{
 "corpus": "artaud",
 "seat": "EA-CORPORA-27/06",
 "title": "Artaud in French, to 1929: the correspondence with Jacques Rivière in La Nouvelle Revue française (September 1924) and L'Art et la mort (1929)",
 "edition": "La Nouvelle Revue française, vol. 11 no. 132 (Paris, 1 September 1924), with Antonin Artaud's correspondence with Jacques Rivière, its first printing; periodical scan; Antonin Artaud, L'Art et la mort (Paris: Robert Denoël, 1929) — the first edition; University of Illinois copy",
 "language": "fra",
 "license": {
  "payload": "Public domain in the United States: every item was first published in 1930 or earlier, and every author died more than seventy years ago (Spinoza 1677, Leibniz 1716, Nietzsche 1900, Bergson 1941, Kafka 1924, Artaud 1948). Internet Archive scans of public-domain volumes; Project Gutenberg transcriptions under the Project Gutenberg License, whose header each file carries.",
  "record": "CC-BY-4.0 applies to this seat record only."
 },
 "fetched": "2026-10-27",
 "origin": {
  "items": [
   {
    "source": "Internet Archive",
    "identifier": "la-nouvelle-revue-francaise_1924-09-01_11_132",
    "url": "https://archive.org/details/la-nouvelle-revue-francaise_1924-09-01_11_132",
    "files": [
     "la-nouvelle-revue-francaise_1924-09-01_11_132.pdf",
     "la-nouvelle-revue-francaise_1924-09-01_11_132_djvu.txt"
    ]
   },
   {
    "source": "Internet Archive",
    "identifier": "lartetlamort00arta",
    "url": "https://archive.org/details/lartetlamort00arta",
    "files": [
     "lartetlamort00arta.pdf",
     "lartetlamort00arta_djvu.txt"
    ]
   }
  ],
  "fetched": "2026-10-27",
  "transport": "in-session fetch (Transport D); No-Double-Draw"
 },
 "works": {
  "count": 2,
  "units": "one text layer per item, beside its scan where one is held",
  "list": [
   {
    "slug": "nrf-1924-09-scan",
    "work": "La Nouvelle Revue française, vol. 11 no. 132 (Paris, 1 September 1924), with Antonin Artaud's correspondence with Jacques Rivière, its first printing; periodical scan",
    "text": "text/nrf-1924-09-scan.ocr.txt",
    "originals": [
     "original/la-nouvelle-revue-francaise_1924-09-01_11_132/la-nouvelle-revue-francaise_1924-09-01_11_132.pdf",
     "original/la-nouvelle-revue-francaise_1924-09-01_11_132/la-nouvelle-revue-francaise_1924-09-01_11_132_djvu.txt"
    ],
    "class": "Correspondence",
    "lines": 7854
   },
   {
    "slug": "art-et-mort-1929-scan",
    "work": "Antonin Artaud, L'Art et la mort (Paris: Robert Denoël, 1929) — the first edition; University of Illinois copy",
    "text": "text/art-et-mort-1929-scan.ocr.txt",
    "originals": [
     "original/lartetlamort00arta/lartetlamort00arta.pdf",
     "original/lartetlamort00arta/lartetlamort00arta_djvu.txt"
    ],
    "class": "Prose",
    "lines": 2285
   }
  ]
 },
 "normalization": "Internet Archive OCR text layers as fetched, uncorrected (text/<slug>.ocr.txt); the scan under original/<identifier>/ is the witness, and where the text layer misreads, the scan governs (the long s of the older type is read as f, and the loci that stand in OCR say so). Project Gutenberg transcriptions as fetched (text/<slug>.txt), with Project Gutenberg's header and licence, line endings normalized to LF; each is a transcription and is named as one. Every Internet Archive file checked against the md5 the Archive publishes, and every PDF opened.",
 "scope": "What of Artaud is in the public domain in the United States and was found open: the correspondence with Jacques Rivière as first printed in La Nouvelle Revue française of 1 September 1924, and L'Art et la mort (1929) in its first edition. QUEUED: L'Ombilic des limbes and Le Pèse-nerfs (1925), not found in an open scan. Not seated: Le Théâtre et son double (1938) and Pour en finir avec le jugement de dieu (recorded 1947, printed 1948), the text of the body without organs, in copyright in the United States until 2034 and 2044.",
 "verified_loci": [
  "NRF, 1 September 1924, the heading — 'UNE CORRESPONDANCE'",
  "NRF, 1 September 1924, Rivière's first letter — 'Le 25 juin 1923. CHER MONSIEUR,'",
  "NRF, 1 September 1924, the signature — 'ANTONIN ARTAUD.'",
  "L'Art et la mort, 1929, the imprint — 'Robert DENOEL, Editeur'"
 ],
 "loci_not_found": [],
 "lines_total": 10139,
 "why_seated": "MANUS, 27 October 2026, after the twenty-sixth seating: \"deleuze and guattari... no way around that copyright, huh?\" Told that every route through it is closed for decades, and offered a declared absence for them and the open sources they read: \"yes - i cant believe we havent seated spinoza yet. yes to all\" — and \"and leibniz' monodology only\". Artaud is seated as the source of the body without organs, which Deleuze and Guattari take from him in L'Anti-Œdipe (1972) and Mille plateaux (1980, plateau 6).",
 "spine": "EA-CORPORA-27 (#1712)",
 "ruling": "Seated in the language each wrote in, as far as the public domain of the United States reaches and an open witness was found, beside the declared absence of Deleuze and Guattari (27/07) (MANUS, 2026-10-27).",
 "axn": "AXN:072F.ORIGINAL.♉○🕖♣️👋🛤️",
 "axn_basis": {
  "sha256_of": "MANIFEST.sha256",
  "sha256": "aa9b6883bf5b02863637e8c8f553ee22c8599f0772d546c58eb01c136ab51356",
  "hex_of": "#1712 (AXN:072F.DATASET.🕗💚🌇↗️🕌🌲)",
  "family": "ORIGINAL",
  "glyph_table": "v2.1",
  "assigned": "2026-10-27"
 }
}