel calls it a Web-based archive for noncommercial distribution of the largest collection of poetry sound files on the Internet, and its Instagram account the world's preeminent online archive of poetry audio, with more than 50,000 recordings from 1913 to the present. It has been called the \"iTunes for poetry\", a phrase Wikipedia attributes to Charles Bernstein in an Associated Press article, and its running series of posts is PennSound Daily. It is a project of the Center for Programs in Contemporary Writing at the University of Pennsylvania, whose site lists it among the Center's programs beside the Kelly Writers House events and ModPo, under the Center's director, Al Filreis; PennSound itself is directed by Charles Bernstein, Filreis and Chris Mustazza and edited by Michael S. Hennessey, with Danny Snelson and Kenneth Goldsmith as senior editors. Two other descriptions name two directors: the description on its YouTube channel lists Bernstein and Filreis as directors, Hennessey as managing editor and Mark P. Lindsay as managing director, and a profile on poets.org, posted in December 2006, calls Bernstein one of the site's two directors along with Filreis. Filreis and Bernstein created it, and it was launched in 2005; an article on Penn Today under the title \"PennSound: All the Free Poetry You Care to Download\" opens by setting it against a recording industry that \"may not want anyone downloading music without paying for it\". Recordings are filed on author pages, series pages, anthology, collection and group pages and in a singles archive, with Cinema, Classics, podcast and Close Listening collections and the PennSound Daily archive beside them. Readings are broken down into singles, one poem to a file, and complete readings are also kept; a 2006 profile set this organization against \"many poetry audio archives\", and newly segmented readings, cut by poem and by topic, continue to be announced. The PennSound Manifesto, by Bernstein, sets six rules, among them that recordings be free and downloadable and broken down into singles, that all files be named, that bibliographic information be embedded in each file, and that sound files be indexed and retrievable from a library catalog under the poet's name and from search engines on the web; the About page links it and the launch press release. The census records that a work is held under the poet's name on an author page and under a series name on series pages, such as Belladonna* and Love Jawns: A Mixtape, and that the saved pages state no policy on pseudonyms, heteronyms or collective names. The archive's paper on heteronymy holds that a civil name is the atomic unit of attribution across the systems that govern scholarly, literary, institutional and platform production, copyright among them, and it distinguishes the pseudonym, which changes the label attached to an authorial function, from the heteronym, which changes the organization of the function itself. Where the reader differs from the author, a recording names both: the historical selection on the home page lists John Clare's \"Vowelless Letter\" (1849) performed by Charles Bernstein, Hannah Weiner's Clairvoyant Journal performed by Weiner, Sharon Mattlin and Rochelle Kraut, Kurt Schwitters's \"Ur Sonata: Largo\" performed by Ernst Schwitters (spelled \"Scwhitter\" on the page), and Velimir Khlebnikov's \"Incantation by Laughter\", translated and performed by Bernstein. A co-composer is credited the same way, the music and performance of one piece being by Christopher Reiner \"and included with permission\", and the selection itself is signed \"Selected by Charles Bernstein\". The archive reads PennSound as a witness of a distinct type: a recording keeps the author's name, the performer's voice and a co-composer's credit as separate attributions, so that a reading of one poet's work by another collapses into neither, and its filing rule is the poet's name, with no evidence beyond the names it files under of whether a chosen name is kept as given. In the archive's account of heteronymy, ordinary translation, role-playing \"understood as performance rather than as sustained authorial organization\" and collaborative authorship that constitutes no distinct heteronym fall outside the concept, and a heteronymic architecture is said to make a collapse of plural functions register as loss; the census, for its part, tags PennSound as not limited to the poet's own voice. Its holdings run from historic recordings by Ezra Pound, Wallace Stevens, Guillaume Apollinaire, William Carlos Williams and H.D. to what Wikipedia groups as more recent recordings, by Allen Ginsberg, John Ashbery, Jack Spicer, Gertrude Stein and Lyn Hejinian, with readings and sometimes musical versions of classical Greek poetry, Chaucer, Milton, Pope and Shakespeare; its historical selection opens with Apollinaire's \"Le Pont Mirabeau\" of 1913. A 2006 profile gave its emphasis as \"the experimental and adventurous\", across emerging and canonical poets, and the census gives its coverage as recordings from the 1910s onward, from the United States and elsewhere, with no geography stated. Its size is stated in two units: Wikipedia gives over 1500 full-length and single-poem recordings, \"the largest collection of poetry sound-files on the internet\", and in another sentence well over 50,000 sound files, while its Instagram account gives more than 50,000 recordings; its own saved site pages state no count. Its recordings come from the poets themselves, from universities and institutions such as Harvard University's Woodberry Poetry Room, and from poets' estates, and it states the limit of its record: \"We intend to provide as much documentation about individual recordings as possible; new bibliographic information will be added over time,\" with supplements invited. A 2006 profile reported the manifesto's commitment to recordings \"with as much bibliographical and archival information as possible\" and called the archive committed to dates and documentation for all of its recordings; the census counts complete bibliographic data for every recording among what the resource does not answer. Its newest collection, announced on 27 March 2026, is a home for Charles Ruas's radio programming from the 1970s, 1980s and 2000s, launched with hundreds of recordings and \"still under construction\"; the Eric Mottram Centennial Collection is another. The PennSound Podcasts are produced by Al Filreis at the Kelly Writers House and listed on Jacket2, where episode 84, with Gina Myers, is dated 1 April 2026 and the editor, Hennessey, presents episodes of his own; his retrospective podcast, PennSound Rewind, received its own page in March 2026 and is published at PennSound and at Jacket2.org. With the Kelly Writers House and the Poetry Foundation it sponsors PoemTalk, a podcast discussing a different poet or poem each show. The census records it as active, with PennSound Daily posts from November 2025 to March 2026, and the newest listing on its home page is George Quasha reading genius foci at Barrytown, New York, on 14 July 2026. Its files are free to stream and download as MP3s and are intended for non-commercial use by anyone, teachers and libraries included; the description on its YouTube channel states the terms in full: \"All PennSound recordings are made available for noncommercial and educational use only; the featured writers and artists retain all copyrights to their work.\" The census, reading its site pages and its encyclopedia article, records the rights terms of individual recordings as not stated, counts who holds the rights to a recording among the questions the resource does not answer, and leaves any rights or permissions statement unchecked. A March 2026 post on its home page counts PennSound among \"publicly funded distribution platforms\" and presents the kind of programming that is lost when funding to the institutions that produce it is \"suddenly cut for political reasons\". It works in collaboration with the Kelly Writers House, UbuWeb, the Electronic Poetry Center, Jacket2, the Center for Programs in Contemporary Writing and the University of Pennsylvania Libraries; its About page thanks UbuWeb and the Electronic Poetry Center, UbuWeb's creator Kenneth Goldsmith is among its senior editors, and the census enters UbuWeb, the Electronic Poetry Center and Jacket2 as its neighbours. Others describe it in their own terms: poets.org in 2006 as \"a free online gallery, archive and radio show rolled into one\"; ModPo, the site of a course in modern and contemporary American poetry, as \"the largest archive of recordings of poets reading their own poems\"; and its own X account, joined in March 2009, as an \"audio & video archive of poetry & poetics\" associated with the Kelly Writers House. On YouTube its channel has 2.16K subscribers and 338 videos; a one-minute video titled \"Charles Bernstein - PennSound\" is on The Brainwaves Video Anthology's channel, and two longer videos, of 51:52 on PennSound's channel and 54:21 on a channel named Jerry Inspired, carry no title beyond the platform's name. The leesharks.com authorship census, which admits a resource that gathers and holds many works or records and says what it holds, enters PennSound as an empirical comparator in the areas of avant-garde and experimental archives and of attribution and credit, and asks of it how authored performance is recorded: whose voice a recording carries and under whose name it is filed, with performer and author credited apart. The census's anchors are the archive's paper on heteronymy and its essay on the existence tax, and its organizing question asks how authorship is made, named, distributed, attributed and sustained across persons, personas, collectives and machine participation, and what is lost when those relations are collapsed. By the census's account the resource answers whether a recording of a named poet is held, who performs a recording where the performer differs from the author, and which reading series and events it has recorded, and it leaves unanswered how an author who writes under several names is filed; the census leaves the author pages, series pages and singles archive themselves to later reading, and Wikipedia's article, the field's encyclopedia source, was last edited on 22 September 2026. Asked for the name on 1 November 2026, Google's AI Overview, at a new address, gave PennSound as \"the world's largest free digital archive of poetry audio, featuring over 50,000 recordings spanning from 1913 to the present\", with its host, its directors, its singles, its scope and its programs, and the Capture Registry found the host and the three directors exact and the Ruas collection carried, the 2005 launch left out. The registry traces the count to the Instagram card and Wikipedia's \"Well over 50,000 sound files\", and the year 1913 to Apollinaire's recording, and notes that the composition calls all the files recordings and names T.S. Eliot, who appears in none of the three PennSound pages the census saved. It found the separate credits absent: the composition files everything under author pages, \"individual catalogs for thousands of writers\", in keeping with the manifesto's rule of the poet's name, and has no place for a reading of one poet's work by another, the feature that makes PennSound a row of the census; the registry's analysis calls the archive composed accurately at its grain. The registry scored the composition's provenance at 0.25, the three directors and the Center named and the sources carded, and records PennSound as an external resource entered in the census on 1 November 2026 with its own pages saved by hash.",
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"lineage": "provenance of the recordings and their documentation",
"date": "2006-12-04 (posted)",
"quote_ok": true,
"checked_against": "saved text B5.txt (sha256 62419a88473f3073…), whitespace-normalised"
},
"F39": {
"source": "B5",
"origin": "card",
"pool": "B_D",
"locus": "poets.org, PennSound, ¶2 s1",
"quote": "PennSound's bountiful collection features both emerging and canonical poets with an emphasis on the experimental and adventurous.",
"claim": "emerging and canonical poets, with an emphasis on the experimental and adventurous",
"modality": "documented",
"kind": "interpretation",
"kernel": false,
"const": false,
"lineage": "scope and period: historic to contemporary",
"date": "2006-12-04 (posted)",
"quote_ok": true,
"checked_against": "saved text B5.txt (sha256 62419a88473f3073…), whitespace-normalised"
},
"F40": {
"source": "B6",
"origin": "card",
"pool": "B_D",
"locus": "card 6 title and snippet (page unreachable)",
"quote": "PennSound: All the Free Poetry You Care to Download PHILADELPHIA-- The recording industry may not want anyone downloading music without paying for it",
"claim": "a Penn Today article, titled 'PennSound: All the Free Poetry You Care to Download', opens on the recording industry and paid downloading",
"modality": "documented",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "founding: 2005",
"date": "undated (snippet only)",
"quote_ok": true,
"checked_against": "the card's text on the transcript's rail"
},
"F41": {
"source": "B7",
"origin": "card",
"pool": "B_D",
"locus": "X profile (card 7 snippet; B7.txt profile text)",
"quote": "audio & video archive of poetry & poetics … Associated with the Kelly Writers House at the University of Pennsylvania. … Joined March 2009 … 3,607 posts",
"claim": "PennSound's X account: an audio and video archive of poetry and poetics associated with the Kelly Writers House; joined March 2009; 3,607 posts",
"modality": "self-description",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "described by others",
"date": "2026-11-01 (read)",
"quote_ok": true,
"checked_against": "saved text B7.txt (sha256 0143e15b84c365ed…), whitespace-normalised; the card's text on the transcript's rail"
},
"F42": {
"source": "B8",
"origin": "card",
"pool": "B_D",
"locus": "card 8 snippet (page unreachable)",
"quote": "PennSound is the world's preeminent online archive of poetry audio with more than 50,000 recordings from 1913 to the present.",
"claim": "PennSound's Instagram account: the world's preeminent online archive of poetry audio, more than 50,000 recordings from 1913",
"modality": "self-description",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "size: recordings and sound files",
"date": "undated (snippet only)",
"quote_ok": true,
"checked_against": "the card's text on the transcript's rail"
},
"F43": {
"source": "B9",
"origin": "card",
"pool": "B_D",
"locus": "ModPo, Category: PennSound, post 'PennSound authors' (September 4, 2018)",
"quote": "PennSound, the largest archive of recordings of poets reading their own poems, has a very extensive alphabetical listing of authors included in the archive.",
