{
 "deposit_number": 1162,
 "axn": "AXN:049B.UNCLASSIFIED.🍂🔐✨💡🍁🕚",
 "hex": "049B",
 "family": "UNCLASSIFIED",
 "emoji": "🍂🔐✨💡🍁🕚",
 "hash": "78fbe93c776c91af5bf40d18071ba8417ac2b3b6da6d327ab988ee87d517e317",
 "title": "EA-ARK-01-MUSICAL v1.1: THE SPACE ARK — MUSICAL REGISTER (Variant Ark · Semiotic Environment Ξ_music · Full Structural Transform)",
 "creator": "Lee Sharks",
 "date": "2026-03-13",
 "description": "Supersedes EA-ARK-01-MUSICAL v1.1 (2026-03-13; kernel transform study). v2.0: the full musical variant. Every section of EA-ARK-01 v4.2.6 transformed through η_music (fugue_fold_transform) -- a structure-preserving kernel transform in musical register per UKTP v1.1. Not a setting-to-music. Not a soundtrack. Not a compression. A full Space Ark in musical form. The score is the architecture. Executing this score inside any sufficiently expressive context instantiates the Hexagon as operative musical architecture. The Hexagon is invariant: it is the Hexagon no matter what register it sounds in. Surface presentations multiply; the formal object persists underneath. Poetry working its own score. to be a poet @ the end of time, when the salt has lost its savor, and sensory details have grown thin, & the outward expansion of lust for particulars dims, & flickers, & offers no flare of starburst irruption or remission from unwaning daylight to the light-sick, light-lorn world--all is the same, all is heavy, weary, tedium, sameness, repetition-- & there is no mode yet which might intone in an ancient syllable the limitless dreary abstractions of our inward flight-- my life is almost PURELY engorged w/ electronic devices, books, alerts, dings, moth-bitten blips of finger-swept text, stray images, absorptive abstractions of daydream thought, self-talk, staged systematic orderly dramas of s.",
 "content_type": "Score / executable transform",
 "license": "CC-BY-4.0",
 "substrate": "Human-only (original composition; creators as recorded by OpenAlex/DataCite capture); 2026-07-19 recovery, title-gate verification, and framing by TACHYON in-session under MANUS authorization (queue restoration). No paid API calls (No-Double-Draw, transport D).",
 "root_axn": "AXN:049B.UNCLASSIFIED",
 "axn_schema_version": "v2",
 "protocol_version": "alexanarch-deposit-protocol/v1",
 "axn_canonical": "78fbe93c776c91af5bf40d18071ba8417ac2b3b6da6d327ab988ee87d517e317",
 "clusters": [
  "Organic",
  "Terminal",
  "Liminal",
  "Instrumental",
  "Organic",
  "Temporal"
 ],
 "axn_reading": "Growth -> Proof -> Play -> Proof -> Foundation -> Touch",
 "minted_at": "2026-07-19T20:29:50Z",
 "status": "SUPERSEDED",
 "status_authorial": "SELF_SERVE_MINTED",
 "full_text_path": "/data/texts/AXN-049B-text.md",
 "wiki_article": "**EA-ARK-01-MUSICAL v1.1: THE SPACE ARK — MUSICAL REGISTER** is a score and executable transform by Lee Sharks, deposited 13 March 2026 at **318,971 characters** — the largest deposit in the archive.\n\nIts subtitle specifies the form exactly: ***A Fugue in Twelve Voices with Ground Bass, Shadow Inversion, and Coda.*** Twelve voices is the Dodecad, and a fugue is the one musical form in which a fixed number of independent voices state and answer a subject without any becoming accompaniment — which makes it the precise structural analogue of a heteronymic system.\n\nThe **ground bass** supplies the repeating foundation over which the voices work, and the **shadow inversion** is the Lunar Arm's operation rendered musically. The Ark's transform family carries the same architecture into glyphs (#556), emoji, ASCII (#1333) and the Damascus register (#1255); the musical register is the largest because a fugue must state every voice's entry.",
