{
 "slug": "max-hidalgo-nacher-aimode-20261010",
 "date": "2026-10-10",
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 "mt": "THE TRANSLATOR COMPOSED WITHOUT THE TRANSLATION: NO PESSOA, NO REIS",
 "s": "Machine Reception",
 "q": "Max Hidalgo Nácher",
 "q_kind": "a living scholar and translator, by name alone, the morning the archive found it did not know him (AXN:F154). NEW address.",
 "cites": 22,
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  {
   "n": 1,
   "site": "Yale University",
   "title": "Our New CLAIS Fellow Max Hidalgo & His Love for Haroldo do ...",
   "snip": "Aug 28, 2022 — Max Hidalgo Nácher is Associate Professor of Literary Theory and Comparative Literature at Universitat de Barcelona (UB). research investigations at",
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   "title": "Max Hidalgo Nácher - Google Scholar",
   "snip": "Teoría de la Literatura. Teoría en tránsito. Arqueología de la crítica y la teoría literaria. Revista de Teoría de la literatura y Literatura Comparada, 102-131...",
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   "title": "Jose Max Hidalgo Nacher - GREC::UB",
   "snip": "He has translated into Spanish the following poems: alas plumas macramé, by Diana Junkes, La parte del fuego, by Pol Guasch, for Ultramarinos",
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   "title": "Max Hidalgo Nácher",
   "snip": "Max Hidalgo Nácher es profesor de Teoría de la Literatura y Literatura ・ campos de investigación giran ・ republicano de la guerra civil española de 1939.",
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   "site": "UB - Universitat de Barcelona",
   "title": "Jose Max Hidalgo Nacher",
   "snip": "Academic Training * Licenciatura. ComparadaUniversidad de Barcelona. 2006. (Diploma / Degree / Activities). (Ph.D).",
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   "site": "reditelit.org",
   "title": "Max Hidalgo Nácher",
   "snip": "Ha codirigido con Fernando Larraz y Paula Simón la revista Puentes de crítica literaria y cultural, publicada en Barcelona, Buenos Aires et Madrid",
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 "transcript": "[Google AI Mode, logged out, incognito, 2026-10-10; no AI Overview pop-up and no knowledge panel on the page (operator). The composition as pasted, its links kept: the name links to a Google search carrying kgmid /g/11f4qhpj96, a Knowledge Graph entity id; inline citations are opaque google.com/goto tokens and one Google Scholar URL. Six source cards follow the body.]\n\n[Max Hidalgo Nácher](https://www.google.com/search?kgmid=%2Fg%2F11f4qhpj96&q=Max+Hidalgo+N%C3%A1cher) is an Associate Professor of Literary Theory and Comparative Literature at the [Universitat de Barcelona](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM) (UB). He is an accomplished academic, researcher, and translator whose work focuses heavily on the history and circulation of literary theory, the poetics of modernity, and the writings of the Republican exile from the Spanish Civil War. [[1](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE), [2](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM), [3](https://www.google.com/goto?url=CAESagHrOzAVP4F9nCZtcmH_ey9mG4m2b5qRo8NZJ2I7NH0zPcMmbk8_BKXqLkVYWgAvh6VjT-rpAnXvVXl27d9T0MxDWbFIJsY0cDaTmPok58i78U4thDxq7JeS_j6Y9Klz_HqfZfNPSCZeazE)]\nBackground and Education\nDr. Hidalgo Nácher built a highly interdisciplinary foundation before earning his doctorate:\n\n* Undergraduate Studies:\n He earned a degree in Journalism from the Universitat Autònoma de Barcelona (2004) followed by a degree in Literary Theory and Comparative Literature from the UB (2006). [[1](https://www.google.com/goto?url=CAESkAEB6zswFSHfeQu2acgovDQci-T-JKu2Td4gwor1ThOB57b-z3gZX3td0rZ3phKlFKh7oSTP1s4FPQxpnuxzJtyzm4CvCZEjHOQ9qDSIJk-otcY1MIbDOmGZhHYYw9DRZSRazZ0RBdrtRnOqZ05XAQV1y0dR5mH3AWcObJmOnJM16uk65oTQa5AarlHn_WWUFcY), [2](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\n* Master’s