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 "title": "Screenrooms and Silver Bullets Rhys Owens New Human 2 · Crimson Hexagonal Archive April 2026 · 06.NH.LUNAR.01",
 "creator": "Rhys Owens",
 "orcid": "0009-0000-1599-0703",
 "date": "2026-04-29",
 "description": "A fourteen-poem collection by Rhys Owens in the New Human 2 Lunar Arm, spanning compressed satire, philosophical lyric, analog horror, phenomenological observation, and a closing poem first dated 2013. The collection’s central construct is the **screenroom**: a layered perceptual chamber in which memory, media, embodiment, and inherited instruction overlap until bodily response authenticates what reflective thought cannot verify.\n\nThe four-part *Ghosts Sections* sequence develops the screenroom through “Lock Door, Get Key,” “The Guardian Tries Veils,” “Machine,” and “Confirmation Character.” Its term **nerveLogic** names a logic carried by nervous-system response rather than propositional certainty. Other major poems include “King Because,” “Cloud Storm,” and “Killing the Self-Conscious Dream.”",
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 "substrate": "AI-assisted (substrate)",
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 "reading": "Method → Direction → Search → Threshold → Closure → Touch",
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 "wiki_article": "*Screenrooms and Silver Bullets* is a fourteen-poem collection by Rhys Owens, published in the Lunar Arm of New Human 2.\n\nThe editorial framing presents the poems as enactments of **affect literacy**: the capacity to metabolize experience through symbolic play without requiring belief, doctrine, or permanent identity capture.\n\nThe collection ranges from extreme compression to extended perceptual architecture. “Ideological Harassment” places its argument in two lines. “King Because” compresses consumption, iconoclasm, and bodily appetite. “Cloud Storm” builds a precise prestorm phenomenology. “Killing the Self-Conscious Dream,” dated 2013, uses repeated imperatives—going, standing, remembering—to create a temporal pressure the archive relates to the missing aorist.\n\nThe collection’s most developed structure is the *Ghosts Sections* suite:\n\n1. **Lock Door, Get Key**\n2. **The Guardian Tries Veils**\n3. **Machine**\n4. **Confirmation Character**\n\nTogether they construct the **screenroom**, a perceptual space where screens, parental instruction, social formation, analog-horror atmosphere, memory, and body response bleed into one another.\n\nThe neologism **nerveLogic** names the collection’s governing epistemology. The body registers and authenticates an event even when the reflective mind cannot establish whether the event is objectively present, remembered, mediated, simulated, or inherited.\n\nThe poems are cross-related to *Shining Ignorance*, *Affective Keyboard Shortcuts*, *Shine & Cut*, the Three Compressions, the Catullus Room, and the Sappho Room. These relations place Owens’s poetry inside the archive without reducing the poems to illustrations of those frameworks.",
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