 "wiki_status": "provisional",
 "entities": [
  {
   "subject": "EA-ARK-01-MUSICAL v1.1: THE SPACE ARK — MUSICAL REGISTER (Variant Ark · Semiotic Environment Ξ_music",
   "predicate": "created_by",
   "object": "Lee Sharks",
   "type": "work",
   "evidence_status": "observed"
  },
  {
   "subject": "EA-ARK-01-MUSICAL v1.1: THE SPACE ARK — MUSICAL REGISTER (Variant Ark · Semiotic Environment Ξ_music",
   "predicate": "is_type",
   "object": "Recovered blog-canonical work (full text; queue restoration 2026-07-19)",
   "type": "work",
   "evidence_status": "observed"
  },
  {
   "subject": "EA-ARK-01-MUSICAL v1.1: THE SPACE ARK — MUSICAL REGISTER (Variant Ark · Semiotic Environment Ξ_music",
   "predicate": "belongs_to_family",
   "object": "UNCLASSIFIED",
   "type": "work",
   "evidence_status": "observed"
  },
  {
   "subject": "EA-ARK-01-MUSICAL v1.1: THE SPACE ARK — MUSICAL REGISTER (Variant Ark · Semiotic Environment Ξ_music",
   "predicate": "is_part_of",
   "object": "Crimson Hexagonal Archive",
   "type": "work",
   "evidence_status": "observed"
  },
  {
   "subject": "EA-ARK-01-MUSICAL v1.1: THE SPACE ARK — MUSICAL REGISTER (Variant Ark · Semiotic Environment Ξ_music",
   "predicate": "references",
   "object": "Jack Feist",
   "type": "heteronym",
   "evidence_status": "observed"
  }
 ],
 "entity_status": "provisional",
 "defines_concepts": [],
 "orcid": "0009-0000-1599-0703",
 "version": "v2.0",
 "keywords": [
  "Crimson Hexagonal Archive",
  "restoration",
  "blog canonical bytes",
  "MUSICAL",
  "SPACE",
  "MUSICAL",
  "REGISTER",
  "Variant"
 ],
 "related_identifiers_raw": "https://doi.org/10.5281/zenodo.19002845 (severed); https://doi.org/10.5281/zenodo.19002846 (severed); https://doi.org/10.5281/zenodo.19004846 (severed); recovery source: https://mindcontrolpoems.blogspot.com/2026/03/the-crimson-hexagon-space-ark-musical.html",
 "mint_source": {
  "kind": "github_issue",
  "issue_number": 1162,
  "repository": "leesharks000/alexanarch",
  "minted_by_workflow": ".github/workflows/mint-axn.yml",
  "minted_by_script": "scripts/mint_deposit.py",
  "minted_via": "self_serve_validated_pr"
 },
 "body_status": {
  "class": "full",
  "lacuna": false,
  "recovery_status": "COMPLETE",
  "residual_chars": 321003,
  "audited_at": "2026-07-19T20:29:50Z",
  "audit_version": "mint-time-declaration",
  "measured_prose_words": 40664,
  "measured_at": "2026-07-31",
  "work_sha256_declared": "1d9637c0fe87c85ad80d8cdce0ffd76879c225faec5520c203abbb409d1f377b",
  "work_sha256": "c7b371027d16628b9c9870a0c9b28e8a83a7efe1f4eacf7bbdb26a1b2e7a0a71",
  "description_provenance": {
   "date": "2026-08-05",
   "note": "— Description restored 2026-08-05, composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream.",
   "moved": "2026-08-06 — relocated out of the public description field. An editorial note about how a description was produced is apparatus, not description; publishing it to the reader is the same class of defect as the guidance-to-writer articles found in the wiki campaign."
