{
 "corpus": "romantic-posterity",
 "seat": "EA-CORPORA-36/29",
 "title": "The Romantic culture of posterity in its own words: Wordsworth (1815), Keats (1818), Shelley (1821), Stendhal (1839)",
 "edition": "The Prose Works of William Wordsworth, ed. A. B. Grosart, 3 vols. (London, 1876), Project Gutenberg #16550 (the letters to Lady Beaumont, 1807, and the Essay, Supplementary to the Preface, 1815); Letters of John Keats to His Family and Friends, ed. S. Colvin (London, 1891), Project Gutenberg #35698; P. B. Shelley, A Defence of Poetry and Other Essays, Project Gutenberg #5428; Stendhal, La Chartreuse de Parme (1839), Project Gutenberg #796",
 "language": "eng, fra",
 "license": {
  "payload": "Public domain everywhere (Wordsworth died 1850, Keats 1821, Shelley 1822, Stendhal 1842; Grosart's edition 1876, Colvin's 1891); the Gutenberg files under their licence.",
  "record": "CC-BY-4.0 applies to this seat record only."
 },
 "fetched": "2026-11-07",
 "origin": {
  "items": [
   {
    "source": "Project Gutenberg #16550",
    "url": "https://www.gutenberg.org/cache/epub/16550/pg16550.txt",
    "licence_at_file": "The Project Gutenberg License (header and footer kept as served)"
   },
   {
    "source": "Project Gutenberg #35698",
    "url": "https://www.gutenberg.org/cache/epub/35698/pg35698.txt",
    "licence_at_file": "The Project Gutenberg License (header and footer kept as served)"
   },
   {
    "source": "Project Gutenberg #5428",
    "url": "https://www.gutenberg.org/cache/epub/5428/pg5428.txt",
    "licence_at_file": "The Project Gutenberg License (header and footer kept as served)"
   },
   {
    "source": "Project Gutenberg #796",
    "url": "https://www.gutenberg.org/cache/epub/796/pg796.txt",
    "licence_at_file": "The Project Gutenberg License (header and footer kept as served)"
   }
  ],
  "fetched": "2026-11-07",
  "transport": "in-session fetch (Transport D); No-Double-Draw"
 },
 "works": {
  "count": 4,
  "units": "one text file per work",
  "list": [
   {
    "slug": "wordsworth-prose",
    "work": "The Prose Works of William Wordsworth, ed. A. B. Grosart, 3 vols. (London, 1876), Project Gutenberg #16550 (the letters to Lady Beaumont, 1807, and the Essay, Supplementary to the Preface, 1815)",
    "text": "text/wordsworth-prose.txt",
    "originals": [
     "original/gutenberg/pg16550.txt"
    ],
    "lines": 52142,
    "class": "the future reader"
   },
   {
    "slug": "keats-letters",
    "work": "Letters of John Keats to His Family and Friends, ed. S. Colvin (London, 1891), Project Gutenberg #35698",
    "text": "text/keats-letters.txt",
    "originals": [
     "original/gutenberg/pg35698.txt"
    ],
    "lines": 17197,
    "class": "the future reader"
   },
   {
    "slug": "shelley-defence",
    "work": "P. B. Shelley, A Defence of Poetry and Other Essays, Project Gutenberg #5428",
    "text": "text/shelley-defence.txt",
    "originals": [
     "original/gutenberg/pg5428.txt"
    ],
    "lines": 3298,
    "class": "the future reader"
   },
   {
    "slug": "stendhal-chartreuse",
    "work": "Stendhal, La Chartreuse de Parme (1839), Project Gutenberg #796",
    "text": "text/stendhal-chartreuse.txt",
    "originals": [
     "original/gutenberg/pg796.txt"
    ],
    "lines": 19376,
    "class": "the future reader"
   }
  ]
 },
 "normalization": "Originals as fetched under original/: Internet Archive text layers (_djvu.txt) as served; Project Gutenberg plain text as served, header and licence kept; Perseus TEI as served at a pinned commit; the Text Creation Partnership's TEI as served; a Wikisource page as served with its revision id. text/<slug>.* derived by code: OCR and Gutenberg text with line endings normalized; TEI reduced to lines (the TCP's end-of-line hyphen marks removed so the word is joined, original spelling and long s kept); Wikisource parser output with navigation dropped. No text corrected by hand; the loci keep the OCR's readings (long s read as f, double spaces, broken accents).",
 "scope": "The four texts whole.",
 "verified_loci": [
  "Wordsworth to Lady Beaumont (1807), Coleridge's remark — 'every great and original writer, in proportion as he is great or original, must himself create the taste by which he is to be relished'",
  "Wordsworth, Essay, Supplementary to the Preface (1815) — 'has had the task of _creating_ the taste by which he is to be enjoyed'",
  "Keats to George and Georgiana Keats (October 1818) — 'I think I shall be among the English Poets after my death.'",
  "Shelley, A Defence of Poetry (1821) — 'the mirrors of the gigantic shadows which futurity casts upon the present'",
  "Stendhal, La Chartreuse de Parme, the last line — 'TO THE HAPPY FEW'"
 ],
 "loci_not_found": [],
 "lines_total": 92013,
 "why_seated": "Stratum VII, the posterity Bennett's Romantic Poets and the Culture of Posterity (1999) reads as a poetics: the writer who 'must himself create the taste by which he is to be relished' (Wordsworth's letter of 1807, giving it as Coleridge's remark; the Essay of 1815 has 'the task of creating the taste by which he is to be enjoyed'), 'among the English Poets after my death', poets as 'mirrors of the gigantic shadows which futurity casts upon the present', and the novel dedicated at its last line 'TO THE HAPPY FEW'. Nietzsche's 'Einige werden posthum geboren' is seated at EA-CORPORA-27/03 (nietzsche, text/ecce-homo-pg.txt).",
 "spine": "EA-CORPORA-36 (#1748)",
 "ruling": "Lee Sharks, 2026-11-07: \"i think we need a sappho reception history ea-corpora, whatever's public. translators, scholars. theres some ground work in the archive, notes towards a future reader i believe. the seating can include everything thats publicly available as well as declared absences and pointers for material behind pay- and access- and rights-walls\"; and: \"sappho reception history + future reader frameworks and related\"; and at 12:47 EST, of the first draft: \"this seems light on scholarly material related to the future reader proposition or sappho... and that is the focus of notes towards a future reader, is it not?\"",
 "research": "The revision of Closing the Fragment (v7, a draft of 2026-11-07 for Alexanarch), whose §6 controls the January composition against the translators from Hall (1652) to Carson and whose §8 declares an exposure-checked panel; and the Sappho Future Reader framework, whose groundwork is Research Notes Towards the Future Reader (#1548: Part I the scholarly field, Part II the future reader in twelve strata), and whose reading by a signed-out ChatGPT on 2026-11-07 is seated as capture 0C3D (sappho-future-reader-framework-constitutive-materials-chatgpt-20261107).",
 "axn": "AXN:0C3F.ORIGINAL.✏️👐🔛🗂️📦♎",
 "axn_basis": {
  "sha256_of": "MANIFEST.sha256",
  "sha256": "43b2f44a4baf6ae27362ef87ebe606efc490ffa014e03db1f9f8b3fb904a540b",
  "hex_of": "#1748 (AXN:0C3F.DATASET.♦️🌘🀄🔝△💎)",
  "family": "ORIGINAL",
  "glyph_table": "v2.1",
  "assigned": "2026-11-07"
 }
}