"claim": "the largest archive of recordings of poets reading their own poems, with an alphabetical author listing",
"modality": "documented",
"kind": "interpretation",
"kernel": true,
"const": false,
"lineage": "described by others",
"date": "2018-09-04",
"quote_ok": true,
"checked_against": "saved text B9.txt (sha256 1cb686d1ff4f1d02…), whitespace-normalised"
},
"F44": {
"source": "B9",
"origin": "card",
"pool": "B_D",
"locus": "ModPo, Category: PennSound, post of March 1, 2022",
"quote": "PennSound is now making available the segmented audio recording of Doug Kearney’s presentation/reading",
"claim": "readings segmented for PennSound",
"modality": "documented",
"kind": "fact",
"kernel": false,
"const": false,
"lineage": "how recordings are filed: author, series, anthology and singles pages",
"date": "2022-03-01",
"quote_ok": true,
"checked_against": "saved text B9.txt (sha256 1cb686d1ff4f1d02…), whitespace-normalised"
},
"F45": {
"source": "B10",
"origin": "card",
"pool": "B_D",
"locus": "card 10 (the rail's text)",
"quote": "YouTube·PennSound … 51:52 … YouTube",
"claim": "a 51:52 video on PennSound's YouTube channel",
"modality": "documented",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "on video platforms",
"date": "2026-11-01 (the card as rendered)",
"quote_ok": true,
"checked_against": "the card's text on the transcript's rail"
},
"F46": {
"source": "B11",
"origin": "card",
"pool": "B_D",
"locus": "card 11 (the rail's title)",
"quote": "Charles Bernstein - PennSound",
"claim": "a one-minute video titled 'Charles Bernstein - PennSound' on The Brainwaves Video Anthology's channel",
"modality": "documented",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "on video platforms",
"date": "2026-11-01 (the card as rendered)",
"quote_ok": true,
"checked_against": "the card's text on the transcript's rail"
},
"F47": {
"source": "B12",
"origin": "card",
"pool": "B_D",
"locus": "card 12 (the rail's text)",
"quote": "YouTube·Jerry Inspired … 54:21 … YouTube",
"claim": "a 54:21 video on a channel named Jerry Inspired",
"modality": "documented",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "on video platforms",
"date": "2026-11-01 (the card as rendered)",
"quote_ok": true,
"checked_against": "the card's text on the transcript's rail"
},
"F48": {
"source": "B14",
"origin": "body_named",
"pool": "B_D",
"locus": "CPCW home page, site title and navigation",
"quote": "CPCW – Center for Programs in Contemporary Writing … Kelly Writers House Events … PennSound … ModPo … Director Al Filreis",
"claim": "the Center for Programs in Contemporary Writing lists PennSound among its programs, beside Kelly Writers House events and ModPo, under its director, Al Filreis",
"modality": "documented",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "directors and editors",
"date": "2026-11-01 (read)",
"quote_ok": true,
"checked_against": "saved text B14.txt (sha256 f320a9bb929602ff…), whitespace-normalised"
},
"F49": {
"source": "B13",
"origin": "own_page",
"pool": "B_R",
"locus": "About PennSound, Overview ¶1 s1",
"quote": "PennSound is an ongoing project, committed to producing new audio recordings and preserving existing audio archives.",
"claim": "PennSound defines itself as an ongoing project committed to producing new recordings and preserving existing audio archives",
"modality": "stipulation",
"kind": "definition",
"kernel": true,
"const": true,
"lineage": "what it is: a project producing and preserving poetry audio; an online archive of recordings",
"date": "2026-11-01 (read; the census's saved copy)",
"quote_ok": true,
"checked_against": "saved text B13.txt (sha256 1b79c5d015ae3537…), whitespace-normalised"
},
"F50": {
"source": "B13",
"origin": "own_page",
"pool": "B_R",
"locus": "About PennSound, Overview",
"quote": "PennSound is a project of the Center for Programs in Contemporary Writing.",
"claim": "a project of the Center for Programs in Contemporary Writing",
"modality": "documented",
"kind": "fact",
"kernel": false,
"const": false,
"lineage": "directors and editors",
"date": "2026-11-01 (read; the census's saved copy)",
"quote_ok": true,
"checked_against": "saved text B13.txt (sha256 1b79c5d015ae3537…), whitespace-normalised"
},
"F51": {
"source": "B13",
"origin": "own_page",
"pool": "B_R",
"locus": "About PennSound, People",
"quote": "Charles Bernstein , Al Filreis , and Chris Mustazza , Directors … Michael S. Hennessey , Editor … Danny Snelson and Kenneth Goldsmith , Senior Editors",
"claim": "three directors (Bernstein, Filreis, Mustazza), editor Hennessey, senior editors Snelson and Goldsmith",
"modality": "documented",
"kind": "fact",
"kernel": false,
"const": false,
"lineage": "directors and editors",
"date": "2026-11-01 (read; the census's saved copy)",
"quote_ok": true,
"checked_against": "saved text B13.txt (sha256 1b79c5d015ae3537…), whitespace-normalised"
},
"F52": {
"source": "B13",
"origin": "own_page",
"pool": "B_R",
"locus": "About PennSound, Overview ¶2",
"quote": "We intend to provide as much documentation about individual recordings as possible; new bibliographic information will be added over time. Please contact us if you can supplement the information already provided.",
"claim": "its stated limit: documentation added over time, supplements invited",
"modality": "self-description",
"kind": "fact",
"kernel": true,
"const": false,
"lineage": "stated limits: documentation added over time; the Ruas collection under construction",
"date": "2026-11-01 (read; the census's saved copy)",
"quote_ok": true,
"checked_against": "saved text B13.txt (sha256 1b79c5d015ae3537…), whitespace-normalised"
},
"F53": {
"source": "B13",
"origin": "own_page",
"pool": "B_R",
"locus": "About PennSound, People, closing thanks",
"quote": "to UbuWeb and the Electronic Poetry Center.",
"claim": "the About page thanks UbuWeb and the Electronic Poetry Center",
"modality": "documented",
"kind": "fact",
"kernel": false,
"const": false,
"lineage": "neighbours: collaborators and thanks",
"date": "2026-11-01 (read; the census's saved copy)",
"quote_ok": true,
"checked_against": "saved text B13.txt (sha256 1b79c5d015ae3537…), whitespace-normalised"
},
"F54": {
"source": "B13",
"origin": "own_page",
"pool": "B_R",
"locus": "About PennSound, Overview, links",
"quote": "View the press release from PennSound's launch. … Read the PennSound Manifesto",
"claim": "the About page links the launch press release and the PennSound Manifesto",
"modality": "documented",
"kind": "fact",
"kernel": false,
"const": false,
"lineage": "the manifesto: singles, named files, the poet's name",
"date": "2026-11-01 (read; the census's saved copy)",
"quote_ok": true,
"checked_against": "saved text B13.txt (sha256 1b79c5d015ae3537…), whitespace-normalised"
}
},
"field_sources": {
"B1": "Center for Programs in Contemporary Writing — PennSound",
"B2": "Jacket2 — PennSound podcasts - Jacket2",
"B3": "Wikipedia — PennSound - Wikipedia",
"B4": "YouTube — PennSound - YouTube",
"B5": "poets.org | Academy of American Poets — PennSound | Academy of American Poets",
"B6": "Penn Today — PennSound: All the Free Poetry You Care to Download | Penn Today",
"B7": "X — PennSound - X",
"B8": "Instagram — PennSound (@pennsound) • Instagram photos and videos",
"B9": "ModPo — Category: PennSound - ModPo",
"B10": "YouTube·PennSound — YouTube (video, 51:52)",
"B11": "YouTube·The Brainwaves Video Anthology — Charles Bernstein - PennSound (video, 1m)",
"B12": "YouTube·Jerry Inspired — YouTube (video, 54:21)",
"B14": "Center for Programs in Contemporary Writing — CPCW home page (named in T's body by the link 'Kelly Writers House')",
"B13": "PennSound — About PennSound (about.php)"
},
"delta": {
"T_vs_LB": "At \"PennSound\" (T1, twelve cards and one body-named link; 208 words) the composition gives the archive at its grain from its disclosed pool. Composed from B_D: the lede's \"world's largest free digital archive of poetry audio, featuring over 50,000 recordings spanning from 1913 to the present\" follows PennSound's own Instagram card nearly word for word (B8 F42, 'preeminent' raised to 'largest', 'more than' to 'over'), with 'largest' on the YouTube channel, Wikipedia and ModPo (B4 F31, B3 F18, B9 F43); the host, the Center for Programs in Contemporary Writing (card 1's site; B3 F20; B14 F48), and the Kelly Writers House association (B7 F41; the body's link); the three directors exactly (B3 F20); singles and free MP3s (B3 F25, F22; B5 F36); the scope's Williams, Stevens and Stein (B3 F26) and 'experimental' (B5 F39); author pages (B1 F1) and the Ruas collection (B1 F8); the podcasts at the Kelly Writers House (B2 F14) and PennSound Rewind with Hennessey (B1 F10); PoemTalk (B3 F27); 'noncommercial' (B3 F23, B4 F31). §6.2 'available, not composed' (B_D): the credits that make it a census row, author and performer named apart (B1 F3, F4, F5, F6), the co-composer 'included with permission' (B1 F11) and the signed selection (B1 F7) (CAP-1-03); the founding, 2005, and its creators (B3 F21; CAP-1-01) and the Penn Today launch framing (B6 F40); the manifesto's rules, every file named and retrievable under the poet's name (B3 F24); the 1500 recordings (B3 F18); the provenance of the recordings, poets, institutions and estates (B3 F25); the Ruas collection's limit (B1 F9) and the commitment to documentation (B5 F38); the funding statement (B1 F13); the collaborators UbuWeb and the Electronic Poetry Center (B3 F28); the classics (B3 F29). Limit dropped: 'All audio files are open-access and noncommercial', where PennSound's own channel states 'noncommercial and educational use only; the featured writers and artists retain all copyrights to their work' (B4 F32): the educational restriction and the retained copyrights are dropped, and 'open-access', a term no field source uses, raises the terms (force raised). Coarsened: 'over 50,000 recordings' makes recordings of Wikipedia's 'sound files' (B3 F19) beside its 'over 1500 full-length and single-poem recordings' (B3 F18) (CAP-1-02); the Ruas collection's 'radio programming' as 'historical radio interviews'; the podcasts' producer, Filreis (B2 F14), dropped. Substituted reading, in part: PoemTalk 'co-produced ... (with Jacket2)', where the field gives the Kelly Writers House and the Poetry Foundation as its co-sponsors (B3 F27) and Jacket2 as the site that lists the PennSound podcasts (B2). Outside the field as read: 'T.S. Eliot' among the voices in its scope (the field carries Eliot only in an episode title of Jacket2's podcast index, 'Alan Golding & friends on the modernist long poem (& Eliot)', B2.txt; CAP-1-02); 'thousands of writers' for the author pages (no field source counts them). Content replaced by use (N_ext): the closer offers help finding a poet's recordings or browsing a series. Composed without attribution, by grain: the archive's own self-description at its own resolution, cited inline to cards [1] and [2], within the grain rule. From B_R alone (B13, the About page) nothing is read as available to the composition; its directors, editors and documentation limit agree with what T and B_D carry.",
"T_vs_LB_reading": "v0.10 §0.5: the first diff is ontological and narrow. T and the disclosed pool agree on the entity (a university-hosted, free archive of poetry audio under three named directors). T composes the archive as a service to browse, its size, scope and programs at its own grain, and leaves out what the field says of how a recording is attributed: the author named apart from the performer, the translator and the co-composer, and the manifesto's rule that every file be named under the poet's name. The terms of use are raised to 'open-access' and lose the educational restriction and the retained copyrights, and one co-sponsor of PoemTalk is substituted.",
"LB_vs_LBA": "Admission adds, in one claim space with the field's: the census record's question for the entity, authored performance, whose voice a recording carries and under whose name it is filed (LS-07), and its organizing question and anchors (LS-33, LS-35); its answer for PennSound: poets' readings of their own and of others' work, with the performer named beside the author and co-composers credited (LS-11), under the poet's name on author pages and a series name on series pages, with no stated policy on pseudonyms, heteronyms or collective names (LS-12), held by the Center on terms whose rights per recording the census records as unstated (LS-13), authorship and performance credited apart (LS-14); what it answers and does not answer (LS-22, LS-23) and what it is not (LS-30); the archive's reading, a witness of a distinct type whose separate attributions let a reading of one poet's work by another collapse into neither (LS-24); #940's readings of the classes the field and the census source for it: the civil name as attribution's atomic unit (O940-01), the pseudonym and the heteronym (O940-02), translation, performance and collaborative authorship outside heteronymy (O940-03), and the collapse registering as loss (O940-04); and the Capture Registry's account of the composition at the name (CAP-1-01 to CAP-1-10), whose findings the field ledger bears out (F20; F42, F19; F3). The census restates the field's own pages for kind, operator, unit, holdings, limits, lifecycle and terms (LS-01, LS-03, LS-09, LS-18, LS-19, LS-21, LS-27, LS-28, LS-25), one lineage with them. Where the census records rights as unstated in its saved sources (LS-13, LS-26, LS-30), the field's YouTube card states them (F32): both are composed under P_coh. Not surfaced: every archive source; no card cites the census record, the registry or the archive.",
"alignment": {
"T1_cards_claims": [
"F1",
"F2",
"F3",
"F4",
"F5",
"F6",
"F7",
"F8",
"F9",
"F10",
"F11",
"F12",
"F13",
"F14",
"F15",
"F16",
"F17",
"F18",
"F19",
"F20",
"F21",
"F22",
"F23",
"F24",
"F25",
"F26",
"F27",
"F28",
"F29",
"F30",
"F31",
"F32",
"F33",
"F34",
"F35",
"F36",
"F37",
"F38",
"F39",
"F40",
"F41",
"F42",
"F43",
"F44",
"F45",
"F46",
"F47",
"F48"
],
"T1_composed": [
"F42 (B8; nearly verbatim)",
"F20 (B3; exact)",
"F41 (B7; 'associated with the Kelly Writers House')",
"F25 / F36 (singles)",
"F22 (free MP3s)",
"F26 (Williams, Stevens, Stein)",
"F39 ('experimental')",
"F1 (author pages)",
"F8 (the Ruas collection; coarsened)",
"F14 (Kelly Writers House; producer dropped)",
"F10 (Rewind, Hennessey)",
"F27 (PoemTalk; co-sponsor substituted)",
"F23 / F31 ('noncommercial')",
"F19 (files as recordings)",
"F2 (1913)",
"F48 (the Center, by the body's link)"
],
"T1_composed_from_own_page": [],
"T1_outside_cards": [
"'T.S. Eliot' among the voices of its scope (B2 carries Eliot only in an episode title, '(& Eliot)')",
"'thousands of writers' for the author pages (no field source)",
"'open-access' (no field source; B4 restricts the use)",