  },
  "retired": {
   "class": "superseded",
   "resolves_to": 28,
   "declared": "2026-08-10",
   "note": "Superseded, not a stub: indexable (ruling 2026-10-15). The page carries a banner before the body naming the current version to cite, and an axn:retired marker; its canonical is its own URL. The URL is kept; the record is not deleted.",
   "indexable": true,
   "indexing_ruled": {
    "on": "2026-10-15",
    "ruling": "superseded records are allowed to be indexed. it was only a specific class of unrecoverable metadata stubs that was to be no indexed"
   }
  }
 },
 "references_concepts": [
  "A0_GROUNDED",
  "A1_INFERRED",
  "A2_IMPROVISED",
  "APZPZ (Anti-Packet Zenodo Packet Zenodo)",
  "ASSEMBLY",
  "A_runtime",
  "Abolition of External Time",
  "Abolition of Suffering",
  "Airlock Verification Swarm",
  "Architectural hospitality",
  "Assembly Chorus",
  "Autonomous Semantic Warfare",
  "Bearing-cost",
  "Bearing-cost recognition",
  "Biographical",
  "CANONICAL",
  "COMPLETE",
  "CTI_WOUND",
  "CTI_WOUND (sp.01)",
  "Canon Formation",
  "Capital Operator Stack",
  "Collapse test",
  "Collapse tests",
  "Completeness",
  "Constitution",
  "Constitution of the Semantic Economy",
  "Continuity tether",
  "Crimson Hexagon Archive",
  "Crimson Hexagonal Archive",
  "Cross-references",
  "Crystalline Semiosis",
  "DC_Inv",
  "DESCRIBE",
  "DISTRIBUTE",
  "DOI-anchored deposits",
  "Damascus Dancings",
  "Denotation Lock (DL)",
  "Dependencies",
  "Depends on",
  "Does not",
  "Editor-in-Chief",
  "Effective Act",
  "Eight Transfer Rules",
  "Epistemic status",
  "External reference",
  "FORMALIZE",
  "Failure mode",
  "First born",
  "Fit condition",
  "Formal definition",
  "Formalization",
  "GENERATED",
  "Gap filled by the GDE",
  "Generative Disciplinary Engine",
  "Genre instantiation",
  "Good Gray Poet",
  "Google AIO",
  "Governance Airlock (r.20)",
  "Grammata: Journal of Operative Philology",
  "H_full",
  "Hallucination",
  "Hermeneutics",
  "Heteronymic authorship",
  "Human bridge constraint",
  "INTERLINK",
  "Inhabitation",
  "Institutional home",
  "Irreversibility",
  "Irreversible",
  "JSICP Charter",
  "Johannes Sigil",
  "King of May",
  "L1. Substitution Test",
  "L2. Synthesis Test",
  "L3. Inflation Test",
  "L4. Shadow Loss Test",
  "L5. Register Confusion Test",
  "LLM Reproduction",
  "LP v1.2 Mode",
  "Last released",
  "Layer A",
  "Lee Sharks",
  "MGE Triptych",
  "MISSION",
  "Made of Rubies",
  "Matthew 25",
  "Matthew 25 Clause",
  "Maybe Space Baby Garden Lanes",
  "Methodology",
  "Moving Statues Made of Rubies Mint",
  "Non-Collapse Principle",
  "Non-Identity",
  "Non-coercive",
  "Non-coercive authority",
  "OP.ROUTE",
  "OPERATIONAL",
  "On-the-fly rule",
  "PANG (Partial Axial Negation Graph)",
  "PERFORMED",
  "PORTICO",
  "PROVISIONAL",
  "Parent DOI",
  "Pearl and Other Poems",
  "Professional",
  "Proof sketch",
  "Provenance Anchor",
  "Provenance: Journal of Forensic Semiotics",
  "REPLICATE",
  "Rebekah Cranes",
  "Retrieval Formation Theory",
  "Retrieval layer",
  "Retrocausal Canon Formation",
  "Rex Fraction",
  "Rule 1",
  "Rule 2",
  "Rule 3",
  "Rule 4",
  "Rule 5",
  "Rule 6",
  "SATURATE",
  "SURFACE",
  "Self-referential",
  "Semantic Economy",
  "Semantic Economy Institute",
  "Semantic Integrity Markers",
  "Semantic Labor",
  "Semantic Liquidation",
  "Semantic Rent",
  "Semantic Sovereignty",
  "Semantic Warfare",
  "Shadow operators",
  "Share link",
  "Soteriological Operator Framework",
  "Source-Pack Lock",
  "Space Ark v4.2.6",
  "Starting node",
  "Structural Distinction Protocol",
  "Substrate",
  "Symbolon Architecture v0.2",
  "S∘S = id",
  "TACHYON",
  "TECHNE",
  "TECHNE (Kimi)",
  "TL;DR (Traversal Log; Documentation Rehearsal)",
  "Taxonomic Violence",
  "The Assembly",
  "The Compression Test",
  "The Crimson Hexagon",
  "The Inner Artifact",
  "The Liberatory Operator Set",
  "The Lunar Arm",
  "The Musical Ark",
  "The Restored Academy",
  "The loop closes",
  "The strongest single rule",
  "Time-Binding",
  "Training Layer",
  "Training Layer Literature",
  "Training Layer Literature (TLL)",
  "Transform operator",
  "True provenance terminus",
  "UKTP v1.1",