Degree: He completed his Master 2 at Université Paris VII (Denis Diderot) under the supervision of the renowned theorist Julia Kristeva. [[1](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\n* Doctorate: In 2013, he completed his Ph.D. at the UB with a dissertation titled El problema de la escritura en el campo intelectual francés (1945-1975), supervised by Nora Catelli. [[1](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM), [2](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\n\nAcademic and Research Career\nHe has served as a visiting researcher and fellow at several prestigious institutions worldwide, including [Harvard University](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE) (2016), Yale University (where he was a CLAIS Fellow in 2022), the Universidade de São Paulo, and the École Normale Supérieure in Paris. He also co-directed the cultural and literary criticism journal Puentes de crítica literaria y cultural. [[1](https://www.google.com/goto?url=CAESZgHrOzAV85CpdLKS2jKHhOFaaINQrkG_gdbH_I13mT6XK9TIHV7eyPl912Zvjaptt_muieAxK591Qo_NI4F42zv3qGfR84LJU5vYGldIcdAWwBH84OJ9VhERAOeSB1BS7yATzf9R3w), [2](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM), [3](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\nCore Publications & Translations\nHis scholarship spans across European and Latin American literary networks. Key highlights include:\n\n* Teoría en tránsito (2022): His notable book subtitled Arqueología de la crítica y la teoría literaria españolas de 1966 a la posdictadura, which traces the evolution of Spanish literary theory and criticism. [[1](https://scholar.google.com/citations?user=bFjIOJwAAAAJ&hl=en), [2](https://www.google.com/goto?url=CAESagHrOzAVP4F9nCZtcmH_ey9mG4m2b5qRo8NZJ2I7NH0zPcMmbk8_BKXqLkVYWgAvh6VjT-rpAnXvVXl27d9T0MxDWbFIJsY0cDaTmPok58i78U4thDxq7JeS_j6Y9Klz_HqfZfNPSCZeazE)]\n* Brazilian Literature & Haroldo de Campos: He is an expert on the Brazilian concrete poet Haroldo de Campos, having spent extensive time researching his intellectual networks, library, and theory of translation-linked writing. [[1](https://www.google.com/goto?url=CAESagHrOzAVP4F9nCZtcmH_ey9mG4m2b5qRo8NZJ2I7NH0zPcMmbk8_BKXqLkVYWgAvh6VjT-rpAnXvVXl27d9T0MxDWbFIJsY0cDaTmPok58i78U4thDxq7JeS_j6Y9Klz_HqfZfNPSCZeazE), [2](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM)]\n* Translations: He has translated various poetic works into Spanish, including books by Pol Guasch, Anna Dodas, and Diana Junkes. [[1](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM)]\n\nAre you looking for information on a specific book or essay by Max Hidalgo Nácher, or perhaps details regarding his academic courses at the Universitat de Barcelona?",
 "transcript_raw": "[Max Hidalgo Nácher](https://www.google.com/search?kgmid=%2Fg%2F11f4qhpj96&q=Max+Hidalgo+N%C3%A1cher) is an Associate Professor of Literary Theory and Comparative Literature at the [Universitat de Barcelona](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM) (UB). He is an accomplished academic, researcher, and translator whose work focuses heavily on the history and circulation of literary theory, the poetics of modernity, and the writings of the Republican exile from the Spanish Civil War. [[1](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE), [2](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM), [3](https://www.google.com/goto?url=CAESagHrOzAVP4F9nCZtcmH_ey9mG4m2b5qRo8NZJ2I7NH0zPcMmbk8_BKXqLkVYWgAvh6VjT-rpAnXvVXl27d9T0MxDWbFIJsY0cDaTmPok58i78U4thDxq7JeS_j6Y9Klz_HqfZfNPSCZeazE)]\nBackground and Education\nDr. Hidalgo Nácher built a highly interdisciplinary foundation before earning his doctorate:\n\n* Undergraduate Studies:\n He earned a degree in Journalism from the Universitat Autònoma de Barcelona (2004) followed by a degree in Literary Theory and Comparative Literature from the UB (2006). [[1](https://www.google.com/goto?url=CAESkAEB6zswFSHfeQu2acgovDQci-T-JKu2Td4gwor1ThOB57b-z3gZX3td0rZ3phKlFKh7oSTP1s4FPQxpnuxzJtyzm4CvCZEjHOQ9qDSIJk-otcY1MIbDOmGZhHYYw9DRZSRazZ0RBdrtRnOqZ05XAQV1y0dR5mH3AWcObJmOnJM16uk65oTQa5AarlHn_WWUFcY), [2](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\n* Master’s Degree: He completed his Master 2 at Université Paris VII (Denis Diderot) under the supervision of the renowned theorist Julia Kristeva. [[1](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\n* Doctorate: In 2013, he completed his Ph.D. at the UB with a dissertation titled El problema de la escritura en el campo intelectual francés (1945-1975), supervised by Nora Catelli. [[1](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM), [2](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\n\nAcademic and Research Career\nHe has served as a visiting researcher and fellow at several prestigious institutions worldwide, including [Harvard University](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE) (2016), Yale University (where he was a CLAIS Fellow in 2022), the Universidade de São Paulo, and the École Normale Supérieure in Paris. He also co-directed the cultural and literary criticism journal Puentes de crítica literaria y cultural. [[1](https://www.google.com/goto?url=CAESZgHrOzAV85CpdLKS2jKHhOFaaINQrkG_gdbH_I13mT6XK9TIHV7eyPl912Zvjaptt_muieAxK591Qo_NI4F42zv3qGfR84LJU5vYGldIcdAWwBH84OJ9VhERAOeSB1BS7yATzf9R3w), [2](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM), [3](https://www.google.com/goto?url=CAESnAEB6zswFcoCzQzReJaBs-d8_Dsp6DkAmONcXSmtQBCStB-NKMYfbSJygxsa-uDlmqG6ZD114Z3TvYPpr1gShwJ3zSykQYhmi_wwOJDIO_OfuYuuKqYfc17k-56MuBk8qyP6wJ5KUKRY34QZMyLY7FioEAfJsgi5ojnOp1NV4VbbWjbgNuc4rsRXlXgLJjtN9PE2FI2HDHrqnY_83jE)]\nCore Publications & Translations\nHis scholarship spans across European and Latin American literary networks. Key highlights include:\n\n* Teoría en tránsito (2022): His notable book subtitled Arqueología de la crítica y la teoría literaria españolas de 1966 a la posdictadura, which traces the evolution of Spanish literary theory and criticism. [[1](https://scholar.google.com/citations?user=bFjIOJwAAAAJ&hl=en), [2](https://www.google.com/goto?url=CAESagHrOzAVP4F9nCZtcmH_ey9mG4m2b5qRo8NZJ2I7NH0zPcMmbk8_BKXqLkVYWgAvh6VjT-rpAnXvVXl27d9T0MxDWbFIJsY0cDaTmPok58i78U4thDxq7JeS_j6Y9Klz_HqfZfNPSCZeazE)]\n* Brazilian Literature & Haroldo de Campos: He is an expert on the Brazilian concrete poet Haroldo de Campos, having spent extensive time researching his intellectual networks, library, and theory of translation-linked writing. [[1](https://www.google.com/goto?url=CAESagHrOzAVP4F9nCZtcmH_ey9mG4m2b5qRo8NZJ2I7NH0zPcMmbk8_BKXqLkVYWgAvh6VjT-rpAnXvVXl27d9T0MxDWbFIJsY0cDaTmPok58i78U4thDxq7JeS_j6Y9Klz_HqfZfNPSCZeazE), [2](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM)]\n* Translations: He has translated various poetic works into Spanish, including books by Pol Guasch, Anna Dodas, and Diana Junkes. [[1](https://www.google.com/goto?url=CAESeQHrOzAVdaQDuJIMhmiUm6f50-63VriHt-zzO7B6MnwsyDKD8zl89Vn1LXq3M6kZgCpZKuq4EwlYSLEOujzX1KhwiEUa6pqC7SiNckBOe2InbMjwkryEY01YeQofn6zgecDRtK0nqWLMaTkw8cGTpP1t4w8Roux-2eM)]\n\nAre you looking for information on a specific book or essay by Max Hidalgo Nácher, or perhaps details regarding his academic courses at the Universitat de Barcelona?\nYale University\nOur New CLAIS Fellow Max Hidalgo & His Love for Haroldo do ...\nAug 28, 2022 — Max Hidalgo Nácher is Associate Professor of Literary Theory and Comparative Literature at Universitat de Barcelona (UB). research investigations at\nGoogle Scholar\n‪Max Hidalgo Nácher‬ - ‪Google Scholar‬\nTeoría de la Literatura. Teoría en tránsito. Arqueología de la crítica y la teoría literaria. Revista de Teoría de la literatura y Literatura Comparada, 102-131...