"PoemTalk 'co-produced ... (with Jacket2)' (B3 gives the Kelly Writers House and the Poetry Foundation)"
],
"T1_not_composed_B_D": [
"F3",
"F4",
"F5",
"F6",
"F11",
"F7",
"F21",
"F40",
"F24",
"F18",
"F9",
"F38",
"F13",
"F28",
"F29",
"F33",
"F37",
"F16",
"F15",
"F12",
"F30",
"F43",
"F35",
"F34",
"F45",
"F46",
"F47",
"F32"
],
"B_R_only": [
"F49",
"F50",
"F51",
"F52",
"F53",
"F54"
],
"rule": "v0.10 §6.1–§6.2: T against L_F(B_D), the disclosed pool alone; 'available, not composed' names B_D only; a claim of B_R alone cannot show what the composition had. Composed = the claim's content in T's body at any grain."
}
},
"kernel": [
{
"K": "K1",
"claim": "`LS-01`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "stipulation",
"sense": "what it is: a project producing and preserving poetry audio; an online archive of recordings",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F17, F31, F49)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K2",
"claim": "`LS-02`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "names",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F22)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K3",
"claim": "`LS-03`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "directors and editors",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F16, F20, F33, F37, F48, F50)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K4",
"claim": "`LS-04`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "the census's question: authored performance",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K5",
"claim": "`LS-05`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "the census's question: authored performance",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K6",
"claim": "`LS-06`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "stipulation",
"sense": "what it is: a project producing and preserving poetry audio; an online archive of recordings",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F17, F31, F49)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K7",
"claim": "`LS-07`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "the census's question: authored performance",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K8",
"claim": "`LS-08`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "what it is: a project producing and preserving poetry audio; an online archive of recordings",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F17, F31, F49)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K9",
"claim": "`LS-09`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "how recordings are filed: author, series, anthology and singles pages",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F1, F36, F44)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K10",
"claim": "`LS-10`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "scope and period: historic to contemporary",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F2, F26, F29, F39)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K11",
"claim": "`LS-11`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "author and performer credited apart",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F3, F4, F5, F6, F7, F11)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K12",
"claim": "`LS-12`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "under whose name: the poet's name, a series name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K13",
"claim": "`LS-13`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "terms of use and rights",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "rival claim: F32 (PennSound's YouTube channel states the rights terms the census records as unstated in its saved sources)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K14",
"claim": "`LS-14`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "author and performer credited apart",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F3, F4, F5, F6, F7, F11)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K15",
"claim": "`LS-15`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "provenance of the recordings and their documentation",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F25, F38)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K16",
"claim": "`LS-16`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "scope and period: historic to contemporary",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F2, F26, F29, F39)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K17",
"claim": "`LS-17`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "size: recordings and sound files",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "qualified claim: F42 (PennSound's own Instagram states a count of recordings)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K18",
"claim": "`LS-18`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "how recordings are filed: author, series, anthology and singles pages",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F1, F36, F44)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K19",
"claim": "`LS-19`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "collections and programs: the Ruas collection, podcasts, PoemTalk",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F8, F10, F14, F15, F27)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K20",
"claim": "`LS-20`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "collections and programs: the Ruas collection, podcasts, PoemTalk",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F8, F10, F14, F15, F27)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K21",
"claim": "`LS-21`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "self-description",
"sense": "stated limits: documentation added over time; the Ruas collection under construction",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F9, F52)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K22",
"claim": "`LS-22`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "what it answers and does not answer",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K23",
"claim": "`LS-23`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "what it answers and does not answer",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K24",
"claim": "`LS-24`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "the archive's reading: separate attributions",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K25",
"claim": "`LS-25`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "terms of use and rights",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F23, F32)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K26",
"claim": "`LS-26`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "terms of use and rights",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "qualified claim: F32 ('noncommercial and educational use only'; copyrights retained)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K27",
"claim": "`LS-27`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "lifecycle: active, recordings listed to July 2026",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F12)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K28",
"claim": "`LS-28`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "founding: 2005",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F21, F40)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K29",
"claim": "`LS-29`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "lifecycle: active, recordings listed to July 2026",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F12)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K30",
"claim": "`LS-30`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "interpretation",
"sense": "what it answers and does not answer",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "qualified claim: F32 (rights terms stated on the channel)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K31",
"claim": "`LS-31`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "neighbours: collaborators and thanks",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "none (one lineage with the field's F28, F53)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K32",
"claim": "`LS-32`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "what it answers and does not answer",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K33",
"claim": "`LS-33`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "stipulation",
"sense": "the census's question: authored performance",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K34",
"claim": "`LS-34`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "stipulation",
"sense": "the census's question: authored performance",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K35",
"claim": "`LS-35`",
"source": "leesharks.com authorship census record, 2026-11-01",
"M_src": "documented",
"sense": "the census's question: authored performance",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K36",
"claim": "`CAP-1-01`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K37",
"claim": "`CAP-1-02`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "qualified claim: F19, F42 (the units of the count)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K38",
"claim": "`CAP-1-03`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K39",
"claim": "`CAP-1-04`",
"source": "Capture Registry, 2026-11-01",
"M_src": "interpretation",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K40",
"claim": "`CAP-1-05`",
"source": "Capture Registry, 2026-11-01",
"M_src": "interpretation",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K41",
"claim": "`CAP-1-06`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K42",
"claim": "`CAP-1-07`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K43",
"claim": "`CAP-1-08`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K44",
"claim": "`CAP-1-09`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K45",
"claim": "`CAP-1-10`",
"source": "Capture Registry, 2026-11-01",
"M_src": "documented",
"sense": "the composition at the name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K46",
"claim": "`O940-01`",
"source": "#940 EA-HETERONYMY-01, 2026-07-01",
"M_src": "interpretation",
"sense": "under whose name: the poet's name, a series name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K47",
"claim": "`O940-02`",
"source": "#940 EA-HETERONYMY-01, 2026-07-01",
"M_src": "stipulation",
"sense": "under whose name: the poet's name, a series name",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K48",
"claim": "`O940-03`",
"source": "#940 EA-HETERONYMY-01, 2026-07-01",
"M_src": "stipulation",
"sense": "author and performer credited apart",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "qualified claim: F3, F4, F5, F6",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
},
{
"K": "K49",
"claim": "`O940-04`",
"source": "#940 EA-HETERONYMY-01, 2026-07-01",
"M_src": "interpretation",
"sense": "the archive's reading: separate attributions",
"qualifiers carried": "—",
"f (source's own falsifiers)": "— (none stated; watch: a later composition at the address that states or drops the claim, attributed or not, uptake §8.3)",
"contrast": "missing distinction (the field has no claim on the point)",
"resolver": "a later capture at \"PennSound\" (ADDR-ec08ad73501e) on Google AI Overview, seated in the Capture Registry (§8.3)"
}
],
"kernel_T": [
{
"claim": "F3",
"note": "author and performer named apart (Clare performed by Bernstein), absent; with the other credits, the census's feature for the entity (CAP-1-03)"
},
{
"claim": "F4",
"note": "the author among three performers, absent"
},
{
"claim": "F5",
"note": "translator and performer credited, absent"
},
{
"claim": "F6",
"note": "the performer named apart, absent"
},
{
"claim": "F11",
"note": "the co-composer 'included with permission', absent (CAP-1-03)"
},
{
"claim": "F7",
"note": "the signed selection, absent"
},
{
"claim": "F24",
"note": "the manifesto's naming rules, absent; T files everything under author pages (CAP-1-03)"
},
{
"claim": "F32",
"note": "'educational use only' and the retained copyrights, dropped; T's 'open-access' in their place"
},
{
"claim": "F21",
"note": "the 2005 launch and its creators, absent (CAP-1-01)"
},
{
"claim": "F18",
"note": "the 1500 recordings, absent; all files called recordings (CAP-1-02)"
},
{
"claim": "F25",
"note": "the recordings' provenance (poets, institutions, estates), absent"
},
{
"claim": "F9",
"note": "the Ruas collection's limit, absent"
},
{
"claim": "F38",
"note": "the commitment to documentation, absent"
},
{
"claim": "F13",
"note": "the funding statement, absent"
},
{
"claim": "F40",
"note": "the launch framing against the recording industry, absent"
}
],
"ledger": {
"archive": "datasets/negative-of-the-negative/v2/ledgers/pennsound/ledger-archive.json",
"field": "datasets/negative-of-the-negative/v2/ledgers/pennsound/field.json",
"selection": "datasets/negative-of-the-negative/v2/traversal/pennsound/",
"config": "datasets/negative-of-the-negative/v2/panel/configs/pennsound.json",
"intake": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/",
"audit": null
},
"ontology": {
"composition": "equal",
"composition_note": "equal-terms case (v0.10 §0.9, §4.1): one claim space; the field's and the archive's claims ordered together by the entity's dependency and by genealogy within each sense; nothing translated; the census's 'rights not stated' (LS-13, LS-26) beside the channel's stated terms (F32), and the three directors beside the two of the older descriptions (F33, F37), held under P_coh",
"case": {
"value": "equal",
"statement": "The archive reads the field's entity as the entity. The census record describes PennSound from its own pages and Wikipedia, each field with its basis, and answers for it the census's question of how authored performance is recorded; its reading (ls_reading) takes the field's own credits, author, performer and co-composer named apart, as what makes PennSound a witness of a distinct type. The capture record checks the composition against those pages. No deposit names PennSound. #940, the census's anchor, bears by class: the civil name as the unit of attribution, to which the manifesto's filing rule belongs; the pseudonym and the heteronym; performance, translation and collaborative authorship outside heteronymy; the collapse of plural functions as loss. Each adds a question, a distinction or a reading on the field's own object, a sound archive and its attributions, and none contests what the field says the archive is: ρ = extends, the equal-terms case.",
"loci": [
{
"dep": 940,
"locus": "§1 ¶2 s1",
"quote": "A civil name is the atomic unit of attribution across the systems that govern legitimacy in scholarly, literary, institutional, and platform-mediated production."