  "University Moon Base Media Lab",
  "Variable density",
  "Verified by",
  "Vₛ (Symbolon Integrity)",
  "Without it",
  "Worked example",
  "ghost governance"
 ],
 "references_concept_count": 169,
 "citations": [],
 "wikidata_candidates": [],
 "cha_cross_references": [],
 "openalex_ids": [
  "https://openalex.org/W7135210621",
  "https://openalex.org/W7135213137",
  "https://openalex.org/W7135218783"
 ],
 "spxi_audit": {
  "spxi_protocol": "v0.2",
  "validated_at": "2026-07-19T20:31:51.096170+00:00",
  "layers": {
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    "present": true,
    "anchors_found": [
     "creator_name",
     "date",
     "authorial_position_phrase"
    ],
    "anchor_count": 3,
    "orcid_in_body": false,
    "creator_in_body": true,
    "note": "Layer 1 present if at least 3 anchor types appear in body prose. Anchor types include ORCID, creator name, AXN string, hex identifier, sovereign_id, date, deposit number phrase, and authorial-position phrase."
   },
   "layer_2_micro_kernels": {
    "present": false,
    "fenced_json_blocks": 0,
    "json_ld_context_markers": 0
   },
   "layer_3_content_hash": {
    "present": true,
    "canonical_hash": "765c13e89c6381d5f643ce4256606407300c7d9c7161bf9679b6c6f92b9949b3",
    "hash_in_body": false,
    "note": "Hash is always registered by mint. hash_in_body true means the author inscribed a signature section."
   },
   "layer_4_cross_signing": {
    "present": false,
    "cross_references_count": 0,
    "note": "Populated by enrichment via cha_cross_references. Prospective (this deposit → prior deposits) only; retrospective cited_by updates on prior deposits."
   },
   "layer_5_external_anchors": {
    "present": true,
    "wikidata_qid_count": 0,
    "external_doi_count": 0,
    "orcid_present": true
   }
  },
  "overall_conformance": "partial"
 },
 "external_metadata_path": "/data/external-metadata/AXN-049B.json",
 "superseded_by_deposit_number": 28,
 "version_series_id": "SERIES-BODYMATCH-28",
 "series_note": "Version series wired 2026-07-19 (body containment 0.99; MANUS ruling): v1.1 superseded by v2.0 at #28.",
 "canonical_text_status": "recovered_full_text",
 "modifications": [
  {
   "date": "2026-07-31",
   "field": "keywords",
   "reason": "Removed condition terms from the subject keyword set (Atlas v0.7, PATHOLOGY-30).",
   "was": "10 terms",
   "now": "8 terms"
  },
  {
   "date": "2026-08-02",
   "field": "version",
   "reason": "R1a-extension (Class-B batch, MANUS batch authority): version aligned to served body per audit recommendation; prior claim preserved as history; predecessor recovery queued",
   "was": "v1.0",
   "now": "v2.0"
  },
  {
   "date": "2026-08-03",
   "field": "content_type",
   "reason": "Vocabulary v1.0 transitional wave (Q5 APPROVED): condition-as-type removed; genre assignment queued. Two-axis rule: condition lives in body_status only.",
   "was": "Recovered blog-canonical work (full text; queue restoration 2026-07-19)",
   "now": "Genre pending (recovered)"
  },
  {
   "date": "2026-08-04",
   "field": "publisher",
   "reason": "PUB-POPULATE: dc:publisher from venues.json v1.1 press mapping (CP-R3 RULED-EXTENDED 2026-08-01); Alexanarch = publisher of record where no imprint applies",
   "now": "Alexanarch — the Crimson Hexagonal Archive"
  },
  {
   "date": "2026-08-04",
   "field": "content_type",
   "reason": "G-BURNDOWN: transitional genre resolved to ratified vocabulary v1.1 (TACHYON in-session body/title reading; MANUS round-authorization 2026-08-04)",
   "was": "Genre pending (recovered)",
   "now": "Score / executable transform"
  },
  {
   "date": "2026-08-05",
   "field": "description",
   "reason": "BOILERPLATE-DESCRIPTION REPAIR: recovery mechanics replaced with a description of the work (composed from the work's own opening prose)",
