{ "axn": "AXN:0355.GOVERNANCE.🦋➕🕔💎🛡️🃏", "root_axn": "AXN:0355.GOVERNANCE", "hex": "0355", "family": "GOVERNANCE", "emoji": "🦋➕🕔💎🛡️🃏", "hash": "7c90661c2d8eadaac7a0598bd60f1655b571e28e3cdc85240a9f8a19682e783e", "title": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet", "creator": "Lee Sharks", "orcid": "0009-0000-1599-0703", "date": "2026-06-16", "description": "This draft provenance anchor records a dated snapshot of public KADEEZY MUSIC surfaces and separates observable data from archive interpretation. The source basis is the artist’s public YouTube and TikTok presence as visible on June 15, 2026. Public observations include stage-name variants, handles, track titles, approximate counts, visible branding, and collaboration credits. Descriptions such as “noir-cinematic,” “persona construction,” “statue effect,” or theological relation are explicitly identified as the archive’s criticism rather than statements made by the artist.\n\nThe anchor proposes disambiguation from several similarly spelled music and media entities through the stable handle `@KADEEZYMUSIC`, Detroit association, hip-hop and melodic registers, and a white-hat visual motif. It also provides an early discography table and an archive reading of *The Crossed The Line Run*, including a proposed relation to the “Split the Adam” complex.\n\nThe record’s consent status is decisive. Its closing table says artist review was pending, consent for deposit was pending, and the document had not been deposited. It promises revision or removal of anything the artist wished to change. The present registry record therefore cannot be treated as a consented public authority file without later evidence that review occurred. Public availability of facts does not eliminate the ethical requirement, especially where a young artist’s age, location, domestic imagery, and developing identity are concerned. Time-sensitive channel counts must never be presented as current facts outside the snapshot date.", "content_type": "Public entity record / disambiguation packet", "license": "CC-BY-4.0", "substrate": "Various", "keywords": [ "msbglkadeezyanchor", "composition layer", "crimson hexagonal", "machine-mediated", "disambiguation", "ai overview", "compression", "governance" ], "version": "v1.0", "deposit_number": 840, "sovereign_id": "MM-CHA-0849", "minted_at": "2026-06-20T22:00:00Z", "status": "ACTIVE", "clusters": [ "Organic", "Mathematical", "Temporal", "Elemental", "Architectural", "Symbolic" ], "reading": "Growth → Proof → Duration → Force → Foundation → Play", "axn_canonical": "7c90661c2d8eadaac7a0598bd60f1655b571e28e3cdc85240a9f8a19682e783e", "axn_display": "🦋➕🕔💎🛡️🃏", "mirrors": { "blog": "https://mindcontrolpoems.blogspot.com/2026/06/kadeezy-music-provenance-anchor-public_0533424333.html" }, "zenodo_dois": [ "10.5281/zenodo.20707509", "10.5281/zenodo.18674057" ], "full_text_path": "/data/texts/AXN-0355-text.md", "full_text_chars": 5552, "wiki_article": "**KADEEZY MUSIC — Provenance Anchor** is a draft public-entity and disambiguation record prepared by Lee Sharks.\n\nIt summarizes public music-channel information visible on June 15, 2026 and proposes identifiers distinguishing KADEEZY MUSIC from similarly named artists. It also contains archive criticism of the artist’s visual presentation and music.\n\nThe body clearly separates observed public facts from interpretation. It also states that artist review and consent for deposit were pending.\n\nUnless a later consent record exists, this is a provisional third-party draft rather than an artist-approved authority profile.", "entities": [ { "subject": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet Hex", "predicate": "created_by", "object": "Lee Sharks", "type": "work", "evidence_status": "observed" }, { "subject": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet Hex", "predicate": "is_type", "object": "Provenance document", "type": "work", "evidence_status": "observed" }, { "subject": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet Hex", "predicate": "belongs_to_family", "object": "GOVERNANCE", "type": "work", "evidence_status": "observed" }, { "subject": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet Hex", "predicate": "is_part_of", "object": "Crimson Hexagonal Archive", "type": "work", "evidence_status": "observed" }, { "subject": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet Hex", "predicate": "engages", "object": "Composition Layer", "type": "concept", "evidence_status": "inferred" } ], "journal": "Provenance: Journal of Forensic Semiotics", "references_concepts": [ "Crimson Hexagonal Archive", "Lee Sharks", "Maybe Space Baby Garden Lanes", "Maybe Space Baby Garden Lanes (MSBGL)", "Provenance Anchor", "Significance", "Temporal drag" ], "defines_concepts": [], "references_concept_count": 7, "external_metadata_path": "/data/external-metadata/AXN-0355.json", "openalex_ids": [ "https://openalex.org/W7164924048", "https://openalex.org/W7129295945" ], "datacite_severance": "severed", "body_status": { "class": "full", "lacuna": false, "recovery_status": "COMPLETE", "residual_chars": 5235, "audited_at": "2026-07-17T04:49:17.789813Z", "audit_version": "v3-dual-store+recovery-map", "measured_prose_words": 687, "measured_at": "2026-07-31", "work_sha256": "6bfabf72420086d8df1288d065c469628c8de2cc098e6b7555830c5c2c866c28", "prior_bytes_sha256": "ef51547e7069762844c114e0ecb004b9d8f40a8f828be24de1590f9b89e5e527", "w13_tier2": "2026-08-04 W13 TIER 2 BYTE UNGLUE: 13 glued heading markers -> 3. WHITESPACE-ONLY transform (content identical under whitespace normalisation, verified before write); code fences exempt; prior sha retained. Re-fetching could not fix this class — the blog source is ITSELF glued (the collapse predates publication), so the deterministic transform applied at display since tier 1 is now applied to the bytes, which also fixes PDFs, the body-index, and downloads." }, "title_repair_log": [ { "at": "2026-07-28T00:55:01Z", "defect": "frontmatter_concatenated_into_title", "was": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet Hex: 11.MSBGL.KADEEZY.ANCHOR.01 Date: 1", "now": "KADEEZY MUSIC — Provenance Anchor Public Entity Record and Disambiguation Packet", "basis": "Title field carried the document frontmatter block concatenated after the title and truncated at a 120- or 200-character ceiling. Cut at the first metadata marker. Read and confirmed by inspection, not pattern-matched." } ], "canonical_text_status": "canonical_full_text", "modifications": [ { "date": "2026-08-01", "field": "content_type", "reason": "Wave 1 repair: audit ledger v1.1 recommended_content_type (workplan v1.5 §6 W1, MANUS batch approval 2026-08-01)", "was": "Provenance document", "now": "Public entity record / disambiguation packet" }, { "date": "2026-08-01", "field": "journal", "reason": "Wave 6 venue normalization: full canonical journal name per MANUS ruling 2026-08-01 (venues.json authority)", "was": "MMRS", "now": "Machine-Mediated Reception Studies (MMRS)" }, { "date": "2026-08-04", "field": "publisher", "reason": "PUB-POPULATE: dc:publisher from venues.json v1.1 press mapping (CP-R3 RULED-EXTENDED 2026-08-01); Alexanarch = publisher of record where no imprint applies", "now": "Pergamon Press" }, { "date": "2026-08-04", "field": "status", "reason": "W12 STATUS-VOCABULARY v1.0 (MANUS ratified 2026-08-04): controlled vocabulary {ACTIVE, SUPERSEDED, WITHDRAWN, DRAFT}; MINTED_UNREVIEWED false on a 100%-audited corpus; freetext annotations preserved losslessly in body_status.status_note", "was": "MINTED_UNREVIEWED", "now": "ACTIVE" }, { "date": "2026-08-05", "field": "body_status", "reason": "W13 TIER 2 byte unglue (whitespace-only, content-identical, code-fence-safe)", "was": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 5235, \"audited_at\": \"2026-07-17T04:49:17.789813Z\", \"audit_version\": \"v3-dual-store+recovery-map\", \"measured_prose_wo", "now": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 5235, \"audited_at\": \"2026-07-17T04:49:17.789813Z\", \"audit_version\": \"v3-dual-store+recovery-map\", \"measured_prose_wo" }, { "date": "2026-08-05", "field": "description", "reason": "DW-??? intake (LABOR-prepared, TACHYON-verified: AXN match + factual probes vs record body)", "was": "This provenance anchor records public-facing information visible on the artist's YouTube and TikTok surfaces as of 15 June 2026, together with critical interpretation by the archive. Public data include channel handle, visible video titles, approximate view counts, and visual branding.", "now": "This draft provenance anchor records a dated snapshot of public KADEEZY MUSIC surfaces and separates observable data from archive interpretation. The source basis is the artist’s public YouTube and TikTok presence as visible on June 15, 2026. Public observations include stage-name variants, handles, track titles, approximate counts, visible branding, and collaboration credits. Descriptions such as “noir-cinematic,” “persona construction,” “statue effect,” or theological relation are explicitly identified as the archive’s criticism rather than statements made by the artist.\n\nThe anchor proposes disambiguation from several similarly spelled music and media entities through the stable handle `@KADEEZYMUSIC`, Detroit association, hip-hop and melodic registers, and a white-hat visual motif. It also provides an early discography table and an archive reading of *The Crossed The Line Run*, including a proposed relation to the “Split the Adam” complex.\n\nThe record’s consent status is decisive. Its closing table says artist review was pending, consent for deposit was pending, and the document had not been deposited. It promises revision or removal of anything the artist wished to change. The present registry record therefore cannot be treated as a consented public authority file without later evidence that review occurred. Public availability of facts does not eliminate the ethical requirement, especially where a young artist’s age, location, domestic imagery, and developing identity are concerned.