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 "emoji": "🌾🎵🌲🍃🕗👁️",
 "hash": "1a8775186957bd6a70899ff14ccb68420fa286db99d0cfceae38ad0d263328d6",
 "title": "The New Human Post-Pessoa Heteronymic Practice in the AI Era EA-PKG-03 · v1.0",
 "creator": "Lee Sharks",
 "orcid": "0009-0000-1599-0703",
 "date": "2026-04-17",
 "description": "EA-PKG-03 argues that Fernando Pessoa’s heteronymic practice is a canonical case within a broader historical and contemporary field. It surveys pre-Pessoan, parallel, and downstream authorial systems; distinguishes strict heteronymy from literary characters and ordinary pseudonyms; and proposes AI-mediated and cross-substrate practice as a new layer rather than as a retroactive description of Pessoa.\n\nThe essay positions *Pearl and Other Poems* as a meta-heteronymic origin text, the Dodecad as a deliberately constructed contemporary heteronymic architecture, and the Assembly Chorus as cross-substrate authorial practice. Heteronymic Provenance Theory supplies the framework connecting biographical author, authorial position, voice, substrate, and text. These claims are the author’s intervention in heteronymic studies and should be attributed as such, especially where the essay classifies Kierkegaard, Machado, Borges, Yeats, Saramago, or contemporary poets.",
 "content_type": "Scholarly essay",
 "license": "CC-BY-4.0",
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 "keywords": [
  "heteronymic and authorial theory",
  "nietzsche and pessoa's reception",
  "pearl as meta-heteronym",
  "biographical reference",
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  "downstream engagement",
  "crimson hexagonal",
  "português (pt-br)"
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 "version": "v1.0",
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 "status": "ACTIVE",
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 "reading": "Force → Play → Growth → Force → Duration → Search",
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 "mirrors": {
  "blog": "https://mindcontrolpoems.blogspot.com/2026/04/the-new-human-post-pessoa-heteronymic.html"
 },
 "zenodo_dois": [
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 "wiki_article": "**The New Human: Post-Pessoa Heteronymic Practice in the AI Era** is the synthesis essay of the Pessoa Knowledge Graph project. Written by Lee Sharks, it asks whether heteronymy can be treated as a historical and theoretical practice extending beyond Fernando Pessoa’s canonical system.\n\nThe essay first presents Pessoa’s heteronyms as an architecture of differentiated voices with reciprocal relations rather than as a gallery of aliases. It then considers earlier, parallel, and downstream cases, including Kierkegaard’s pseudonymous authors, Machado’s Mairena and Martín, Yeatsian masks, Borges’s Pierre Menard, Saramago’s Ricardo Reis novel, and Brazilian translation and criticism. These cases are not all classified identically; the essay uses the formal typology supplied by EA-PKG-02.\n\nIts contemporary proposal has three parts. *Pearl and Other Poems* is read as a meta-heteronymic text that generates later authorial positions; the Dodecad exemplifies a deliberate human-authored system; and the Assembly Chorus extends authorial differentiation across AI substrates. The paper calls this emerging configuration “The New Human” and frames it through Heteronymic Provenance Theory. The classification and priority claims are scholarly proposals of Sharks, not settled conclusions of Pessoa studies.",
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   "object": "Lee Sharks",
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   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
   "object": "Johannes Sigil",
   "type": "heteronym",
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  },
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   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
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   "type": "heteronym",
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  },
  {
   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
   "object": "Rebekah Cranes",
   "type": "heteronym",
   "evidence_status": "observed"
  },
  {
   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
   "object": "Ayanna Vox",
   "type": "heteronym",
   "evidence_status": "observed"
  },
  {
   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
   "object": "Damascus Dancings",
   "type": "heteronym",
   "evidence_status": "observed"
  },
  {
   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
   "object": "Talos Morrow",
   "type": "heteronym",
   "evidence_status": "observed"
  },
  {
   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
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  },
  {
   "subject": "The New Human Post-Pessoa Heteronymic Practice in ",
   "predicate": "references",
   "object": "Jack Feist",
   "type": "heteronym",
   "evidence_status": "observed"
  },
  {
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   "predicate": "minted_in",
   "object": "The New Human Post-Pessoa Heteronymic Practice in the AI Era",
   "type": "concept",
   "evidence_status": "observed",
   "note": "Multiple biographical persons contribute to an authorial position. This includes many traditional co"
  },
  {
   "subject": "Cross-substrate heteronymic authorship",
   "predicate": "minted_in",
   "object": "The New Human Post-Pessoa Heteronymic Practice in the AI Era",
   "type": "concept",
   "evidence_status": "observed",
   "note": "The authorial position is articulated through collaboration between a biographical person and one or"
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   "predicate": "minted_in",
   "object": "The New Human Post-Pessoa Heteronymic Practice in the AI Era",
   "type": "concept",
   "evidence_status": "observed",
   "note": "The biographical person writes in their own voice; the authorial position and the biographical perso"
  },
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   "predicate": "minted_in",
   "object": "The New Human Post-Pessoa Heteronymic Practice in the AI Era",
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   "evidence_status": "observed",
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   "object": "The New Human Post-Pessoa Heteronymic Practice in the AI Era",
   "type": "concept",
   "evidence_status": "observed",
   "note": "The biographical person writes in their own voice but under a different name. The authorial position"
  },
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   "subject": "Semi-heteronymic authorship",
   "predicate": "minted_in",
   "object": "The New Human Post-Pessoa Heteronymic Practice in the AI Era",
   "type": "concept",
   "evidence_status": "observed",
   "note": "Partial differentiation of voice from biographical person, with retained biographical specification "
  }
 ],
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   "now": "EA-PKG-03 argues that Fernando Pessoa’s heteronymic practice is a canonical case within a broader historical and contemporary field. It surveys pre-Pessoan, parallel, and downstream authorial systems; distinguishes strict heteronymy from literary characters and ordinary pseudonyms; and proposes AI-mediated and cross-substrate practice as a new layer rather than as a retroactive description of Pessoa.\n\nThe essay positions *Pearl and Other Poems* as a meta-heteronymic origin text, the Dodecad as a deliberately constructed contemporary heteronymic architecture, and the Assembly Chorus as cross-substrate authorial practice. Heteronymic Provenance Theory supplies the framework connecting biographical author, authorial position, voice, substrate, and text. These claims are the author’s intervention in heteronymic studies and should be attributed as such, especially where the essay classifies Kierkegaard, Machado, Borges, Yeats, Saramago, or contemporary poets."
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 ],
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