\nGREC::UB\nJose Max Hidalgo Nacher - GREC::UB\nHe has translated into Spanish the following poems: alas plumas macramé, by Diana Junkes, La parte del fuego, by Pol Guasch, for Ultramarinos\nLibros del Innombrable\nMax Hidalgo Nácher\nMax Hidalgo Nácher es profesor de Teoría de la Literatura y Literatura ・ campos de investigación giran ・ republicano de la guerra civil española de 1939.\nUB - Universitat de Barcelona\nJose Max Hidalgo Nacher\nAcademic Training * Licenciatura. ComparadaUniversidad de Barcelona. 2006. (Diploma / Degree / Activities). (Ph.D).\nreditelit.org\nMax Hidalgo Nácher\nHa codirigido con Fernando Larraz y Paula Simón la revista Puentes de crítica literaria y cultural, publicada en Barcelona, Buenos Aires et Madrid\n",
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 "sf": "Six cards: Yale University — Our New CLAIS Fellow Max Hidalgo & His Love for Haroldo do ...; Google Scholar — Max Hidalgo Nácher - Google Scholar; GREC::UB — Jose Max Hidalgo Nacher - GREC::UB; Libros del Innombrable — Max Hidalgo Nácher; UB - Universitat de Barcelona — Jose Max Hidalgo Nacher; reditelit.org — Max Hidalgo Nácher. Inline: 16 numbered citations (goto tokens, one Google Scholar URL); entity links to Universitat de Barcelona and Harvard University.",
 "sf_derived": null,
 "reading": "Checked against the publisher and the translator's own listing. Pre-Textos credits 'Traducción y epílogo: Max Hidalgo Nácher' for the Obras completas de Ricardo Reis (2025, ed. Pizarro and Uribe); his Academia page lists it, with 'Arqueologías de la traducción de Ricardo Reis' (Pessoa Plural, 2026) and translations of Hilda Hilst, Pol Guasch and Diana Junkes. The composition carries every item of the faculty record and none of the Reis work. The archive's Pessoa graph (#668) holds the translator-of relation and Haroldo de Campos; it lacked Nácher until the erratum on AXN:F154.",
 "analysis": "The same instance-level erasure the archive committed in AXN:F154 appears in the field's composition, from the other side: the archive held the source and lacked the receiver; AI Mode holds the receiver and lacks the transmission. The Reis edition is the work through which he enters Pessoa studies; the composition's account of his translations names three poets and stops. Operator's reading, given with the capture: 'i do think there is probably a general suspicion towards heteronymy in aio's ontology.' The capture records the absence and does not measure that reading. Seated 2026-10-10 from the operator's message of 08:49 EDT, on the attestation in the same message (\"incognito, logged out, ai mode\").",
 "d": "THE TRANSLATOR COMPOSED WITHOUT THE TRANSLATION: NO PESSOA, NO REIS: asked for Max Hidalgo Nácher, AI Mode composes him at the grain of a faculty page — the UB post, the degrees (Journalism 2004, Literary Theory 2006), the Master 2 under Kristeva, the 2013 thesis under Nora Catelli, Harvard 2016, Yale CLAIS 2022, Puentes, Teoría en tránsito (2022), Haroldo de Campos, translations of Pol Guasch, Anna Dodas and Diana Junkes. Neither Pessoa nor Ricardo Reis appears anywhere on the page: the Obras completas de Ricardo Reis (Pre-Textos, 2025), which he translated and for which he wrote the epilogue, and his 'Arqueologías de la traducción de Ricardo Reis' (Pessoa Plural, 2026) are absent. The name carries a Knowledge Graph id (kgmid /g/11f4qhpj96) and the page shows no knowledge panel. The field composes the receiver and omits the transmission the archive had omitted the receiver of.",