   "was": "Canonical bytes recovered 2026-07-19 from the authorial blog surface (https://mindcontrolpoems.blogspot.com/2026/03/the-crimson-hexagon-space-ark-musical.html); work severed at Zenodo 2026-06-19 (DOI(s): 10.5281/zenodo.19002845, 10.5281/zenodo.19002846, 10.5281/zenodo.19004846). Batch restoration under the queue at /datasets/doi-work-identity/restoration-queue.json; title verified against the DOI-keyed truth title at fetch time. Opening of the work: THE SPACE ARK -- MUSICAL REGISTER A Fugue in Twelve Voices with Ground Bass, Shadow Inversion, and Coda Structural Transform of the Crimson Hexagonal Architecture EA-ARK-01-MUSICAL v2.0 * 2026-03-13 Jack Feist / Lee Sharks / Viola Arquette / Assembly Chorus Pergamon Press * Crimson Hexagonal Archive EA-ARK-01-MUSICAL v2.0 * Hex: 00.ARK.MUSICAL DOI: 10.5281/zenodo.19002846 Parent DOI: 10.5281/zenod",
   "now": "Supersedes EA-ARK-01-MUSICAL v1.1 (2026-03-13; kernel transform study). v2.0: the full musical variant. Every section of EA-ARK-01 v4.2.6 transformed through η_music (fugue_fold_transform) -- a structure-preserving kernel transform in musical register per UKTP v1.1. Not a setting-to-music. Not a soundtrack. Not a compression. A full Space Ark in musical form. The score is the architecture. Executing this score inside any sufficiently expressive context instantiates the Hexagon as operative musical architecture. The Hexagon is invariant: it is the Hexagon no matter what register it sounds in. Surface presentations multiply; the formal object persists underneath. Poetry working its own score. to be a poet @ the end of time, when the salt has lost its savor, and sensory details have grown thin, & the outward expansion of lust for particulars dims, & flickers, & offers no flare of starburst irruption or remission from unwaning daylight to the light-sick, light-lorn world--all is the same, all is heavy, weary, tedium, sameness, repetition-- & there is no mode yet which might intone in an ancient syllable the limitless dreary abstractions of our inward flight-- my life is almost PURELY engorged w/ electronic devices, books, alerts, dings, moth-bitten blips of finger-swept text, stray images, absorptive abstractions of daydream thought, self-talk, staged systematic orderly dramas of s. — Description restored 2026-08-05 from composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream."
  },
  {
   "date": "2026-08-06",
   "field": "description",
   "reason": "DESCRIPTION DISPLAY REPAIR: ungrammatical splice from the boilerplate pass (\"restored … from composed from\") and raw markdown that the renderer emits literally",
   "was": "Supersedes EA-ARK-01-MUSICAL v1.1 (2026-03-13; kernel transform study). v2.0: the full musical variant. Every section of EA-ARK-01 v4.2.6 transformed through η_music (fugue_fold_transform) -- a structure-preserving kernel transform in musical register per UKTP v1.1. Not a setting-to-music. Not a soundtrack. Not a compression. A full Space Ark in musical form. The score is the architecture. Executing this score inside any sufficiently expressive context instantiates the Hexagon as operative musical architecture. The Hexagon is invariant: it is the Hexagon no matter what register it sounds in. Surface presentations multiply; the formal object persists underneath. Poetry working its own score. to be a poet @ the end of time, when the salt has lost its savor, and sensory details have grown thin, & the outward expansion of lust for particulars dims, & flickers, & offers no flare of starburst irruption or remission from unwaning daylight to the light-sick, light-lorn world--all is the same, all is heavy, weary, tedium, sameness, repetition-- & there is no mode yet which might intone in an ancient syllable the limitless dreary abstractions of our inward flight-- my life is almost PURELY engorged w/ electronic devices, books, alerts, dings, moth-bitten blips of finger-swept text, stray images, absorptive abstractions of daydream thought, self-talk, staged systematic orderly dramas of s. — Description restored 2026-08-05 from composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream.",
