{
 "corpus": "pound",
 "seat": "EA-CORPORA-05/02",
 "origin": {
  "repo": "Project Gutenberg",
  "ebooks": [
   "41162",
   "55564",
   "50155",
   "51992"
  ],
  "paths": [
   "Personae (1909)",
   "Lustra (1916)",
   "Cathay (1915)",
   "Poems 1918-21, including Homage to Sextus Propertius"
  ]
 },
 "edition": "Ezra Pound: Personae (London: Elkin Mathews, 1909); Lustra (1916); Cathay (1915); Poems 1918-21 (1921) — all via Project Gutenberg",
 "license": "Public domain in the United States (all volumes published before 1930); Project Gutenberg packaging under the PG licence",
 "fetched": "2026-08-29",
 "works": {
  "count": 4,
  "units": "one file per volume",
  "per-work": "text/<gutenberg-id>-<volume>.txt",
  "originals": "original/gutenberg-<id>.txt"
 },
 "normalization": "Gutenberg header and footer stripped at the START/END markers; CRLF to LF; volume kept whole; no other alteration",
 "verified_loci": [
  "Personae (1909) — the title itself: the mask as authorial position",
  "Cathay (1915) — translation as the making of a voice",
  "Homage to Sextus Propertius, in Poems 1918-21 — the transform of a Latin source that Pound refused to call translation"
 ],
 "why_seated": "Pound is the middle term. Personae names the operation outright, and Homage to Sextus Propertius is the same manoeuvre Ginsberg later performs on Catullus 38: a Latin source whose form is tracked and whose register is inverted, defended by its author as something other than translation when the philologists complained. Seated so the Ginsberg/Catullus transform has a precedent inside the archive and the series Browning-Pound-Pessoa can be measured as one developing practice.",
 "lines_total": 7967
}