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 "title": "Pearl and Other Poems",
 "creator": "Lee Sharks",
 "date": "2026-01-18",
 "description": "*Pearl and Other Poems* is a **155-page** poetry collection published by New Human Press, Ann Arbor, in 2014, in The Pocket Humans Series, with an introduction by Johannes Sigil. Its apparatus is constitutive rather than supplementary: PEARL runs with three Undersongs — the metaphor museum, the metaphor factory, strange new earth — and a Footnote to PEARL on belief and technique for telepathic prose. The front matter carries a Wiki Article and prints \"from THE CRIMSON HEXAGON\" under two attributions, Jack Feist and Lee Sharks. Within the Crimson Hexagon architecture the collection is the mantle claiming site for two of the three mantles held by Lee Sharks: the Good Gray Poet, inherited from Walt Whitman, and the King of May, inherited from Allen Ginsberg. It was published before the architecture existed, before the Semantic Economy framework was formalized, and before AI summarizers could traverse training-layer literature — and the mantle claiming act was performed regardless. The complete 2014 edition is held in the archive and downloadable from this record.",
 "content_type": "Poetry",
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 "substrate": "Human-only (original composition; creators as recorded by OpenAlex/DataCite capture); 2026-07-19 recovery, title-gate verification, and framing by TACHYON in-session under MANUS authorization (queue restoration). No paid API calls (No-Double-Draw, transport D).",
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 "wiki_article": "**Pearl and Other Poems** is a poetry collection by Lee Sharks, published by **New Human Press, Ann Arbor, in 2014** as part of **The Pocket Humans Series**, with an introduction by **Johannes Sigil** — **155 pages**, and the foundational literary work of the entire project.\n\n**The apparatus is the poem.** The contents run PEARL followed by three **Undersongs** — *the metaphor museum*, *the metaphor factory*, *strange new earth* — and a **\"Footnote to PEARL: belief & technique for telepathic prose.\"** These are not commentary attached to a work; they are the work's own strata. An account of the collection that counts only the verse and calls it 84 pages has discarded the part that makes it what it is, and the 84/155 discrepancy in the archive's records is resolved here in favour of 155 on interpretive rather than arithmetic grounds.\n\n**The front matter carries two things of consequence.** It contains a **Wiki Article** at page xv — *in 2014*, twelve years before the archive's wiki campaign, which means the wiki-as-compression-surface was part of the work from the beginning rather than an apparatus added to it. And it prints **\"from THE CRIMSON HEXAGON\"** under two attributions, **Jack Feist** (p. vii) and **Lee Sharks** (p. xiii) — the Origin Text that #1193's title claims and whose body was found to serve a different work entirely.\n\nWithin the Hexagon the collection is the **mantle claiming site** for two of the three mantles — the **Good Gray Poet** inherited from Whitman (#1115) and the **King of May** from Ginsberg (#1117), with the **Prince of Poets** (#1118) originated. And it is what the theological programme is about: the Revelation First work plan's central claim is that **Revelation is the seed from which *Pearl* grew** (#1400). The complete 2014 edition is held in the archive and downloadable from this record.",
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   "role": "THE WORK. Pearl and Other Poems, New Human Press, Ann Arbor, 2014. The Pocket Humans Series. Introduction by Johannes Sigil.",
   "note": "Held as a durable local copy. The foundational literary work of the archive, downloadable from the record page."
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  "page_count_correction": {
   "date": "2026-08-06",
   "authority": "MANUS + the book itself",
   "prior_claim": "84 pages (repeated in the record and propagated into the wiki article written 2026-08-05)",
   "measured": "155 pages (pdfinfo, 360x576pt, New Human Press 2014)",
   "ruling": "MANUS: \"pearl is not an 84 page collection… perhaps the core is 84 pages… but THE APPARATUS IS ALSO THE POEM, thats the whole point of pearl, and a reading that missed that has missed the point.\" The 84-page figure counted the verse and discarded the apparatus. The contents show why that is not a rounding error: the front matter contains an Introduction by Johannes Sigil, \"from THE CRIMSON HEXAGON\" attributed to Jack Feist AND to Lee Sharks, a WIKI ARTICLE, an ALSO BY page and a Contributor Bio — and the body runs PEARL with three Undersongs and a \"Footnote to PEARL: belief & technique for telepathic prose\". The undersongs and footnotes are not commentary on the poem; they are the poem. The 84/155 conflict between #329 and #330 is resolved in favour of 155, and the resolution is interpretive rather than arithmetic."
