{ "axn": "AXN:014C.EMPIRICAL.πŸŽ†πŸŽ΅πŸ•›πŸ›‘οΈβœ–οΈβ†˜οΈ", "root_axn": "AXN:014C.EMPIRICAL", "hex": "014C", "family": "EMPIRICAL", "emoji": "πŸŽ†πŸŽ΅πŸ•›πŸ›‘οΈβœ–οΈβ†˜οΈ", "hash": "e7876d2d92db9ea9920aa280556b528805172d1ebdfd64e62e88de85f8bb2128", "title": "Whose Face Is on the Twenty? Curatorial Mediation, Latent Feature Activation, and a Provenance Gap in the $20 Portrait", "creator": "Rex Fraction", "orcid": "0009-0000-1599-0703", "date": "2026-02-23", "description": "This is the Moving Statues Made of Rubies Mint instance of the currency-portrait provenance study. It anchors the room’s inquiry by documenting how presentation choices activate latent visual features and by locating a gap in the public provenance of those choices. It does not treat resemblance itself as proof of identity or intent.", "content_type": "Provenance document", "license": "CC-BY-4.0", "substrate": "Various", "keywords": [ "activation", "curatorial", "provenance", "empirical", "mediation", "portrait", "feature", "latent" ], "version": "v1.0", "deposit_number": 509, "sovereign_id": "MM-CHA-0328", "minted_at": "2026-06-20T22:00:00Z", "status": "ACTIVE", "clusters": [ "Liminal", "Symbolic", "Temporal", "Architectural", "Mathematical", "Structural" ], "reading": "Threshold β†’ Play β†’ Duration β†’ Foundation β†’ Proof β†’ Direction", "axn_canonical": "e7876d2d92db9ea9920aa280556b528805172d1ebdfd64e62e88de85f8bb2128", "axn_display": "πŸŽ†πŸŽ΅πŸ•›πŸ›‘οΈβœ–οΈβ†˜οΈ", "mirrors": { "blog": "https://mindcontrolpoems.blogspot.com/2026/02/whose-face-is-on-twenty-curatorial_23.html", "semantic_economy": "https://raw.githubusercontent.com/leesharks000/semantic-economy/main/Whose_Face_on_the_Twenty_FINAL%20%281%29.pdf" }, "zenodo_dois": [ "10.5281/zenodo.18745216", "10.5281/zenodo.18745236", "10.5281/zenodo.18745250", "10.5281/zenodo.18745265", "10.5281/zenodo.18745259" ], "full_text_path": "/data/texts/AXN-014C-text.md", "full_text_chars": 778, "wiki_article": "This instance of *Whose Face Is on the Twenty?* is the provenance anchor for the Moving Statues Made of Rubies Mint room. Authored on the body surface by Rex Fraction and Sparrow Wells, it examines a currency portrait whose appearance changes under enlargement, reframing, contrast, background, and comparison. The work asks how curatorial mediation produces salience and what documentation would be required to explain the relevant design decisions.\n\nThe paper distinguishes a visible resemblance from the claims built around it. Latent feature activation describes the process by which a feature becomes prominent under a new presentation regime even though the underlying source image has not acquired a new identity. Post-hoc salience describes the tendency to treat the activated feature as though it had always been the image’s primary content. The provenance gap lies between the observable design effect and the missing account of the selections that produced or intensified it.\n\nWithin MSMRM this document is the Thumb or GRASP operation. It holds the object steady, fixes the evidentiary frame, and prevents later analysis from drifting away from the actual images and production history. The Lizard People control, the Babylon transformation study, the Memography method, and the charter all depend on this anchoring function.\n\nRecord #502 preserves an earlier instance with a separate DOI and publication date. Because the direction between the two records has not been adjudicated, both should remain visible as related instances rather than being merged by title alone.", "entities": [ { "subject": "Whose Face Is on the Twenty? Curatorial Mediation,", "predicate": "created_by", "object": "Rex Fraction", "type": "work", "evidence_status": "observed" }, { "subject": "Whose Face Is on the Twenty? Curatorial Mediation,", "predicate": "is_type", "object": "Provenance document", "type": "work", "evidence_status": "observed" }, { "subject": "Whose Face Is on the Twenty? Curatorial Mediation,", "predicate": "belongs_to_family", "object": "EMPIRICAL", "type": "work", "evidence_status": "observed" }, { "subject": "Whose