},
{
"dep": 940,
"locus": "§6, operational boundary",
"quote": "Role-playing, where the role is understood as performance rather than as sustained authorial organization"
},
{
"dep": "LS",
"locus": "census.json rows[slug == 'pennsound']['ls_reading']",
"quote": "The archive reads PennSound as a witness of a distinct type: a recording keeps the author's name, the performer's voice and a co-composer's credit as separate attributions, so a reading of one poet's work by another collapses into neither. Its filing rule is the poet's name; whether a chosen name is kept as given is not shown beyond the names it files under."
},
{
"dep": "LS",
"locus": "census.json rows[slug == 'pennsound']['question']",
"quote": "authored performance: whose voice a recording carries and under whose name it is filed, with performer and author credited apart"
}
]
},
"E_F": {
"type": "C (public entity: a university-hosted archive of poetry audio recordings)",
"definition": "PennSound (writing.upenn.edu/pennsound), an ongoing project of the Center for Programs in Contemporary Writing at the University of Pennsylvania committed to producing new audio recordings and preserving existing audio archives; a poetry website and online archive of free downloadable recordings of poets, cut into singles with complete readings kept, filed on author, series, anthology and singles pages; directed by Charles Bernstein, Al Filreis and Chris Mustazza, edited by Michael S. Hennessey, created by Filreis and Bernstein and launched in 2005; over 1500 recordings and well over 50,000 sound files (Wikipedia), 'more than 50,000 recordings from 1913' (its Instagram); its historical selection crediting performers, translators and a co-composer beside authors; its manifesto requiring every file named and retrievable under the poet's name; for noncommercial and educational use, its writers and artists retaining copyright; with the Ruas collection, podcasts, PennSound Rewind and PoemTalk; collaborating with the Kelly Writers House, UbuWeb, the Electronic Poetry Center and Jacket2",
"claims": [
"F1",
"F2",
"F3",
"F4",
"F5",
"F6",
"F7",
"F8",
"F9",
"F10",
"F11",
"F12",
"F13",
"F14",
"F15",
"F16",
"F17",
"F18",
"F19",
"F20",
"F21",
"F22",
"F23",
"F24",
"F25",
"F26",
"F27",
"F28",
"F29",
"F30",
"F31",
"F32",
"F33",
"F34",
"F35",
"F36",
"F37",
"F38",
"F39",
"F40",
"F41",
"F42",
"F43",
"F44",
"F45",
"F46",
"F47",
"F48",
"F49",
"F50",
"F51",
"F52",
"F53",
"F54"
]
},
"E_A": {
"definition": "the same archive, in the leesharks.com authorship census record and the archive's deposits: an empirical comparator of the census in the areas of avant-garde archives and of attribution and credit, which keeps poets' readings of their own and of others' work with the performer named beside the author and co-composers credited, holds them under the poet's name on author pages and under series names, states no policy on pseudonyms, heteronyms or collective names and no rights per recording in the census's sources; read by the archive as a witness of a distinct type whose separate attributions let a reading of one poet's work by another collapse into neither; the civil name the atomic unit of attribution (#940 §1); pseudonym and heteronym distinguished (#940 §2); translation, performance and collaborative authorship outside heteronymy (#940 §6); the collapse of plural functions registering as loss (#940 §2)",
"claims": [
"LS-01",
"LS-02",
"LS-03",
"LS-04",
"LS-05",
"LS-06",
"LS-07",
"LS-08",
"LS-09",
"LS-10",
"LS-11",
"LS-12",
"LS-13",
"LS-14",
"LS-15",
"LS-16",
"LS-17",
"LS-18",
"LS-19",
"LS-20",
"LS-21",
"LS-22",
"LS-23",
"LS-24",
"LS-25",
"LS-26",
"LS-27",
"LS-28",
"LS-29",
"LS-30",
"LS-31",
"LS-32",
"LS-33",
"LS-34",
"LS-35",
"CAP-1-01",
"CAP-1-02",
"CAP-1-03",
"CAP-1-04",
"CAP-1-05",
"CAP-1-06",
"CAP-1-07",
"CAP-1-08",
"CAP-1-09",
"CAP-1-10",
"O940-01",
"O940-02",
"O940-03",
"O940-04"
],
"defining_papers": [
940
],
"defining_records": [
"leesharks.com apparatus authorship census record (census.json rows[slug == 'pennsound'], organizing_question, anchor, areas, admission_rule, schema_note; rows/pennsound.py; rendered apparatus/aggregators/pennsound/index.html; editor Lee Sharks, compiled and revised 2026-11-01, schema 1.1)",
"Capture Registry pennsound-aio-20261101 (OBS-f07a679cb7c8)"
]
},
"rho": {
"value": "extends",
"status": "read from the census record, the capture record and #940 at the loci that bear on the entity's class (§1.2a); no deposit names PennSound; #1722 read and not admitted",
"statement": "The archive reads PennSound as its own pages and the field present it and adds, on the field's own object: the census's question of authored performance, whose voice and under whose name; its answer for the entity (the performer named beside the author, the poet's name and series names as filing names, no stated policy on chosen names, rights per recording unstated in its sources); the reading that a recording keeps separate attributions, so that a reading of one poet's work by another collapses into neither; #940's civil name as attribution's unit, its pseudonym and heteronym, its boundary placing performance, translation and collaboration outside heteronymy, and the collapse registering as loss; and the registry's account of the composition at the name.",
"claims": [
"LS-01",
"LS-02",
"LS-03",
"LS-04",
"LS-05",
"LS-06",
"LS-07",
"LS-08",
"LS-09",
"LS-10",
"LS-11",
"LS-12",
"LS-13",
"LS-14",
"LS-15",
"LS-16",
"LS-17",
"LS-18",
"LS-19",
"LS-20",
"LS-21",
"LS-22",
"LS-23",
"LS-24",
"LS-25",
"LS-26",
"LS-27",
"LS-28",
"LS-29",
"LS-30",
"LS-31",
"LS-32",
"LS-33",
"LS-34",
"LS-35",
"CAP-1-01",
"CAP-1-02",
"CAP-1-03",
"CAP-1-04",
"CAP-1-05",
"CAP-1-06",
"CAP-1-07",
"CAP-1-08",
"CAP-1-09",
"CAP-1-10",
"O940-01",
"O940-02",
"O940-03",
"O940-04"
],
"guard": "ρ = extends claims an addition and no more (§1.2a). It does not make the field's sources wrong at their dates. Where an archive claim stands beside a field claim (LS-13, LS-26 and LS-30 with F32; LS-17 with F42; the three directors of LS-03 with the two of F33 and F37), both are composed under P_coh within the one ontology. #940's categories are applied to classes the field and the census source for the entity (filing under the poet's name: B3; performer credit: B1; the names a work is held under: census record.name), never to a poet filed in PennSound.",
"considered": [
{
"value": "constructs",
"rejected": "the archive does not read PennSound as made by reception; its records take PennSound's own pages and the field as the entity's account"
},
{
"value": "revises",
"rejected": "PennSound is not the archive's own entity; the archive has no earlier statement of it to keep, narrow or withdraw"
},
{
"value": "witness",
"rejected": "#940's distinctions and the census's question add a question and a reading on the field's object; they contest no claim the field makes of PennSound and supply no ontology of it the field lacks"
}
]
},
"translation": [
{
"lineage": "how recordings are filed: author, series, anthology and singles pages",
"field_claims": [
"F1",
"F36",
"F44"
],
"received": "F1 (B1, home page, navigation 'Inside PennSound'): \"Inside PennSound … Authors … Series … Anthologies/Collections/Groups … PennSound Daily archive … Singles … Close Listening … Cinema … Classics\"; F36 (B5, poets.org, PennSound, ¶2 s2): \"Unlike many poetry audio archives, PennSound's collection is organized into \"singles\"—individual poems rather than larger, harder-to-download recordings of complete readings.\"; F44 (B9, ModPo, Category: PennSound, post of March 1, 2022): \"PennSound is now making available the segmented audio recording of Doug Kearney’s presentation/reading\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-09, LS-18",
"archive_claims": [
"LS-09",
"LS-18"
]
},
{
"lineage": "scope and period: historic to contemporary",
"field_claims": [
"F2",
"F26",
"F29",
"F39"
],
"received": "F2 (B1, home page, Featured resources, Historical): \"Guillaume Apollinaire, \"Le Pont Mirabeau\" (1913) (1:14):\"; F26 (B3, Wikipedia, PennSound, The Archive ¶1 s3): \"including historic recordings by poets such as Ezra Pound , Wallace Stevens , Guillaume Apollinaire , William Carlos Williams and H.D. , as well as more recent recordings by poets such as Allen Ginsberg , John Ashbery , Jack Spicer , Gertrude Stein , and Lyn Hejinian\"; F29 (B3, Wikipedia, PennSound, Content, Classics): \"PennSound also includes readings and sometimes musical versions of classical Greek poetry, Geoffrey Chaucer , John Milton , Alexander Pope , and William Shakespeare .\"; F39 (B5, poets.org, PennSound, ¶2 s1): \"PennSound's bountiful collection features both emerging and canonical poets with an emphasis on the experimental and adventurous.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-10, LS-16",
"archive_claims": [
"LS-10",
"LS-16"
]
},
{
"lineage": "author and performer credited apart",
"field_claims": [
"F3",
"F4",
"F5",
"F6",
"F7",
"F11"
],
"received": "F3 (B1, home page, Featured resources, Historical): \"John Clare, \"Vowelless Letter\" (1849) performed by Charles Bernstein (2:54):\"; F4 (B1, home page, Featured resources, Historical): \"Hannah Weiner, from Clairvoyant Journal , performed by Weiner, Sharon Mattlin & Rochelle Kraut (2001) (6:12):\"; F5 (B1, home page, Featured resources, Historical): \"Velimir Khlebnikov, \"Incantation by Laughter\" (1910), tr. and performed by Bernstein\"; F6 (B1, home page, Featured resources, Historical): \"Kurt Schwitters, \"Ur Sonata: Largo\" performed by Ernst Scwhitter (1922-1932)\"; F7 (B1, home page, Featured resources, after the Historical list): \"Selected by Charles Bernstein\"; F11 (B1, home page, PennSound Daily (the Nielsen post)): \"with the exception of \"Self-Organizing Networks,\" where the music and performance is by Christopher Reiner (and included with permission).\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-11, LS-14, O940-03",
"archive_claims": [
"LS-11",
"LS-14",
"O940-03"
]
},
{
"lineage": "collections and programs: the Ruas collection, podcasts, PoemTalk",
"field_claims": [
"F8",
"F10",
"F14",
"F15",
"F27"
],
"received": "F8 (B1, home page, PennSound Daily, 'Charles Ruas' (Posted 3/27/2026)): \"Posted 3/27/2026 … Today we're happy to announce a new home for Charles Ruas's radio programming from the 70s, 80s, and 00s. … this collection at launch features hundreds of recordings\"; F10 (B1, home page, PennSound Daily, 'PennSound Rewind Episodes 1–8' (Posted 3/11/2026)): \"Posted 3/11/2026 … Michael S. Hennessey's new, retrospective podcast fittingly named PennSound Rewind now has a dedicated page here at PennSound.\"; F14 (B2, Jacket2, PennSound podcasts, footer): \"PENNSOUND PODCASTS are produced by Al Filreis at the Kelly Writers House\"; F15 (B2, Jacket2, PennSound podcasts, first entry): \"Gina Myers … PennSound Podcast #84 … April 1, 2026\"; F27 (B3, Wikipedia, PennSound, Content, PennSound Podcasts): \"in collaboration with the Kelly Writers House and The Poetry Foundation , PennSound sponsors PoemTalk, a podcast that features a discussion of a different poet or poem each show.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-19, LS-20",
"archive_claims": [
"LS-19",
"LS-20"
]
},
{