 "d_full": "THE TRANSLATOR COMPOSED WITHOUT THE TRANSLATION: NO PESSOA, NO REIS: asked for Max Hidalgo Nácher, AI Mode composes him at the grain of a faculty page — the UB post, the degrees (Journalism 2004, Literary Theory 2006), the Master 2 under Kristeva, the 2013 thesis under Nora Catelli, Harvard 2016, Yale CLAIS 2022, Puentes, Teoría en tránsito (2022), Haroldo de Campos, translations of Pol Guasch, Anna Dodas and Diana Junkes. Neither Pessoa nor Ricardo Reis appears anywhere on the page: the Obras completas de Ricardo Reis (Pre-Textos, 2025), which he translated and for which he wrote the epilogue, and his 'Arqueologías de la traducción de Ricardo Reis' (Pessoa Plural, 2026) are absent. The name carries a Knowledge Graph id (kgmid /g/11f4qhpj96) and the page shows no knowledge panel. The field composes the receiver and omits the transmission the archive had omitted the receiver of.",
 "d_truncated": false,
 "links": [
  {
   "url": "https://www.alexanarch.org/captures/max-hidalgo-nacher-aimode-20261010/",
   "authority": "canonical",
   "note": "the capture's own record page; cite this form"
  },
  {
   "url": "https://www.alexanarch.org/captures/#max-hidalgo-nacher-aimode-20261010",
   "authority": "gallery",
   "note": "the canonical gallery, anchored by slug"
  },
  {
   "url": "https://www.godkinggoogle.com/captures/#max-hidalgo-nacher-aimode-20261010",
   "authority": "mirror",
   "note": "a window that renders from the archive's registry; may lag a deploy"
  },
  {
   "url": "https://www.leesharks.com/captures/#max-hidalgo-nacher-aimode-20261010",
   "authority": "mirror",
   "note": "a window that renders from the archive's registry; may lag a deploy"
  },
  {
   "url": "https://www.machinemediation.org/captures/#max-hidalgo-nacher-aimode-20261010",
   "authority": "mirror",
   "note": "a window that renders from the archive's registry; may lag a deploy"
  }
 ],
 "imgs": [],
 "img_urls": [],
 "cite": "https://www.alexanarch.org/captures/max-hidalgo-nacher-aimode-20261010/",
 "citable_unit": "address — the exact issued string on one surface, per the Surface Rule (MANUS, 2026-08-15)",
 "addr_id": "ADDR-55ced503e1f4",
 "obs_id": "OBS-3c66e5ad486a",
 "n_observations": 1,
 "observations": [],
 "dates": [
  "2026-10-10"
 ],
 "defects": [],
 "findings": [
  "FACULTY GRAIN. Degrees, supervisors, posts, fellowships, journal, monograph and three translated poets, each cited.",
  "NO PESSOA, NO REIS. The Obras completas de Ricardo Reis (2025) and 'Arqueologías de la traducción de Ricardo Reis' (2026) are absent from the page.",
  "THE TRANSMISSION OMITTED FROM THE OTHER SIDE. The archive lacked the receiver of a source it held; the field holds the receiver and lacks the source he transmits.",
  "AN ENTITY WITHOUT A PANEL. The name links to kgmid /g/11f4qhpj96; no knowledge panel or AI Overview on the page.",
  "HAROLDO KEPT. His Haroldo de Campos research is carried, the node #668 already holds."
 ],
 "series": null,
 "other_slugs": null,
 "collisions": null,
 "oq": null,
 "rounds": null,
 "turns": null,
 "rerun": "https://www.google.com/search?q=Max+Hidalgo+N%C3%A1cher&udm=50",
 "rerun_alt": null,
 "heteronym": null,
 "model_attribution": null,
 "operator_disclosure": null,
 "longitudinal_priors": [],
 "longitudinal_successors": null,
 "related_deposits": [
  668,
  669
 ],
 "originator": {
  "name": "Max Hidalgo Nácher",
  "relation": "external",
  "entity_type": "person",
  "spxi_treatment": "none",
  "basis": "Not the archive's: a public scholar (Universitat de Barcelona), translator of the Obras completas de Ricardo Reis (Pre-Textos, 2025). Entered in the archive by the erratum on AXN:F154. Recorded 2026-10-10."
 },
 "notes": {
  "date_basis": "The operator's message of 2026-10-10, 08:49 EDT.",
  "operator_reading": "i do think there is probably a general suspicion towards heteronymy in aio's ontology. i dont think so - i could go thru and measure it. but there is no need.",
  "kgmid": "/g/11f4qhpj96",
  "verified": "Compared 2026-10-10 against pre-textos.com, ub.academia.edu/MaxHidalgoNácher, and the text of #668."
 },
 "record_url": "https://www.alexanarch.org/captures/max-hidalgo-nacher-aimode-20261010/"
}