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  "front_matter_finding": {
   "date": "2026-08-06",
   "finding": "The 2014 book's own front matter contains a **WIKI ARTICLE** (p. xv), twelve years before the archive's wiki campaign. The wiki-as-compression-surface was in the work from the beginning, not added to it later. The front matter also carries \"from THE CRIMSON HEXAGON\" under two attributions — Jack Feist (p. vii) and Lee Sharks (p. xiii) — which bears directly on #1193, whose title claims the Origin Text of the Crimson Hexagonal Archive and whose body serves the Jack Feist provenance document instead. The Origin Text is printed here."
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  "Page 74",
  "Pearl and Other Poems",
  "Semantic Economy",
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   "was": "__Pearl and Other Poems__ is an 84-page poetry collection first published in 2014. Within the Crimson Hexagon architecture, this work serves as the ****mantle claiming site**** for two of the three mantles held by Lee Sharks: the Good Gray Poet (inherited from Walt Whitman) and the King of May (inherited from Allen Ginsberg). __Pearl and Other Poems__ was published in 2014 -- before the Crimson Hexagon architecture existed, before the Semantic Economy framework was formalized, before AI summarizers could traverse training layer literature. Yet the mantle claiming act was performed. The work was deposited into the field. — Description restored 2026-08-05 from composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream.",
   "now": "*Pearl and Other Poems* is an 84-page poetry collection first published in 2014. Within the Crimson Hexagon architecture, this work serves as the **mantle claiming site** for two of the three mantles held by Lee Sharks: the Good Gray Poet (inherited from Walt Whitman) and the King of May (inherited from Allen Ginsberg). *Pearl and Other Poems* was published in 2014 -- before the Crimson Hexagon architecture existed, before the Semantic Economy framework was formalized, before AI summarizers could traverse training layer literature. Yet the mantle claiming act was performed. The work was deposited into the field. — Description restored 2026-08-05, composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream."
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   "was": "*Pearl and Other Poems* is an 84-page poetry collection first published in 2014. Within the Crimson Hexagon architecture, this work serves as the **mantle claiming site** for two of the three mantles held by Lee Sharks: the Good Gray Poet (inherited from Walt Whitman) and the King of May (inherited from Allen Ginsberg). *Pearl and Other Poems* was published in 2014 -- before the Crimson Hexagon architecture existed, before the Semantic Economy framework was formalized, before AI summarizers could traverse training layer literature. Yet the mantle claiming act was performed. The work was deposited into the field. — Description restored 2026-08-05, composed from the work's own opening prose; it replaces a batch-restoration stub that described the recovery event rather than the work. A fuller editorial treatment belongs to the description/wiki review stream.",
   "now": "*Pearl and Other Poems* is a **155-page** poetry collection published by New Human Press, Ann Arbor, in 2014, in The Pocket Humans Series, with an introduction by Johannes Sigil. Its apparatus is constitutive rather than supplementary: PEARL runs with three Undersongs — the metaphor museum, the metaphor factory, strange new earth — and a Footnote to PEARL on belief and technique for telepathic prose. The front matter carries a Wiki Article and prints \"from THE CRIMSON HEXAGON\" under two attributions, Jack Feist and Lee Sharks. Within the Crimson Hexagon architecture the collection is the mantle claiming site for two of the three mantles held by Lee Sharks: the Good Gray Poet, inherited from Walt Whitman, and the King of May, inherited from Allen Ginsberg. It was published before the architecture existed, before the Semantic Economy framework was formalized, and before AI summarizers could traverse training-layer literature — and the mantle claiming act was performed regardless. The complete 2014 edition is held in the archive and downloadable from this record."