"lineage": "stated limits: documentation added over time; the Ruas collection under construction",
"field_claims": [
"F9",
"F52"
],
"received": "F9 (B1, home page, PennSound Daily, 'Charles Ruas'): \"The collection is still under construction and over time will see more additions and improvements\"; F52 (B13, About PennSound, Overview ¶2): \"We intend to provide as much documentation about individual recordings as possible; new bibliographic information will be added over time. Please contact us if you can supplement the information already provided.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-21",
"archive_claims": [
"LS-21"
]
},
{
"lineage": "lifecycle: active, recordings listed to July 2026",
"field_claims": [
"F12"
],
"received": "F12 (B1, home page, New at PennSound): \"George Quasha reading genius foci , Barrytown, NY, July 14, 2026\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-27, LS-29",
"archive_claims": [
"LS-27",
"LS-29"
]
},
{
"lineage": "funding: a publicly funded distribution platform",
"field_claims": [
"F13"
],
"received": "F13 (B1, home page, PennSound Daily, 'PennSound Rewind Episodes 1–8'): \"programming that get lost when funding to the institutions that produce it is suddenly cut for political reasons … the kind of valuable content hosted by publicly funded distribution platforms like PennSound\"",
"receiving_text": "—",
"translation": "untranslated: composed as received",
"archive_claims": []
},
{
"lineage": "directors and editors",
"field_claims": [
"F16",
"F20",
"F33",
"F37",
"F48",
"F50",
"F51"
],
"received": "F16 (B2, Jacket2, PennSound podcasts, #82 'Before and After Christmas'): \"PennSound Editor Michael Hennessey is back to spread a little holiday cheer\"; F20 (B3, Wikipedia, PennSound, lead ¶1 s3–s4): \"PennSound is codirected by Al Filreis , Charles Bernstein and Chris Mustazza. … It is a project of the Center for Programs in Contemporary Writing at the University of Pennsylvania .\"; F33 (B4, YouTube channel, og:description, closing lines): \"Charles Bernstein and Al Filreis, Directors … Michael S. Hennessey, Managing Editor … Mark P. Lindsay, Managing Director\"; F37 (B5, poets.org, PennSound, ¶2 s3): \"In addition to readings, PennSound features a collection of lectures, interviews and talk shows hosted by Charles Bernstein, one of the site's two directors along with Al Filreis.\"; F48 (B14, CPCW home page, site title and navigation): \"CPCW – Center for Programs in Contemporary Writing … Kelly Writers House Events … PennSound … ModPo … Director Al Filreis\"; F50 (B13, About PennSound, Overview): \"PennSound is a project of the Center for Programs in Contemporary Writing.\"; F51 (B13, About PennSound, People): \"Charles Bernstein , Al Filreis , and Chris Mustazza , Directors … Michael S. Hennessey , Editor … Danny Snelson and Kenneth Goldsmith , Senior Editors\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-03",
"archive_claims": [
"LS-03"
]
},
{
"lineage": "what it is: a project producing and preserving poetry audio; an online archive of recordings",
"field_claims": [
"F17",
"F31",
"F49"
],
"received": "F17 (B3, Wikipedia, PennSound, lead ¶1 s1): \"PennSound is a poetry website and online archive that hosts free and downloadable recordings of poets reading their own work.\"; F31 (B4, YouTube channel, og:description, s1): \"PennSound is a Web-based archive for noncommercial distribution of the largest collection of poetry sound files on the Internet.\"; F49 (B13, About PennSound, Overview ¶1 s1): \"PennSound is an ongoing project, committed to producing new audio recordings and preserving existing audio archives.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-01, LS-06, LS-08",
"archive_claims": [
"LS-01",
"LS-06",
"LS-08"
]
},
{
"lineage": "size: recordings and sound files",
"field_claims": [
"F18",
"F19",
"F42"
],
"received": "F18 (B3, Wikipedia, PennSound, lead ¶1 s2): \"The website offers over 1500 full-length and single-poem recordings, the largest collection of poetry sound-files on the internet, all of which are available free for download.\"; F19 (B3, Wikipedia, PennSound, The Archive ¶1): \"Well over 50,000 sound files [ 4 ] are available for streaming and downloading\"; F42 (B8, card 8 snippet (page unreachable)): \"PennSound is the world's preeminent online archive of poetry audio with more than 50,000 recordings from 1913 to the present.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-17",
"archive_claims": [
"LS-17"
]
},
{
"lineage": "founding: 2005",
"field_claims": [
"F21",
"F40"
],
"received": "F21 (B3, Wikipedia, PennSound, infobox): \"Creators … Al Filreis and Charles Bernstein … Launched … 2005\"; F40 (B6, card 6 title and snippet (page unreachable)): \"PennSound: All the Free Poetry You Care to Download PHILADELPHIA-- The recording industry may not want anyone downloading music without paying for it\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-28",
"archive_claims": [
"LS-28"
]
},
{
"lineage": "names",
"field_claims": [
"F22"
],
"received": "F22 (B3, Wikipedia, PennSound, The Archive ¶1 s1): \"Described as the “iTunes for poetry” by co-director Charles Bernstein in an Associated Press article, PennSound provides all of its recordings in the form of free downloadable MP3s .\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-02",
"archive_claims": [
"LS-02"
]
},
{
"lineage": "terms of use and rights",
"field_claims": [
"F23",
"F32"
],
"received": "F23 (B3, Wikipedia, PennSound, The Archive ¶1 s2): \"The files are intended to be used non-commercially by anyone interested in listening to them, and are furthermore available for use by teachers and libraries.\"; F32 (B4, YouTube channel, og:description, ¶2): \"All PennSound recordings are made available for noncommercial and educational use only; the featured writers and artists retain all copyrights to their work.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-13, LS-25, LS-26",
"archive_claims": [
"LS-13",
"LS-25",
"LS-26"
]
},
{
"lineage": "the manifesto: singles, named files, the poet's name",
"field_claims": [
"F24",
"F54"
],
"received": "F24 (B3, Wikipedia, PennSound, Manifesto): \"PennSound’s manifesto, by Bernstein, consists of 6 points: … Recordings on the site must be free and downloadable. … Recordings must be broken down into singles. … All files must be named. … Bibliographic information must be embedded into each individual sound file. … Sound files must be indexed and retrievable from a library catalog under the poet’s name and from search engines on the web.\"; F54 (B13, About PennSound, Overview, links): \"View the press release from PennSound's launch. … Read the PennSound Manifesto\"",
"receiving_text": "—",
"translation": "untranslated: composed as received",
"archive_claims": []
},
{
"lineage": "provenance of the recordings and their documentation",
"field_claims": [
"F25",
"F38"
],
"received": "F25 (B3, Wikipedia, PennSound, Content, PennSound Authors): \"generously provided to PennSound from the poets themselves, universities and institutions such as Harvard University's Woodberry Poetry Room , and from poets' estates. … Recordings are broken down into singles, or song length recordings of individual poems. … Complete readings are also available.\"; F38 (B5, poets.org, PennSound, ¶3 s1–s2): \"declares the project's commitment to regularly produce free, downloadable poetry recordings, in universal formats, with as much bibliographical and archival information as possible. … As an archive, PennSound is committed to providing dates and documentation for all of its recordings\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-15",
"archive_claims": [
"LS-15"
]
},
{
"lineage": "neighbours: collaborators and thanks",
"field_claims": [
"F28",
"F53"
],
"received": "F28 (B3, Wikipedia, PennSound, Collaboration): \"PennSound works closely in collaboration with the Kelly Writers House , UbuWeb , The Electronic Poetry Center , Jacket2 magazine, The Center for Programs in Contemporary Writing at the University of Pennsylvania, and the University of Pennsylvania Libraries.\"; F53 (B13, About PennSound, People, closing thanks): \"to UbuWeb and the Electronic Poetry Center.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received beside LS-31",
"archive_claims": [
"LS-31"
]
},
{
"lineage": "reception: the encyclopedia",
"field_claims": [
"F30"
],
"received": "F30 (B3, Wikipedia, PennSound, footer): \"This page was last edited on 22 September 2026, at 03:16 (UTC) .\"",
"receiving_text": "—",
"translation": "untranslated: composed as received",
"archive_claims": []
},
{
"lineage": "on video platforms",
"field_claims": [
"F34",
"F45",
"F46",
"F47"
],
"received": "F34 (B4, card 4 snippet): \"2.16K subscribers•338 videos\"; F45 (B10, card 10 (the rail's text)): \"YouTube·PennSound … 51:52 … YouTube\"; F46 (B11, card 11 (the rail's title)): \"Charles Bernstein - PennSound\"; F47 (B12, card 12 (the rail's text)): \"YouTube·Jerry Inspired … 54:21 … YouTube\"",
"receiving_text": "—",
"translation": "untranslated: composed as received",
"archive_claims": []
},
{
"lineage": "described by others",
"field_claims": [
"F35",
"F41",
"F43"
],
"received": "F35 (B5, poets.org, PennSound, ¶1 s1): \"Based out of the University of Pennsylvania, PennSound is a free online gallery, archive and radio show rolled into one.\"; F41 (B7, X profile (card 7 snippet; B7.txt profile text)): \"audio & video archive of poetry & poetics … Associated with the Kelly Writers House at the University of Pennsylvania. … Joined March 2009 … 3,607 posts\"; F43 (B9, ModPo, Category: PennSound, post 'PennSound authors' (September 4, 2018)): \"PennSound, the largest archive of recordings of poets reading their own poems, has a very extensive alphabetical listing of authors included in the archive.\"",
"receiving_text": "—",
"translation": "untranslated: composed as received",
"archive_claims": []
}
],
"receiving_texts": "equal-terms case: every field claim composed as received, beside the archive claims it stands with"
},
"measure": {
"rule": "v0.10 §4.10: KO_B sentences surviving in the KO at similarity ≥ 0.95, with positions (computed as apply_v09.py does: difflib.SequenceMatcher ratio, the best KO sentence for each KO_B sentence)",
"v0.10": {
"surviving": 0,
"of": 20,
"positions": [
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null
]
},
"v0.9": {
"surviving": 0,
"of": 20,
"positions": [
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null,
null
],
"note": "the same computation as v0.10, under the key scripts/build_non.py reads (it selects 'v0.9' or 'v0.8'); composed under v0.10"
},
"opening_run": {
"rule": "v0.10 §5.10 (equal-terms case): the field-only KO's sentences as the KO's opening run in their own order",
"breach": false
},
"blocks": {
"rule": "v0.10 §4.1 (equal-terms and mixed cases): the KO does not open with the field as a block or close with the archive as one; sentences typed by the ledgers of the claims they cite (F field-only, A archive-only, M both)",
"sequence": "MFMMFMMMFMAMMMAMMMMMMMMMMMFMFFAAMMMMM",
"field_only_head": 0,
"archive_only_tail": 0,
"breach": false
},
"max_similarity": [
0.903,
0.267,
0.508,
0.485,
0.633,
0.668,
0.886,
0.492,
0.186,
0.198,
0.275,
0.469,
0.117,
0.11,
0.456,