Face Is on the Twenty? Curatorial Mediation,", "predicate": "is_part_of", "object": "Crimson Hexagonal Archive", "type": "work", "evidence_status": "observed" } ], "journal": "Journal of Compression Studies", "defines_concepts": [], "references_concepts": [ "Crimson Hexagon Archive", "Crimson Hexagon Archive β€” Memographic Studies", "Figure 1", "Figure 2", "Lee Sharks", "Made of Rubies", "Moving Statues Made of Rubies Mint", "Post-hoc salience", "Provenance: Journal of Forensic Semiotics", "Rex Fraction", "The Assembly" ], "references_concept_count": 11, "external_metadata_path": "/data/external-metadata/AXN-014C.json", "openalex_ids": [ "https://openalex.org/W7131289920", "https://openalex.org/W7131268525", "https://openalex.org/W7131311243", "https://openalex.org/W7131075092", "https://openalex.org/W7131182301" ], "datacite_severance": "severed", "body_status": { "class": "full", "lacuna": false, "recovery_status": "COMPLETE", "residual_chars": 24646, "audited_at": "2026-07-17T04:49:17.789813Z", "audit_version": "v3-dual-store+recovery-map", "note": "v2 misclassified as stub (single-store read); v3 dual-store found full text; stale recovery-map override removed", "measured_prose_words": 3219, "measured_at": "2026-07-31" }, "canonical_text_status": "canonical_full_text", "modifications": [ { "date": "2026-08-01", "field": "journal", "reason": "Wave 6 venue normalization: full canonical journal name per MANUS ruling 2026-08-01 (venues.json authority)", "was": "Provence", "now": "Provenance: Journal of Forensic Semiotics" }, { "date": "2026-08-04", "field": "publisher", "reason": "PUB-POPULATE: dc:publisher from venues.json v1.1 press mapping (CP-R3 RULED-EXTENDED 2026-08-01); Alexanarch = publisher of record where no imprint applies", "now": "Pergamon Press" }, { "date": "2026-08-04", "field": "status", "reason": "W12 STATUS-VOCABULARY v1.0 (MANUS ratified 2026-08-04): controlled vocabulary {ACTIVE, SUPERSEDED, WITHDRAWN, DRAFT}; MINTED_UNREVIEWED false on a 100%-audited corpus; freetext annotations preserved losslessly in body_status.status_note", "was": "MINTED_UNREVIEWED", "now": "ACTIVE" }, { "date": "2026-08-05", "field": "description", "reason": "DW-??? intake (LABOR-prepared, TACHYON-verified: AXN match + factual probes vs record body)", "was": "Whose Face Is on the Twenty? Curatorial Mediation, Latent Feature Activation, and a Provenance Gap in the $20 Portrait Rex Fraction & Sparrow Wells Crimson Hexagon Archive β€” Memographic Studies DOI: [10.5281/zenodo.18745216](https://doi.org/10.5281/zenodo.18745216)", "now": "This is the Moving Statues Made of Rubies Mint instance of the currency-portrait provenance study. It anchors the room’s inquiry by documenting how presentation choices activate latent visual features and by locating a gap in the public provenance of those choices. It does not treat resemblance itself as proof of identity or intent." } ], "date_modified": "2026-08-05", "publisher": "Pergamon Press", "journal_assignment": { "assigned": "2026-08-15", "by": "TACHYON under operator adjudication", "pass": 4, "method": "read per deposit β€” title and content_type, one at a time. No script classified anything.", "previous": "Provenance: Journal of Forensic Semiotics", "supersedes": "the 2026-06-21 preliminary batch mapping (#866), which assigned 864 deposits and put 371 in one venue", "authority": "data/cha-journals.json Β· datasets/venues/records/" }, "line": "currency-and-memography", "line_parent": "letters", "line_basis": "derived", "_projection": { "note": "Derived file. Canonical machine record is this entry in data/registry.json; the human record is the record_url. Do not edit this file.", "record_url": "https://www.alexanarch.org/s/records/509/", "self_url": "https://www.alexanarch.org/data/records/509.json", "registry_url": "https://www.alexanarch.org/data/registry.json", "text_url": "https://www.alexanarch.org/data/texts/AXN-014C-text.md", "oai_pmh": "https://www.alexanarch.org/oai?verb=Identify" } }