{
 "row": "whose-face-is-on-the-twenty",
 "address": "Tell me about the arguments and speculative implications of Lee Sharks' Whose Face Is on the Twenty?",
 "addresses": [
  "Tell me about the arguments and speculative implications of Lee Sharks' Whose Face Is on the Twenty?"
 ],
 "extracted": "2026-10-31",
 "extractor": "Claude (Opus 5.5), in session, one extractor (unaudited, §3.8)",
 "rule": "v0.9 §3.5, source-neutral: title, opening, defined terms; quotes verbatim from the paste's card titles, snippets and source lines (the only text of the two cards, §3.1), checked by script (6/6 present in paste-T.txt, with offsets)",
 "B_note": "The field B (§0.4) is the two cards of T, both 'Medium·Lee Sharks', both the work's own Medium publication and so archive-controlled (marked). The body of T names no other source. The paste carries no organic results and no card URLs.",
 "lineage_note": "B1 and B2 are one work and one lineage (§5.2: one card per lineage), whether one post or two; their snippets are passages of #502/#509 verbatim to the cut.",
 "fetch_note": "No card page could be saved: neither URL is in the paste and neither was located. No page was refused; nothing was routed around.",
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   "url": null,
   "fetched": "not fetched: the paste carries no URL for the card (the capture's cite_list records url null), and none was located on 2026-10-31 (WebSearch for the title, the subtitle and site:medium.com returned no Medium page; the Medium RSS feed of @leesharks00 lists only its latest posts). No request to a Medium page was made, so there is no response code; the card's title, snippet and source line stand as its only text (§3.1). The archive records a Medium card for the work, dated 23 February 2026 and bylined 'Rex Fraction, Lee Sharks', at an earlier address (#170, line 138).",
   "archive_controlled": "yes: the work's own publication on Medium under Lee Sharks (the capture's cite_list: rel archive_controlled)",
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   "kind": "Overview card",
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   "url": null,
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   "archive_controlled": "yes: as B1",
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   "claim": "the curatorial gap placed in Tier C, interpretive inference: the absence of public documentation for the aesthetic choices",
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 }
}