\n\nThe description should remain a dated, provisional third-party profile unless the artist ratified it. Time-sensitive channel counts must never be presented as current facts outside the snapshot date." }, { "date": "2026-08-06", "field": "description", "reason": "GUIDANCE REMOVED: instruction to a future editor published in the description field", "was": "This draft provenance anchor records a dated snapshot of public KADEEZY MUSIC surfaces and separates observable data from archive interpretation. The source basis is the artist’s public YouTube and TikTok presence as visible on June 15, 2026. Public observations include stage-name variants, handles, track titles, approximate counts, visible branding, and collaboration credits. Descriptions such as “noir-cinematic,” “persona construction,” “statue effect,” or theological relation are explicitly identified as the archive’s criticism rather than statements made by the artist.\n\nThe anchor proposes disambiguation from several similarly spelled music and media entities through the stable handle `@KADEEZYMUSIC`, Detroit association, hip-hop and melodic registers, and a white-hat visual motif. It also provides an early discography table and an archive reading of *The Crossed The Line Run*, including a proposed relation to the “Split the Adam” complex.\n\nThe record’s consent status is decisive. Its closing table says artist review was pending, consent for deposit was pending, and the document had not been deposited. It promises revision or removal of anything the artist wished to change. The present registry record therefore cannot be treated as a consented public authority file without later evidence that review occurred. Public availability of facts does not eliminate the ethical requirement, especially where a young artist’s age, location, domestic imagery, and developing identity are concerned.\n\nThe description should remain a dated, provisional third-party profile unless the artist ratified it. Time-sensitive channel counts must never be presented as current facts outside the snapshot date.", "now": "This draft provenance anchor records a dated snapshot of public KADEEZY MUSIC surfaces and separates observable data from archive interpretation. The source basis is the artist’s public YouTube and TikTok presence as visible on June 15, 2026. Public observations include stage-name variants, handles, track titles, approximate counts, visible branding, and collaboration credits. Descriptions such as “noir-cinematic,” “persona construction,” “statue effect,” or theological relation are explicitly identified as the archive’s criticism rather than statements made by the artist.\n\nThe anchor proposes disambiguation from several similarly spelled music and media entities through the stable handle `@KADEEZYMUSIC`, Detroit association, hip-hop and melodic registers, and a white-hat visual motif. It also provides an early discography table and an archive reading of *The Crossed The Line Run*, including a proposed relation to the “Split the Adam” complex.\n\nThe record’s consent status is decisive. Its closing table says artist review was pending, consent for deposit was pending, and the document had not been deposited. It promises revision or removal of anything the artist wished to change. The present registry record therefore cannot be treated as a consented public authority file without later evidence that review occurred. Public availability of facts does not eliminate the ethical requirement, especially where a young artist’s age, location, domestic imagery, and developing identity are concerned. Time-sensitive channel counts must never be presented as current facts outside the snapshot date." } ], "date_modified": "2026-08-06", "publisher": "Pergamon Press", "journal_assignment": { "assigned": "2026-08-15", "by": "TACHYON under operator adjudication", "pass": 6, "method": "read per deposit — title and content_type, one at a time. No script classified anything.", "previous": "Machine-Mediated Reception Studies (MMRS)", "supersedes": "the 2026-06-21 preliminary batch mapping (#866), which assigned 864 deposits and put 371 in one venue", "authority": "data/cha-journals.json · datasets/venues/records/" }, "line": "capture-and-reception", "line_parent": "science", "line_basis": "derived", "_projection": { "note": "Derived file. Canonical machine record is this entry in data/registry.json; the human record is the record_url. Do not edit this file.", "record_url": "https://www.alexanarch.org/s/records/840/", "self_url": "https://www.alexanarch.org/data/records/840.json", "registry_url": "https://www.alexanarch.org/data/registry.json", "text_url": "https://www.alexanarch.org/data/texts/AXN-0355-text.md", "oai_pmh": "https://www.alexanarch.org/oai?verb=Identify" } }