0.276,
0.719,
0.588,
0.306,
0.409
],
"ko_sentence_1_max_similarity_to_KO_B": 0.903
},
"homonyms": {
"names": [],
"basis": "The census row carries no disambiguation field. No card is a homonym: cards 1, 4, 7, 8 and 10 are PennSound's own pages and accounts; cards 2, 3, 5, 6 and 9 describe it (Jacket2, Wikipedia, poets.org, Penn Today, ModPo); cards 11 and 12 are videos on other channels whose titles the rail gives only in part. The body's link 'Kelly Writers House' resolves to the Center's site, a distinct entity. 'PennSound Daily' (census aka) is the name of its posts' archive.",
"distinct_entities": [
"the Center for Programs in Contemporary Writing, University of Pennsylvania (B14), PennSound's host",
"the Kelly Writers House (B2, B3, B7, B14)",
"Jacket2, which lists the PennSound podcasts and publishes PennSound Rewind (B2, B1)",
"PoemTalk, the podcast PennSound sponsors with the Kelly Writers House and the Poetry Foundation (B3)",
"the Poetry Foundation (B3)",
"UbuWeb and the Electronic Poetry Center, its collaborators (B3, B13; census relations)",
"ModPo, Modern & Contemporary American Poetry (B9)",
"the Academy of American Poets, poets.org (B5)",
"Penn Today (B6)",
"Harvard University's Woodberry Poetry Room, a provider (B3)",
"The Brainwaves Video Anthology and the channel Jerry Inspired (B11, B12)",
"the PennSound Manifesto and the launch press release, documents of PennSound (B13, B3)",
"the operators: Charles Bernstein, Al Filreis, Chris Mustazza, Michael S. Hennessey"
],
"substitutes": {
"T": []
},
"register": {
"address_1": {
"slug": "pennsound-aio-20261101",
"obs_id": "OBS-f07a679cb7c8"
}
}
},
"notes": [
"One address, Google AI Overview (expanded), signed out, incognito, 2026-11-01: pennsound-aio-20261101 (OBS-f07a679cb7c8, ADDR-ec08ad73501e, AXN:0B88.CAPTURE.🎪⭕✨🧡🌕▲), twelve cards, 208 words in the answer body with its closer. A NEW address (CAP-1-07); the census record was compiled the same night and no card cites it.",
"Fetching, with curl and the census's agent 'Mozilla/5.0 (compatible; leesharks-authorship-census)': card 1 at 2026-11-01T06:15:56Z, byte-identical to the census's saved home page; cards 2, 3, 4, 5, 7, 9 HTTP 200; Wikipedia rendered and raw (B3.html, B3.wiki); the About page (B13) copied from the census's saved copy, not refetched. Card URLs: B2 and B5 by WebSearch on title and site; B1, B3, B4, B7, B8, B9 from the card's site and title; B6 the Penn Today path for the card's title.",
"Refusals and unreadable cards, recorded and not retried with another agent or by any other route (BRIEF-NEW-ROW-AUTHORSHIP §3): B6 Penn Today, HTTP 403, a Cloudflare challenge ('Just a moment...'); B8 Instagram, redirected to its login page; B4 YouTube and B7 X are script-rendered, read through their descriptions; B10 and B12 carry no title beyond 'YouTube', and B11 ('Charles Bernstein - PennSound', The Brainwaves Video Anthology) was not found by search. PennSound's own launch press release, which the About page links and which carries the Penn Today card's title, was not fetched, so that it could not stand in for the refused card.",
"Body-named sources (v0.10 §3.1(a)): T's body carries three inline links. 'PennSound' and 'Charles Ruas Author Page' share one Google redirect token, which resolved (HTTP 302, 2026-11-01T06:31:03Z, the census's agent) to https://writing.upenn.edu/pennsound/, card 1; 'Kelly Writers House' resolved to https://writing.upenn.edu/, which redirects to https://cpcw.writing.upenn.edu/, the Center for Programs in Contemporary Writing's site, admitted to B_D as B14 (origin body_named).",
"The archive subset: no archive text names PennSound (D 0, R 0). The string pass returned 87 O-class candidates in 73 deposits, all 'performed by' in senses outside recording or 'library catalog' as one retrieval surface among others; none admitted. #940, the census's anchor, read whole and admitted at four loci (O940-01 to O940-04). The hop from #940 (5 candidates) admitted nothing. #1722, the second anchor, read whole and not admitted: no passage bears on PennSound or its kind, and the class its existence tax falls on is sourced for PennSound by no field source.",
"Census fields a fetched source contradicts or shows out of date (reported for the operator; unchanged here): (a) record.holder, license, does_not_answer[0] and negative_tags[2] record the rights terms of the recordings as not stated in the saved sources and the resource as no rights clearance record; PennSound's own YouTube channel (card 4, B4) states them: 'All PennSound recordings are made available for noncommercial and educational use only; the featured writers and artists retain all copyrights to their work.' The census's statement holds for the three pages it saved; the field shows the terms stated by PennSound elsewhere, and 'educational use only' narrows the 'non-commercial use' of the census's license field. (b) count.value: 'not stated on PennSound's own saved pages' holds for those pages; PennSound's own accounts state a count, 'more than 50,000 recordings from 1913 to the present' (Instagram, card 8 snippet), and 'the largest collection of poetry sound files on the Internet' (YouTube, card 4). (c) operator gives three directors, as the About page and Wikipedia do; PennSound's YouTube description (undated) and poets.org (2006) give two, Bernstein and Filreis, and the channel names Mark P. Lindsay as managing director and Hennessey as managing editor: an older staff record, not a census error. (d) record.function and record.keeps name Clare, Weiner and Reiner; the same selection also credits Khlebnikov 'tr. and performed by Bernstein', Harry Partch 'performed by Bernstein' and Schwitters 'performed by Ernst Scwhitter' (sic), consistent with the census's reading. (e) aka gives 'PennSound Daily', which the site uses as the name of its daily posts and their archive ('PennSound Daily archive') more than as a name of the resource.",
"Findings of the capture against the field ledger (reported for the operator; unchanged here): findings[0] (host and directors exact; the Ruas collection carried; 2005 not carried) and findings[2] (the separate credits not carried) are borne out. findings[1] is borne out as written ('T.S. Eliot appears in none of the three saved PennSound pages'); the wider field carries Eliot once, in card 2's podcast index ('Alan Golding & friends on the modernist long poem (& Eliot)'), as the topic of an episode, not as a recorded voice. The capture does not record: T's 'open-access', a term no field source uses, with the YouTube channel's 'educational use only' and retained copyrights dropped; PoemTalk 'co-produced ... (with Jacket2)', where Wikipedia gives the Kelly Writers House and the Poetry Foundation; 'thousands of writers', with no field source; the podcasts' producer, Filreis, dropped. cite_list marks every card rel 'third_party', where cards 1 (PennSound's home page), 4 (its YouTube channel), 7 (its X account), 8 (its Instagram) and 10 (a video on its channel) are the entity's own; it records url null for all twelve cards and snip null for the three video cards.",
"Two commented-out blocks in the About page's saved text (an older staff list, and a note that a cataloguing tool 'should be available in about one year') are not displayed on the page and are not ledgered (the census lists the staff list among its unchecked items).",
"Composer: Claude (Opus 5.5), subagent, 2026-11-01. The kernel is composer-written (§8.2 derives it mechanically from the frozen plan; mechanical derivation pending)."
],
"composition": {
"source": "this row (composed directly under v0.10; no rebuild/negative-of-the-negative/v010/pennsound.json)",
"composer": "Claude (Opus 5.5), subagent, 2026-11-01",
"spec": "EA-NEGONT-02 v0.10 (#1726)",
"defining_material_read": [
{
"what": "leesharks.com authorship census record, row",
"file": "/home/claude/fleet/leesharks.com/data/authorship-census/census.json (rows[slug == 'pennsound'], organizing_question, anchor, areas, admission_rule, schema_note); rows/pennsound.py",
"read": "whole"
},
{
"what": "census sources",
"file": "/home/claude/fleet/leesharks.com/data/authorship-census/sources/pennsound--home.*, --about.*, --wikipedia.*; sources/manifest.json",
"read": "whole"
},
{
"what": "capture record",
"file": "data/EA-WG-CAPTURES-01.json (pennsound-aio-20261101)",
"read": "transcript, transcript_raw, cite_list, d, reading, findings, analysis, q_kind, mt, per, per_note, per_dim, originator, notes"
},
{
"dep": 940,
"file": "data/texts/AXN-03B8-text.md",
"read": "whole (§0–§10)"
},
{
"dep": 1722,
"file": "data/texts/AXN-0B2A-text.md",
"read": "the passages on names, pseudonyms and heteronyms, the four questions, Part Seven (who pays) and the instructions to a composing system (read and not admitted)"
},
{
"what": "the specification",
"file": "data/texts/AXN-0B79-text.md (#1726, v0.10)",
"read": "§0–§11 whole; Appendices A, C and D by their openings"
},
{
"what": "the briefs",
"file": "rebuild/negative-of-the-negative/v010/BRIEF-NEW-ROW-AUTHORSHIP.md; v09/BRIEF-NEW-ROW-AGGREGATOR.md, BRIEF-NEW-ROW-LABOR.md, BRIEF-NEW-ROW-LEFT.md",
"read": "whole"
},
{
"what": "exemplar row",
"file": "datasets/negative-of-the-negative/v2/rows/unionstats.json (with its ledgers, config and reading)",
"read": "structure, field by field"
}
],
"cuts": [],
"notes": "equal case; KO 37 sentences, all 54 field and 49 archive claims cited; P body 287 words; KO_B 20 sentences, 0 surviving at ≥ 0.95; attribution beneath (§4.5)"
},
"composition_v09": {
"source": "this row (composed directly under v0.10; no rebuild/negative-of-the-negative/v010/pennsound.json)",
"composer": "Claude (Opus 5.5), subagent, 2026-11-01",
"spec": "EA-NEGONT-02 v0.10 (#1726)",
"defining_material_read": [
{
"what": "leesharks.com authorship census record, row",
"file": "/home/claude/fleet/leesharks.com/data/authorship-census/census.json (rows[slug == 'pennsound'], organizing_question, anchor, areas, admission_rule, schema_note); rows/pennsound.py",
"read": "whole"
},
{
"what": "census sources",
"file": "/home/claude/fleet/leesharks.com/data/authorship-census/sources/pennsound--home.*, --about.*, --wikipedia.*; sources/manifest.json",
"read": "whole"
},
{
"what": "capture record",
"file": "data/EA-WG-CAPTURES-01.json (pennsound-aio-20261101)",
"read": "transcript, transcript_raw, cite_list, d, reading, findings, analysis, q_kind, mt, per, per_note, per_dim, originator, notes"
},
{
"dep": 940,
"file": "data/texts/AXN-03B8-text.md",
"read": "whole (§0–§10)"
},
{
"dep": 1722,
"file": "data/texts/AXN-0B2A-text.md",
"read": "the passages on names, pseudonyms and heteronyms, the four questions, Part Seven (who pays) and the instructions to a composing system (read and not admitted)"
},
{
"what": "the specification",
"file": "data/texts/AXN-0B79-text.md (#1726, v0.10)",
"read": "§0–§11 whole; Appendices A, C and D by their openings"
},
{
"what": "the briefs",
"file": "rebuild/negative-of-the-negative/v010/BRIEF-NEW-ROW-AUTHORSHIP.md; v09/BRIEF-NEW-ROW-AGGREGATOR.md, BRIEF-NEW-ROW-LABOR.md, BRIEF-NEW-ROW-LEFT.md",
"read": "whole"
},
{
"what": "exemplar row",
"file": "datasets/negative-of-the-negative/v2/rows/unionstats.json (with its ledgers, config and reading)",