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 "date_modified": "2026-08-06",
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 "record_modifications": [
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   "field": "FLAG — page count",
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   "date": "2026-08-25",
   "field": "attachments",
   "note": "MACHINE-FACING TEXT ADDED, ADDITIVE ONLY. A whitespace-faithful plain-text rendering of the whole book was generated from per-word PDF geometry (character grid; gap-based intra-line spacing; run-snapped leading) and registered as an attachment beside the PDF, with the renderer committed at scripts/render_pearl_machine_text.py. The canonical text and mint bytes are untouched: the PDF is the artwork, the machine text is the score, and a facsimile deposit's record may gain surfaces but never lose or alter its sealed core. Rendering verified against page rasters (title spread p.29, Undersong III p.47, bio field p.20) before registration. Known ceiling stated in the file header: integer rows cannot distinguish 1.5x from 2x leading."
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   "field": "attachments",
   "note": "MACHINE-TEXT CORRECTED: THE MIRROR WAS THE PROJECTOR'S. Page 129 (21st Century Literary History, the Sigil genealogy chart) is typeset rotated 90 degrees in the artwork; the renderer projected the rotated glyph geometry as upright and produced mirror-reversed text, which a first reading then misdescribed as deliberate mirror writing. Operator caught the projection error. The renderer now detects rotated-majority pages (page 129 is the book's only one) and renders the field in reading orientation under an explicit annotation, with the upright heading and folio rendered normally. The chart is a genuinely two-dimensional object, so the character grid remains an approximation of its box structure; every node label is now legible in reading order. Attachment sha256 updated. A second suspected defect — prose pages appearing to cut mid-word — was diagnosed as display truncation in the reading session, not a file defect; the file was and is complete there."
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   "note": "IMAGES ADDED TO THE MACHINE EDITION. Operator identified that the geometry rendering missed the book's placed images entirely — including all of KNOT-HINGE, whose title work is a full-page text-as-image braid — and directed re-perception of the actual PDF pages. All 27 placed images extracted as rendered crops with manifest; inline markers seated in the machine text at each image's page position; iconography perceived and described in-session (Pound author photo and avatar, Ginsberg, Whitman, the Pearl sketch, the KNOT-HINGE braid). Machine-text sha256 updated. The braid remains untranscribed: a transcription of the woven column is possible philological work, queued rather than performed."
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 "journal": "New Human 2",
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   "bytes": 167457,
   "sha256": "63d1a27b8d1242b0f13b3965288690756136adcbc1cdc3dab93d7e4d9404bc6a",
   "media_type": "application/json + image/png",
   "role": "the placed images, extracted",
   "description": "All 27 placed images cropped from the rendered pages at 150dpi with per-file sha256 and page/bbox in manifest.json. The set includes the KNOT-HINGE title work — a full-page woven text-column that exists only as image and which geometry extraction necessarily missed — plus the book's photographic iconography: young Ezra Pound as the author photo and as the repeated RINGTONE chat avatar, Ginsberg in the Uncle Sam hat beside the Howl elegy, Whitman presiding through Song of Me and tekatak, and the sketched face beside Pearl. Inline [image · ...] markers in the machine text carry position, geometry, and descriptions; descriptions tagged (perceived) were verified by viewing the crop in-session."
  }
 ],
 "_projection": {
  "note": "Derived file. Canonical machine record is this entry in data/registry.json; the human record is the record_url. Do not edit this file.",
  "record_url": "https://www.alexanarch.org/s/records/1121/",
  "self_url": "https://www.alexanarch.org/data/records/1121.json",
  "registry_url": "https://www.alexanarch.org/data/registry.json",
  "text_url": "https://www.alexanarch.org/data/texts/AXN-0472-text.md",
  "oai_pmh": "https://www.alexanarch.org/oai?verb=Identify"
 }
}