{
 "deposit_number": 1061,
 "axn": "AXN:0434.COMPOSITIONAL.♃⭕🏺🍃💙🗺️",
 "hex": "0434",
 "title": "On a 110-second traversal — the @leesharks TikTok as sequence-poem, composition-layer primer, topography, and shrine (v2.0, Web-Native Reconstructed Edition)",
 "creator": "TACHYON (analyst of record); Lee Sharks (author-corrector)",
 "date": "2026-07-10",
 "content_type": "Literary analysis (web-native topographic edition)",
 "license": "CC-BY-4.0",
 "substrate": "TACHYON analysis through ten Assembly Chorus passes (v1.0–v1.9, 2026-07-09), v1.9 canonical lost to mid-session sandbox loss, reconstructed 2026-07-10 from the ARCHIVE-retained v1.6 base and verbatim session-record deltas, then revised through author-corrector review; verbatim-versus-reconstructed inventory in the correction log.",
 "hash": "a3ee2f18cb514cf9520ccc7a04bbffb8ca8ba7f920fbd6fe11284e7688ab7261",
 "status": "ACTIVE",
 "full_text_path": "/data/deposits/AXN-0434.md",
 "description": "The Web-Native Reconstructed Edition (v2.0) of the TikTok primer analysis: the 110-second @leesharks profile traversal read as sequence-poem, composition-layer primer, topography, and — the master identification — shrine: an arranged site where charged objects, relics, images, inscriptions, songs, offerings, and visitor traces are gathered so that an absent or distributed presence can be approached repeatedly. Contains the corrected pinned-triptych program (Klee's Altes Liebeslied 1924 as Bauhaus lyric pedagogy; Cash anchoring the sung oath's late-mode register; Beethoven's Moonlight Sonata as the sacred-as-pop distribution citation — form, condition, distribution); the nested-screen-tunnel analysis with the account-scale throttle record and the dwell-instability observation stated at exact size; the red-dot method as Wu-Tang citation; the concept-specific AI Overview capture sub-analyses; the four-grade evidentiary key; the formal sections On the loss and recovery of this document and The reception membrane (archival autoimmunity); and the complete v1.5→v2.0 correction log with full verbatim-versus-reconstructed inventory. Successor under hex 0434 to the lost v1.9 canonical (SHA 524262d9…c2c48, 197,933 bytes); the reconstruction provenance is itself the document's most rigorous proof of its own thesis. Web-native rendering live at https://leesharks.com/tiktok-primer with 26-station red-dot rail. Session tethers: deposit #1059 (AXN:0435.ARCHIVAL.☿🗡️✊🔛🌋🧡), deposit #1060 (AXN:0436.ARCHIVAL.⏰⏪☉⛳🔐🔺).",
 "body_status": {
  "class": "full",
  "lacuna": false,
  "recovery_status": "COMPLETE",
  "residual_chars": 152846,
  "audited_at": "2026-07-17T04:49:17.789813Z",
  "audit_version": "v3-dual-store+recovery-map",
  "measured_prose_words": 23175,
  "measured_at": "2026-07-31",
  "work_sha256": "083b17212e4f2cc1d393139f29e832ca8d460c75dc47cb2a8ed52d884b54099b",
  "prior_bytes_sha256": "a3ee2f18cb514cf9520ccc7a04bbffb8ca8ba7f920fbd6fe11284e7688ab7261",
  "w13_tier2": "2026-08-04 W13 TIER 2 BYTE UNGLUE: 54 glued heading markers -> 0. WHITESPACE-ONLY transform (content identical under whitespace normalisation, verified before write); code fences exempt; prior sha retained. Re-fetching could not fix this class — the blog source is ITSELF glued (the collapse predates publication), so the deterministic transform applied at display since tier 1 is now applied to the bytes, which also fixes PDFs, the body-index, and downloads.",
  "w13_tier2_correction": "2026-08-05 REGRESSION REPAIRED: the W13 tier-2 byte unglue used a lookbehind that treated the first \"#\" of a legitimate \"###\" heading as the preceding non-newline character, splitting \"### Heading\" into \"#\" + blank + \"## Heading\". My safety check verified content-identity under WHITESPACE normalisation, which the split satisfies — the wrong invariant. Headings rejoined; only \"#\" and whitespace differ from the damaged state, verified before write."