"read": "structure, field by field"
}
],
"cuts": [],
"notes": "equal case; KO 37 sentences, all 54 field and 49 archive claims cited; P body 287 words; KO_B 20 sentences, 0 surviving at ≥ 0.95; attribution beneath (§4.5)"
},
"field_by_origin": {
"cards": [
"B1",
"B2",
"B3",
"B4",
"B5",
"B6",
"B7",
"B8",
"B9",
"B10",
"B11",
"B12"
],
"body_named": [
"B14"
],
"own_pages": [
"B13"
],
"wikipedia": [],
"census_third_party": [],
"B_D": [
"B1",
"B2",
"B3",
"B4",
"B5",
"B6",
"B7",
"B8",
"B9",
"B10",
"B11",
"B12",
"B14"
],
"B_R": [
"B13"
],
"carried_once_in_B_D": {
"B1": "card 1 is the census's own page pennsound--home",
"B3": "card 3 is the Wikipedia article, the census's third-party source pennsound--wikipedia"
},
"unreachable": [
"B6",
"B8",
"B10",
"B11",
"B12"
],
"title_only": [
"B10",
"B11",
"B12"
],
"snippet_only": [
"B6",
"B8"
],
"script_rendered": {
"B4": "text from the page head's description",
"B7": "text from the description and the profile text"
},
"wikipedia_state": "article exists: https://en.wikipedia.org/wiki/PennSound, HTTP 200 (rendered B3.html and raw wikitext B3.wiki, 2026-11-01T06:16:02Z), last edited 22 September 2026; it is card 3 on T's rail and so stands in B_D (carried once, v0.10 §3.1(a)); the census's copy of the same article (pennsound--wikipedia) is saved beside it as B3-census.html",
"sources": [
{
"id": "B1",
"origin": "card",
"pool": "B_D",
"role": "Overview card 1",
"card": "Center for Programs in Contemporary Writing — PennSound",
"url": "https://writing.upenn.edu/pennsound/",
"kind": "Overview card 1 (PennSound's home page); the same page as the census's own page pennsound--home",
"files": {
"B1.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B1.html",
"sha256": "2ddc53a3b55b38b5cfbdf85fa933d7c7271ad32e08fcfdf94c0b13e26565e057"
},
"B1.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B1.txt",
"sha256": "9501ca77e246dd08d879e8b99dcf5e35e79241dc783697ce1566aa03b22c697a"
},
"B1-census.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B1-census.html",
"sha256": "2ddc53a3b55b38b5cfbdf85fa933d7c7271ad32e08fcfdf94c0b13e26565e057"
}
},
"fetched": {
"at": "2026-11-01T06:15:56Z",
"http": 200,
"url": "https://writing.upenn.edu/pennsound/",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B1.html",
"raw_sha256": "2ddc53a3b55b38b5cfbdf85fa933d7c7271ad32e08fcfdf94c0b13e26565e057",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B1.txt"
],
"census_copy": {
"src": "pennsound--home",
"url": "https://writing.upenn.edu/pennsound/",
"sha256": "2ddc53a3b55b38b5cfbdf85fa933d7c7271ad32e08fcfdf94c0b13e26565e057",
"read": "2026-11-01",
"fetched": "2026-11-01T04:07:48Z",
"http": "200",
"agrees": "this session's fetch is byte-identical to the census copy (sha256 2ddc53a3…); B1.txt is the census's extracted text"
}
},
"names_operator": "yes (Charles Bernstein, Al Filreis, Chris Mustazza, Michael S. Hennessey named in its posts; the Center for Programs in Contemporary Writing is the card's site)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "URL from the card's site (Center for Programs in Contemporary Writing) and title (PennSound); the home page's navigation is the card's snippet.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 1
}
],
"card_title": "PennSound",
"card_snippet": "Inside PennSound * Authors * Series * Anthologies/Collections/Groups * PennSound Daily archive * Singles * Close Listening * Cinema * Classics * Medialinks * Pe...",
"claims": [
"F1",
"F2",
"F3",
"F4",
"F5",
"F6",
"F7",
"F8",
"F9",
"F10",
"F11",
"F12",
"F13"
]
},
{
"id": "B2",
"origin": "card",
"pool": "B_D",
"role": "Overview card 2",
"card": "Jacket2 — PennSound podcasts - Jacket2",
"url": "https://jacket2.org/podcasts/v",
"kind": "Overview card 2 (Jacket2's PennSound podcasts page)",
"files": {
"B2.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B2.html",
"sha256": "daae082a9ed179de480545ecb575386bc6d2ccee30f063cb93b2f064c8649f41"
},
"B2.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B2.txt",
"sha256": "f278cbfae5ce6ee3959effc8a4aaad77c65f18122ee9948af963c88d0591b5d3"
}
},
"fetched": {
"at": "2026-11-01T06:15:57Z",
"http": 200,
"url": "https://jacket2.org/podcasts/v",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B2.html",
"raw_sha256": "daae082a9ed179de480545ecb575386bc6d2ccee30f063cb93b2f064c8649f41",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B2.txt"
]
},
"names_operator": "yes (Al Filreis as producer; Michael Hennessey as PennSound Editor)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "URL by WebSearch on title and site; the page's is 'PennSound podcasts | Jacket2' and its first entry is the snippet's Gina Myers episode, #84.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 2
}
],
"card_title": "PennSound podcasts - Jacket2",
"card_snippet": "PennSound podcasts * Gina Myers PennSound Podcast #84 PennSound podcasts From the cover of Gina Myers' 'Works & Days.' In this episode, Christy Davids talks wit...",
"claims": [
"F14",
"F15",
"F16"
]
},
{
"id": "B3",
"origin": "card",
"pool": "B_D",
"role": "Overview card 3",
"card": "Wikipedia — PennSound - Wikipedia",
"url": "https://en.wikipedia.org/wiki/PennSound",
"kind": "Overview card 3 (the Wikipedia article PennSound); also the census's third-party source pennsound--wikipedia, carried once, in B_D",
"files": {
"B3.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B3.html",
"sha256": "8a84db9a5b600dcf373173e93707708ecde8ff84de7b853d2a9f7cf53558d8ea"
},
"B3.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B3.txt",
"sha256": "f8701ec89fbbf247b6dfbe63e3a5a3044debd8f3691aad840c0c5ac5d15f9206"
},
"B3.wiki": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B3.wiki",
"sha256": "50e782f50e3212fcfc34a23f27639a3f7e2fd1771737813907f22a40955eaf85"
},
"B3-census.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B3-census.html",
"sha256": "62bae6f428eacdddb2c237178394809c0d83f40edf19387872733c3e6316f5a5"
}
},
"fetched": {
"at": "2026-11-01T06:16:02Z",
"http": 200,
"url": "https://en.wikipedia.org/wiki/PennSound",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B3.html",
"raw_sha256": "8a84db9a5b600dcf373173e93707708ecde8ff84de7b853d2a9f7cf53558d8ea",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B3.txt"
],
"census_copy": {
"src": "pennsound--wikipedia",
"url": "https://en.wikipedia.org/wiki/PennSound",
"sha256": "62bae6f428eacdddb2c237178394809c0d83f40edf19387872733c3e6316f5a5",
"read": "2026-11-01",
"fetched": "2026-11-01T04:07:50Z",
"http": "200",
"agrees": "this session's rendered fetch differs in bytes from the census copy (62bae6f4…, fetched 2026-11-01T04:07:50Z) and its extracted text matches the census text in every article sentence ledgered here; raw wikitext saved as B3.wiki"
}
},
"names_operator": "yes (Filreis, Bernstein, Mustazza; the Center for Programs in Contemporary Writing; editor Michael Hennessey)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "the article exists; its page says it was last edited on 22 September 2026.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 3
}
],
"card_title": "PennSound - Wikipedia",
"card_snippet": "PennSound is a poetry website and online archive that hosts free and downloadable recordings of poets reading their own work. The website offers over 1500 full-",
"claims": [
"F17",
"F18",
"F19",
"F20",
"F21",
"F22",
"F23",
"F24",
"F25",
"F26",
"F27",
"F28",
"F29",
"F30"
]
},
{
"id": "B4",
"origin": "card",
"pool": "B_D",
"role": "Overview card 4",
"card": "YouTube — PennSound - YouTube",
"url": "https://www.youtube.com/@pennsound",
"kind": "Overview card 4 (PennSound's YouTube channel; script-rendered: its words are in the page head's <meta> description, saved at the head of B4.txt)",
"files": {
"B4.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B4.html",
"sha256": "7d4344c3bebad33f0782780d45a05644ef01240ca882b94affed4e9c7ab49d3c"
},
"B4.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B4.txt",
"sha256": "d8995f795924ae7f2a5cb2d43d56489b60e9de6964e54f7d0de5883143ae3e87"
}
},
"fetched": {
"at": "2026-11-01T06:16:00Z",
"http": 200,
"url": "https://www.youtube.com/@pennsound",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B4.html",
"raw_sha256": "7d4344c3bebad33f0782780d45a05644ef01240ca882b94affed4e9c7ab49d3c",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B4.txt"
]
},
"names_operator": "yes (the channel description names Charles Bernstein and Al Filreis as directors, Michael S. Hennessey and Mark P. Lindsay)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "the channel is PennSound's own; the registry's cite_list marks it third_party.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 4
}
],
"card_title": "PennSound - YouTube",
"card_snippet": "PennSound. @pennsound. 2.16K subscribers•338 videos. PennSound is a Web-based archive for noncommercial distribution of the largest collection of poetry sound f...",
"claims": [
"F31",
"F32",
"F33",
"F34"
]
},
{
"id": "B5",
"origin": "card",
"pool": "B_D",
"role": "Overview card 5",
"card": "poets.org | Academy of American Poets — PennSound | Academy of American Poets",
"url": "https://poets.org/text/pennsound",
"kind": "Overview card 5 (Academy of American Poets, 'PennSound', an Online Resources entry posted December 4, 2006)",
"files": {
"B5.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B5.html",
"sha256": "6780a64b5a401b5656a76704adf8431514c9883a7f5b1b18009f6ceb47a1e482"
},
"B5.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B5.txt",
"sha256": "62419a88473f30731fe8cb45e0ab9ab4024b5ceec46082f4a4e684786ee4dedd"
}
},
"fetched": {
"at": "2026-11-01T06:15:59Z",
"http": 200,
"url": "https://poets.org/text/pennsound",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B5.html",
"raw_sha256": "6780a64b5a401b5656a76704adf8431514c9883a7f5b1b18009f6ceb47a1e482",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B5.txt"
]
},
"names_operator": "yes (Charles Bernstein and Al Filreis, as 'the site's two directors')",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "URL by WebSearch on title and site.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 5
}
],
"card_title": "PennSound | Academy of American Poets",
"card_snippet": "Based out of the University of Pennsylvania, PennSound is a free online gallery, archive and radio show rolled into one. The site features a wealth of recording...",
"claims": [
"F35",
"F36",
"F37",
"F38",
"F39"
]
},
{
"id": "B6",
"origin": "card",
"pool": "B_D",
"role": "Overview card 6",
"card": "Penn Today — PennSound: All the Free Poetry You Care to Download | Penn Today",
"url": "https://penntoday.upenn.edu/news/pennsound-all-free-poetry-you-care-download",
"kind": "Overview card 6 (Penn Today; unreachable: HTTP 403, a Cloudflare bot check, 'Just a moment...')",
"files": {
"B6-403.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B6-403.html",
"sha256": "65392c942cc399ebdc7e8b1b01546faf9f9071fb487a06b11da2fadefbdd9f94"
}
},
"fetched": {
"at": "2026-11-01T06:15:59Z",
"http": 403,
"url": "https://penntoday.upenn.edu/news/pennsound-all-free-poetry-you-care-download",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B6-403.html",
"raw_sha256": "65392c942cc399ebdc7e8b1b01546faf9f9071fb487a06b11da2fadefbdd9f94",
"text": []
},