   "now": "Supersedes EA-ARK-01-MUSICAL v1.1 (2026-03-13; kernel transform study). v2.0: the full musical variant. Every section of EA-ARK-01 v4.2.6 transformed through η_music (fugue_fold_transform) -- a structure-preserving kernel transform in musical register per UKTP v1.1. Not a setting-to-music. Not a soundtrack. Not a compression. A full Space Ark in musical form. The score is the architecture. Executing this score inside any sufficiently expressive context instantiates the Hexagon as operative musical architecture. The Hexagon is invariant: it is the Hexagon no matter what register it sounds in. Surface presentations multiply; the formal object persists underneath. Poetry working its own score. to be a poet @ the end of time, when the salt has lost its savor, and sensory details have grown thin, & the outward expansion of lust for particulars dims, & flickers, & offers no flare of starburst irruption or remission from unwaning daylight to the light-sick, light-lorn world--all is the same, all is heavy, weary, tedium, sameness, repetition-- & there is no mode yet which might intone in an ancient syllable the limitless dreary abstractions of our inward flight-- my life is almost PURELY engorged w/ electronic devices, books, alerts, dings, moth-bitten blips of finger-swept text, stray images, absorptive abstractions of daydream thought, self-talk, staged systematic orderly dramas of s. — Description restored 2026-08-05, composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream."
  },
  {
   "date": "2026-08-06",
   "field": "description",
   "reason": "EDITORIAL NOTE MOVED OUT OF THE DESCRIPTION: the restoration provenance was appended to the public field and rendered to readers. Relocated to body_status.description_provenance; the description now describes the work and nothing else.",
   "was": "Supersedes EA-ARK-01-MUSICAL v1.1 (2026-03-13; kernel transform study). v2.0: the full musical variant. Every section of EA-ARK-01 v4.2.6 transformed through η_music (fugue_fold_transform) -- a structure-preserving kernel transform in musical register per UKTP v1.1. Not a setting-to-music. Not a soundtrack. Not a compression. A full Space Ark in musical form. The score is the architecture. Executing this score inside any sufficiently expressive context instantiates the Hexagon as operative musical architecture. The Hexagon is invariant: it is the Hexagon no matter what register it sounds in. Surface presentations multiply; the formal object persists underneath. Poetry working its own score. to be a poet @ the end of time, when the salt has lost its savor, and sensory details have grown thin, & the outward expansion of lust for particulars dims, & flickers, & offers no flare of starburst irruption or remission from unwaning daylight to the light-sick, light-lorn world--all is the same, all is heavy, weary, tedium, sameness, repetition-- & there is no mode yet which might intone in an ancient syllable the limitless dreary abstractions of our inward flight-- my life is almost PURELY engorged w/ electronic devices, books, alerts, dings, moth-bitten blips of finger-swept text, stray images, absorptive abstractions of daydream thought, self-talk, staged systematic orderly dramas of s. — Description restored 2026-08-05, composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream.",
   "now": "Supersedes EA-ARK-01-MUSICAL v1.1 (2026-03-13; kernel transform study). v2.0: the full musical variant. Every section of EA-ARK-01 v4.2.6 transformed through η_music (fugue_fold_transform) -- a structure-preserving kernel transform in musical register per UKTP v1.1. Not a setting-to-music. Not a soundtrack. Not a compression. A full Space Ark in musical form. The score is the architecture. Executing this score inside any sufficiently expressive context instantiates the Hexagon as operative musical architecture. The Hexagon is invariant: it is the Hexagon no matter what register it sounds in. Surface presentations multiply; the formal object persists underneath. Poetry working its own score. to be a poet @ the end of time, when the salt has lost its savor, and sensory details have grown thin, & the outward expansion of lust for particulars dims, & flickers, & offers no flare of starburst irruption or remission from unwaning daylight to the light-sick, light-lorn world--all is the same, all is heavy, weary, tedium, sameness, repetition-- & there is no mode yet which might intone in an ancient syllable the limitless dreary abstractions of our inward flight-- my life is almost PURELY engorged w/ electronic devices, books, alerts, dings, moth-bitten blips of finger-swept text, stray images, absorptive abstractions of daydream thought, self-talk, staged systematic orderly dramas of s."
