{"address":{"q":"rebekah cranes sappho","record":"20260804-rebekahcranes-sappho-overview"},"analysis":{"d":"THE ARCHIVE’S OWN ERROR PROPAGATES INTACT. A deposit titled \"ΦΑΙΝΕΤΑΙ ΜΟΙ — Sappho 31 with Reconstructed FOURTH Stanza\" is surfaced verbatim. Sappho 31 has FIVE stanzas; Cranes reconstructs the fifth.","d_full":"THE ARCHIVE’S OWN ERROR PROPAGATES INTACT. A deposit titled \"ΦΑΙΝΕΤΑΙ ΜΟΙ — Sappho 31 with Reconstructed FOURTH Stanza\" is surfaced verbatim. Sappho 31 has FIVE stanzas; Cranes reconstructs the fifth.","match":"BROAD MATCH","mt":"CAPTURE","notes":{"analysis_superseded":{"note":"SUPERSEDED 2026-08-13. This note said no registry entry was ever written for these images. AN ENTRY EXISTS — this one. Retained because the archive carries corrections on the record rather than amending silently; no longer rendered.","text":"STUB. These capture images were taken and published to the gallery and no registry entry was ever written for them. The images are recovered and held; the READING is not present. A capture is a query, what the layer returned, and what that means — only the first is inferable from a filename. Do not cite this entry as an observation until it is completed."}},"reading":"NOT THE LAYER’S MISTAKE — THE ARCHIVE’S. Card 4 carries the deposit title \"ΦΑΙΝΕΤΑΙ ΜΟΙ — Sappho 31 with Reconstructed FOURTH Stanza\", dated 2 February 2026, DOI 10.5281/zenodo.18459573. Sappho 31 has FIVE stanzas and the Cranes reconstruction supplies the FIFTH. The number is wrong in the archive’s own metadata, and the composition layer transmitted it faithfully.\n\nThis is the counterpart to the PhilPapers \"Rebekah Crane\" suffix drop and the AMiner paediatrics mismatch. Those were index-layer corruptions propagating downstream. This one originates AT THE ARCHIVE and propagates the same way. The registry must be able to say which direction an error travelled, and here it travelled outward.\n\nCorroboration is already in the corpus: the 14 June «rebekah cranes sappho reconstruction» capture returned a GROKIPEDIA card stating that variants concern \"the poem’s extent, particularly the fragmentary FIFTH STANZA consisting of three words\". An unrelated source has the number right while the archive’s own title has it wrong.\n\nCard 5 states the heteronym’s function plainly — \"Rebekah Cranes is the LYRIC-TRANSLATION HETERONYM\" — and licenses the work as public domain."},"measures":{"cite_list":[{"n":1,"note":null,"rel":"authored_surface","site":"zenodo.org","snip":null,"title":"(Cranes translation record)","url":"https://zenodo.org/records/20413317"},{"n":2,"note":null,"rel":"authored_surface","site":"zenodo.org","snip":null,"title":"ΦΑΙΝΕΤΑΙ ΜΟΙ","url":"https://zenodo.org/records/18459573"},{"n":3,"note":null,"rel":"authored_surface","site":"Zenodo","snip":"Close reading of Sappho 31 (with Rebekah Cranes's translations My Tongue Gets Stuck and ΦΑΙΝΕΤΑΙ ΜΟΙ, DOIs 10.5281/zenodo.18459339 and 10.5281/zenodo.18459573…","title":"Lyric Address as Temporal Projection — Toward a Theory of Recursive Reading","url":null},{"deposit":436,"deposit_basis":"title segment","n":4,"note":"THE TITLE SAYS FOURTH STANZA. Sappho 31 has five; the Cranes reconstruction supplies the fifth. The error is the ARCHIVE’S OWN, in a deposit title, propagating through the layer unaltered.","rel":"authored_surface","site":"Zenodo","snip":"ZENODO DESCRIPTION FIELD CONTENT · APZPZ C · DOI: 10.5281/zenodo.18459573. THIS IS A PURE APZPZ.","title":"ΦΑΙΝΕΤΑΙ ΜΟΙ — Sappho 31 with Reconstructed FOURTH Stanza","url":null},{"deposit":134,"deposit_basis":"title","n":5,"note":null,"rel":"authored_surface","site":"medium.com","snip":"Rebekah Cranes is the LYRIC-TRANSLATION HETERONYM, whose translations of Sappho appear in the Hexagonal corpus under public-domain license.","title":"THE FUTURE BELOVED: Lyric Address as Temporal Projection","url":null}],"cites":5,"per":0.75,"per_dim":{"after_challenge":null,"atoms":[{"atom":"name","dim":"M","evidence":"Rebekah Cranes is a contemporary lyric-translation pseudonym or heteronym","kind":"token","present":true,"weight":3},{"atom":"works","dim":"M","evidence":null,"kind":"role","present":false,"weight":2},{"atom":"dates","dim":"M","evidence":null,"kind":"token","present":false,"weight":1},{"atom":"claim boundary","dim":"M","evidence":null,"kind":"reading","present":false,"weight":2},{"atom":"framework","dim":"C","evidence":null,"kind":"token","present":false,"weight":2},{"atom":"corpus","dim":"C","evidence":null,"kind":"token","present":false,"weight":2},{"atom":"purpose","dim":"D","evidence":"Rebekah