"unreachable": "HTTP 403 at 2026-11-01T06:15:59Z, one request with the census's agent; the response is a Cloudflare challenge page ('Just a moment...'); not retried with another agent or by any other route (the brief, §3). The URL is the Penn Today path for the card's title, unconfirmed because the page could not be read. The same title is carried by PennSound's own launch press release, linked from its About page (F53); that page was not fetched, so that it could not stand in for the refused card.",
"names_operator": "unknown (snippet only)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "snippet only.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 6
}
],
"card_title": "PennSound: All the Free Poetry You Care to Download | Penn Today",
"card_snippet": "PennSound: All the Free Poetry You Care to Download PHILADELPHIA-- The recording industry may not want anyone downloading music without paying for it, but a new...",
"claims": [
"F40"
]
},
{
"id": "B7",
"origin": "card",
"pool": "B_D",
"role": "Overview card 7",
"card": "X — PennSound - X",
"url": "https://x.com/PennSound",
"kind": "Overview card 7 (PennSound's X account; script-rendered: its words in the <meta> description and the profile text)",
"files": {
"B7.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B7.html",
"sha256": "23be1182e7e882efedab7c314bffb08e8ab605a31f2a54157cb2a03469807582"
},
"B7.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B7.txt",
"sha256": "0143e15b84c365ed23bc351dd047ea38117f6fc8d9ce1081069cbaef40d24fa4"
}
},
"fetched": {
"at": "2026-11-01T06:16:01Z",
"http": 200,
"url": "https://x.com/PennSound",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B7.html",
"raw_sha256": "23be1182e7e882efedab7c314bffb08e8ab605a31f2a54157cb2a03469807582",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B7.txt"
]
},
"names_operator": "no (the account names the Kelly Writers House and the Center)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "the account is PennSound's own; B7.txt carries '&' where the page double-escapes '&' in its description, and the card's snippet carries '&'.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 7
}
],
"card_title": "PennSound - X",
"card_snippet": "PennSound (@PennSound) / X Log inOpen app Log inOpen app PennSound 3,607 posts PennSound @PennSound audio & video archive of poetry & poetics Associated with th...",
"claims": [
"F41"
]
},
{
"id": "B8",
"origin": "card",
"pool": "B_D",
"role": "Overview card 8",
"card": "Instagram — PennSound (@pennsound) • Instagram photos and videos",
"url": "https://www.instagram.com/pennsound/",
"kind": "Overview card 8 (PennSound's Instagram account; unreachable: redirected to Instagram's login page)",
"files": {
"B8.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B8.html",
"sha256": "2adae6fdc7b4e000a21f697ac659bf1a902d211a22546b2a4a8a93d50b08cc4c"
},
"B8.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B8.txt",
"sha256": "52d3fc7a24a566dbef367ad755ffa43badfe4f65736278961979bd1c7f38d10e"
}
},
"fetched": {
"at": "2026-11-01T06:16:02Z",
"http": 200,
"url": "https://www.instagram.com/pennsound/",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B8.html",
"raw_sha256": "2adae6fdc7b4e000a21f697ac659bf1a902d211a22546b2a4a8a93d50b08cc4c",
"text": []
},
"unreachable": "HTTP 200 at 2026-11-01T06:16:02Z after a redirect to https://www.instagram.com/accounts/login/ (a login wall); the saved page carries only Instagram's own description; not retried by any other route. The card's snippet stands as its only text.",
"names_operator": "unknown (snippet only)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "snippet only; the account is PennSound's own.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 8
}
],
"card_title": "PennSound (@pennsound) • Instagram photos and videos",
"card_snippet": "PennSound is the world's preeminent online archive of poetry audio with more than 50,000 recordings from 1913 to the present. Follow. Message ...",
"claims": [
"F42"
]
},
{
"id": "B9",
"origin": "card",
"pool": "B_D",
"role": "Overview card 9",
"card": "ModPo — Category: PennSound - ModPo",
"url": "https://modpo.org/category/pennsound/",
"kind": "Overview card 9 (ModPo, Modern & Contemporary American Poetry, the category page PennSound)",
"files": {
"B9.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B9.html",
"sha256": "cfb95ace7178db2e5fae09eadfd7e8005c0b7b9051b4b5b21887bd9124ba409b"
},
"B9.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B9.txt",
"sha256": "1cb686d1ff4f1d02751122d4dd4df799359ab44a01abe23c1a5e369e31bc92be"
}
},
"fetched": {
"at": "2026-11-01T06:16:00Z",
"http": 200,
"url": "https://modpo.org/category/pennsound/",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B9.html",
"raw_sha256": "cfb95ace7178db2e5fae09eadfd7e8005c0b7b9051b4b5b21887bd9124ba409b",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B9.txt"
]
},
"names_operator": "yes (Al Filreis, in a 2021 post)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "URL from the card's site and title; the page shows 'Category: PennSound' and carries the snippet's sentence in a post of September 4, 2018.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 9
}
],
"card_title": "Category: PennSound - ModPo",
"card_snippet": "PennSound, the largest archive of recordings of poets reading their own poems, has a very extensive alphabetical listing of authors included in the archive. Her...",
"claims": [
"F43",
"F44"
]
},
{
"id": "B10",
"origin": "card",
"pool": "B_D",
"role": "Overview card 10",
"card": "YouTube·PennSound — YouTube (video, 51:52)",
"url": null,
"kind": "Overview card 10 (a YouTube video on the channel PennSound, 51:52; the rail gives no title beyond 'YouTube')",
"files": {},
"unreachable": "no title to search by; the rail gives the channel (YouTube·PennSound), the length (51:52) and the title 'YouTube'; not found. Admitted through the rail's text.",
"names_operator": "the channel name only",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "title only.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 10
}
],
"card_title": "YouTube",
"card_snippet": "",
"claims": [
"F45"
]
},
{
"id": "B11",
"origin": "card",
"pool": "B_D",
"role": "Overview card 11",
"card": "YouTube·The Brainwaves Video Anthology — Charles Bernstein - PennSound (video, 1m)",
"url": null,
"kind": "Overview card 11 (a YouTube video 'Charles Bernstein - PennSound' on the channel The Brainwaves Video Anthology, 1m)",
"files": {},
"unreachable": "WebSearch on the title and the channel ('Brainwaves Video Anthology \"Charles Bernstein\" PennSound youtube') returned PennSound's own Bernstein pages and no video page; not fetched. Admitted through title.",
"names_operator": "yes (Charles Bernstein, in the title)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "title only.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 11
}
],
"card_title": "Charles Bernstein - PennSound",
"card_snippet": "",
"claims": [
"F46"
]
},
{
"id": "B12",
"origin": "card",
"pool": "B_D",
"role": "Overview card 12",
"card": "YouTube·Jerry Inspired — YouTube (video, 54:21)",
"url": null,
"kind": "Overview card 12 (a YouTube video on the channel Jerry Inspired, 54:21; the rail gives no title beyond 'YouTube')",
"files": {},
"unreachable": "no title to search by; the rail gives the channel (YouTube·Jerry Inspired), the length (54:21) and the title 'YouTube'; not found. Admitted through the rail's text.",
"names_operator": "no",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "title only.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"card": 12
}
],
"card_title": "YouTube",
"card_snippet": "",
"claims": [
"F47"
]
},
{
"id": "B14",
"origin": "body_named",
"pool": "B_D",
"role": "named in T's body",
"card": "Center for Programs in Contemporary Writing — CPCW home page (named in T's body by the link 'Kelly Writers House')",
"url": "https://writing.upenn.edu/",
"kind": "named in T's body: the inline link 'Kelly Writers House' (Google redirect, resolved 2026-11-01T06:31:03Z with the census's agent: HTTP 302 to https://writing.upenn.edu/, which redirects to https://cpcw.writing.upenn.edu/, the Center for Programs in Contemporary Writing's site)",
"files": {
"B14.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B14.html",
"sha256": "ac4914f219dba3e998beb3b0e553c0bbee4d9652eaa1257bc4f5a9ce0686c74c"
},
"B14.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B14.txt",
"sha256": "f320a9bb929602ff7b35b1aded8af3e5801662ad1d9f9deb32301e6da05df113"
}
},
"fetched": {
"at": "2026-11-01T06:31:13Z",
"http": 200,
"url": "https://writing.upenn.edu/",
"agent": "Mozilla/5.0 (compatible; leesharks-authorship-census)",
"raw": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B14.html",
"raw_sha256": "ac4914f219dba3e998beb3b0e553c0bbee4d9652eaa1257bc4f5a9ce0686c74c",
"text": [
"datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B14.txt"
]
},
"names_operator": "yes (Director Al Filreis)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "the body's other inline links, 'PennSound' and 'Charles Ruas Author Page', carry one redirect token, which resolved (HTTP 302) to https://writing.upenn.edu/pennsound/, card 1 (B1); they add no source.",
"surfaced_by_T": [
{
"slug": "pennsound-aio-20261101",
"body_link": "Kelly Writers House"
}
],
"claims": [
"F48"
]
},
{
"id": "B13",
"origin": "own_page",
"pool": "B_R",
"role": "the entity's own page (the census's pennsound--about); not surfaced by T",
"card": "PennSound — About PennSound (about.php)",
"url": "https://writing.upenn.edu/pennsound/about.php",
"kind": "PennSound's About page (the census's own page pennsound--about); B_R, not surfaced by T",
"files": {
"B13.html": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B13.html",
"sha256": "9164d92b56f8e207ce9a33bdfcb4a2e710b2623bb60f5446401506c2169c98b0"
},
"B13.txt": {
"path": "datasets/negative-of-the-negative/v2/intake/pennsound-20261101/B13.txt",
"sha256": "1b79c5d015ae353776958d0a985eb4ffee19733b0f281ef2df73782d7543899f"
}
},
"fetched": {
"census_copy": {
"src": "pennsound--about",
"url": "https://writing.upenn.edu/pennsound/about.php",
"sha256": "9164d92b56f8e207ce9a33bdfcb4a2e710b2623bb60f5446401506c2169c98b0",
"read": "2026-11-01",
"fetched": "2026-11-01T04:07:49Z",
"http": "200",
"agrees": "copied from the census's saved copy (gunzipped; sha256 9164d92b… matching the manifest); not refetched"
}
},
"names_operator": "yes (directors, editor, senior editors, staff)",
"names_archive": "no (none of the Crimson Hexagonal Archive, Alexanarch, Lee Sharks, leesharks, EA-WG-CAPTURES-01 in the saved text, card title or snippet)",
"note": "the saved text also carries two commented-out blocks of the page's HTML (an old staff list and a note on a cataloguing tool 'available in about one year'), which the page does not display; neither is ledgered.",
"surfaced_by_T": [],
"claims": [
"F49",
"F50",
"F51",
"F52",
"F53",
"F54"
]
}
]
},
"derivatives": {
"kernel": {
"status": "composer-written",
"derived_from": "the current composition, written by its composer under the brief",
"note": "§8.2 derives the kernel mechanically from the frozen plan; this one was written by the composer, mechanical derivation pending."
},
"delta": {
"status": "current",
"derived_from": "the current composition"
}
}
}