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 "title": "The Meta-Heteronym Heteronymy as Institutional Technology: Pessoa, the Trunk, and a Reading from the Pearl Case (2014)",
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 "date": "2026-04-21",
 "description": "*The Meta-Heteronym* proposes a formal category for heteronymic systems whose voices produce not only literary works but also the apparatus that legitimates them: introductions, reviews, criticism, historiography, manifestos, bibliographies, publications, and institutions. Through a comparative reading of Pessoa’s archive and *Pearl and Other Poems* (2014), it argues that Pessoa practiced this operation emergently while *Pearl* executes it as an explicit recursively closed configuration.\n\nThe paper defines five joint criteria—multiplicity, paratextual recursion, generic heterogeneity, self-theorization, and historical-literary positioning—and distinguishes the meta-heteronym from ordinary pseudonymy, paratext, author-function, hoax, and field positioning. Its reading of Pessoa and its claim that a text can function authorially are theoretical interventions. The body also contains an explicit public-author framing that must be handled carefully: public authority surfaces should identify Lee Sharks and Rex Fraction without exposing any civil identity.",
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 "wiki_article": "**The Meta-Heteronym** is a theoretical paper by Rex Fraction examining heteronymy as institutional technology. It uses Fernando Pessoa’s archive and Lee Sharks’s *Pearl and Other Poems* as comparative cases.\n\nA system is defined as meta-heteronymic when differentiated personae not only write primary texts but also produce the reception apparatus around one another. The paper requires multiplicity, recursive paratext, several institutional genres, explicit self-theory, and shared literary-historical positioning. In such a system, heteronyms introduce, review, attack, defend, historicize, and canonize one another.\n\nThe essay argues that Pessoa’s prefaces, heteronym relations, magazines, publishing projects, manifestos, and archival trunk show an emergent form of this operation. It reads *Pearl* as a later explicit case in which the book contains its own fictive critics, histories, manifestos, bibliographies, and institutional ecology. The proposed inversion is that a text may generate later authorial positions rather than merely being produced by them. This is a typological and auto-philological argument, not an established consensus in Pessoa scholarship.",
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