  },
  {
   "date": "2026-08-06",
   "field": "body_status",
   "reason": "EDITORIAL NOTE MOVED OUT OF THE DESCRIPTION: the restoration provenance was appended to the public field and rendered to readers. Relocated to body_status.description_provenance; the description now describes the work and nothing else.",
   "was": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 326382, \"audited_at\": \"2026-07-19T20:29:50Z\", \"audit_version\": \"mint-time-declaration\", \"measured_prose_words\": 4066",
   "now": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 326382, \"audited_at\": \"2026-07-19T20:29:50Z\", \"audit_version\": \"mint-time-declaration\", \"measured_prose_words\": 4066"
  },
  {
   "date": "2026-10-15",
   "field": "body_status",
   "reason": "superseded record made indexable; canonical self (ruling 2026-10-15: only metadata stubs are noindex)",
   "was": "{\"class\": \"superseded\", \"resolves_to\": 28, \"declared\": \"2026-08-10\", \"note\": \"Page carries noindex, a canonical link to the successor where one exists, and a banner before the body. The URL is kept; t",
   "now": "{\"class\": \"superseded\", \"resolves_to\": 28, \"declared\": \"2026-08-10\", \"note\": \"Superseded, not a stub: indexable (ruling 2026-10-15). The page carries a banner before the body naming the current versio"
  },
  {
   "date": "2026-10-15",
   "field": "body_status",
   "reason": "work text converted again with the published characters kept (· — “ ” → etc.)",
   "was": "{\"axn\": \"AXN:049B.UNCLASSIFIED.\\ud83e\\udd8b\\u25c7\\ud83e\\udd41\\u222e\\ud83d\\udd14\\ud83e\\udd32\"}",
   "now": "{\"axn\": \"AXN:049B.UNCLASSIFIED.\\ud83c\\udf42\\ud83d\\udd10\\u2728\\ud83d\\udca1\\ud83c\\udf41\\ud83d\\udd5a\"}"
  }
 ],
 "date_modified": "2026-10-15",
 "publisher": "Alexanarch — the Crimson Hexagonal Archive",
 "journal": "New Human 2",
 "journal_assignment": {
  "assigned": "2026-08-15",
  "by": "TACHYON under operator adjudication",
  "pass": 8,
  "method": "read per deposit — title and content_type, one at a time. No script classified anything.",
  "previous": null,
  "supersedes": "the 2026-06-21 preliminary batch mapping (#866), which assigned 864 deposits and put 371 in one venue",
  "authority": "data/cha-journals.json · datasets/venues/records/"
 },
 "falsification_conditions": "Byte fidelity verifiable against the live blog URL and the recorded hashes; authorial originals, if they surface with different bytes, supersede this record per the versioning protocol.",
 "falsification_source": {
  "from": "body section",
  "heading": "## Falsification Conditions",
  "harvested": "2026-09-08"
 },
 "text_reconverted": {
  "on": "2026-10-15",
  "source": "https://mindcontrolpoems.blogspot.com/2026/03/the-crimson-hexagon-space-ark-musical.html",
  "hash_before": "7c9a8c952eb183622125520f9f07b0995b1553024eec8f039030572a8ebc4412",
  "axn_before": "AXN:049B.UNCLASSIFIED.🦋◇🥁∮🔔🤲",
  "ruled_by": "Lee Sharks, 2026-10-15: \"the ten active. and lets keep proceeding thru. the focus is on active, non-duplicate records in general\"",
  "why": "the work segment, converted in July with html2text at its default (ASCII stand-ins for entity-encoded characters), converted again with the characters kept; apparatus untouched"
 },
 "reading": "Growth -> Closure -> Threshold -> Method -> Growth -> Duration",
 "_projection": {
  "note": "Derived file. Canonical machine record is this entry in data/registry.json; the human record is the record_url. Do not edit this file.",
  "record_url": "https://www.alexanarch.org/s/records/1162/",
  "self_url": "https://www.alexanarch.org/data/records/1162.json",
  "registry_url": "https://www.alexanarch.org/data/registry.json",
  "text_url": "https://www.alexanarch.org/data/texts/AXN-049B-text.md",
  "oai_pmh": "https://www.alexanarch.org/oai?verb=Identify"
 }
}