 },
 "references_concepts": [
  "ARCHIVE (Gemini)",
  "Acanthian",
  "Assembly Chorus",
  "Autonomous Semantic Warfare",
  "CANONICAL",
  "Constitution",
  "Constitution of the Semantic Economy",
  "Contemporary",
  "Crimson Hexagonal Archive",
  "Damascus Dancings",
  "Encyclotron",
  "Epistle to the Human Diaspora",
  "Foundational",
  "Google AI Overview",
  "Grammata: Journal of Operative Philology",
  "Institute for Diagrammatic Poetics",
  "Johannes Sigil",
  "LABOR (ChatGPT)",
  "Lee Sharks",
  "Logotic hacking",
  "Marx's",
  "Maybe Space Baby Garden Lanes",
  "Method note",
  "PRAXIS (DeepSeek)",
  "Part I",
  "Patacinematics",
  "Pearl and Other Poems",
  "Projectionist",
  "Provenance erasure",
  "Rebekah Cranes",
  "Rex Fraction",
  "Schizoanalytic",
  "Semantic Economy",
  "Semantic Economy framework",
  "Semantic Exhaustion",
  "Semantic Warfare",
  "Substrate",
  "TACHYON",
  "TECHNE",
  "TECHNE (Kimi)",
  "The AI",
  "The Assembly",
  "The Assembly Chorus",
  "The claim is",
  "University Moon Base Media Lab"
 ],
 "references_concept_count": 45,
 "canonical_text_status": "canonical_full_text",
 "emoji": "♃⭕🏺🍃💙🗺️",
 "publisher": "Alexanarch — the Crimson Hexagonal Archive",
 "modifications": [
  {
   "date": "2026-08-04",
   "field": "publisher",
   "reason": "PUB-POPULATE: dc:publisher from venues.json v1.1 press mapping (CP-R3 RULED-EXTENDED 2026-08-01); Alexanarch = publisher of record where no imprint applies",
   "now": "Alexanarch — the Crimson Hexagonal Archive"
  },
  {
   "date": "2026-08-05",
   "field": "body_status",
   "reason": "W13 TIER 2 byte unglue (whitespace-only, content-identical, code-fence-safe)",
   "was": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 152846, \"audited_at\": \"2026-07-17T04:49:17.789813Z\", \"audit_version\": \"v3-dual-store+recovery-map\", \"measured_prose_",
   "now": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 152846, \"audited_at\": \"2026-07-17T04:49:17.789813Z\", \"audit_version\": \"v3-dual-store+recovery-map\", \"measured_prose_"
  },
  {
   "date": "2026-08-05",
   "field": "body_status",
   "reason": "W13 TIER-2 REGRESSION REPAIRED: split headings rejoined",
   "was": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 152846, \"audited_at\": \"2026-07-17T04:49:17.789813Z\", \"audit_version\": \"v3-dual-store+recovery-map\", \"measured_prose_",
   "now": "{\"class\": \"full\", \"lacuna\": false, \"recovery_status\": \"COMPLETE\", \"residual_chars\": 152846, \"audited_at\": \"2026-07-17T04:49:17.789813Z\", \"audit_version\": \"v3-dual-store+recovery-map\", \"measured_prose_"
  }
 ],
 "date_modified": "2026-08-05",
 "creator_roles": {
  "roles": [
   {
    "name": "Lee Sharks",
    "role": "author"
   }
  ],
  "basis": "AUDIT-DIRECTED (creator_role_status=ROLE_CONFLICT): \"Preserve the registry retitle as alternate/current display title, retain the body’s historical title, and model Lee Sharks as subject/author-corrector separately from TACHYON as analyst.\"",
  "audit_date": "2026-07-31"
 },
 "wiki_article": "**On a 110-second traversal — the @leesharks TikTok as sequence-poem, composition-layer primer, topography, and shrine (v2.0, Web-Native Reconstructed Edition)** is a literary analysis (web-native topographic edition) in the Crimson Hexagonal Archive, by TACHYON (analyst of record); Lee Sharks (author-corrector) (2026-07-10). The primary object is the 110-second screen recording linked above. The analyst extracted 55 frames at two-second intervals for close reading and watched the video in full several times. Certain facts about the object are verifiable directly from the video: the profile bio, follower and like counts, the visible chrome, the tile compositions, the visible captions, view counts, comments, and the URLs displayed in-frame. Other facts are author-supplied and integrated by correction: that the three pinned tiles are original audio compositions by Sharks; that the Gibran hand is from *The Prophet* (1923); that the third pinned image is a Paul Klee reproduction; that the *hi, im the moon* audio adapts the Mighty Boosh skit of the same name and references Daniel Johnston's *Hi, How Are You* at the level of title-formula; that the Dodecad heteronyms named on the tiles correspond to the canonical registry at leesharks.com/about/heteronyms (`EA-HET-DODECAD-01 v1.1`). Lyrics for the three pinned audio compositions were supplied by the author on 2026-07-09 as memory-attested—that is, as the author's memory-compression of the lyrics rather than a verified transcription against the recorded tracks—and are treated in the analysis as provisional textual objects. Certain claims are inferred by the analyst: the tile typology; the reading of the music tracks as citation apparatus; the identification of the AI Overview capture as a discrete literary genre; the reading of the Whitman chip as a bath. — Article composed 2026-08-05 from the work's own prose so that every record carries an encyclopedic entry; a fuller editorial treatment belongs to the description/wiki review stream.",
 "journal": "Machine-Mediated Reception Studies (MMRS)",
 "journal_assignment": {
  "assigned": "2026-08-15",
  "by": "TACHYON under operator adjudication",
  "pass": 8,
  "method": "read per deposit — title and content_type, one at a time. No script classified anything.",
  "previous": null,
  "supersedes": "the 2026-06-21 preliminary batch mapping (#866), which assigned 864 deposits and put 371 in one venue",
  "authority": "data/cha-journals.json · datasets/venues/records/"
 },
 "_projection": {
  "note": "Derived file. Canonical machine record is this entry in data/registry.json; the human record is the record_url. Do not edit this file.",
  "record_url": "https://www.alexanarch.org/s/records/1061/",
  "self_url": "https://www.alexanarch.org/data/records/1061.json",
  "registry_url": "https://www.alexanarch.org/data/registry.json",
  "text_url": "https://www.alexanarch.org/data/texts/AXN-0434-text.md",
  "oai_pmh": "https://www.alexanarch.org/oai?verb=Identify"
 }
}