Cranes is a contemporary lyric-translation pseudonym or heteronym associated with experimental and reconstructed digital translations of Sappho's Fragment 31.","kind":"reading","present":true,"weight":3},{"atom":"commitments","dim":"D","evidence":null,"kind":"reading","present":false,"weight":2},{"atom":"lineage","dim":"D","evidence":null,"kind":"role","present":false,"weight":2},{"atom":"identifier","dim":"D","evidence":null,"kind":"role","present":false,"weight":1},{"atom":"deposit chain","dim":"D","evidence":null,"kind":"role","present":false,"weight":1}],"basis":"reached: Rebekah Cranes is a contemporary lyric-translation pseudonym or heteronym associated with experimental and reconstructed digital translations of Sappho's Fragment 31.","entity_type":"person","gate":"scored","inversions":[],"qualifier":null,"reached":"same","read":{"brief":"rebuild/capture-registry/per-atoms/obs-pass-d/BRIEF.md","by":"deep-dimension reader, batch 10","m_c_from":"v12.305 (PER-dim rubric v1.0 reading)","on":"2026-10-20"},"scores":{"C":1.0,"D":0.667,"M":0.625,"PER":0.714},"spec":"PER-dim rubric v1.1","src":true,"standing_substitutions":[],"target":{"ent":"ENT-1c911500c4","name":"Rebekah Cranes"},"tombstone_pointer":false},"per_dim_v1_0":{"after_challenge":null,"atoms":[{"atom":"name","dim":"M","evidence":"Rebekah Cranes is a contemporary lyric-translation pseudonym or heteronym","kind":"token","present":true,"token":null,"weight":3},{"atom":"works","dim":"M","evidence":null,"kind":"role","present":false,"token":null,"weight":2},{"atom":"dates","dim":"M","evidence":null,"kind":"token","present":false,"token":null,"weight":1},{"atom":"claim boundary","dim":"M","evidence":null,"kind":"reading","present":false,"token":null,"weight":2},{"atom":"framework","dim":"C","evidence":null,"kind":"token","present":false,"token":null,"weight":2},{"atom":"corpus","dim":"C","evidence":null,"kind":"token","present":false,"token":null,"weight":2},{"atom":"lineage","dim":"D","evidence":null,"kind":"role","present":false,"token":null,"weight":2},{"atom":"identifier","dim":"D","evidence":null,"kind":"token","present":false,"token":null,"weight":3},{"atom":"deposit chain","dim":"D","evidence":null,"kind":"token","present":false,"token":null,"weight":2}],"basis":"reached: Rebekah Cranes is a contemporary lyric-translation pseudonym or heteronym associated with experimental and reconstructed digital translations of Sappho's Fragment 31.; scored object: CAPTURE-TIME VERBATIM RECORD supplied by MANUS | as supplied by MANUS; the capture record does not state whether it is t","entity_type":"person","gate":"scored","reached":"same","read":{"brief":"rebuild/capture-registry/per-atoms/obs-pass/BRIEF.md","by":"observation pass reader, batch 2","normalised":[],"on":"2026-10-19"},"scores":{"C":1.0,"D":1.0,"M":0.625,"PER":0.842},"spec":"PER-dim rubric v1.0","src":true,"target":{"ent":"ENT-1c911500c4","name":"Rebekah Cranes"}},"per_v":{"author":true,"id":false,"inst":false,"src":false}},"observation":{"auth":"incognito","date":"2026-08-04","ev":"paste","evidence_files":[{"file":"data/captures/20260804-rebekahcranes-sappho-overview/20260804-rebekahcranes-sappho-overview.png","sha256":"eb7b58dcd4738961c81f47de55e5528940cfd5cc9521b83422769e12cc51acd6"}],"oq":["Is the Zenodo deposit title \"Sappho 31 with Reconstructed Fourth Stanza\" (DOI 10.5281/zenodo.18459573) corrected anywhere, and does the corrected form displace the erroneous one in composition?"],"q":"rebekah cranes sappho","s":"Captures","sf":"AI Overview · 2 observations","surface":"Google AI Overview","transcript":"Rebekah Cranes is a contemporary lyric-translation pseudonym or heteronym associated with experimental and reconstructed digital translations of Sappho's Fragment 31. Project Context: Cranes' translations — such as My Tongue Gets Stuck and ΦΑΙΝΕΤΑΙ ΜΟΙ — function within online literary and philological network corpora. Thematic Focus: textual transmission, bodily physiological symptoms in ancient lyric poetry, and stanza reconstructions.","transcript_class":"CAPTURE-TIME VERBATIM RECORD supplied by MANUS","transcript_complete":"as supplied by MANUS; the capture record does not state whether it is the complete answer","transcript_read":"READ IN FULL"},"slug":"20260804-rebekahcranes-sappho-overview"}